TCM (Turner Classic Movies) is asking viewers to write in and tell stories about when Hollywood came to their hometown. In that spirit, I am reminded of perhaps the biggest film event in the history of my hometown, Omaha, Neb., and for that matter in the history of this state.
In my opinion Omaha and Nebraska have never embraced or claimed their film heritage to the extent that they should. Many Hollywood greats have come from here. Some significant films have been made here. One of those pictures was Boys Town (1938), the MGM classic that while hardly a great film was a great success for its studio and for its subject, Boys Town, and for the home’s founder Father Edward Flanagan. Spencer Tracy won the Best Actor Oscar for his portrayal of Flangan and he donated the statuette to Boys Town, where it’s on display in the Hall of History. There can be no overstating what a big deal it was for Hollywood’s top studio, MGM, to come to Omaha to make a major motion picture starring two of its biggest stars, Tracy and Mickey Rooney. The picture has to be one of the most powerful marketing tools that’s ever been produced in terms of drawing attention to an organization, in this case a home for boys.
The following story, which originally appeared in the New Horizons in conjunction with the film’s 70th anniversary, details just what a phenomenon the film’s production was in Omaha and then what a spectacle its world premiere became here, too. I trust you’ll find the behind-the-scenes stories surrounding it all as fascinating as I did.
When Boys Town Became the Center of the Film World
©by Leo Adam Biga
Originally appeared in the New Horizons
Hollywood rarely comes to Nebraska. On those infrequent occasions when Tinsel Town ventures far afield to shoot a movie here it naturally creates a stir. Alexander Payne’s first three features made in his hometown of Omaha caused a sensation, especially when Jack Nicholson came to star in About Schmidt. Sean Penn’s The Indian Runner had the same effect on Plattsmouth. Terms of Endearment earlier turned Lincoln upside down.
A handful of major Hollywood productions set up shop in state over the years. Some others, notably Cecil B. DeMille’s 1939 Union Pacific, premiered here.
But no picture became a phenomenon the way 1938’s Boys Town did. For a solid year the real life subject of the title — Father Edward Flanagan’s haven for homeless youths in Nebraska — became the center of the film world.
When the movie ended up a popular moneymaker, critical hit and Oscar-winner, Boys Town enjoyed a publicity boon and Flanagan turned icon. Always a savvy marketer, Flanagan had faith the film would pay off far beyond the small rights fee MGM paid the home. In a letter he wrote:
“The picture has given us wonderful publicity and while we receive no direct aid from the picture, other than the $5,000 paid us for the use of our name and the grounds, I feel that eventually we will benefit from it because of the many friends we will make.”
Before the movie Boys Town was little known outside the Midwest. The same was true of Flanagan. The movie’s success changed all that.
“The movie had the impact of making Father Flanagan the authority on child care in the world. His child care philosophy were soon very much in demand. He began to consult numerous private and government agencies,” said Boys Town archivist Tom Lynch. “Demands for him to speak across the country poured in and soon he would be gone several weeks at a time…
“The name Boys Town was soon known throughout the world as the movie was shown in various countries. It inspired people in these countries to start their own Boys Towns. Also, the number of boys wanting to live at Boys Town exploded. Every week hundreds of letters arrived from people wishing to place a boy at the home.”
So how did Hollywood get wind of Boys Town?
The studios aggressively searched for source material, scouring newspapers, magazines, reading galleys of new books, catching all the Broadway shows. The story goes that MGM producer John Considine Jr. happened upon a small item in an L.A. paper about the 1936 “city” election at Boys Town. Apparently he was intrigued by an incorporated village of 200 boys who elected a mayor and six commissioners from their own ranks.
The home already operated a well-oiled publicity machine courtesy Flanagan and three Omaha PR men, Byron Reed, Morris Jacobs and Frank Miller. In a letter to Considine prior to the movie being made Flanagan referred to how Boys Town “has developed important publicity contacts” covering practically every newspaper or magazine of consequence in the U.S. Boys Town also sent out its choir and band as ambassadors for the home, netting much press wherever they performed. Flanagan had already taken to inviting prominent figures to Boys Town. When celebrities like Will Rogers and Admiral Richard Byrd visited it made national news. Pathe News featured Boys Town in 1933.
That foundation paid dividends when the movie blew up. Story after story in print and on radio detailed the film and the real life village and priest it depicted. Lynch said the movie made Boys Town and Flanagan “household names.”
The enduring popularity of this classic has introduced Boys Town and Flanagan, who died in 1948, to succeeding generations of viewers. The film provides Boys Town exposure it could never afford to buy. With the passage of time the movie only further reinforces and embellishes the legacy of that place and the man who started it, making Boys Town the stuff of legend.
In its time Boys Town was the rare motion picture that not only chronicled an actual institution still in operation but the leader who still ran it. The timing of the movie was perfect. With America still reeling from the Great Depression inspirational stories of triumph over hard times were in vogue. The uplifting message of Flanagan — “There’s no such thing as a bad boy” — resonated with the New Deal’s optimism. The self-governing boys home appealed to the democratic ideals of a nation warily eying communism’s and facism’s hold around the world.
Lynch said the movie also came at a crossroads moment in the village’s history: “When the movie project began the home had just barely survived the Great Depression and Dust Bowl years. The home had no money and the offer of a movie was a dream come true. Just a few years before the movie Boys Town was on the verge of closing and just a few years later it was an American institution.”
Everything about the project aligned to make it front page news in 1938.
For starters, the movie told the sentimental story of one of Nebraska’s own beloved institutions. Further heightening interest was the fact the movie was partially shot on location at Boys Town. The production used the campus buildings and green spaces, along with the rural backdrop and adjoining highway, as local color. Most authentically, the film utilized several resident boys as extras.
Adding luster were the principals behind the production. The company making Boys Town, Metro-Goldwyn-Mayer, ruled the Hollywood roost as the biggest studio with the most prestigious pictures and the greatest roster of stars under contract.
Two of MGM’s hottest actors, Spencer Tracy and Mickey Rooney, headlined the cast. Tracy was not only an A-list matinee idol and sure-fire box office draw but perhaps the most respected screen actor of his generation. He started Boys Town mere months after winning the Best Actor Oscar for his dramatic turn in Captains Courageous. One of Tracy’s co-stars in that picture was Rooney, a fast-rising juvenile star thanks to the popular Andy Hardy series he appeared in opposite Judy Garland. Boys Town director Norman Taurog brought solid credits behind him, especially helming children’s fare (Skippy, Tom Sawyer).
Spencer Tracy’s Best Actor Oscar at the Boys Town Hall of History
The company of actors and crew of technicians spent two weeks on location in Omaha. Tracy was a boozer then and Rooney a carouser but reportedly each stayed on his best behavior.
The presence of Hollywood royalty made the company’s base headquarters at the Fontenelle Hotel and the film’s location on the Boys Town campus popular destination stops for hordes of fans and the merely curious.
The hoopla started long before the cameras rolled or the movie premiered.
MGM script writers J.C. Dull, Eleanor Griffin, William Rankin, John Meehan and Dore Schary, who all contributed to various drafts of the screenplay, visited Boys Town on research trips. The director originally assigned the pic, J. Walter Ruben, also visited. The only way these artists could get a real feel for Flanagan and his boys was to spend time with them. The scenarists soaked up the atmosphere, took stills, interviewed residents, all of which helped give the film a sense of verismilitude.
Flanagan was hardly a passive figure in the script process. He nixed several drafts before one finally suited him to his satisfaction. Even after giving his blessing to the final draft he received script updates right up to and through the film’s making.
Early drafts took an odd slant, even positing British child actor Freddie Bartholomew as the lead. The original emphasis on wayward boys and their misadventures transitioned into a story focusing on the priest and his methods.
Flanagan made clear he didn’t want a sentimental “Oliver Twist orphanage picture.” He pushed instead for a picture that showed in clear-eyed terms his way of handling boys, which was to treat each as “a definite individual”…He chafed at any representation of Boys Town as a reformatory:
“Boys Town is NOT an institution. It is a township where fine little men live and work, study and play, govern themselves and mold…the strength of character essential to a good life.”
MGM went out of its way to please him. Flanagan wrote a critic: “I was surprised at the great amount of pains exerted to get authentic facts, to be accurate…”
Norman Taurog replaced Ruben as director after Ruben was diagnosed with a heart ailment. Taurog had the disadvantage of having never been to Boys Town but he was able to draw on a mountain of research.
By the time production began Flanagan was convinced that Schary and Meehan, who shared the script credit and the Oscar for Best Original Screenplay, “captured the feel of the township, its spirit, ends and aims.”
Flanagan considered the movie “a real welfare picture” whose “results will be far-reaching in the amount of good it will do throughout the country for youth.”
Throughout the preproduction phase Boys Town’s founder kept up a steady correspondence with several MGM figures, particularly producer Considine, but also with studio chief Louis B. Mayer and fixer Eddie Mannix.
The monsignor visited Hollywood, where he was accorded special attention. His correspondence mentions meeting Clark Gable, Wallace Berry, Maureen O’Sullivan and other stars. He also met with Mayer himself.
Fr. Flanagan with Mickey Rooney
In an article Flanagan wrote entitled “I Meet Myself” he described an encounter with his screen alter-ego:
“I have just returned from Hollywood where I enjoyed a unique experience — that of meeting myself. It is a strange feeling to meet, face to face and for the first time, the man who is to play the part of one’s self…my alter ego, my screen personality…Spencer Tracy. Yes, I sat across the table from him on the Metro-Goldwyn-Mayer lot at Culver City the other day and did just that…”
Tracy apparently expressed qualms about playing the priest. To reassure Tracy Flanagan wrote him: “Your name is written in gold in the heart of every homeless boy in Boys Town…and every boy here and all of our alumni are talking about you, thinking about you and praying for you…You should feel happy that you have decided to be cast in a role of such a picture and Boys Town feels honored that it has such a noble representative.”
On that same trip the priest met Rooney, well-cast as Whitey Marsh, the hard-case who softens under Flanagan’s gentle but firm hand. Flanagan noted:
“Mickey, who incidentally reminded me strongly of one of our young city commissioners at Boys Town, gave me my most lasting impression of Hollywood, a town where — to borrow a journalistic phrase — a ‘man might bite a dog’ without creating a scene…Mickey astonished me by asking for, of all things, my autograph immediately after we were introduced.”
“I think everybody was impressed by this wonderful Irish gentleman,” Rooney said by phone from his Calif. home. “He was a gentle, kind Irishman.”
Attention and accolades followed Flanagan wherever he went after the movie.
Flanagan, as prone as anyone to being starstruck, found Hollywood “not the city of idleness and riotous living contained in so many reports but…a hard-working, sincere group of actors, actresses, directors and working men creating in a new but powerfully effective medium…” He referred to “my most interesting trip” in a letter to Considine thanking him for the hospitality the studio extended.
He was also pleased to find “much enthusiasm all over the Metro-Goldwyn lot about Boys Town.” He received frequent progress reports from MGM.
Before the main company arrived in Omaha MGM producer Frank Whitbeck came in the spring to film a March of Time newsreel-style short, The City of Little Men, as a promotional-educational teaser for the feature. The one-reeler was a key part in the studio’s exhaustive exploitation campaign.
Flanagan and Jacobs were themselves not above looking for angles. They lobbied MGM to test a pair of residents, brothers Jimmy and Andy Cain, for speaking parts in the feature. MGM did. Flanagan wanted the younger of the two, Andy, to play the part of Pee Wee that Bobs Watson eventually landed.
In letters to MGM brass Flanagan flatly pointed out “publicity possibilities” News of the film netted Boys Town a steady stream of positive press and goodwill. In a letter to Schary Flanagan noted “people here are very enthusiastic over it and every mail brings questions about it.”
The film began production in Hollywood June 6. Tracy and Rooney were hard at work. Then Rooney left for a couple weeks to complete a new Andy Hardy picture. He rejoined the Boys Town company in late June on the train caravan to Omaha.
Considine wrote Flanagan the company sent to Nebraska “believed the largest and most important motion picture group ever sent to Middle West for location work.”
Despite a telegram from MGM asking the lid be kept on the cast-crew’s arrival — “so as to keep crowds away” — word leaked out. Press accounts estimate some 7,000 people greeted the stars when they arrived at Omaha’s Union Station on June 23. Once filming commenced crowds daily made the pilgrimage to Boys Town, surrounded by farmland then, just for the chance to glimpse Tracy or Rooney. Smaller but no less excited crowds milled about the Fontenelle Hotel.
Fans not only trekked to the country but braved the harsh elements, as the shoot coincided with a hot spell. Making matters worse, the campus on the former Overbrook Farm was mostly barren of trees, leaving onlookers scant shade to take refuge in. Flanagan and Tracy wore straw hats to ward off the sun.
As filming proceeded on a tight schedule Flanagan took an active interest in events by serving as the defacto technical adviser. Much of the filming took place right outside his residence’s front yard, making his presence, even when not on set, keenly felt. Hollywood was on his turf now. He often had Tracy as his dinner guest.
Most days the crew began setting up the first shot at dawn. Owing to the heat the company usually wrapped by mid-afternoon, when cast and crew packed up and headed back downtown. Each day’s exposed film was air-expressed overnight to Hollywood. The rushes returned the next day for Taurog and Considine to view.
Boys Town alum Ed Novotny was a resident there when, he said, “the movie people came out with all their paraphenelia. It was just a new experience for us. It was quite an exciting time really.” He and buddy John Anthony were impressed by the crew’s efficiency and intrigued by the tricks they used. To simulate the evening in daytime they covered a large building in canvas to block out the sun for Whitey’s nighttime escape down a firescape.
