Fashion writing keeps coming back into my wheelhouse. What’s interesting about this is that I never suspected fashion writing could even be in my wheelhouse given my less than fashionable wardrobe and my own disregard for elements of style in the way I dress. Don’t get me wrong, I like to look nice as much as the next person, but I’ve never spent much time or effort considering or cultivating a personal look or style for myself and I don’t pay much attention to buying fashionable brands. But in the last half dozen years I’ve found myself writing a fair amount about fashion. Part of that is a function of the fact that I am a cultural writer and fashion is a part of the cultura fabric, so to speak, of any metropolitan area. And so just as I write about film, television, theater, literature and many other aspects and streams of Omaha’s cultural life, I have found myself writing about fashion. Still, I likely wouldn’t have begun covering the fashion scene were it not for falling in with some of the very people who have nurtured the fashion scene here. That association led me to write about Omaha Fashion Week just as it was taking off and before I knew it I was penning stories about Omaha fashion, past and present, for Omaha Fashion Magazine and other publications. You’ll find those stories on this blog. The following story for Metro Magazine profiles four designers who are a part of that emerging scene. Has any of this work about fashion made me more fashion conscious in the way I dress? Not really. But I do have an enhanced appreciation for what individuals do in the fashion world, whether designers or models or hair and makeup artists.
Omaha’s Emerging Fashion Culture
Though far from a fashion center, Omaha’s always been home to people involved in the design, merchandising and consumption of fashion. While still not a couture capital, the city’s seen the emergence of a fashion culture giving local designers more opportunities to get their work seen and fashionistas new talents to support.
Helping lead this revolution is Omaha Fashion Week and the professional platform it provides independent fashion designers to showcase their work. The companion Fashion Institute Midwest nurtures aspiring designers and supports the region’s fashion ecosystem through training, resources and business incubation.
OFW designers are a diverse lot but all embody a passion for fashion and creativity that is part of their DNA. The four designers profiled here create highly distinct collections that are personal expressions of themselves. Each has been immersed in fashion for as long as they can remember, Each has been embraced by the local fashion community. They are part of a burgeoning creative class scene and design-style conscious movement that’s changing the perception of Omaha from fashion desert to oasis and from nondescript Midwest town to exciting hub for sophisticated fun.
They will be among the featured designers during the March 4-9 OFW event at the Omar Building, 4823 Nicholas Street.
Meet the designers:
Kate Walz at work
Seventeen-year-old Millard North High School junior Kate Walz has already shown her chic designs in her hometown, in Kansas City and in New York City.
She did her first OFW show at 13 and has now presented eight collections there. She made it to the Big Apple when she debuted her fall collection in an offsite New York Fashion Week show. She’s also Spokes Designer for Fashion Camp NYC, a day camp for teens wanting fashion careers.
All in all, she’s just the kind of promising young talent Omaha style-conscious, fashion-forward patrons hope to put over the top.
Walz doesn’t get caught up in her fast rise or bright future because she’s doing what comes naturally to her.
“My mom says I’ve been drawing dresses since I could hold a crayon. I first started sewing and draping at 8 in 4-H. I participated in the fashion and sewing competitions and found success, winning the title Grand Champion against all the high school kids. When I was 12 I started making my own patterns and selling my garments at Bellwether Boutique in downtown Omaha.”
She describes as her “biggest mentor” Bellwether’s late owner, Jessica Latham.
“I wouldn’t be anywhere near where I am in my fashion career if she hadn’t let me start selling my designs in Bellwether. I value the advice she has given me the most.”
Walz says she appreciates OFW showing her “what it’s like to be in a professional environment,” adding, “They’ve given me exposure and experience I haven’t found anywhere else.” Fashion Institute Midwest workshops, she says, have taught her pattern grading and pitching her brand. The Institute sponsored her New York Fashion Week trip.
She absorbs all she can from more experienced designers.
“My biggest inspirations are some of Omaha’s local designers: Buf Reynolds, Dan Richters, Jane Round, Megan Hunt, Audi Helkuik. They all have given me such great advice. It’s an honor to get to work alongside some of them.
“Really all local designers have been great mentors to me. The OFW team has also been a big help in directing me in the right path for both my design work and business decisions.”
Walz says she’s “tried all different kinds of looks” for her women’s wear line while “searching for my signature voice,” adding, “What I try to achieve as a designer is a balance between being conceptual, conventional and cohesive. Reoccurring characteristics in my clothing are femininity, attention to detail and a vintage vibe.”
She embraces Omaha’s growing fashion scene.
“The exposure has opened so many doors for us local designers.”
At a tender age she had to prove herself to doubters, though she finds widespread acceptance today.
“One of my biggest challenges has been people not taking me seriously because I am so young, although it’s not much of a problem anymore.”
Walz counts her greatest triumph being selected Spokes Designer for Fashion Camp NYC.
“They flew me to New York for 10 days to mentor fellow fashion campers from all over the world. I also had the privilege of meeting people at the top of the industry.”
After high school she has her sights set on attending Parsons The New School for Design.
“It is my dream to one day open up my own boutique in New York and eventually have my clothing carried in high-end department stores.”
Follow her at http://www.katewalz.com.
Aubrey Sookram walking the runway with child models wearing her designs, ©James Burnett, Omaha World-Herald
Hartington, Neb. native Aubrey Sookram has created a boutique children’s brand, Markoos Modern Design, that’s carried on the popular shopping site for moms, Zulily.com.
Her passion for fashion began as a girl.
“I wore a uniform to school on a daily basis all the way through high school,” she says “I definitely took casual days and dress-up days as an opportunity to express myself.”
Her creativity comes out in multiple ways.
“It actually took me a bit to decide what medium I was going to focus on. I adore interior design. I also like power tools. I will try creating anything at least once.”
She’s been intentional about making fashion a career.
“I have a degree in marketing with minors in merchandising and fashion design from the University of Nebraska-Lincoln. I taught myself to sew.”
Ideas for her children’s wear designs come from various sources for this wife and mother of three.
“I love vintage Dior and the simplicity of modern designers like Ralph Lauren, Halston and Kate Spade. I like clean design. A lot of my designs are a hybrid of retro and modern styles. I find inspiration in everything from architecture, fine arts, designers old and new and pop culture. Right now I am finding a lot of inspiration from music and movies from my youth.