If boys were needed for a group shot they’d be let out of class. “Sometimes we’d stand there an hour-and-a-half before the sun was right” or until crew adjusted lights, laid down dolly tracks, reloaded film, adjusted lenses, Novotny said. Multiple takes might be made. Tracy and Rooney rarely needed more than a single take.
The boys were expected to make up whatever lessons they missed while on set.
They found the stars accessible. “They were always around and so you could visit with them.” Novotny said. “They were very companionable. Of course, Mickey Rooney as young as he was had quite a clientel following him around all the time. Afternoons Spencer Tracy would dish out ice cream at a stand the studio set up. Smoking his pipe. I can still him…” Cast and crew played catch on their down time.
Spencer Tracy as Fr. Flanagan and Mickey Rooney as Whitey Marsh
After 12 days in Nebraska the traveling circus that’s a film unit left to finish the picture on MGM sound stages and back lots. The first inkling Boys Town was something special came in a telegram from Considine to Flanagan in August:
“Happy to report first sneak preview most successful…Audience received picture enthusiastically…We all feel sure we have great entertainment in Boys Town…”
When the studio planned the world premiere for Washington, D.C. Nebraskans protested. Flanagan used his leverage to make Omaha the site. He wrote Frank Whitbeck about the “caustic” comments MGM’s plans were eliciting here: “For example, I have heard that a campaign might be established by the newspapers…in Nebraska denouncing the move…”
He suggested separating the movie from “the mother city of Boys Town” would be unfortunate. He laid on the guilt and the pressure by noting the Bishop of Omaha, Rev. James Ryan, disapproved of a D.C. premiere.
Flanagan added: “I had thought at one time Washington was the place because I was sold on the idea by certain people here but the more I think about it the less I think of the idea. I would favor Omaha than any other place. In reality Omaha gave us our first start and gave us our first building, and paid for it, and it is now our chance to pay back our debt to Omaha by having the premiere here.”
The priest sealed the deal in Calif., where he and Bishop Ryan were invited to attend a sneak preview of the film in Inglewood. It went over like gangbusters.
As soon as word reached town that Flanagan secured the premiere for the Omaha Theatre elaborate arrangements got under way. The preparations befitted what an official with Tri-States Theatre Corporation, operator of the theater, called “an important civic event.” The official assured Flanagan his office was “leaving no stone unturned to make this the outstanding occasion it so richly deserves.”
The crowd that flocked to greet the movie company back in June was dwarfed by the multitude gathered at Union Station on Sept. 6 to witness the arrival of the Los Angeles Limited. En route the train made whistle stops in burgs like Grand Island so that Tracy, Rooney and Flanagan could acknowledge the assembled fans. Once in Omaha the movie party saw a station and downtown festooned with streamers and banners declaring “Home of Boys Town” and Welcome Father Flanagan.”
An even larger turnout filled the streets and sidewalks for the Sept. 7 world premiere at the Omaha Theatre. Reports put the throng at 30,000.
“I never saw so many people in my life,” said Novotny, who had the privilege of being there as a member of Boys Town’s a cappella choir, which performed there. “It was a tremendous welcome. It was a big deal for Omaha.”
The Omaha World-Herald’s Irving Green wrote:
“There was not an inch of standing room on Douglas Street between 15th and 16th outside the theater. The huge crowd overflowed up 15th Street half way to Farnam…It covered another half block toward Dodge Street on 15th. Sidewalks on both sides of Douglas…all the way to 17th were swarming with people who could neither see nor hear, so far were they from the platform where Spencer Tracy, Maureen O’Sullivan and Mickey Rooney were introduced.
“Rabid movie fans lined the roofs of buildings across from the theater. They took advantage of every store window fronting on Douglas…While 110 policemen and 40 firemen worked strenuously but efficiently to keep the crowd in check, impatient persons who had stood in the middle of Douglas…for more than two hours to see the event strained steel wires holding them back to near the breaking point.”
Green described the gala, pull-out-all-the-stops scene, including a live national radio hookup that broadcast the festivities to listeners from coast to coast:
“A 10,000 candle power searchlight visible for 10 or 12 miles played across the sky in true Hollywood style in front of the theater. The light was shipped in by special freight from Hollywood. As they alighted from limousines, principals mounted a carpeted stairway to a raised platform where they said hello to the huge throng and to listeners over 107 radio stations in a nationwide chain arranged by the Mutual Broadcasting System.”
In his breathless style Green opined:
“It was something Omaha had never experienced before. What’s more, it was something the film stars themselves had never seen in Hollywood.’ He backed up his claim with quotes: “‘This thing makes a Hollywood premiere look like a dying hog, Tracy, who plays the role of Father Flanagan in the picture, said. ‘I’ve never seen anything like it,’ Miss O’Sullivan said.”
It’s hard to imagine a crowd that size for a movie premiere. But this was the Golden Age of Hollywood, a full decade before TV invaded people’s homes, and Americans flocked to theaters in far greater numbers then now. Besides, movie stars were the closest thing to American royalty and with three stars the magnitude of Tracy, Rooney and O’Sullivan on hand fans queued up the way loyal, adoring subjects do.
The Herald’s Green captured how far the adoration went:
“The crowd began collecting outside the theater before 6 p.m. although the first celebrities were not due to arrive until 7:45 p.m. All traffic was routed away from the theater except cars bearing those with tickets for the show. At 7:15 the doors of the theater were thrown open and a steady stream of ticketholders continued until 8:30 p.m. Formal attire was rare among early arrivals but when the elite began coming in limousines just before 8 p.m. formal dress appeared the rule.
“In two cars came the mayor of Boys Town, Jack Farrald; his chief of police, Bobby Paradise, and Boys Town’s five commissioners, John Waskiewicz, Jesse Ruiz, Clinton Simmons, Tom McGuire and Sam Turner. ‘I want to thank the people of Omaha for this splendid welcome,’ the Mayor said. ‘It is a recognition of and a tribute to a great humanitarian, Father Flanagan.’”
Some overzealous fans caused a minor ruckus, Green noted:
“Candid camera enthusiasts gave police a few busy moments as they broke through the lines to photograph the three stars. Smiling broadly, Miss O’Sullivan, Mickey and Tracy waved greetings in return for the throng’s cheers.”
Nebraska dignitaries turned out en masse, led by the state’s governor, Ed Cochran. “All Nebraska is proud of Father Flanagan,” Cochran told the crowd. Bishop Ryan also addressed the gathering.
MGM officials spoke a few words, including producer John Considine.
Green wrote: “Then came the actors themselves. They were greeted with cheers which drowned out the words of Bishop Ryan who was speaking at the time. Mickey approached the microphone with the grin which has helped make him the fastest rising star in Hollywood. ‘This is the outstanding event of my young life,’ he said, emphasizing the ‘young’ and laughing heartily. ‘This crowd surpasses anything ever done in Hollywood. And, by the way –- if Hollywood is listening in -– hello Ma and Pa. It’s swell here in Nebraska.’”
The scene inside the theater was just as surreal.
“…Mickey’s profuse blushing when he entered with an Omaha girl brought him a hand, and the crowd rose as one in an ovation for Father Flanagan. From the stage, flanked on either side by tall vases of chrysanthemums, Eddie Forester, manager of the theater, welcomed the star-gazing crowd, and introduced J. Francis McDermott, master of ceremonies…McDermott summoned up a red-carpeted ramp to the stage for talks…” by Omaha’s mayor, Nebraska’s governor and Bishop Ryan.
Among the special guests was Henry Monsky, the Omaha attorney whose loan of $90 a quarter century earlier enabled Flanagan to open Boys Town. Monsky remained a loyal friend, board member and legal adviser until his death in 1947. The pawnbroker character of Dave Morris wa loosely based on Monsky, who asked MGM to keep his identity secret. Years later Walter Winchell broke the true story.
“After a brief stage appearance by Miss O’Sullivan, the Boys Town acappella choir sang ‘Vigil’ by Christians, and a new composition, ‘Boys Town,’ by Will J. Harris. A telegram was read from Norman Taurog, director…Then Father Flanagan spoke of the good he hopes the movie production will accomplish, and the film began.
“Applause was frequent during Boys Town, especially when Omaha buildings were recognized and references were made to Omaha…When the film ended Mr. McDermott asked Father Flanagan to escort Tracy and Rooney to the stage. It was their first official appearance to the crowd in the theater. Tracy stood with his arm around Mickey’s neck, a pose made familiar by his use of it in the film. ‘Words fail me for the first time,’ said young Mr. Rooney…He predicted another Academy award for Tracy, for his performance in Boys Town.”
Rooney’s prediction came true six months later.
Novotny gave the film a thumbs up then. He sums it up this way today: “It was a continuation of Father Flanagan’s dream. Boys Town came on the map with that.”
The Herald’s Green completed the opening night scene:
“The most dramatic incident of the entire program…was Tracy’s speech to the idolizing crowd. Despite a hush over the auditorium, his first words were inaudible. ‘You thanked us for coming here,’ exclaimed Hollywood’s outstanding male star. ‘We should get on our knees to you.’ After referring to Mickey as destined to ‘become one of the great actors of his day,’ he continued: ‘I do not like to stand here stripped clean of Father Flanagan,’ adding that if the picture is great, it is because ‘the great goodness and sweetness and beauty of the soul of this man shines even through me to you.’
“Father Flanagan sounded a benediction, ‘Good night, and God bless you,’ and…the crowd filed out into streets.”
The film went on to play equally well across America.
A legend persists that MGM boss Louis B. Mayer lacked confidence in the property. Some suggest he shelved the picture for a time, only releasing it at the urging of Tracy-Rooney. The record doesn’t support the claim. Boys Town fit the MGM program of good clean entertainment to a tee; besides, the film’s strong previews and extensive press build up boded well for its box office.
The studio expected a hit and it got one.
The capstone came when Tracy won the Oscar and dedicated it to Flanagan. MGM publicity head Howard Strickling cabled Flanagan, “You would have been very proud as we were to hear the address Spencer made before the Academy in which he told them that all credit for the award was due to you…”
Flanagan, who’d grown close to Tracy, sent along his congratulations and gratitude to the actor, “Everyone at Boys Town rejoices with you today in the great honor that has been conferred on you…I need hardly tell you how happy everyone here is and my only regret is that I am not there to shake your hand…but my heart and spirit is with you — and it will always remain so.”
Tracy added to the lore of the film and his/its association with Flanagan and the village when he gave his Oscar to Boys Town. It just arrived one day via air express in 1939. He inscribed on the statuette: “To Father Edward J. Flanagan, whose great human qualities, kindly simplicity and inspiring courage were strong enough to shine through my humble efforts, Spencer Tracy.”
Flanagan wrote Tracy, “How can I thank you for this beautiful expression of your consideration of me and Boys Town? From the bottom of my heart I thank you for that magnanimous spirit which you have shown in sending this award to me.”
During an assembly the boys lined up single file to gawk at and touch the Oscar, much like they might a holy relic, Novotny recalled. The Oscar sat in Flanagan’s office for a time. A tradition arose in which boys rubbed it for good luck.
For years now the Oscar’s occupied an honored spot in the Boys Town Hall of History, which features several displays on the film.
The movie’s success had an unintended effect at first. Donations dried up as the public assumed Boys Town made a killing on it, not realizing the home saw nothing of the proceeds. A desperate Flanagan asked MGM and Spencer Tracy, his alter ego, to get the word out that Boys Town needed help. Tracy signed a personal appeal letter sent donors. The money eventually flooded in.
MGM, perhaps feeling guilty for having short-changed Boys Town on the ledger sheet, gave $250,000 for the construction of a dormitory.
Boys Town further capitalized on the film when a nationally broadcast radio serial aired weekly dramatizations based on the lives of residents there. The Hollywood contacts Boys Town made led to the school’s football team playing the Black Foxe Military Institute of Los Angeles in a 1939 benefit game at L.A.’s Gilmore Stadium attended by 10,000. Numerous Hollywood stars turned out. Boys Town won 20-12. That began a tradition of Boys Town’s gridiron gang traveling the country.
The film’s success led to a sequel, MGM’s 1941 Men of Boys Town, with Tracy and Rooney reprising their roles and Considine producing. It was not as well received but it still carried the home’s message and name. Where Flanagan-Monsky erred in securing a small rights fee the first time, they negotiated $100,000 for the sequel.
When Considine broached the idea for a third pic, Flanagan shot it down, writing, “Men of Boys Town fell far below the standard of Boys Town.” Unless a strong script could be crafted Flanagan preferred another film not be made. It wasn’t.
Mickey Rooney returned to Boys Town in 1988 for the 1938 original’s 50th anniversary. He recently said of the film: “It’s real. Anything that’s real is worth doing. And I’m certainly happy that I was fortunate enough to be associated with a great company (MGM) and a great outlet for children (Boys Town). Boys Town’s very dear to my heart.” The actor is the home’s honorary mayor for life.
Inquiries about a new movie on the modern Boys Town sometimes surface. But as time’s shown, the original’s tough to beat. “The movie Boys Town had a major impact on the home. Still today many visitors comment on their memories of watching the movie,” said Tom Lynch. “On TCM the movie’s still shown each holiday season. Many people are still introduced to the home by watching the movie. All new residents of the home watch Boys Town as part of their orientation.”
For more on the film visit www.boystownmovie.org.
- Top Five Philip French (guardian.co.uk)
- Great dynasties of the world: The Selznicks/Mayers (guardian.co.uk)
- Ryan Kavanaugh: Hollywood’s Newest Studio Mogul (huffingtonpost.com)
- Sun Reflection, Revisiting the Omaha Sun’s Pulitzer-Prize Winning Expose on Boys Town (leoadambiga.wordpress.com)
- Omowale Akintunde’s In-Your-Face Race Film for the New Millennium, ‘Wigger,’ Introduces America to a New Cinema Voice (leoadambiga.wordpress.com)
- Yolonda Ross is a Talent to Watch (leoadambiga.wordpress.com)
Here’s another Boys Town sports story. It’s about tradition and legacy and giving back, George Pfeifer played for legendary Boys Town coach Skip Palrang when the school‘s founder, Father Edward Flanagan, was still there. After Pfeifer graduated high school and served in World War II he came back to Boys Town to coach under Palrang. Later, he took over as head basketball coach, leading the hoops program to some of its greatest successes. Now, many years into retirement, he’s back again, this time as a kind of unofficial coach and mentor, at the invitation of current head basketball coach Tom Krehbiel. The old coach and the young coach have bonded like father and son and together they’ve helped Boys Town recapture some of the magic that made the school’s athletic teams juggernauts back in the day.
The story originally appeared in the New Horizons.
©photo by Daniel James Murphy
A Good Deal: George Pfeifer and Tom Krehbiel are the Ties that Bind Boys Town Hoops
©by Leo Adam Biga
Originally published in the New Horizons
When George Pfeifer coached the Boys Town varsity basketball team in the 1960s to great success, he used an adage with his players, “Get a good deal,” as a way of impressing upon them the advantage of working the ball to get an open shot.
The 81-year-old is long retired but a special tie he’s forged with current BT head basketball coach Tom Krehbiel finds Pfeifer offering kids young enough to be his grandchildren the same sage advice he gave players decades before. Krehbiel credits the recent turnaround in BT hoops — culminating in a Class C-1 state title last season — to the input of his unofficial assistant. “Coach Pfeifer is, in my mind, the school’s all-time greatest basketball coach. I wanted to get him involved in the program. I reached out to him and he’s been a big part of our program ever since. I don’t think it’s a coincidence we started winning” once he got involved, said Krehbiel, who previously coached at Omaha Skutt High School.
The association between the men peaked last season when the Cowboys’ won their first state championship in 40 years. Until beating Louisville in the finals, the school hadn’t won a state roundball title since 1966, when Pfeifer was head coach. That ‘66 crown was the second of back-to-back Class A titles won by Pfeifer’s teams, squads considered two of the best ever to play in Nebraska prep history. It was an era of athletic dominance by the Cowboys.
Since the summer before the 2003-2004 season, when he accepted Krehbiel’s invitation, Pfeifer’s worked with BT hoops. When his arthritis isn’t too bad, the tall man with the folksy manner makes his way on campus, over to the Skip Palrang Memorial Field House named after the legendary man he played and coached under and where he toiled away countless hours on drills.
He’ll keenly observe practice from the sideline, noting things he sees need correcting. This recent Nebraska High School Sports Hall of Fame inductee is still a master diagnostician at breaking down systems and plays. He does the same when he goes to see a Boys Town game or analyzes tape of one, as his sharp mind dissects the action with razor precision.
“He’ll notice little technical things that only someone who knows basketball can detect. He really sees and knows the game. It’s amazing,” Krehbiel said.
Pfeifer shares his insights with the players, kids not unlike the ones he coached years ago — boys full of attitude but hungry for love. Krehbiel said Pfeifer knows just how to prod people to improve. “He doesn’t criticize — he kind of suggests.”
Tremayne Hill, a starting guard from last year’s team whom Pfeifer got close to, said the old coach got the most out of him with his “encouraging” words. “He told us to stay positive and to work hard in trying to overcome adversity. He was a lot like a father figure,” said Hill, adding Pfeifer and Krehbiel are like a father-son team.
It doesn’t surprise Pfeifer he can get through to kids weaned on PlayStation and X-Box, not Fibber Magee and Molly. You see, he was a BT resident himself from 1939 to 1943, giving him a bond he feels makes him forever simpatico with kids there. It’s why his reconnection with the institution is more than a former coach returning to the fold. It’s a son or brother coming home to his family. It’s why the vast age difference doesn’t hamper him in talking to today’s kids.
“I talk their language,” Pfeifer said. “I grew up there, so I know. When I first went back out there I said, ‘Yeah, I’m an old fogy, but I used to be out here. I know all the tricks you guys know, so you can’t trick me on anything. You can’t tell me anything I haven’t heard. I was just like you guys. My heart’s with you guys. I know what you’re going through. I’m here to be a friend of yours.’”
Hill said Pfeifer’s BT roots make a difference as “he knows the type of stuff we go through. He knows how to relate to us. More than another coach would.”
Pfeifer said he and the team developed a strong bond. “When I’d come out there, some of the kids warming up before the game would come over and say, ‘God, we’re glad to see you coach. You feeling alright? We’re going to play hard for you.’ That last night when they accepted the trophy the one kid held it up and said, ‘This is for you coach Pfeifer…’ Those are the kind of kids….” Choked with emotion, Pfeifer’s voice trailed off.
When Pfeifer coached in the ‘60s he did something rare then — starting five African Americans. One morning after a game, a caller demanded, “Why you playing all them n______s?” “Because they’re my five best players,” Pfeifer replied. Ken Geddes, a member of those teams, said race “was never even an issue.” Lamont McCarty, a teammate, said, “If you didn’t perform, you didn’t play… plain and simple. He was a wonderful coach. Same thing with Skip Palrang.”
As is now a custom, Krehbiel had Pfeifer address the assembled 2006-2007 team at a mid-November practice. It was Pfeifer’s first contact with the team. He’d have been there before if not for tending to his terminally ill wife Jean. Gathered round him were about two dozen players, many of them new faces after the loss of so many off last year’s team to graduation. Pfeifer owned their rapt attention.
He told them he was 13 when his father died. Left unsaid was the Depression was on, and with his widowed mother unable to support the poor Kansas farm family she sent him and a brother to Boys Town. There young George blossomed under iconic founder Rev. Edward Flanagan and star coach Skip Palrang..
Pfeifer also didn’t mention he became BT’s mayor (as did his brother) and excelled in football and basketball. That he developed an itch to give back to youth what he’d received. After serving in the U.S, Navy during World War II he coached at Fort Hays State down in Kansas, before accepting an offer to join Palrang’s BT staff. Intending to stay five years, Pfeifer, by then married with children, made it a 30-year career. He was a coach, a teacher and principal of the elementary school.
“I knew I wanted to be there to help those type of kids,” Pfeifer said of BT students past and present. “You know, they come there with a hole in their heart. Nobody cares about them, nobody encourages them –- they just think there’s no way they can make it. We set up goals and objectives. We praise them when they succeed. When a kid comes up to you and says, ‘God, I wish you were my dad,’ well, those kind of grab you. Then you know you made a difference.”
The campus holds a dear place in Pfeifer’s heart. It’s home. The people there, his family. He stays in touch with players by phone, letter, e-mail. He’s a regular at school reunions. But until Krehbiel asked him to come back as a consultant, Pfeifer hadn’t really felt welcome by previous coaches.
“I think he had a desire to get back close to the program, to his home and to this community, and so the timing was right,” said Krehbiel, a Burlington, Iowa native with his own ties to the place. His father worked there and as a youngster Krehbiel spent many a summer day on campus, running about and canoeing in the pond. “So I always knew Boys Town,” he said. “I loved it.”
As Pfeifer spoke to the kids that late afternoon in November, he was every inch the coach again, instilling values and commanding respect.
“There’s nobody working here that doesn’t love you, I guarantee you,” he told them in measured tones.” “So listen to your family teachers, listen to your coaches, work hard, study in school. You have great coaches, good facilities. You’ve got everything you need, except you got to do your part. You gotta keep your nose clean. Don’t get in no trouble. Do what you’re told. Coach is going to tell you what he wants you to learn, how you’re going to do this and he’s going to tell you why. Those are three really important parts of your basketball training.
“It takes a lot of hard work. You have to be focused. No matter what happens outside, you come here and be ready for basketball.”
Tom Krehbiel coaching up his players, ©photo Rebecca Gratz, Omaha World-Herald
After Pfeifer wished them good luck and some players responded with, “Thanks, coach,” the huddled team charged back into practice.
“If they know that you care about them and that you’re there for them, they’ll work for you — they’ll work hard. They appreciate you,” Pfeifer said.
“It’s funny. Kids today are real hip-hop, you know, with this Snoop Dog slang and coach uses old school terminology that I cringe at sometimes, assuming the kids think its kind of corny, but the kids like it. I think too he provides a grandfatherly figure,” Krehbiel said. “These kids, more than any kids I’ve ever been around, they want somebody to take an interest.
“He wants to help…It really comes down to his true interest and love for the kids in the program. He’s trying to give them that last tidbit…to help them on the court and help them in life. I think when he looks at our team and he’s rooting for these kids it’s like rooting for his family, his own kids or his own brothers….He gets emotional when he talks about this place. It’s his home.”
It’s that been there-done that experience Pfeifer brings that Krehbiel wanted for his players. Then there’s the “link to success” Pfeifer represents.
“He laid the foundation 40 years ago for all the nice things that have been said about us the last two or three years,” Krehbiel said. “I think we’re all proud to carry on a rich tradition. It’s just an honor to be associated with him. I was always taught to appreciate the people that came before you…You gotta respect the people who built up the history and this place is just full of history.”
Boys Town Fieldhouse
What Krehbiel got in the figure of Pfeifer was more than he could have imagined.
“Coach has been a great mentor to me and a great resource for us,” he said. “You know he’s having an impact on our kids when after the state championship one of our starting five interviewed on TV” — Dwaine Wright — “spent his whole time on camera referencing coach Pfeifer, saying, ‘He told me in practice to get the good shots.’ We didn’t prompt him to do that. It just came out of his heart. You realize, Wow, this is an 80-some-year-old man having an affect on an 18-19 year-old kid. I was proud of our kids for the respect they showed coach. I’m proud of coach.”
Pfeifer appreciates that Krehbiel sought his counsel, thus allowing him to be a teacher again. “He was so sincere and open about establishing a good relationship. He was willing to receive me and invest in some of my knowledge,” Pfeifer said. “A lot of guys that coach, they think they know it all. But he’s really receptive. And that’s great for me because I didn’t feel that with some of the other people that were out there. I said, ‘I’ll be happy to help you out anyway I can.’”
When Krehbiel first approached him, he had no clear expectation other than getting some advice on the special demands of being a BT coach.
“This is a unique position,” Krehbiel said, “maybe as unique a position as there is in the country in high school because you’re in a home for boys. There’s not only the athletics parts of it but there’s the home campus part of it, dealing with the troubled youth, the homeless youth, with all the things they present.
“There are very few people who’ve had this position. There’s just a few of us around. There’s even fewer that have had the kind of success coach had.”
Krehbiel did some research in the BT and Omaha World-Herald archives in compiling a school record book and came away duly impressed by just “how successful” Pfeifer was at producing winning teams. In 14 years as head coach — 1959 to 1973 — his teams won 205 games and lost only 82. He led nine teams to the state tourney and guided a pair to state titles. His track and field teams were also a formidable bunch, always a threat at the state meet.
Boys Town players celebrate winning state
For Krehbiel, welcoming back someone like Pfeifer who’d given the best years of his life to BT was a way of honoring the man.
“My initial intention was to just try to give back to him for all the years he gave to Boys Town. My initial thought was to get him up here to one practice at the beginning of the year, and it’s morphed into a great relationship and friendship,” said Krehbiel, whose wife and five daughters all know Pfeifer.
Still, it took some convincing for Pfeifer to meet with Krehbiel that first time.
“I called him up out of the blue and introduced myself. He was real reluctant but I finally got him to agree to go lunch with me at Big Fred’s. He told stories for hours.
That’s when I told him, ‘You are welcome anytime.’ That fall I asked him to come out to practice. I gave him a pad of paper and a pen and said, ‘Watch me coach practice. Watch our kids. Give me some feedback about our team.’ He did that and from that point on he’s been popping in at practices whenever he feels like it.”
It didn’t happen overnight. Pfeifer eased his way in, not wanting to impose himself, less he undermine Krehbiel’s authority.
“When it first started we’d talk maybe once every couple weeks,” Krehbiel said. “He wouldn’t come to practices much. As he and I became closer and he became closer with all the other coaches, there was a comfort level. Last year he was out here about two or three times a week prior to the season opener, and we’d be talking about offenses and defenses and philosophies back and forth.
“I was reaching out initially to find out, ‘How did you handle the job? How did you handle the kids? What are the issues beyond basketball I should know about?’ Then when he and I started talking I found just how solid his philosophies are in basketball and in life and I really wanted to get to know him more. You just can’t help but sense the way he approached things and did things is probably the best way as well as the right way to have a lot of success. I try to emulate him.”
It doesn’t hurt that the two are cut from the same cloth. “Our personalities are a lot alike, so there’s a bond person-to-person, coach-to-coach,” Krehbiel said. That’s not to say these two see eye to eye on everything.
“He believes in zone defense and I believe in man to man,” Krehbiel said. “But that’s the fun of it — debating the merits of each. But,” he added, “as far as what we demand of our players, how we treat our players,” they’re on the same page.
It wasn’t until Krehbiel watched Pfeifer interact with the players that he understood all that the venerable old coach could bring.
“Then when I saw him around the kids and I saw how he still has a lot of viable, valuable contributions…and I saw the kids take to him, it obviously was a great idea to have him around. It’s just kind of matured into what it is today. He’s around quite a bit. As much as he wants to be. The door is always open.”