“My new fall collection is based on a movie from the ’90s. Stay tuned.”
Her penchant for eclectic combos helps her work stand out.
“I love to mix patterns, colors and textures. Many designs start with fairly classic silhouettes but seem to morph into something more modern. I adore bold color.”
This entrepreneur appreciates the support she and other designers find through OFW.
“Omaha Fashion Week has been an incredible confidence booster and resource. I have gotten the chance to work closely with other children’s designers, such as Hollie Hanash and Yolanda Diaz. All the designers are supportive of one another. They’re a source of endless wisdom and practical knowledge.”
She says a fashion designer from here can be a success nationally but many hurdles must be cleared.
“The logistical issues are daunting. There is a limited number of fabric stores in the metro, so one can expect to travel to larger cities for fabric sourcing and production. As my business has grown, this problem has as well.”
Then there’s the time and money it takes to market your work.
“You can design the most amazing line but if no one knows about it you may as well pack it up and head home. Finding the right marketing streams is so very important and when you are starting out you need to do it as frugally as possible.”
Undaunted, Sookram says she’s moving into production. “I am working to get into boutiques and stores throughout the country and will be continuing my relationship with Zulily.com. I am always keeping my eyes open for new opportunities.”
Shop Sookram at http://www.etsy.com/shop/MarKoosModernDesign.
Fella and model walk the runway, ©Matt Miller, Omaha World-Herald
Fella, aka Wayne Vaughn
No matter where Fella, aka Wayne Vaughn, lived growing up in an Air Force family he indulged his love for clothes. His immersion in things couture went to a whole new level when at 14 he got the opportunity to work and hang out backstage at an Ebony Fashion Show.
“Being that close to those beautiful garments I knew then I wanted to design clothing,” says Vaughn, who has a Fella line of men’s and women’s clothing, costumes and wedding dresses. He paints, dyes and weaves some of his own fabrics..
In his late teens he lived in the United Kingdom, where he graduated from Lakenheath High School in Lakenheath, England. After his father was stationed at Offutt Air Force Base in Bellevue, Neb., Vaughn studied his craft at UNO and UNL, steeping himself in textiles, clothing, design, art, art history and costume design.
In 20-plus years as a designer he’s developed a look that emphasizes color, assorted patterns and interesting textures. He counts as influences Ralph Rucci, Christian Dior and Alexander McQueen. His extensive travels offer further inspiration.
His own work increasingly expresses thematic concerns and narratives. He says he imagines storylines about the women who wear his clothes and why they need his designs, His last collection’s colors were red and black and took their cue from a 19th century woman he concocted. He says of his muse: “She just got some new fabric from India and gave it to her dressmaker for a new wardrobe. The woman just had a new beginning and she needed clothing to party in.”
Vaughn’s new fall-winter collection is winter white gold with pops of color and incorporates Eskimo and Russian influences.
He’s now collaborating with two Omaha area designers, hatmaker Margie Trembley and crocheter Susan Ludlow, on his new collection.
Vaughn gets his work seen at private viewings and trunk shows. Maude Boutique in mid-town Omaha carries his clothes. He says OFW gives him yet another “great platform to showcase my vision of fashion.” The exposure from OFW events, he says, helps him “gain more of a customer base.” He says his last collection sold especially well and netted him a new batch of clients.
For anyone trying to make it as a fashion designer in Omaha, he says, the key is “getting your name out and letting people know that a custom-made garment may not be as expensive as they think.” He says designers like himself can help in creating “a tone for your life.”
Looking ahead, his goal is to be in more boutiques and to have his own string of Fella shops.
Sample his work at fellavaughn.com.
Jeffrey Owen Hanson and designer Caone Westergard at OFW
Jeffrey Owen Hanson
At 20 Jeffrey Owen Hanson of Overland Park, Kansas has achieved recognition few people realize in a lifetime. He was 13 when his original abstract paintings got so popular he began donating them to charitable auctions, where to date his work’s raised more than one million dollars for various causes. He then branched off into hand-painting dresses designed by Caine Westergard. Their collaborations adorned the OFW runway, thus linking him to the burgeoning fashion scene here.
Hanson’s success is remarkable given that he accidentally stumbled upon his gift and that he deals with a serious visual impairment. He has a genetic condition, neurofibromatosis, that resulted in an optic nerve tumor. The tumor that he nicknamed CLOD left him with severe vision loss. He underwent chemotherapy and radiation. None of it interfered with Hanson becoming in-demand philanthropic artist.
A real clothes horse, he refers bold colors in his own wardrobe and in the hand-painted gowns he creates for his Jeff Hanson Collection.
The self-taught artist sees the world in vivid colors despite a limited field of vision he describes as “seeing through Swiss cheese.” Yet he’s grateful for his condiiton because it’s led him to use color and texture in ways that make his vibrant, tactile art singularly his own.
As a child, he says, “I painted on rocks and I did dot art and that type of thing.” His mother says ,”He did the kinds of crafts and arts things kids always do but really is art wasn’t anything special,”
At her suggestion he began painting notecards for something he and his friends could do when he had visitors over while recovering from treatments. His creations immediately stood out. He sold his early watercolors on notecards from a lemonade stand outside his house. He gravitated to making acrylics on canvas sold in galleries and auctions. Commissions for his work now flood in every week.
Much of his approach seems intuitive though his impressionistic landscapes are often inspired by places he’s visited.
High contrast colors characterize his work. “I just think I have a good eye for color,” he says. And a feel for texture. “Almost all of my paintings have really thick modeling paste spread all over to give texture,” he says.
He often incorporates materials into his work, even making woven canvases, to add layers of depth and form. Always though his work exudes the most iridescent tones. “The colors I like to use are bright colors, like lime green, pink, purple. Bright happy colors.” The buoyant colors are a direct reflection of his joyful personality.
For his work as a fashion artist he now collaborates with a seamstress on dress designs that complement his art. Once a gown is designed, the drape of the fabric is analyzed and then hand-painted and signed.
OFW shows have given him a new market for his hand-painted gowns and commissioned paintings.
His story, now told in a book, has found him hailed a People magazine “Hero Among Us” and featured on CNN’s “Impact Your World.” Huffington Post readers voted him “Top Kid Making a Difference.” Prudential gave him its national Spirit of Community award.