Along the way, Pfeifer’s shared some coaching secrets, including a list of offensive- defensive Dos and Donts and his mantra for teaching “technique, technique, technique” he got from coaching great Skip Palrang. Pfeifer’s passed along full-court press and matchup-zone tactics that made his teams so hard to beat. Above all, he’s preached taking the high percentage shot and protecting “the hole.”
“He gave me a file folder of his coaching notes and a card with his pregame preparation notes,” Krehbiel said. “I read through it all and I copied it down in my own words and style. That’s the relationship he and I’ve built up. For him to give that to me, I mean, what do you say? That should tell anyone a lot about his willingness to give. I think he really, really wants this program to be successful and those are the lengths he’s willing to go.”
What Pfeifer does for BT hoops can’t truly be measured.
“He doesn’t come out and design plays and run drills. He’s in the background helping the coaches. He’s really helped me in my preparation for games. He talks to players one one one,” Krehbiel said. “The last couple years he’d take some of our better players aside, real fatherly like, and say, ‘Here’s what I see in your game. Take the good shots, not the bad shots.’”
Wishing to remain in the background, Pfeifer chooses not to sit on the bench, but in the stands during games. He’s always watching, however.
As last year’s team stormed through the season, losing only four times, including twice to Wahoo Neumann, Pfeifer noted a tendency for BT players to settle for three-point shots and to play soft in the middle. With his adjustments the Cowboys avenged Neumann in the first round of the state tourney.
When last year’s star player, starting center and then-BT Mayor Vince Marshall, felt good about a game in which he scored well but recorded few rebounds, Pfeifer had a heart to heart talk with him. “I said, ‘I was mayor when I was at Boys Town. You’re the mayor and you got only three rebounds last game. What the hell were you doing? You’re the mayor, you’re going to make me look bad. Get your ass on the boards.’ That’s the way we talked. We were brothers.”
Pfeifer’s known to intervene when emotions run over. Once, after a so-so practice on the eve of state, the admittedly “fiery” Krehbiel lost his cool when he noticed a couple players cutting up. “I lose it. I go up one kid and down another. I was furious they wouldn’t take this seriously,” Krehbiel said. “And here comes coach. He gets off his chair and gets right in the middle of us and says, ‘Wait a minute.’ I immediately shut up. He takes over and says something about not getting a big head and keeping yourself together and staying in the moment.
“He was just that calming influence and that’s what he’s been. I’ve really calmed my demeanor in regards to the sidelines and the game-time stuff in my conversations with him. He’s really helped me with the handling of the kids around here. He reminds me they’re always watching you and they’re going to play off your demeanor. He’s a sounding board. I can pick up the phone and say, ‘Coach, we’ve had this issue with a young man, how would you handle that?’ He gives me tidbits on how to handle certain situations as head coach.”
Pfeifer can still get fired up, as when he pulled his BT athletic jacket out of moth balls for a school pep rally to show how much he bleeds Big Blue. He told the crowd, “I’ve waited 40 years to wear this thing again.”
There’s the sense of a circle being closed. That what Pfeifer got from Palrang is being handed down to Krehbiel. Lessons from 65 years ago live on, no doubt to be carried on by the young men Krehbiel and Pfeifer work with today.
“The greatest thing for me, bar none, is to have my name linked with coach Pfeifer’s name and coach Palrang’s name in the same sentence. To be linked to that history is overwhelming,” Krehbiel said. When Pfeifer couldn’t get away to Lincoln to accept his Hall of Fame induction, he asked Krehbiel to accept in his place. For Pfeifer, Krehbiel was the natural choice. “I love him,” Pfeifer said of his coaching protege. “What an honor to accept for him. That just fortified our relationship. He’s a good old guy,” a tearful Krehbiel said.
Krehbiel met many athletes Pfeifer coached. They were disappointed he couldn’t make it. “They all love him. Guys came in from both coasts and from all over the country to honor him with this induction, which was long overdue,” Krehbiel said. One of Pfeifer’s favorites, Charles ”Deacon” Jones, a standout BT miler and football player who became a University of Iowa All American and two-time Olympic long distance runner, was inducted into the Hall the same night.
“I know it was killing coach not to be able to go and to be on the stage with Deacon,” Krehbiel said. But Deacon and the rest know Pfeifer was there with them in spirit. Like he always has been and will be. A brother under the skin.
Krehbiel never competed for Pfeifer, but considers it a privilege coaching with him and “seeing all he does around kids.” He said it seems he and the players benefit more from the relationship than Pfeifer does. However, he added, “I hope we’re helping keep him active.” It’s clear when Pfeifer talks hoops it takes his mind off, if only a little while, his wife. Krehbiel’s visited Pfeifer at his house during this hard time. Krehbiel’s daughters say prayers for Jean.
Perhaps the old coach’s greatest joy comes from watching his young protege catch the same passion he caught for Boys Town. Pfeifer said, “I’ve told him, ‘Tom, if you stay there long enough you’re going to get what I got.’ It’s a fever.” Krehbiel said the example of Pfeifer is one reason “why I stay here. It’s why I’ll always be here.”
- It took B.C. hoops stalwart Bill Disbrow a while to glean master’s secret (canada.com)
- Legendary Eathorne Touched Countless Lives (kitsapsun.com)
- Remembering John Wooden, the Wizard of Westwood (time.com)
- Legendary basketball coach Wooden dies (cnn.com)
I remember as a kid learning about the rich sports legacy at Boys Town, the youth development center founded by Father Edward Flanagan and forever immortalized in the MGM movie classic. When I looked into that athletic history a few years ago for a story I was struck by the amazing success Boys Town teams enjoyed for several decades and by how the football team in particular became a national powerhouse that actually traveled coast to cosat to play games against elite prep teams before big crowds in college and professional stadiums. Flanagan and his immediate successor seized upon athletics as a healthy outlet and socialization model for residents and as a promotional tool for the campus. The story of the football team’s many triumphs and travels would make a good movie itself. Football was the school’s poster sport, but Boys Town enjoyed tremendous success and followings in basketball, baseball, wrestling, and track and field as well. All the changes that came down at Boys Town beginning in the late 1960s and early 1970s resulted in the athletic program suffering several lean years. It’s only in the last decade that there’s been a resurgence in Boys Town sports, not to the heights of its former glory perhaps, but enough to link this era to that earlier Golden Age.
If you’re interested in another Boys Town sports story, then check out my story, “A Good Deal: George Pfeifer and Tom Krehbiel are the Ties that Bind Boys Town Hoops” on this blog. More o f my Boys Town stories on this site cover various topics, including the classic 1938 MGM film Boys Town, the friendship of Fr. Edward Flanagan and Jewish attorney Henry Monsky, and the 1972 Sun Newspapers Pulitzer Prize-winning investigation of Boys Town finances.
The following story originally appeared in Nebraska Life Magazine. Look for more Boys Town stories in future posts.
Rich Boys Town Sports Legacy Recalled
©by Leo Adam Biga
Originally published in Nebraska Life Magazine
“I didn’t know a jock strap from a toothbrush,” said alumnus George Pfeifer of his arrival at Boys Town from a Kansas farm in 1939. Like some of the finest athletes at Rev. Edward Flanagan’s home for “lost” boys, the future coach had never played organized sports before coming there. Most of the boys were either poor inner city or rural kids who’d played only sandlot ball or street ball. They came from all parts of the country, boys with different racial, ethnic and religious backgrounds, and on their shoulders was built an athletic dynasty that became the envy of the nation.
From the Great Depression through the 1960s, the Boys Town football team played elite Catholic prep schools and military academies in Los Angeles, Chicago, Detroit, Pittsburgh, New York, Miami and other cites. The games attracted dignitaries and made headlines. Playing against the nation’s toughest competition in large stadiums before tens of thousands of fans, the Cowboys won more than twice as often as they lost.
During the same era, Boys Town won multiple state championships in football and basketball, and produced scores of all-state athletes and individual champions, even some high school All-Americans. Its great track-and-field athletes include two-time Olympian Charles “Deacon” Jones (1956 and 1960) and quarter-miler Jimmy Johnson, who won the Pan Am Games only a few years after graduating.
It began with the dream of Boys Town’s founder, Father Flanagan, who was a fair soccer and handball player in his day, and a vocal champion of sports. He made sports an integral, even compulsory part of residents’ experience at Boys Town. Intramural athletics became a big deal. In those days, the boys lived in dorms and staged competitions between their respective buildings to see who were kings of the field or the court. By the mid-1930s, Flanagan hired a coach and pushed for Boys Town to compete in sanctioned interscholastic events.
Born and raised in Ireland, Flanagan made his long-held dream for Boys Town a reality through conviction, blarney and bluff. With his silver-tongued brogue and big sad eyes, he elicited sympathy and loosened purse strings for the plight of America’s orphaned. With his politician’s ability to build consensus, he got people of all persuasions and faiths to contribute to the home.
It didn’t hurt that Flanagan harbored a bit of P.T. Barnum in his soul. Almost from the start of the home in 1917, he made use of the media to further the cause of children’s care and rights. In the 1920s he hosted a nationally syndicated Sunday radio program, “Links of Love,” broadcast from the old WOW studios in Omaha. On a larger scale, there was the 1938 MGM box office smash “Boys Town,” starring Spencer Tracy and Mickey Rooney. Tracy won the Best Actor Oscar for his portrayal of Flanagan.
The movie made Flanagan and BT household names. He used his and the home’s growing reputation to bring national figures, including sports stars, to “the city of little men.” The BT archives detail visits by such sports icons as Babe Ruth, Lou Gehrig, Jack Dempsey and Joe Louis. Hollywood celebrities were also frequent visitors. “Deacon” Jones, then learning the barber trade at BT, recalls being summoned with his clippers to the quarters of Flanagan’s successor, Rev. Nicholas Wegner, where he found Spencer Tracy in need of a haircut. Jones complied.
Just as Flanagan earlier made the school band and choir ambassadors for BT, so he did with football. The same year the movie “Boys Town” was released, the football squad boarded the Challenger super liner at Omaha’s Union Station for a trip west, where they played a benefit game against Black Foxe Military Institute of Los Angeles. The film’s producer, John Considine, Jr., made it happen. Among the 10,000 or so in attendance at Gilmore Stadium were numerous Hollywood stars. Boys Town won, 20-12.
The good turnout seems to have convinced Flanagan to take his football team on the road as a gypsy, bring-on-all-comers sideshow featuring orphans from the world-famous Boys Town. The bigger the stage, the tougher the opponent, the more Flanagan liked it.
He would often wend his way to wherever the football team appeared, posing for photos, making pre-game or halftime on-the-field speeches, and generally getting the Boys Town name in the press. A big banquet, often in his honor, usually preceded or followed the game, giving Flanagan another chance to spread the gospel.
BT alum Ed Novotny of Omaha, who played for Boys Town in the early 1940s, recalls the time Flanagan was on the field during pre-game festivities in New Jersey. Novotny says a press photographer asked to snap a few pictures of the famous priest doing a mock kickoff. Sensing a good photo op, Flanagan obliged. As he lined up for the kick, Novotny turned to an opposing player and said, “He’s in a bad spot” – meaning the photographer crouched in front of the ball, holding a Speed Graphic camera overhead.
“What do you mean?” the other player said.
“Father Flanagan can kick. He’ll blast that thing right over the goal post.”
“Really? A priest?”
Novotny will never forget what happened next. “No sooner did I say, ‘Yeah,’ than he kicked that ball and knocked that camera right out of the guy’s hands.”
Novotny recalls Flanagan as an enthusiastic presence on the sideline or in the locker room. The priest stood in the players’ circle to lead pre-game prayers. At basketball games he sat on the end of the bench with players and coaches. He greeted guys by name or with his favorite terms of endearment, “Dear” or “Laddie.”
“When you were in his presence you were the most important person in that room,” Novotny said. The padre fired up the troops and fussed over injured players. “He would tell us, ‘good job’ whether we were winning or losing.” More than a spectator, Novotny said, “he was a participant.”
To compete with the nation’s best, Flanagan hired Maurice “Skip” Palrang, who came to Boys Town after successful stints at Omaha Creighton Prep and Creighton University. Over his 29-year career at Boys Town, he led Cowboy teams to football, basketball and baseball titles. He won National Coach of the Year honors from the Pop Warner Foundation of Philadelphia, Pa., and Nebraska High School coaching plaudits from the Omaha World-Herald.
As athletic director, Palrang oversaw construction of a mammoth field house, modeled after those at Purdue and Michigan State. Its classic brick facade features sculpted panels of Greek-like figures in various athletic poses, stained glass windows and a vast arched metal roof that spans the length of a football field. Great facilities like these helped set BT apart.
Palrang hired coaches to carry BT’s dominance into other sports, but it was best known for football. “It wasn’t like Boys Town would play the weakest teams we could find – we’d play the baddest teams we could find,” said ’50s star halfback “Deacon” Jones. “We knew we played the best teams Skip could get to play. A lot of the players we played against went on to make All-American in college. Some went to the pros. We traveled to play Aquinas in Rochester, N.Y. That was like a Notre Dame prep school. And, whew, they had some tough players.”
Under Palrang, the Cowboys went 75-33-6 in these intersectional matchups. BT also participated in intersectional basketball and baseball contests, but on a far more limited basis.
Jones said players got “five dollars per trip for eating and fun money.” For some, like him, it was their first time on a train, a big deal for “kids that didn’t have anything,” he added. Seeing the sights was part of the experience – Chicago’s Field Museum, New York’s Rockefeller Center and Radio City Music Hall. But the road trips, which lasted up to three weeks, were not all fun and games. An instructor traveled with the team and made sure they kept up on their schoolwork.
Lessons of another kind came on the few road trips south of the Mason-Dixon Line. “We would go to some areas where they wouldn’t allow the black kids on our team to stay in the same hotel as the whites,” Pfeifer said. “A few times we had to arrange for those kids to stay with some people in the community. It was a terrible blow to Fr. Flanagan. That’s probably why we didn’t play that much in the South.”
Wilburn Hollis was among a black contingent denied access to a hotel. Although from the Jim Crow South, he’d been shielded from the worst of segregation – the same at color-blind Boys Town. “We were buddies, but even more than that we felt like we were brothers and we just lived like that,” said Hollis, a Possum Trot, Miss. native who became a high school All America quarterback at Boys Town and a signal caller for an Iowa University team that won a share of the Big 10 title. “I never heard anything racial.”
Wilburn Hollis, right, receiving honor from Iowa U.
“At Boys Town I never thought about ethnicity or race,” said Ken Geddes, who grew up in Florida and went on to play for Nebraska and in the National Football League. “…We were all part of a family.”
Within that family of athletes, Palrang was the unchallenged head of household. “He was about six-four and probably 220 pounds and he was mean as a goat,” Hollis said. “But he was a wonderful coach. He loved the kids, he loved Boys Town….”
Hollis told of an incident involving Flanagan’s successor, Rev. Nicholas Wegner. (Flanagan died in 1948 on a goodwill mission in Berlin, Germany). Like his predecessor, Wegner was a sports booster, but apparently didn’t share Skip Palrang’s competitive philosophy. Once when BT was losing a football game, the priest tried to deliver a halftime pep talk. Wegner advised the team to do their best, Hollis recalls, “and honestly he used that old cliché, ‘It’s not if you win or lose, it’s how you play the game.’ Well, Skip was pretty hot and he said, ‘Bulls__t. We’re going to win this game.’ Monsignor was like, Oh-oh. And we went out and won the game.”
But Palrang’s success was based on more than force of will. Stern but fair, he was known for his precise preparation, a quality that fit his favorite hobby of watch repair. Ex-sportscaster Jack Payne of Omaha recalls Palrang in his field house office “hovered over a well-lighted table…wearing an eye shade, jeweler’s glasses, meticulously at work on a watch.”
An innovator, Palrang used his vast contacts to learn new offensive and defensive schemes from college and professional colleagues, often implementing packages years before anyone else at the prep level. He’d get reels of game or practice film with the latest sets to study. Sought out for his expertise, he often conducted clinics around the country. Pfeifer said that once, at the request of an old buddy, Palrang sent BT quarterback Jimmy Mitchell to Kansas State to help Wildcat signal callers learn the T-formation Skip helped initiate in high school.
The Cowboys often played far from home, so Palrang sent an assistant ahead to scout. Palrang’s protégé, George Pfeifer, inherited the thankless job. In order to see distant teams, he traveled by plane, train, automobile or any available mode of transport. He once flew into Chicago’s Midway Airport on his way to see an opponent that night in Wisconsin. In Chicago he was bumped from the last connecting flight north. With only a few hours until game time and hundreds of miles between him and the stadium, he was stuck. Desperate, he asked, “Is there any other way?” He was directed to a helicopter pad. For $15 and a slight case of nausea, he arrived “just about the time they were kicking off.”
Skip Palrang’s physician son, Art, who played for his father one year at BT, said besides the advantage Palrang got by scouting opponents “the Boys Town kids in those days… were really tough, tough boys. They weren’t very big but they were tough… There weren’t a lot of distractions out there, like girls. He had kind of a captive audience.”
Palrang also had the advantage of working with kids who came out of BT pee-wee, freshman and junior varsity programs imbued with his coaching systems. By the time they made varsity, kids were well-schooled in the Palrang way. It led to potent team chemistry.
Despite offers to leave, Palrang remained loyal to Boys Town. Art Palrang believes this allegiance stemmed from Skip being an orphan himself. “His mother died when he was two and left his father with three boys and three girls,” he said. “He was always sympathetic to the Boys Town kids, although he was typical Irish in that he would not show his emotions.”
Today, Palrang’s accomplishments are commemorated in a big memorial just inside the field house dedicated in his honor. The memorial is next to a long row of display cases reserved for trophies and plaques won by Boys Town coaches, athletes and teams. There are hundreds of items. There’d be more, except Palrang made a habit of giving them away to kids.
By the time Palrang retired in 1972, he was only coaching his main passion, football. Years earlier, he’d entrusted the basketball program to Pfeifer, another coach often described as a “no-nonsense father figure.” Pfeifer’s basketball teams went 202-45 (two state titles), and his track teams (two titles) were always a threat. He recently joined his mentor in the Nebraska High School Sports Hall of Fame.
Like his predecessor, Pfeifer encountered racist attitudes toward his players, as when he started five black players on his state championship basketball teams of 1965 and 1966. One morning after a game, a caller demanded, “Why you playing all them n_____s?”
“Because they’re my five best players,” Pfeifer replied.
Boys Town’s barnstorming era was prompted by publicity and the guaranteed payoff for its football games. But BT was also compelled to travel for another reason. Once it became a winner, it could find only a handful of area schools willing to schedule games.
Despite many attempts, BT was long denied membership in the Omaha Inter-City League, comprised of large Omaha area schools. Pfeifer said Wegner reportedly had to threaten to withdraw funds from local banks to gain admittance. It finally happened when the Inter-City League was disbanded and the new Metropolitan High School Activities Association was created in 1964.
Everyone has a theory about the blacklisting. Speculation ranges from envy over BT’s athletic riches to rumors, denied by BT alums, that it practiced off-season, suited older student-athletes, or recruited prospects. An image of BT suiting up juvenile delinquents, true or not, may have also accounted for schools not wanting to schedule the Cowboys. BT athletic equipment manager and head baseball coach Jim Bayly said that when he was a player at Omaha South, “we were afraid of Boys Town.”
Shane Hankins, quarterback for BT this past season, senses that the “jail” or “criminal” perception still haunts BT. But far from intimidating foes, he said it makes them “want to fight us even harder to prove we’re not tougher.” He concedes BT has some rough players, but points out that the Cowboys win sportsmanship awards.
Even without conference membership, Boys Town had a metro rival. “In the middle ’40s, when Boys Town was really taking off,” Art Palrang said, “Creighton Prep was also in its heyday and they played bitter, bitter battles. Rumor has it the archbishop said, ‘Hey, you guys have got to stop this. We can’t have two Catholic teams fighting each other.’” Adding fuel to the fire was the fact Palrang once coached Prep. There was no one he enjoyed beating more.
Aside from Prep, Palrang said, “Boys Town was obviously cleaning up on everybody and Omaha didn’t want ’em in their league because… Boys Town would have won everything.” By contrast, Prep had long been a conference member. And once let in, BT proved as dominant as feared by soon piling up Metro titles.
Perhaps nothing explains the ostracism better than what one alum called BT being “an island unto itself.” A certain arrogance surely came with all that independence, winning and notoriety. Besides, there was the perception – if not reality – that BT didn’t really need to be in a local athletic league. In fact, cross-country travel was expensive and eventually became cost-prohibitive.
By the time Boys Town’s reign ended in the mid-1970s, BT had evolved from a place where boys lived in dormitories to a family housing model where residents – girls too – live with teacher parents. Changes in the way BT works with youth lowered the number of residents from a high of about a thousand (elementary and high school combined) to about half that today, and decreased the average stay from six or eight years to about 18 months. The smaller enrollment forced BT to drop from the big school to small school ranks, and the shorter stays gave coaches less time to develop athletes and mold teams. For years, BT athletic prowess declined.
Today’s BT coaches are again turning out winning teams and top athletes, their job complicated by kids who present complex behavioral disorders. BT teams again compete for titles, but in Class C1, not Class A. The football team has its rivals, but a road trip today is an hour by bus, not overnight by train.
Girls and Boys Town (as the institution has been known since 2000) still uses athletics to further its mission of helping at-risk youth develop life skills that prepare them for adulthood. Head football coach Kevin Kush sets a high bar for his players, and makes no exceptions in holding them accountable. By late September 2006, he’d already let a few of his best players go for violating team rules, which brought his varsity squad down to 26. He could have supplemented the varsity by promoting JV players, but he refused, saying, “They haven’t paid the price. I’m not going to change my philosophy. I’m not going to lower my standards. See, these kids have standards lowered for them for their whole lives. We don’t do that. We want our kids to be committed to something and a lot of them have never been committed to anything.”
This past season’s star quarterback, Shane Hankins, said he appreciates that coaches and others care enough to make football special again. “Our goal is to achieve, to shoot for something in our lives some people say is impossible for us to do since we’re here. But we prove them wrong. We want to bring more winning to this campus because before we came here, most of us weren’t recognized as winners.”
All last basketball season, head boys basketball coach Tom Krehbiel relied heavily on an unofficial assistant, the 81-year-old George Pfeifer who, despite health woes, came to practices weekly to distill some of his wisdom to players young enough to be his great-grandchildren. Pfeifer’s championship teams of 1965 and ’66 are still regarded as two of Nebraska’s best high school basketball teams ever.
“I wanted to get him involved in the program,” Krehbiel said of Pfeifer. “I reached out to him. We ate lunch, hit it off and he’s been a big part of our program ever since. I don’t think it’s a coincidence we started winning since then. Coach has been a great mentor to me and just a great resource for us. For our current players he’s a link to success.”
After last year’s team won Boys Town’s first state basketball championship in 40 years, guard Dwaine Wright dedicated the victory to Pfeifer live on Nebraska Educational Television.
Pfeifer said that after a period of adjustment, he and the team forged a strong bond. “When I’d come out there, some of the kids warming up before the game would come over and say, ‘God, we’re glad to see you coach. You feeling alright? We’re going to play hard for you.’ That last night when they accepted the trophy the one kid held it up and said, ‘This is for you, Coach Pfeifer…’ Those are the kind of kids….” Choked with emotion, Pfeifer’s voice trailed off.
The experience brought him full circle to how as a kid he was welcomed and encouraged by Father Flanagan, Skip Palrang and others, and how he did the same for kids as a BT coach, vocational education teacher and middle school principal. “I knew I wanted to be there to help those type of kids,” Pfeifer said of Boys Town students past and present. “You know, they come there with a hole in their heart. Nobody cares about them, nobody encourages them – they just think there’s no way they can make it. We set up goals and objectives. We praise them when they succeed. When a kid comes up to you and says, ‘God, I wish you were my dad’…then you know you made a difference.”
Note: The Boys Town Hall of History features displays and a film that relive some of BT’s glory years in football.
- Valor Christian’s athletic excellence has arrived quickly (denverpost.com)
- Many college football dynasties have roots in strength training (sports.espn.go.com)
- Top 15 Traditions in All of Sports: A Closer Look at the Best of the Best (bleacherreport.com)
- The George Steinbrenner of junior football (theglobeandmail.com)
- Sun Reflection, Revisiting the Omaha Sun’s Pulitzer-Prize Winning Expose on Boys Town (leoadambiga.wordpress.com)
I did this follow up story on ex-Omaha heavyweight boxer Ron Stander about seven or eight years after the first story I did on him, which you will also find on this blog. In that earlier piece Stander was still fighting some demons, still in the throes of recovery. In the interim, Stander had come to terms with some things in his life and by the time I did this second story he seemed more at peace with himself and his place in the world. Stander was and is a tough dude, but he’s also a big teddy bear of a man with a heart of gold. That’s one thing that’s never changed about him. This story, which originally appeared in the New Horizons, portrays Stander as the good man he is, just a regular guy who helps his friends, including some fellow ex-boxers who have fallen on various hard times. To a man, his buddies love him. It’s heartening to know that Stander is now happily remarried and writing his life story. It should be a helluva read.
Ron Stander, a One-Time Great White Hope, Still Making the Rounds for Friends in Need
©by Leo Adam Biga
Originally published in the New Horizons
Far from the spotlight he inhabited when he fought for the world heavyweight boxing title 35 years ago, Ron “The Bluffs Butcher” Stander goes about his daily routine these days in relative obscurity. That’s fine with him. He had his moment in the sun. He’d rather be remembered anyway as a good man, a good father and a good friend than as a good fighter.
“Yeah, right, that’s exactly it,” he said. “I just want to be a good person.”
He lives a simple life, both by choice and circumstance. He may be poor in finances, but he’s rich in friends. Despite his own problems, he aids folks less well-off and able than him, often making the rounds to visit old pals, many of whom he knows “from boxing.” Some, like Tony Novak, Gabe Barajas and Art Hernandez, are ex-fighters. Novak and Hernandez sparred with Stander back in the day.
Fred Gagliola coached a young Stander as an amateur Golden Gloves fighter. Maurice “Mad Dog” Vachon is an ex-pro wrestler quite popular here. Stander and Vachon know the highs and lows of life inside and outside the ring. Tom Lovgren was the matchmaker for many Stander fights and at one time managed him.
Each man suffers some kind of health impairment or disability. All befriended Stander at one time or another and he’s never forgotten it.
“They all helped me. Now I attempt to give back in some way. I like to help out. They were in my corner and now I’m in their corner,” said Stander, who variously does chores, runs errands and offers companionship for them.
Lovgren is afflicted with multiple sclerosis. The effects of the advanced disease confine him to a wheelchair. When his wife Jeaninne broke a leg last winter she could not get her large husband out of his chair into bed.
“So I called Ronnie and said, ‘Can you come down and help me into bed every night?’ — and he did,” Lovgren said. “He came down at 10:30 every night and put me to bed. I paid him, because he didn’t have to do that. He’s a good friend.”