Check out his work at http://www.JeffreyOwenHanson.com
For OFW show details and tickets, visit omahafashionweek.com.
Upon discovering there’s a networking group for Nebraskans in Hollywood called the Nebraska Coast Connection it’s not surprising for someone to ask, There are Nebraskans in Hollywood? Yes, and a lot more than you might think. The fact is there have always been Nebraskans in that strange and alluring land of make-believe. A surprising number of natives of this Midwestern state have played and continue playing prominent roles there, both behind the camera and in front of the camera, all the way from the motion picture industry’s start through the advent of television and more recently the dawn of multi-media platforms. The story that follows is my profile of the Nebraska Coast Connection for an upcoming issue of The Reader (www.thereader.com).
Much of my story is based on interviews I did with the Nebraska Coast Connection’s founder and president, Todd Nelson, a Holdrege, Neb. native who’s been doing his thing in Hollwyood for 30 years. His group’s monthly Hollywood Salon has become its signature event. This part social mixer and part professional seminar allows folks to tout their projects and to hear featured speakers, such as Oscar-winner Alexander Payne. I also have insights and impressions about the organization from three of the biggest names from here in Hollywood: filmmaker Alexander Payne, whose new film Nebraska is sure to fare well at the Oscars; writer-producer-director Jon Bokenkamp, whose hit new NBC series The Blacklist has elevated him to the prime time A-list; and former network executive and script writer Lew Hunter, who’s retired from the craziness but knows where the bodies are buried. All speak glowingly about the nurturing nature of the group and how it offers a home away from home environment in what can be otherwise a cold, harsh culture for those working in the industry or aspiring to.
I can speak to the warm hospitality offered by the group based on two recent experiences I had with it. I was there for the Sept. 9 Hollywood Salon featuring Payne and for a Nov. 16 screening of Payne’s Nebraska at Paramount Studios. I was also the featured speaker for its Nov. 11 salon. Todd Nelson was my gracious host each time.
This blog is filled with stories and interviews I’ve done with film figures, famous and not so famous. Much of that work as well as related activity I’m now purusing will feed into an eventual book about Nebraskans in Hollywood, past and present. I am the author of the current book, Alexander Payne: His Journey in Film.
Todd Nelson generously provided a set of photos for my story taken by homself and some other NCC stalwarts.
photo credits:TIM WOODWARD, TRAVIS BECK, TODD NELSON, DAVID WILDER
Nebraska Coast Connection: Networking group ties Nebraskans in Hollywood
©by Leo Adam Biga
Soon to appear in The Reader (www.thereader.com)
Todd Nelson interviewing Payne at the Sept. 9 salon
Dreamers from Neb., as from everywhere else, have flocked to Hollywood since the motion picture industry’s start.
Softening the harsh realities of making it in Tinsel Town’s dog-eat-dog world, where who you know is often more vital than what you know, is the mission behind the Nebraska Coast Connection. This networking alliance of natives already established in Hollywood or aspiring to be is the brainchild of Todd Nelson, a Holdrege son who’s been in Hollywood since 1984. A former Disney executive, his company Braska Films produces international promos for CBS.
Early in his foray on the coast Nelson was aided by industry veterans and once settled himself he felt an obligation to give back.
His own Hollywood dream extends back to childhood. He made an animated film with his father, created neighborhood theatricals and headlined a magic act, ala home state heroes Johnny Carson and Dick Cavett, that netted a recurring spot on a local TV show and gigs around the state.
“I guess I didn’t know any better and nobody ever told me I couldn’t do it, so I just kept at it,” Nelson says.
As a University of Nebraska-Lincoln theater and broadcast journalism major he made the then-Sheldon Film Theatre (now the Mary Riepma Ross Media Arts Center) his film school.
“To see classic movies and to meet the filmmakers behind some of them was just a fantastic experience and a real eye opener for me.”
Frustrated by limited filmmaking ops at UNL, he talked his way into using Nebraska Educational Television production facilities to direct a one-act play for the small screen. He also worked as a KETV reporter-photojournalist in the ABC affiliate’s Lincoln bureau.
He was an extra in Terms of Endearment during the feature’s Lincoln shoot.
An internship brought Nelson out to the coast, where he worked behind-the-scenes on a soap and later served as personal assistant to TV-film director Paul Bogart (All in the Family). After five years as a senior project executive at Disney he left to produce and direct the documentary Surviving Friendly Fire.
Nelson formed NCC in 1992. A couple years later he befriended fellow Nebraskan Alexander Payne, then gearing up to make his first feature, Citizen Ruth. Payne was looking for an L.A. apartment and Nelson leased him a unit in the building he managed and lived in. The neighbors became friends and the Nebraskans in Hollywood community Nelson cultivated grew.
“He’s a terrific guy,” Payne says of Nelson “He is, as they say, good people.”
In 1995 Nelson inaugurated NCC’s signature Hollywood Salon series. He knew he was onto something when the first event drew hundreds. His strong UNL ties brought support from the school’s foundation.
The monthly Salon has met at some iconic locations, including the Hollywood Athletic Club and CBS sound stages. Its home these days is the historic Culver Hotel in Culver City, Calif., whose namesake, Nebraskan Harry Culver, attracted the fledgling movie industry to his city in the 1920s. Many Golden Era stars kept residences at the hotel, which purportedly was owned by a succession of Hollywood heavyweights. In this ultimate company town, the hotel is next to Sony Pictures Studios, giving the salon the feel of an insiders’ confab.
The group boasts a mailing list of more than 1,000 and nearly as many anecdotes from those who’ve found fellowship, employment, even love, through its ranks.
Payne likes that NCC affords a kind of Neb. fraternity in Hollywood.
“It’s wonderful and hilarious. It’s hilarious in the way that being from Neb. is hilarious. Maybe people from other states do the same, but I know the Neb. version of how they seek one another out in other cities. I know there’s a Neb. club of some sort in New York City. The state’s members of Congress host a Nebraskans breakfast in D.C.
“Nebraskans feel comfortable with one another outside of Neb. and I am no exception, I enjoy the group, we have a shared sensibility, a shared sense of humor, shared childhood references. And Todd is a forceful personality. He’s the most benevolent, charismatic cult leader one could imagine,” he says with a wink.