Not long ago Lovgren took a fall at home, unable to get up by himself or even with an assist from his petite wife. Enter Stander.
“It was about 10 o’clock at night. I was beat, tired. I worked hard that day and I was all out of gas. I’d just had my first beer of the night when Jeaninne called. ‘Can you help out?’ I went down to their place. He was flat on the floor and I had to pick him up…and put him in his chair. It was a tough lift. Boy, he’s getting heavy. Probably weighs 250. Dead weight,” Stander said. “I about didn’t make it. Jeaninne had to get on his side and grab his pants and pull him up. We got him though.”
Stander’s glad to help the man who so much did for him. Lovgren not only got him fights, but was part of the team that readied him for his May 25, 1972 title bout with champ Joe Frazier in a jam-packed Civic Auditorium. Lovgren prodded Stander to get in fighting trim and stay away from late night beer binges.
“He would always get me to do the road work real good,” Stander said. “He’d take me running, count laps. He was a real disciplinarian. But fun, too. I respected him.”
Before he challenged for the championship, Lovgren arranged what Stander called a “steppingstone” match with future contender Earnie Shavers. Considered one of the hardest punchers in the heavyweight division, Shavers’ blows “felt like getting hit by a night stick or a ball bat,” Stander said. “It was like a whip cracking at the end.” After a slow start that saw him get pummeled, he KO’d Shavers in the fifth. Shavers reportedly had to be carried off by his corner.
That became Stander’s signature win. His most notable loss, of course, came in his title bid. After losing to Frazier, Stander sank into a deep depression and his career nose-dived. “I didn’t have any desire,” he said.
Except when Lovgren got him a marquee match against former contender Ken Norton on the undercard of the Muhammad Ali-Jimmy Young bout. Norton won when the fight was stopped in the fifth due to cuts he opened up on Stander, who was prone to bleed, but to this day “The Butcher” feels he would have had a tiring Norton “out of there in another round or two.”
Coulda’, woulda, shoulda’. “You can’t fight destiny” Stander said.
Away from the ring, the fighter admires how Lovgren has never given up in his own battle with MS. Despite the debilitating disease, Lovgren has raised a family, worked, traveled and maintained his passion for sports, especially boxing.
“He’s been an inspiration,” Stander said. “He’s paid his dues.”
The other men Stander helps are inspirations to him, too.
Former world middleweight contender Art Hernandez lost a leg after a freak fall from a roof, but he hasn’t let it stop him from living a life and enjoying his family. “I’ve got all the respect for him, too,” said Stander, who, like Lovgren, considers Hernandez to have been the best fighter, pound-for-pound, to ever come out of Nebraska. As an undersized but much quicker sparring partner, Hernandez used to frustrate Stander in the gym, confounding and evading the lumbering heavyweight. “I couldn’t hit him with a handful of rice,” Stander said.
Stander admires too how “Mad Dog” Vachon has not allowed the mishap that cost him a leg to embitter him.
“’Mad Dog’s’ a good guy,” he said. “He has a great attitude.”
Through “Mad Dog” Stander met an array of pro wrestling legends, such as Andre the Giant. “When I shook his hand it was like grabbing a pillow,” he said.
When Hernandez first got fitted with his prosthesis Stander brought him over to “Mad Dog’s” place so these two old warriors with artificial limbs would know they were not alone. The gesture touched the two men.
“He did me a favor that day,” Hernandez said.
“He’s got a heart of gold,” Vachon said. “He’s a very nice man. A real softee. He’s the kind of guy who would give you the shirt off his back.”
Since suffering a series of strokes Fred Gagliola, the man who helped show Stander the ropes as an amateur, has trouble getting by.
“I was just weeding in his yard the other day,” Stander said one summer morning outside the south downtown home of the man he calls Coach. “He can’t do much. I sweep and mop the floor for him.” “He cuts the grass, he throws out the garbage,” Coach said. “Whatever it takes,” added Stander. “I just try to help him however I can. He was on my side in the Gloves, you know. He backed me, supported me. He did favors, I do favors. He helped me, I try to help him now. So it’s pay back.”
Although he can use the money, Stander doesn’t lend a hand for the “couple bucks” he earns “here and there.” “Other things,” besides money, “make him happy,” Vachon said. Like doing good deeds.
Friends and family are all that are left once the money runs dry and the glory fades. “Mad Dog” and “The Butcher” made names for themselves in the late ‘60s and early ‘70s. Vachon reigned as an All-Star Wrestling king on cards at the Omaha Civic Auditorium. That’s where Stander enjoyed his greatest ring success, topped by challenging Frazier for “all the marbles” in what may have been the biggest sporting event Omaha’s ever seen.
The title fight was the pinnacle of his career. But life goes on. Things change. Stander was 27 and fighting on the biggest stage his sport has to offer — in his adopted hometown no less. Before friends and family and the assembled boxing world he put himself on the line and he failed. The fight was stopped after four rounds, Stander’s face a bloody, pulpy mask. He never went down, though. He pleaded for the fight to continue, but ringside physician Jack “Doc” Lewis made the only call he could given that Stander was blinded by blood from ugly gashes and could no longer defend himself. A longtime friend said Stander cried in the dressing room, sure he’d disappointed everyone. The friend assured him he hadn’t.
The incident reveals a couple things: how much Stander, often accused of taking a nonchalant approach to his training, cared about representing his hometown; and his never-say-die attitude. “I trained hard for the fights I cared about. I wanted to prove I was a legitimate contender,” he said. No one could ever call him a quitter.
“He’s got a heart the size of this room,” Lovgren said from his spacious living room. “When Joe Frazier is unloading on you and you’re still standing, you’re something special. Tough guy.”
Life hasn’t been a bed-of-roses since the Frazier fight. Stander’s contentious first marriage ended. He didn’t get to see much of his oldest two kids growing up. He remarried and had two boys before this second marriage soured. He has custody of the boys, Rowan and Ryan. He tried being an entrepreneur, owning his own bar, but that didn’t last. Long an imbiber, he developed a problem with alcohol and a DWI landed him behind bars. “I was stupid. I made some wrong decisions. I didn’t know when to say no. Let the good times roll. Let the party begin. When I had to go away for three months it was like shock treatment,” Stander said. “I was going to grow up sooner or later. Maybe it helped me to.”
The biggest blow — to both his pocketbook and ego — was losing the best job he ever had, as a machinist at Vickers. Through it all, he’s stayed sober and tried to do the right thing for his kids and his pals.
“He’s a good guy,” Lovgren said. “He’s a good father. He takes good care of those kids. He’s really a caring person. If you ask him to do something he makes a real effort to do that. If I need anything I know he’ll come.”
Largely unemployed since 2000, Stander leads a hand-to-mouth existence that finds him scrounging for discarded cans and car batteries he brings to the recycler for chump change. He also does odd jobs for people who reward him with scratch. “Most of the time I’m trying to hustle some gas money and food money,” he said.
One of his frequent stops is A. Marino Grocery, a South 13th Street throwback, or as Stander likes to say, “blast from the past.” Proprietor Frank Marino joked, “He’s my pacifier. If somebody doesn’t pay a bill we send him out to collect.” In reality, Marino said, “We have him do little things, cleanup a little bit, make a delivery every once in awhile for me.” “Take some boxes out,” added Stander, who on a recent visit grabbed a bundle of flattened cardboard boxes and deposited them in the dumpster out back. “It’s the same at Louie M’s (Burger Lust). We’re paisan.”
It puts a few extra dollars in Stander’s pocket. Otherwise, he gets by on his monthly Social Security check. There’s no pension, no nest egg to draw on. Fighters don’t have retirement plans. He does have a 401K through Vickers, but he’s had to dip into it to make ends meet. All of which makes things tight for a man raising his two youngest boys alone. One silver lining is that his house, a mere two blocks from Rosenblatt Stadium, is paid for. Another is that his son Rowan, a senior at Creighton Prep, is a top wrestler who might earn a college athletic scholarship.
Stander’s a robust 62, but he has health issues. He’s overweight, with high blood pressure and diabetes. He’s missing several teeth. For comic relief he slips his dentures out and opens wide to show his bare mouth. He has trouble remembering things. It’s what becomes of old fighters, even one as strong as an ox like him
He doesn’t complain much, except to bemoan the loss of that machinist’s job at Vickers, where he operated drill presses, grinders and lathes. The Omaha plant closed just before Christmas 2000, leaving him and more than 1,000 co-workers out in the cold. He was 55, an age when it’s hard to start over. With only a high school education and no marketable skills, he’s got few prospects.
“When Vickers closed up, that was it, that was the final straw for me,” he said, “because by the time you’re 55 or 60, if you’re not locked into something, you’re done, you’re screwed. So I’m screwed.”
He sometimes wonders if he did the right thing pursuing a boxing career. He began at Vickers in ‘65 while still an amateur. After turning pro in ‘69 he quit his job, even though his early purses were negligible. He got $75 his first fight. A few hundred each the next few bouts. Until Frazier his biggest purse was a few thousand.
“I had a good job at Vickers…If I had stayed there all those years and not taken a shot at the title I’d be retired right now. I went back to Vickers in ‘93 and when I finally started getting the big money in ‘95 they closed the plant. That’s what grieved me. People say, ‘Well, you can start over and work your way up again’ Yeah, right, whatever.”
Men his age aren’t in demand by employers.
“I’m ready to work, but people don’t want to hire ya. I’ve talked to friends in construction and they say, ‘We’re looking for guys 35, not 55. I talked to a friend in the heating and air business and he said, ‘Well, you know, Ron, at your age we don’t want you to be up on a roof when it’s 120 degrees working on an air conditioning unit. You could have a heart attack.’ There again, the age factor.”
He did attend Vatterott College to learn a trade. He was an apartment maintenance man, but tired of tenants calling in the middle of the night demanding their leaking toilets be fixed. His pride won’t let him take an $8 or $9-an-hour job. Until a few years ago he made extra dough refereeing boxing matches in Nebraska, Iowa, the Dakotas and Minnesota. He even did a few televised title bouts. But those gigs dried up with the loss of independent promoters. He’s shut out by the casinos, where the fight action is these days, and their contract refs. Besides, with two boys, in his care he can’t be gone on those overnighters anymore.
Like the old pug in Requiem for a Heavyweight, he’s at a loss what to do now. Fighting is all he knew. For a time he did have his own bar, The Sportsman’s Club, but his weakness for the drink made that an unhealthy environment for him to be in. He’s clean and sober now, but that alone doesn’t pay the bills.
Money worries nag at him, especially with the boys to clothe and feed. “It’s a struggle,” he said. “We live on $953 a month Social Security.”
Come College World Series time he pulls in some much-needed cash parking fans’ cars, at $5 a pop, on his property. His record for one game is 26 vehicles. But that happens only two weeks a year. He also makes some money from autograph signings he does in Omaha, Lincoln, Des Monies, et cetera.
Enough time has passed that he doesn’t carry the cachet he once did, when his mug and name were enough to buy him drinks and meals and perks wherever he went. As Omaha’s last Great White Hope, everyone wanted a piece of him then.
“It’s not like it used to be,” he said.
The Vickers job seemed like a sure thing and then, poof, it was gone — the steady paycheck, the security, his self-esteem. “When I had money, when I had a job,” life was good, he said, “before things went from sugar to shit in a short time.”
Quicker than you can say, Whatever happened to?, the career club fighter blew the six-figure purse he earned for his only shot at immortality. There were a handful of other big paydays. But the pay outs in his era were small potatoes compared to the millions contenders command today.
Long gone are the days when media hounded him for quotes. His last real exposure came in 2001, when he appeared with Joe Frazier, the man who gave him a Rockyesque chance at the title. For only the second time since that fight, the two warriors met — for a Big Brothers, Big Sisters of the Midlands promotional event in Omaha. In the way that old combatants do, they embraced like long lost buddies. They were never close, but the mutual respect is real.
The ensuing years wrought much change. Their hair’s flecked with gray, their mid-sections grown soft, their speech slowed. Yet, to their good fortune, each shows few effects from the punishing blows to the head they absorbed as sluggers who took many shots to land one of their own. They still have their wits about them.
But Stander’s life is a far cry from the ex-champ’s. Frazier is an icon within the larger sports canon for his Olympic gold medal, undisputed heavyweight crown, his three memorable fights with Muhammad Ali and the dramatic way he lost the championship against George Foreman. He has his own gym and other business interests in his hometown of Philly. His much sought-after autograph brings hundreds of dollars, compared to a fraction of that for Stander’s.
Where Frazier is a featured storyline in boxing history, “The Butcher” is a sidebar and footnote. Or an answer to a trivia question: Who was the last fighter Joe Frazier beat while world champ? Ron Stander. Stander’s match with “Smokin’ Joe” came between Frazier’s two most historic fights — eight months after beating Ali at New York’s Madison Square Garden and eight months before being brutally beaten in Jamaica by Foreman, who took the crown only to lose it a year later to Ali.
The boxing world can be a small community. Even though Stander’s career is
forgettable by all-time Ring Magazine standards, he’ll always be a part of boxing history for having fought for the title. The fight occasionally shows up on ESPN Classic. His bid, too, came at a time when the title was still unified. Plus, he squared off with some of the sport’s biggest names — Frazier, Shavers, Norton, Gerrie Coetzee. Then there’s the fact his career intersected with other legends, like Foreman, who was at the title bout in Omaha and reportedly saw something he exploited when he later faced and destroyed the champ.
Specifically, Stander worked on an uppercut to take advantage of a flaw in Frazier’s defenses. In the third round he saw his opening and let the uppercut fly, missing by an inch. He figured he’d only get one chance and he was right. Conversely, Foreman pushed Frazier off and caught him coming in with the same punch.