According to Nelson, “There is something really unique about Nebraskans. We belong together in this way that no other place does. I have watched other groups come and go trying to duplicate what we do and every group without fail has just fallen apart, and some of them are from the Midwest, so it’s not just the Midwest thing.”
Payne’s far past needing the NCC’s connections but he says, “I’m very happy to continue my participation as an occasional guest speaker.”
Bokenkamp does the same. The Kearney native parked cars when he first got out there. He did have a script but no idea how to get it to anyone that mattered. At Nelson’s urging Bokenkamp entered a screenwriting contest. He won. It got him an agent and eventually jobs writing features (Taking Lives) and even directing a pic (Bad Seed).
Nelson enjoys aiding folks get their starts in the business.
“There’s definitely a thrill watching new people realize their own potential,” he says. “Jamie Ball from Grand Island wanted to be an editor. I’ve given her a chance and she’s working in the big leagues now as a video editor, making a substantial living and finding she really enjoys living her dream. I love being a part of making that happen.
“But I also get the benefit of her good work and it’s enabled me to get home to see my son more often and to take a sick day once in a while. It’s a huge help to have her on my team.”
Against all odds small population Neb’s produced an inordinate number of success stories in film and television, including several legends. The star actors alone run the gamut from Harold Lloyd and Fred Astaire to Robert Taylor, Henry Fonda and Dorothy McGuire to Marlon Brando and Montgomery Clift to James Coburn, Sandy Dennis, Nick Nolte and Marg Helgenberger. At least one major studio mogul, Darryl Zanuck, originally hailed from here. As have leading composers. cinematographers, editors, writers and casting directors.
Payne heads the current crop, but he’s hardly alone. Most homegrown talents are not household names but they occupy vital posts in every facet of the biz. For each hopeful who makes it, such as producer-writer Timothy Schlattmann (Dexter) from Nebraska City, many others give up. Having a sanctuary of Nebraskans to turn to smooths the way.
Nelson credits former UNL theater professor Bill Morgan with sparking the concept for NCC.
“He was the one who really put the idea of a Neb. connection in my brain. I would always visit with him when back home for Christmas and he would pull out a stack of holiday cards from all his old students. I’d say to him that I don’t know so-and-so, they were before or after my time. He would write down their contact info and nudge me to get in touch with them. He just thought we all should know each other. And inevitably when I did follow up, they would always welcome me into their lives because we shared Dr. Morgan…even if it was from a different era. That was the seed of the NCC right there.”
Among those UNL grads Nelson looked up was the late Barney Oldfield, a Tecumseh native who was a newspaper reporter and press aide to Allied commander Gen. Dwight D. Eisenhower during World War II before becoming a Warner Bros. publicist and independent press agent to such stars as Errol Flynn, Ronald Reagan and Elizabeth Taylor. In his post-Hollywood years he worked in corporate public relations and became a major philanthropist.
“Barney was an amazing guy. He became a big supporter of the Coast Connection,” Nelson says. “We hosted his 90th birthday party at CBS on the big stage. He regaled us with stories of his old PR days and knowing everybody under the sun.”
Another of the old guard Nelson called on was Guide Rock native Lew Hunter, a former network TV executive and script writer whose 434 Screenwriting class at UCLA became the basis for a popular book he authored. Hunter, who today leads a screenwriting colony in Superior, Neb., offered a model for what became the salon.
“He used to do what he called a Writer’s Block when he still lived in Burbank,” Nelson says. “It was a kind of salon. He’s seen that our salon continues that, so he’s a big supporter.”
Hunter says, “Todd and I often thought and spoke about a similar monthly gathering of Nebraskans and he pulled it off. It has been a wonderful spin and he really is the father of it all.”
But what really compelled Nelson to form NCC was the stark reality that even though hundreds of Nebraskans worked in Hollywood, few knew each other and there was no formal apparatus to link them.
“I’d been working in Hollywood already 10 years and meeting a lot of Nebraskans and nobody seemed to know each other. We needed to have access to each other.”
Thus, the all-volunteer Nebraska Coast Connection was born.
“People teasingly called it the Nebraska Mafia, but it was kind of like that – we could take care of each other.”
Variety managing editor Kirsten Wilder, yet another Neb. native in Hollywood, has a warm feeling for the group and marvels at its founder’s persistence.
“The NCC is near and dear to my heart. The reason the NCC is so successful is because of Todd Nelson’s staggering devotion to keep the group alive and thriving.”
Nelson defers credit to the natural conviviality of Nebraskans.
“You get these people that come out here from Neb. and it doesn’t matter where they’re from in the state, it doesn’t matter that they don’t have a direct contact with someone else, the fact that you are from Neb. is an instant welcome. It’s not entirely universal. I met Nick Nolte at the Golden Globes one year and I told him about our group and I said we’d love to have him come and talk to us sometime and he said, ‘Why would I want to hangout with a bunch of Nebraskans? I got away from that place.’ That’s a rarity, once in a while you run into it, but most of the time we find that everybody just connects instantly.”
A tribute screening of silent screen great Harold Lloyd’s work brought inspired NCC members to don replicas of the icon’s signature horned-rim glasses
Nelson says that in what can be a cold, rootless town NCC provides “a safe haven” that comes with the shared identity and experience of being among other Nebraskans .
“We call it Home Sweet Home in Hollywood and it has that quality to it. You need a home base I think if you’re going to do this kind of hard work of always having to put yourself out there and come up against the sharks of the world. I don’t think growing up in Neb. especially prepares you for how hard it will be to actually make it while you ply your trade and build your career. Hollywood just isn’t very nurturing. You can really use a community out here to help you get your bearings and give you a leg up. Or at least some friendly faces to be yourself with as you make your way.”
Bokenkamp admires what Nelson and the group provide.
“His love for Neb. runs deep, and he’s found a way to channel that love into a really positive networking group with the Nebraska Coast Connection. NCC is a warm, energetic and creative environment. Todd just wants to see people succeed.
“Thing is, in a land as strange as Hollywood, it’s just nice to have a place to go now and then that feels like home. NCC is that for a lot of Nebraskans.”
Payne says he can appreciate how NCC makes negotiating Hollywood less lonely and frightening for newcomers.
“L.A. is such a scary place to approach when you’re young and want a career in film or television. Everyone is telling you you can’t make it, perhaps you’re even telling yourself that, but you’ve giving it a try anyway. Add to that the fact you’re from Neb. and have no connections. Well, it turns out there is an organization that welcomes you and has people in exactly the same boat there to commiserate with. It’s a wonderful, caring organization.”
Nelson says without the NCC it’s easy for some to give up their dream.
“I’ve seen many people go back home after a few years of waiting for their break and not getting very far. Pressure from parents and friends is part of it. People in Neb. don’t really get how long and hard these careers can be to get started. There’s no distinct ladder to climb, no road map, lots of horror stories and kids here can run out of money or run out of steam. That’s when a ‘safe’ job back home near the folks looks more and more attractive.
“I’ve had many parents tell me they wouldn’t let their kid try it in Hollywood without the safety net we give them.”
Nelson says NCC offers a way to make foot-in-the-door contacts that parlay a kind of pay-it-forward, Neb.-centric nepotism.
“I know the NCC works because I see it over and over. People are constantly making job contacts, finding support, getting roommates, attending each other’s performances, hiring actors and crew for their films. It is going on all the time at every Salon. Hopefully it will happen even more with the interactivity built into the new website. Our goal is to have a kind of virtual salon to help everyone stay in touch with each other in between salons.”
“Even after some folks reach some level of success they come back often and say it gives them a friendly home base.”
Real jobs result from NCC hook-ups.
“As a producer who has hired or recommended over a dozen people to work at CBS-TV over the years, including a young Jon Bokenkamp, I know this group to be a huge resource of great talent. I don’t ever need to go elsewhere to find the best people,” Nelson says.
Nelson’s quick to point out he’s not alone in his home state loyalty.
“Jeopardy executive producer Harry Friedman is from Omaha and he is famous for hiring Nebraskans on his shows. Many others out here from Neb. recommend Nebraskans first. Why wouldn’t they? It always makes sense to hire people you know, or know where they came from, and Nebraskans are almost universally loved for their work ethic, responsibility under pressure and humble ‘get it done’ spirit.”
Nelson says he’s pleased the NCC, which rated a fall L.A. Times feature article, has made it this far.
“I don’t think if you told me 21 years ago that we’d still be going this strong I would have believed it. In fact, it’s kind of moving into some new levels. For example, with the Nebraska screening at Paramount I was able to reach out to all these folks who’ve been salon guests and they were very excited about it.”
Besides Nelson and Payne, attendees at the screening included Bokenkamp, Chris Klein, actor Nicholas D’Agosto and actress turned-mystery author Harley Jane Kozak.
Celebrating success stories like these is part of the deal. But Nelson says the heart of the NCC “will always be a group focused first on the kid that’s been out here for a week, that drove out in his dad’s car full of stuff, is staying on somebody’s couch and has 500 bucks to his name. I mean, that’s really what we’re here to do and that’s going on every month at the salon – somebody showing up for the first time who’s in that circumstance. That’s the way it works.”
Cinematographer Greg Hadwick showed up like that out of Lincoln, recalls Nelson. “I think he drove all night to make it to the salon.” No sooner did Hadwick arrive then he learned Nelson and his then-very pregnant wife were due to move that weekend and he volunteered to help.
“He was just a trooper,” says Nelson. “He rented a truck and stayed late. He was such an incredibly hard worker. He didn’t ask for any money and he wouldn’t take any. The next salon I told the group what he did and somebody who was looking for an assistant hired Greg based on my recommendation, and that kid has gone on to work his butt off in Hollywood, He just showed up, open, ready to jump in. He’s now started his own production company and brought guys out here from his hometown in Neb., so he’s kind of doing his own giving back.”
Nelson says he can usually spot who has what it takes.
“I’ve seen a lot of those kids who try to make it for awhile who don’t stick. Then there’s the ones that right away I know, Oh, yeah, they’re going to do it. There is a certain confidence, I don’t think you can make it in this town without that confidence. But there’s so much more to it than that. In so many ways it’s about, Do they have something to give? There’s a lot of people that come out here and they think, Well, what can I get out of this? Almost without exception the ones who make it are the ones who want to give back.
“I’ll back these people a hundred percent and help them on their way because that’s what you do here, that’s what it’s about.”
The reciprocity continues. Nelson and Payne attended the dedication of Bokenkamp’s restored World Theatre in his hometown of Kearney. Nelson says, “It was a great celebration of Jon’s good work.” Nelson also organized a group to attend a screening of Bokenkanp’s documentary about the waning days of drive-in theaters, After Sunset. Bokenkamp returned the favor speaking at the October salon. The home state contingent turned out in force for the Paramount Nebraska screening. And so it goes with the Coast Connection.
“There’s never been a time when it’s felt like a one-way street,” says Nelson. “It always comes back.”
Follow the Coast Connection on Facebook or at http://hollywoodsalon.org/.
Changing One Life at a Time: Mentoring Takes Center Stage as Individuals and Organizations Make Mentoring Count
Mentoring stories are classic feel good stories that are easy to plug into as a writer and as a reader. For the following Metro Magazine story about Midlands Mentoring Partnership honorees, I describe the powerful one-on-one mentoring experience of Dakotah and Peggy and the difference that it’s making in their lives and I detail how the mentoring support offered by Mutual of Omaha is impacting organizations serving youth.
Changing One Life at a Time: Mentoring Takes Center Stage as Individuals and Organizations Make Mentoring Count
©by Leo Adam Biga
Originally appeared in Metro Magazine
“We can’t help everyone, but everyone can help someone.”
“Too often we underestimate the power of a touch, a smile, a kind word, a listening ear, an honest compliment, or the smallest act of caring, all of which have the potential to turn a life around.”
“The best way to find yourself is to lose yourself in the service of others.”
Dakotah and Peggy
Three quotes by successful people from different walks of life, all expressing something about the merits of giving to another. There’s lots of ways to aid others. Mentoring is a timeless one. Traditionally, mentoring involves guiding or encouraging someone less experienced than you to reach their potential. In the process, you grow as a person.
Midlands Mentoring Partnership honors mentoring in the metro
Mentoring happens every day around the metro in formal and informal ways. Usually, it’s a caring adult nurturing a youth.