Then there were Stander’s meetings with The Greatest. He said on four occasions he was a surrogate member of Ali’s entourage. He said Ali liked having him around for his parodies of Aliisms like, “I’m the greatest of all time.” Stander does a fair impression of Ali, of sports broadcaster Howard Cosell, who once interviewed Stander, and of Mike Tyson, the troubled ex-champ.
Stander met Tyson in Las Vegas in the ‘90s, long after his own career had ended. There’s a story behind their encounter. In preparation for Frazier, Stander manager Dick Noland wanted him far from distractions and so shipped him off to Boston to work under famed Johnny Dunn. After the Frazier fight Stander parlayed the connections he’d made back east and went to the Catskills to train under legendary Cus D’Amato. It was D’Amato who went on to mentor the young Tyson.
Stander was in Vegas, where Tyson was training for a title defense against James Broad, when he paid a call on the then-champ. As dissimilar as the two men were, they did share a pedigree in the person of Cus D’Amato.
“He knew all of Cus’ disciples and he knew I was with Cus, so he let me in the gym. No introduction, he just came right up to me, ‘Hello, Mr. Stander.’ ‘Hey, champ, how ya doin’?.’ ‘I’m working on an uppercut that will drive that nose bone into the brain.’ ‘Yeah, that’s a good move, champ,’ said Stander in a wickedly dead-on Tyson impersonation — childlike voice, silly lisp and all. “He was something.”
“The Butcher” even ended up in a film, The Mouse, based on the life of his real-life friend, ex-boxer Bruce “The Mouse” Strauss.
Stander also hung out with non-sports celebrities — as a bodyguard for the Rolling Stones and The Eagles. He said Evel Knievel, whom he got to know, offered him $3,500 to work the security detail for his Snake River Canyon jump. Instead, Stander took a fight in Hawaii, where he’d never been, for the same money.
All these brushes with fame please Stander, but as he likes to say, “That and 50 cents will get you a cup of coffee.”
He experienced about everything you can in boxing. Good, bad, indifferent. He never really announced his retirement, but he knew when it was time to quit.
“You know when you’re almost done,” he said. “You don’t have the desire or the hunger. You’re tired of the running and the road work. You’re tired working out all the time. The stitches start mounting up. Your nose gets a little flatter. Your teeth get a little looser. Your brain gets a little jiggled. You just lose it.”
If anything, he hung on too long, waiting for one more big payday that never came. “Yeah, that’s probably right,” he said. “There at the end I fought a lot out of shape because I didn’t care. But a guy’s gotta have money. It wasn’t like I was gaining seniority working for U.P.”
Rather than work for meager wages today, he scrapes by. He’d like to run his own gym, but that takes moolah. One benefit of not having a regular job is that he has time to spend with his kids and help friends.
“I try to be a role model and do the right thing for these kids. I have to show them the right way to go,” he said.
As for his friends, Stander said, “They did right by me,” and now he’s trying to do right by them. Gabe Barajas appreciates having Stander as a friend. Barajas, the former owner of Zesto’s near the zoo and stadium, said, “We’re pretty close. He used to come up and help me out there, too, shaking everybody’s hand, bringing the heavy pop coolers up to us. He did lots of things. He ate a lot, too.”
Stander’s visits to the nursing home Barajas resides in bring a smile to his friend’s face. Stander sometimes takes Barajas, who has MS, for drives, down to old haunts. He lifts Barajas from the bed or recliner into his wheelchair and puts him and the chair in his car. Stander said his friend needs outings like these. Otherwise, “that’s his life — in that room and down in the dining hall,” he said.
Fred Gagliola, Stander’s old coach, knows he can count on him. “Oh, hell, yeah. He comes down here all the time to help me out,” Gagliola said. “He’s a good friend.”
Tony Novak, Stander’s first sparring partner, lives alone in a Carter Lake trailer home. Stander frets over his buddy’s health. “Ron’s been a good, true loyal friend for 40 years. He checks on my every day,” Novak said.
The breaks maybe haven’t gone “The Butcher’s” way since he lost to Frazier, but he just chalks it up to “fate” and appreciates what he does have.
“No matter how good you are, how smart you are, how well-built you are, you gotta have a little bit of luck to go along with it,” he said. And you gotta have “a few good friends.” That he has. It’s why he’s not about to quit now. There are too many rounds to go, too many friends in need.
“You gotta do whatchya gotta do. Hang in there. You can’t fight destiny.”
- World Heavyweight Boxing Championship 1960-1975 (sportales.com)
- Top ten hardest punchers in boxing history (trueslant.com)
- Foreman gains respect even in losing title (jta.org)
- Liston and Ali: the Ugly Bear and the Boy Who Would Be King by Bob Mee: review (telegraph.co.uk)
This is the first story I wrote about Omaha sports legend Ron Stander, a journeyman heavyweight boxer who got his Rocky and Great White Hope moment in the sun when he fought reigning world champion Joe Frazier for the title in the challenger’s adopted hometown of Omaha, Neb. My story appeared some 30 years after that 1972 bout in which Frazier bloodied and bruised but did not knock down Stander. The fight was called after four rounds. As a fighter, Stander was strong and brave and always stood a puncher’s chance. But he forever sabotaged whatever chance he had to be a legit heavyweight contender by the way he conducted his life, which was to overeat and drink and recreate and to avoid training whenever possible. He paid for that lack of discipline in a number of ways, both professionally and personally. But the reason why people have always loved Stander is that he’s a sweet, generous Every Man whose triumphs and struggles we can identify with. At the time I wrote this article he was somewhat a sad, down-and-out figure. More recently, his life has taken an upswing I am happy to report. I understand he’s now writing his life story. It should be one helluva read.
Requiem for a Heavyweight, the Ron Stander Story
©by Leo Adam Biga
Originally published in the defunct Omaha Weekly
It is tempting to cast local boxing legend Ron “The Bluffs Butcher” Stander in the role of a heavyweight in need of a symbolic requiem. A certain sadness surrounds this one-time contender who, since retiring from the ring in 1982, has often battled opponents he could not lay a glove on — including himself. While this smart ex-pug is no permanent resident of Palookaville and clearly still has all his wits about him, he does fit the part of a man haunted by having had the world in the grasp of his beefy hands only to let it all slip away.
Like some real-life Rockyesque figure, this hometown Great White Hope was just another up-and-coming club fighter when he got a once-in-a-lifetime chance to fight for the heavyweight championship of the world. It happened 30 years ago right here in Omaha, Neb. On May 25, 1972 he squared-off with “Smokin” Joe Frazier at a jam-packed Civic Auditorium. What transpired next has defined Stander ever since. Unlike the fictional “Rocky,” his moment in the sun ended not in fame or fortune but as the answer to a trivia question: “The last fight Frazier fought as champion? It was against me,” Stander will tell you at the drop of a hat.
Before sitting down for a recent interview at the comfortable south Omaha home he shares with his second wife Becky and their two children, he excused himself, saying, “I have to put my teeth in,” referring to the denture plate he inserts to replace the many ivories he lost over the course of his ring life. Reposed in a recliner, his fleshy face a contour map of scars and crevices, he spoke about the Frazier fight and its implications in his life.
For four brutal rounds the local slugger stood toe-to-toe with the fierce Frazier, then only months removed from having beaten Muhammad Ali in the first of their epic fights, and traded body blows and head butts with him. They were like two big-horned antelope locked in mortal combat, neither giving an inch. “We could have fought the fight in a telephone booth,” is how Stander describes it. The challenger got in a few good licks, even stunning the champ in the 1st, but by the time the bell sounded to end round 4 his pasty face was a bloody, swollen mask. Ringside physician Dr. Jack Lewis put a stop to the slaughter before the start of the 5th.
Local boxing fans fondly recall Stander’s courage in waging war the way he did. It was a frontal assault all the way, as he absorbed multiple blows just to connect one or two. His friend and former matchmaker, Tom Lovgren, said, “Ron Stander was not going to be embarrassed. He was not going down at the first thing that came close. He had a heart the size of a house. He’d walk right at you.”
Never one to pull his punches, even when discussing himself, Stander said, “As far as taking several punches to land one, that’s not the smartest thing. It was more a result of my short height and short reach.” Despite all the techniques and strategies he was taught over the years, in the heat of battle the Butcher always returned to his unschooled, bull-rush style. “You resort back to whatever comes natural to you, I guess,” he explained. “I was just a slugger. I was very aggressive.”
Much like he fought, Stander approached life head-on also, over-indulging in food and drink, taking risks, making rash decisions, leading with his chin and heart instead of keeping his guard up. He paid the price, too. His tempestuous first marriage ended in divorce. He became estranged from his first two children and his grandchildren. There were much publicized drunken driving offenses, the second of which landed him in a men’s reformatory and a detox unit for several months (“That was pretty bad.”) There was the failure of his Council Bluffs watering hole, The Sportsman’s Bar. His weight ballooned to nearly 300 pounds.
He lingered far past his prime as a prizefighter, hoping against hope another big pay day would emerge. It never did. He entered the title fight with a promising 21-1-1 record, including 15 KOs, and staggered to a disappointing 14-19-2 mark after it, often going into fights poorly conditioned and mentally unprepared. Near the end, Lovgren refused putting him in with heavy hitters or expert boxers for fear his fighter might be badly hurt. Friends feel Stander hung on too long. “Yeah, that’s probably true,” the Butcher said. “You know when you’re almost done. You don’t have the desire or the hunger. You’re tired of the roadwork. You’re tired of working out all the time. The stitches start mounting up. Your nose gets a little flatter. Your teeth get a little looser. Your brain gets a little more giggled. You just lose it. But a guy’s gotta have money. It wasn’t like I was earning a pension working for U.P. (Union Pacific).” He was a fighter. That’s all he knew.
Along the way, he was exposed to the seamier side of boxing. While training back east he met some wise guys who had their hooks into boxers. He heard stories of fighters refusing to take dives being thrown off a pier or getting their hands busted with hammers. “Yeah, it happened,” he said. “There’s a lot of backstabbers in boxing.” Then there’s the whole dirty business of being a gladiator under contract, which is like being an indentured servant. He got only a small piece of the financial pie. “Everybody gets their hands in the till, see? I got $100,000 for the Frazier fight and I only came home with $40,000 by the time my manager took his cut, somebody else took his and the IRS took theirs,” he said. On three occasions his contract was bought outright by managers in other states and he had no choice but to pack-up, relocate and take his marching orders from a new boss. “You move to their town, you train in their gym, you fight in their fights and they take half,” is how he put. All in all, though, he feels he was well treated, especially by Noland and Lovgren. “They did right by me.” One of the quirks of being a once-name fighter is hanging out with sports icons. On several occasions he was with Ali as The Greatest prepared for fights. He witnessed him practicing pre-fight poetry out loud like an actor running his lines and lording over his entourage like some sultan overseeing his minions. He was with a young Mike Tyson (of whom he does a dead-on impression) in Las Vegas. He chummed around with pro wrestlers like Jesse “The Body” Ventura. He made friends with such ringside characters as Cus D’Amato and Bruce “The Mouse” Strauss.
With the perspective of time, Stander now blames his many travails on the deep funk he says he descended into after losing the title shot. “After the Frazier fight I was really depressed. I wanted to win so bad,” This once hometown hero became seemingly overnight, a has-been. Upon his retirement he stayed on the fringes of the game refereeing bouts and appearing on fight cards, where he was a bloated shadow of his former self. He searched in vain for something, anything, that could replace the rush of stepping into the ring to throw leather. For a while, alcohol became his elixir. It didn’t help when he endured the loss of his mother and step-father, who adopted him and whom he idolized. As a child the future boxer and his mother were abandoned by his biological father. He said when she remarried (getting hitched to Frank Stander, a hard working World War II vet who accepted Ron as his own) it “was the greatest thing that ever happened to me.”
With the help of his second wife, Becky — “She’s a doll” — with whom he has two boys, ages 11 and 13, Stander is clean and sober these days, but out of work. When a reporter recently read him a litany of his troubles and asked what went wrong, this man who never took a dive in the ring answered candidly about the hard fall he took after hanging up the gloves. “Yeah…yeah…yeah. Depression. Losing the Frazier fight. Yeah, that and stupidity. Probably irresponsibility. I made some wrong decisions. I didn’t know when to say no. I was like, ‘Let the party begin.’ When I had to go away (for rehab) it was like shock treatment. I was going to grow up sooner or later and maybe going away helped me to. Now, I just want to raise these two kids and enjoy my grandkids and try to be a role model and do the right thing. I have to show them the right way to go,” he said sheepishly.
When the Vicker’s plant closed a few years ago, Stander lost his well-paying machinist’s job there and has lately been attending Vatterott College’s heating and air conditioning school in an attempt to learn a new trade. He worries, though, how a man his age can find a job that will enable him to support a family. “People say, ‘Well, you can start over and work your way up again.’ Yeah, right. Whatever,” he said, sarcasm dripping from his tongue. “I’m ready to go, I’m ready to work. But people don’t want to hire ya when you’re my age. I talked to friends at Hawkins Construction and they said, ‘We’re looking for guys 35, not 55.’ I talked to a friend who’s in the heating and air business and he said, ‘Well, you know Ron, we don’t want someone your age up on a roof when it’s 120-degrees. You could have a heart attack. Heart attack, hell, I feel fine. I can fight Frazier tonight.”