Midlands Mentoring Partnership (MMP) is a local collective impact organization that provides area mentoring programs with strategies for achieving improved outcomes with at-risk youth and with approaches for reaching ever more young people in need.
Each year MMP recognizes individuals and organizations whose mentoring is making a difference in the community. The March 19 MMP Summit at the CenturyLink Center will honor the Mentor of the Year and Advocate of the Year and will present youth mentoring best practices.
Dakotah and Peggy: Mentor and mentee joined at the hip
First National Bank of Omaha employee Dakotah Taylor doesn’t mentor for any recognition it brings. Nevertheless, her work with the young woman she’s matched up with through Big Brothers Big Sisters of the Midlands has netted her MMP’s Mentor of the Year award. Her 16 year-old mentee, Peggy, nominated her in a heartfelt letter. The two have been matched for five-and-a-half years, a period that saw Peggy battle severe addiction and behavioral problems that tested everyone in her life, including Taylor.
Peggy’s letter describes why her “Big” is such an important figure in her life:
“She has showed me unconditional love and I couldn’t ask for anyone better. I’ve told her things I would never tell anyone. The most important thing to me though is she has NEVER given up on me. She helped me get off the ground and onto my feet again when I couldn’t do it myself. Not only am I blessed with another friend but she’s a friend I can call my sister and I love her with my complete heart.”
Taylor tears up when the letter’s read back to her, saying, “It’s incredible.” About the award, she adds, “I never in my wildest dreams thought I would get something like this. It’s so humbling, it’s so great.”
Peggy says, “Dakotah is really a blessing because I’m a handful. She deserves this.”
Taylor’s gone the distance with Peggy, a junior at alternative Millard Horizon High School, through thick and thin. Peggy became a substance abuser before her teens and eventually dealt illegal drugs. She got caught up in things that put her, her family and Taylor in danger. She’s been in the juvenile justice court system for six years. She spent time at the Douglas County Youth Center and at Boys Town.
Now the once troubled teen has found stability. She’s sober, she’s back home, she’s expected to graduate early from high school and she’s planning to get an early start on her associate degree in nursing at Metropolitan Community College in preparation for studying to become a registered nurse and ultimately a physician. She knows without question she always has a friend to turn to in the 30-year Taylor, who’s married with a pre-school child.
All the way down the line
“Through everything, even when I was at my worst, Dakotah still was there, writing me, giving me hugs, telling me she cared, and that’s all anybody going through something like that wants,” says Peggy. “They want someone to just reassure them that everything’s going to be OK. Whether you believe it or not it still gives you some hope and I didn’t have any hope. Dakotah’s messages were so happy they brought my spirits up that I can do this, I can get out of this.”
Taylor wasn’t about to go anywhere when the going got tough.
“There’s those times when it’s somewhat challenging and it could be very easy to walk away but sisters don’t walk away from each other. You’ve got to take the good with the bad and you’ve got to keep walking.”
MMP experts say Taylor embodies what it means for mentors to stay the course when matches prove difficult. Just to stay in contact took extra effort when Peggy was not living at home. Taylor acknowledges she wasn’t always sure what to do when Peggy acted out or relapsed.
“It’s been hard for me to understand what Peggy has gone through because I didn’t have to face those things. Any time we were together I would ask her questions and drill her about, OK, why did you do this?
I think I needed to somehow put myself in her shoes and understand her thought process. Unfortunately she did make some bad decisions but she’s rectified those and she’s a strong woman now.”
Taylor also knew she was not alone but part of a team helping Peggy.
“Her mom and dad and I had some very hard conversations. We cried on the phone together when they didn’t know how to handle her. Everybody felt so hopeless. There were times I reached out to Big Brothers Big Sisters when I didn’t know what to do. But I knew this young woman needed guidance, she needed someone to stick by her side no matter what, even if we didn’t get to see each other. She always knew I was only a phone call away.”
For Taylor, there’s nothing better than seeing how far Peggy’s come.
“She’s in great place now. She looks so great and all grown up. Seeing her smile makes my heart smile.”
She expects great things ahead for her Little.
“Everything – the moon, the stars, anything she wants. She’s so smart. Her true passion in life is to help other people. Once she puts her mind to something she’s going to do it and now i’ve seen that.”
Peggy finally turned the corner when she stopped resisting getting help and surrendered to her Higher Power and to caring adults in her life.
She’s shared her experience with peers, who often come to her for advice. “I love helping people,” Peggy says. “As long as I help one person it’s going to make a difference in the world.”
Big Brothers Big Sisters CEO Nichole Turgeon says Dakotah and Peggy embody what mentoring’s all about.
“They have faced incredible challenges together and Dakotah gave Peggy hope for her future which has allowed her to persevere. I am confident Peggy is on the path to becoming a successful and happy adult and I know Dakotah will be with her every step of the way.”
More than sisters in name, Dakotah and Peggy believe they’ve developed an unbreakable lifelong bond.
“I have no doubt it’s going to be a sisterhood for the rest of our lives. We’re sisters not by blood but by choice,” says Taylor.
Passing it on
Taylor encourages anyone wanting to make a positive difference in a youth’s life to become a mentor. Just be prepared to make a deep commitment and enduring connection the way Dakota did with Peggy.
Says Taylor, “Our paths would have never crossed if it wasn’t for Big Brothers Big Sisters. It has changed my life. It’s brought someone into my life I deeply care about. I would do anything for her and she would do anything for me.”
Peggy sees herself following Dakotah’s footsteps. “I probably will end up being a Big myself.” She advocates the benefits of mentoring, saying, “There is a match out there for someone, there is.”
Many employers encourage their employees to serve as mentors. Taylor says her employer, First National, supports her volunteering. Mentees like Peggy are the beneficiaries.
Mutual of Omaha and Mutual of Omaha Foundation: Mentor advocates
Mutual of Omaha is another employer that supports the Midlands Mentoring Partnership. More than 50 Mutual staffers serve as mentors with seven MMP partner organizations. Among its mentors is Mutual of Omaha Foundation Program Coordinator Kim Armstrong. Armstrong mentors two young women, including one through Youth Emergency Services (YES), on whose board Armstrong once served. Much like Dakotah’s relationship with Peggy, Armstrong’s been transformed by the experience of working with her mentees.
“At the end of the day, just having someone to turn to is the greatest benefit for them – at least that’s how I see it – and I’m honored to play that role,” Armstrong says of her matches. “Most mentors will say that they benefit more from mentoring than their mentees and I am no different. I have realized unexpected benefits. I feel I have become a better mother, a better employee and a better person.”
She says each of her mentees has “played a role in opening my eyes to so much, and for that I am eternally grateful.”
Mutual has been a champion of MMP’s efforts since the catalyst organization’s formation in 1999. The insurance giant’s ongoing work as a partner and advocate of Youth Emergency Services and other mentoring providers is being recognized this year at the summit.
Going the extra mile
MMP Executive Director Deborah Neary says, “the Advocate of the Year award honors a business or organization committed to helping young people achieve their potential through mentoring.”
Christine Johnson, president and CEO of the Mutual of Omaha Foundation, says she encourages mentoring in part because “it helps to build a cohesive, motivated, engaged workforce, which we know is shown to increase employee performance and productivity.”
In addition to their involvement with YES Mutual employees serve as board members for various mentoring organizations and encourage fellow employees to mentor. The Mutual of Omaha Foundation provides financial support for mentoring efforts.
YES Executive Director Mary Fraser Meints says anything that bolsters mentoring is a net gain for participants and for society.
“Youth who have a mentor have better attendance at school, a better chance of going on to higher education and better attitudes toward school,” she says. adding, “The leadership role Mutual of Omaha has taken with the mentoring program offered by YES has made a huge impact in helping our youth become more self-sufficient.”
Mutual sponsored a May party for eight college-bound YES youth. Each graduate received luggage and a laptop.
“Our youth were beyond thrilled to have their own laptop. That simple gesture alone will never be forgotten by our youth,” says Meints.
In 2013 Mutual employees volunteered beyond YES to support the Kent Bellows Mentoring Program, host engineering workshops for Girls Inc. of Omaha and participate in Kids Can Community Center’s Day of Caring. Community outreach is an important part of the Mutual culture, says Dan Neary, Mutual of Omaha chairman of the board and CEO, “Our youth are the future. One day, the community and even our company will be in their hands. So, mentoring is truly an investment in the future and it will provide returns we can’t even imagine.“
Foundation President Christine Johnson says, “We understand the importance of the quality and length of a mentoring match. We think it’s important to educate our employee volunteers about mentoring and the importance of that commitment. By providing time during the work day to grow their mentoring relationship, we hope we can help them succeed by being a positive and long-standing force in the lives of the children they mentor.
“It is a great honor for us to receive this recognition from MMP. We value their commitment to our community and have great respect for their work.”
For MMP Summit details and tickets, call 402-715-4175 or visit http://www.mmpomaha.org.
To inquire about becoming a Big Brother or Big Sister, call 402-330-2449 or visit http://www.bbbsomaha.org.
Patique Collins has got it going on. She is a high achieving African American woman with an alluring combination of physical besuty, spiritual enlightenment, business savvy, and passion for her life’s calling. The Omaha, Neb. fitness trainer loves empowering people to positively chnage their lives. In the short time between leaving a successful corporate career to starting her own buisness, she’s expertly branded her Right Fit company to grow its client base and to garner media attention. I discovered her through her heady, consistent use of Facebook as a social media marketing platform that gets her name and face and brand out there, not just through the usual promotional methods but through inspiring before and after pictorials and testimonials that demonstrate the difference that Right Fit workouts make and through affirmations she writes and shares to offer encouraging life lessons. My profile of Patique is for Omaha Magazine.
Patique Collins Finds the Right Fit
©by Leo Adam Biga
Originally published in Omaha Magazine
In 2011 Patique Collins left a two-decade corporate career to open a fitness gym. Two-and-a-half years later her Right Fit at 11067 West Maple Rd. jumps with clients.
Under her watchful eye and upbeat instruction, members do various aerobic and anaerobic exercises, kickboxing and Zumba included, all to pulsating music, sometimes supplied by DJ Mista Soul. She helps clients tone their bodies and build cardio, strength and flexibility.
The sculpted Omaha native is a longtime fitness convert. Nine years ago she added weight training to her running regimen and got serious about nutrition. She’d seen too many loved ones suffer health problems from poor diet and little exercise. The raw vegan describes her own workouts as “intense” and “extreme.”
She pushes clients hard.
“I really want to help every single person that comes in reach their maximum potential, and that is a big responsibility,” she says. “if you don’t give up on you, I won’t. I will do whatever I can to help you earn your goals if you’re ready to.”
She’s known to show up at your job if you skip class.
“There’s accountability here at Right Fit. I’m very passionate about my clients.”
She believes the relationships she builds with clients keeps them coming back.
“People will tend to stay if you develop a relationship and work towards results.”
Her gym. like her Facebook page, is filled with affirmations about following dreams. being persistent and never quitting.
“I think positivity is a part of my DNA.”
She keeps things fun with theme workouts, sometimes dressing as a superhero.
A huge influence in her life was her late maternal grandmother, Faye Jackson, who raised her after Collins and her siblings were thrown into the foster care system. “My grandmother told me I could be whatever I wanted to be and made me believe it.” Collins went on to attain multiple college degrees.
Motivated to help others, she made human resources her career. She and her then-husband Anthony Collins formed the Nothing But Foundation to assist at-risk youth. While working as a SilverStone Group senior consultant and as Human Resources Recruitment Administrator for the Omaha Public Schools she began “testing the waters” as a trainer conducting weekend fitness boot camps..
Stepping out from the corporate arena to open her own gym took a leap of faith for this now divorced mother of two small children..
“This is a lot of work. I am truly a one-woman show. Sometimes that can be challenging.
She’s proud to be a successful female African-American small business owner and humbled by awards she’s received for her business and community achievements.
Right Fit is her living but she works hard maintaining the right balance. Family and faith are er top priorities.
This former model, who’s emceed events and trained celebrities (Usher and LL Cool J), wants to franchise her business, produce workout videos and be a mind-body fitness national presenter.
She believes opportunities continue coming her way because of her genuine spirit.
“There’s some things you can’t fake and being authentic is one of them. I’m doing what I want to do, I think it’s my ministry. Everybody has their gifts, and this is mine.
I’m able to influence people not just physically but mentally.”
Omaha has lost one of its most respected and exibited artists, Wanda Ewing. As a memoriam to her, I am posting for the first on this blog a story I did about an exhibition of hers some years ago. When the assignment came I already knew her work and like most folks who experienced it I was quite impressed. I very much wanted to do a full-blown profile of her but I only got the go-ahead to focus on the exhibit. She was very gracious with her time in helping me understand where she was coming from in her work. Her untimely death has taken most of us, even though who knew her far better than me, by complete surprise. Facebook posts about her are filled with shock and admiration.
You can appreciate her work at http://www.wandaewing.com. The Omaha World-Herald should have a notice in the next day or so.
Wanda Ewing Exhibit: Bougie is as Bougie Does
©by Leo Adam Biga
Originally appeared in The Reader (www.thereader.com)
Wanda Ewing is at it again. The Omaha printmaker known for her provocative spin on African-American images has created a sardonic collection of reductive linocuts and acrylic paintings that considers aspects of beauty, race and social status. The work has been organized in the solo exhibition, Bougie, at the Sheldon Memorial Art Gallery in Lincoln, where it continues through December 2.
The title comes from a slang term, derived from the French word bourgeois, used in the black community as a put down for anyone acting “uppity,” said Ewing, an assistant professor in the Department of Art and Art History at the University of Nebraska at Omaha. “It speaks to the level of acceptance due to your social and economic background, your physical appearance, all of it.”
She explores bougie through the template of popular magazine culture and its vacuous lifestyle advice. The heart of the show is 12 faux glossy covers, each a reductive linocut with vinyl lettering on acetate, depicting a slick monthly women’s mag of her imagination called Bougie. The garish covers are inspired by Essence and other Cosmo knockoffs whose content places style over substance.
Among the “bougie markers,” as Ewing calls them, are black cover girls with straight or long hair and “story tags” that embody those things compelling to bougie women — shopping, how to lose weight, money and getting a man. Some of the teasers get right to the point: “Not Hood enough? 25 ways to get ghetto fabulous.” Another reads, “It’s what’s on the outside that counts.” Among the many double entendres are, “Tom Tom Club, back on the scene” and “I’m dreaming of a white Christmas.”
“I wanted to achieve something that was funny to read, but had some grit to it,” she said.
Each “issue” is adorned by a head and shoulders illustration of a black glamazoid female, the features made just monstrous enough that it’s hard to recognize the real-life celebs Ewing based them on. One vixen is based on home girl Gabrielle Union. Other iconic models include Halle Berry, Mariah Carey, Beyonce, Tyra Banks, Janet Jackson, Eve, Star Jones and Queen Latifah.
Ewing “distorted” the images, in part, she said, as “I didn’t want them to be necessarily commentary on the celebrity, because it’s not about that,”
These cover girls represent impossible beauty standards and thus, in Ewing’s hands, become primping, leering creatures for the fashionista industry. Like the figures in her popular Pinup suite, she said, bougie women “are not shrinking violets.”
Contrasted with the plastic mag images are big, bold, beautiful head portraits of more realistically rendered black women and their different hair styles — bald, straight, permed, afroed, cornrowed — executed in intense acrylic and latex on canvas. These are celebratory tributes of black womanhood. The figures-colors jump out in the manner of comic book or billboard art. “I’m still holding onto being influenced by Pop Art,” Ewing said. “I love color. I’m not afraid of color.” The Hair Dresser Dummy works, as she calls them, are a reaction to the stamped-out glam look of the old Barbie Dress Doll series. Ewing’s “dolls” embody the inner and outer beauty of black
women, distinct features and all. We’re talking serious soul, here.
There are also fetching portraits of women that play with the images of Aunt Jemima and Mammy and that refer to German half-doll figures Ewing ran across. Another painting, Cornucopia, is of a reposed woman’s opened legs amid a cascade of flowers — an ode to the source of life that a woman’s loins represent.
All these variations on the female form also comment on how “the art world likes to celebrate women,” she said, “especially if they’re naked and in pieces.”
Bougie examines women as objects and the whole “black is-black ain’t” debate that Ewing’s work often engages. Glam mags help inform the discussion. Ewing said black models were once shades darker and displayed kinkier hair than today, when they have a decidedly more European appearance. “I grew up looking at these images and felt bad because as hard as I tried, I couldn’t achieve what was being shown,” she said. At least before, she said, publications offered “a variety of the ways black women looked. Now, these magazines idealize the same type of woman with the same kind of features. I find that interesting and damaging on so many levels.”
Like the figures in her Pinup series, Bougie’s women are too self-possessed or confident to care what anyone thinks of them.
Leave it to a master satirist, Omaha author Timothy Schaffert, to put Ewing’s new work in relief. In an essay accompanying the show, he comments:
“The women…demonstrate a giddy indifference to their objectification, defying any interpretations other than the ones they choose to convey. See what you want to see, the women seem to be saying. You can’t change who I am, they taunt. Ewing portrays women in the act of posing, women possibly conscious of their degradation yet nonetheless seducing us with their self confidence. For Ewing’s women, the beauty myth becomes just another beauty mark…
“And yet the politics of fashion are what give Ewing’s work its sinister and satirical bent. Just beyond the coy winks and the toothpaste-peddling smiles and curve-hugging skirts of these fine black women is the sense that the images aren’t just about them” but about “the various co-conspirators in the invention of glamour. In Ewing’s work, black women assert themselves into the commercial, white-centric iconography of prettiness, and the result is at times funny, at times sad, at times grotesque, but often charming. Her women rise above the didactic, each one becoming a character in her own right, in full control of her lovely image.”
In the final analysis, beauty is in the eye of the beholder.
“Although this work is coming from an artist who is black, it is not limited to just the black community,” Ewing said. “Ultimately, the work is about beauty. That’s a conversation everyone can contribute to.”
A conversation is exactly what her work will provoke.
The Sheldon Gallery is located at 12th & R Streets. Admission is free. For gallery hours, call 402.472.2461 or visit www.sheldonartgallery.org.
- Bougie… Insult or Badge of Honour? (crazyramblingsofaconversatingadult.wordpress.com)
- Black women need more self esteem. (blacksforabetterlife.wordpress.com)