Like many athletes who once enjoyed success and celebrity, Stander clings to the memory of his halcyon days as the popular hard-hitting heavyweight who, as Lovgren said, “put asses in seats better than anyone ever has in Omaha, Nebraska.” Lovgren, a boxing historian, feels Stander was “one of the last good heavyweights under 6’0 tall.” To be sure, Stander made some waves in the fight game. Early in his career he peaked at just the right time for a fight with the formidable Earnie Shavers, widely considered one of the hardest punchers ever in the heavyweight ranks, and knocked Shavers out in five. In total, he faced nine men who fought for the title, never ducking anyone. But he admits he often didn’t train as hard as he should have. According to Lovgren, Stander lacked a fire in his belly. “It was hard to get Ron enthusiastic about fighting,” he said. “When he fought for me I was on him all the time, but there was no inner drive, no fire in the furnace, except for certain fights. I don’t know why he didn’t have it. I tried talking to him about it. I tried playing mind games with him. I did everything I could do.”
As for himself, Stander holds fast to the dream of what-might-have-been glory days if he had only connected with one solid blow that fateful May night 30 years ago. There is still enough cockeyed machismo and never-say-die hope left in him that when discussing old ring rivals Joe Frazier, Ken Norton and Muhammad Ali, he says, not entirely facetiously, “I have all the respect in the world for those guys, but the simple fact is if we fight today — I knock ‘em out. I’d knock ‘em all three out in less than one round because of their poor physical condition. Frazier’s got diabetes. His weight’s down. His arms look kind of arthritic. Norton was in a coma for months after a car wreck. He can’t hardly walk now. Ali’s got Parkinson’s.” Then, as if catching himself in the absurdity of boasting over dismantling such debilitated old men, he added, “That and 50 cents will get you a cup of coffee.”
Stander, today a robust 57 with a big belly and forearms as hard and round as telephone poles, appreciates the irony of how he, the once prohibitive underdog, would now be the odds-on favorite, given the ravages of time, in imaginary pugilistic contests against these old greats. Even though his own post-boxing life has been anything but a joy ride, Stander is physically unscarred compared to his fellow warriors. And he undoubtedly could whip their asses today, too. A lot of good that does him now, though. The point is, as he knows all too well, is that “when it really counted — when all the money was on the line, it would have been different,” he said. “I would still have been a 10-1 underdog.” And he still would have lost for the same reasons he did when he fought Frazier and met Norton in a matchup of former contenders. The simple fact is Stander, even in his prime, had a bad penchant for being cut in the ring. Sure, he could take you out with one punch, but the slim chance of landing a haymaker made him a long shot against elite fighters, who pummeled him at will and invariably opened up gashes over his eyes from which blood obscured his vision. Cuts led to the early stoppage of both the 1972 title bout and his 1976 fight with Norton. He never faced Ali, but if he had the results would surely have been the same. Making matters worse, Stander was a notoriously slow starter and sometimes he had barely warmed up before cuts opened up and the fight was halted.
Like the tough guy he is, Stander still believes he could have taken out both Frazier and Norton if the fights hadn’t been stopped on account of what he calls “chicken shit cuts.” Indeed, anyone who worked with Stander will tell you he was not hurt during those fights or during any of his fights for that matter, that he was rarely dropped and that he was never counted out. Despite ineffective defensive skills, his massive neck, sturdy chin, heavy leather and refusal to go down made him a pain-in-the-ass for any foe. His losses could be attributed more to his poor training and his accursed propensity for bleeding than anything else. Of his legendary ability to knock men out cold and to stay on his feet, he said, “I was just blessed with it. You either have it or you don’t, I guess.”
That’s not to say Stander didn’t incur his share of punishment during his ring career. His injuries included an oft-broken nose, fractured hands, shattered teeth and myriad cuts requiring more than 200 stitches. His face is a kind of Frankenstein monster’s patchwork. He feels fortunate he avoided long-term damage. Therefore, he does not take lightly how his more famous fellow ex-practitioners of The Sweet Science have suffered physically in recent years. About Frazier, with whom he was reunited last summer for a Boys and Girls Club of Omaha promotion, he said he was shocked by how much the former champ has failed. “I’m not putting him down. I’m just telling you the facts. He had 41 brutal rounds with Ali. And Big George Foreman scrambled his brain, too. Frazier’s a mucho-macho champion, but all that pounding takes its toll on a guy. Norton hasn’t been right since his car wreck. And Ali, with his rope-a-dope tactics, took a lot of shots he shouldn’t have late in his career.”
Still, Stander, who once said, “I’ll fight any living human and most animals,” can’t resist, as crazy as it sounds, entertaining the notion of a seniors boxing circuit pitting him against the men who kept the crown out of his reach. “Let’s do it, please. Line it up,” he said, smiling at the thought of cashing-in once more on his God-given KO punch, stiff chin and brave heart. As ludicrous as it may be, boxing is given to extremes, whether it’s an ancient George Foreman returning to fight after a more than decade-long hiatus or Roberto Duran still mixing it up well into his 50s. He knows the fights he imagines can’t happen, of course, but it’s all he has to content himself with after missing out on boxing’s money parade. As he puts it, “I fought the title in 1972, B.C. — that’s before cash and before cable.”
He has watched the film of the Frazier fight countless times by now. Viewing it is part penance and part nostalgia. He trained hard, even staying with Lovgren and his family in the weeks preceding the action so that Lovgren could act as a kind of chaperon closely monitoring his roadwork, escorting him to and from the Foxhole gym where he trained under the watchful eye of Leonard Hawkins, supervising his diet and ensuring he did not stray far from home for nights out on the town. Lovgren can recall Stander giving him the slip only once to, presumably, go out and party. But even with Stander mostly attending to business, there were distractions galore. Fans clamored for his autograph. Old “friends” came out of the woodwork and pleaded for tickets. The media hounded him for interviews, ranging from the foreign press calling to even the venerable CBS newsman Heywood Hel Broun showing up at Lovgren’s doorstep one day with a camera crew in tow. Then there was the marital strife Stander and his then wife Darlene, who was widely quoted disparaging her husband’s chances, were coping with. Finally, there was the broken nose he suffered two weeks before the fight while sparring with “Mighty” Joe Young in Boston, where Stander trained for a time under Johnny Dunne.
It all got to be too much. “It was annoying and aggravating,” he said. “I just know there were some distractions. It was hard to concentrate. It was a mess. Plus, the anxiety of it. It was for all the marbles. The stress was a factor. Well, you know how they say — Never let them see you sweat? – well, you would have seen me sweating fight night. My armpits were wet. I was anxious, you know? I wasn’t scared. It was psychological. You were going to fight no matter what, but you were just tense. Ready to rumble.”
Then there was the pressure of the money involved. Win or lose, more jack was at stake than he he had ever seen before. His share was $100,000 where his previous best pay day was maybe $1,500. Should he have won, he knew he could command riches even far beyond that. As it was, the money disappeared all too soon and he would never take home more than $5,000 for a fight again.
Another factor rarely mentioned in accounts of the fight was the huge disparity in experience between the two combatants. Frazier had been a world class amateur competitor, winning America’s only boxing gold medal at the 1964 Tokyo Olympics. Heading into the Stander fight his pro career saw him face one leading contender after another in top venues like Madison Square Garden. By contrast, Stander had a limited amateur career against mostly local foes and as a pro had fought, with few exceptions, much lesser lights than Frazier. Then there was the fact Frazier routinely sparred with top flight men in Philadelphia’s talent-rich boxing gyms while Stander made do with whomever he could find here. In short, Frazier outclassed Stander in every way. “Experience was a big part of it,” said Stander. “I had less than 40 fights, amateur and pro combined whereas Frazier had 100-some fights. I turned pro in ‘69 and then in ‘72 I fought for the title.” So, was it a classic case of too much, too soon? “Yeah…maybe,” he said.
That the fight came off at all was a golden opportunity for Stander, plus a coup for his manager, the late Dick Noland, and for matchmaker Lovgren, who were the president and vice-president, respectively, of the now defunct Cornhusker Boxing Club. Negotiations for the event, Omaha’s first and last title card, bogged down at one point, Lovgren said, over the size of the take that Stander and his people would get. Frazier’s camp wanted the lion’s share and only when syndicated national television entered the picture and anteed up big bucks for the live broadcast rights did enough money appear on the table to satisfy both parties.
Regardless of whether Stander was a worthy opponent for Frazier, he was a natural choice because he fit the bill for what the champ’s camp was looking for in a last tuneup before the Frazier-Foreman bout: First, Stander was an action fighter who would eagerly mix it up with the champ and therefore give him a good workout and provide some crowd-pleasing moments; next, he was prone to cuts and so the odds were good the fight would not go anywhere near the distance; and, finally, he was a popular white contender — when that was fast-becoming an endangered commodity in a division dominated by African-Americans — who would attract enough fans to guarantee a nice pay day. Stander gave them just what they wanted, too. He fought gamely, he bowed out before Frazier got in any real danger and he helped fill the auditorium and generate a nearly quarter million dollar gate.
If his later career was a letdown, there were some highlights. Perhaps his most satisfying post-Frazier bout came in 1975 when he knocked out Terry Daniels in the first round. Daniels, another White Hope, had also lost to Frazier and by destroying him Stander hoped to proved that he was still “a legitimate contender.” That win helped him secure the matchup with Norton but after losing that one he never fought a marquee fight again.
All these years later Stander’s still slugging it out, only now his fight is about trying to make a go of it as a middle-aged blue collar breadwinner amid a landscape of layoffs, cutbacks and tough times. He sometimes wonders what-might-have-been had fortune turned the other way in his life. “As good as you are and as hard as you work, you need a little bit of luck on top of everything else. Things just never happened for me. Now, I’m lookin’ for a job.” But at least when he’s low he can always take heart in the fact he once fought for the most coveted title in boxing. “It’s the biggest sporting event for one man in the world. It was a great time.” That and 50 cents will get you a cup of coffee.
- World Heavyweight Boxing Championship 1960-1975 (sportales.com)
- Heavyweight Boxing Division Losing Popularity to Lighter Weights (bleacherreport.com)
- Great White Hope: Not Great, Little Hope Against Johnson (nytimes.com)
- Requiem for a Fake Heavyweight (popculturehasaids.wordpress.com)
- 40 Years Later, Ali-Frazier Still An MSG Classic (newyork.cbslocal.com)
- Was “The Fight of the Century” the Greatest Sporting Event of All Time? (bleacherreport.com)
I have to admit that when I saw an article about a female boxer in Omaha it was her picture, a provocative image of an attractive young woman, more than her story that enticed me to want to meet her and profile her for a local paper. When I met her at the gym she trains at she turned out to be every bit as good looking as that picture suggested but she was not at all stuck on herself or her good looks. Instead, I found a hard working athlete and U.S. Army Reservist who is dedicated to her sport and to her military commitment, and someone who has some high level goals she wants to achieve. She’s very much aware of how people perceive her and she’s quite smart about how she deals with all that. My story about her originally appeared in the Omaha City Weekly (www.omahacityweekly.com), a now defunct newspaper.
©by Leo Adam Biga
Originally published in the City Weekly (www.omahacityweekly.com)
By rights, Autumn Anderson shouldn’t be boxing. Even ignoring the propriety of women duking it out, she doesn’t fit the fight girl profile. Not this bumble gum Reese Witherspoonesque blond whose self-described “girly-girl” good looks earn her modeling gigs. In nothing more revealing than a bikini in case you’re wondering.
Still, the 22-year-old Omahan looks more like the ring card girl than the main event fighter. More soft and feminine than chiseled bad ass.
“Every time, it works to my advantage,” she said, “especially with the black and Hispanic girls because they’re like, ‘White girl, huh — oh, she thinks she’s tough?’”
On close inspection Anderson’s hard, compact body is anything but delicate. Her 15-9 record backs up her ability to handle herself inside the ropes. Still, why risk such a pretty face in the ring? She’s heard it all before from her parents.
Her answer explains why she got into boxing to begin with.
“I kind of wanted to prove to people females could do anything they put their minds to,” said Anderson, who took up the sport at 16, “because a lot of males especially doubt women and their abilities, especially physical abilities.”
A one-time competitive swimmer and runner, she craved “something with contact” — that challenged her toughness on a more instinctual level.
“I wanted to do a more individual sport. Something more aggressive,” she said.
Her commitment to boxing’s been tested by the only two long-term boyfriends she’s had and the only prolonged layoff she’s taken from boxing.
“It’s always my boyfriends being like,“‘Why do you box?’ Blah-blah-blah. My first one convinced me not to. I’d go to the gym, there’d be all guys, and so it’d make him insecure. It made me not want to go because it made him uncomfortable. Then we broke up and then I got back into it like hardcore.”
She said there’s no reason a man should feel threatened by what she does. “When I go to the gym I dress like a guy. I don’t wear short-shorts or tank tops to show off anything. I wear bandanas. I don’t let my hair down. I’m here for business. I’m not here to like pick-up guys or to be distracting. I’m more like a tomboy.”
Anyone who’s a drag on her dreams, which include Olympic glory, she cuts loose, with the exception of her folks, who’ve since come around to support her.
“Everything’s a life-learning experience, especially when you have opportunities and somebody’s holding you back and they don’t support you,” she said. “You just have to let them realize you’re going to follow your dreams and nothing’s going to stop you. I’m pretty stubborn. If somebody feels I can’t do something, I have to prove them wrong.”
Despite proving doubters wrong boxing still seems an unlikely choice. Besides her cover girl puss there’s her background, which reads more Girl-Next-Door idyll than Girl-from-Ghetto trial.
Raised by a single mom, she’s technically from a broken home, but it’s not like she grew up scratching and clawing her way out of the projects. No, she grew up in the burbs of Kansas City, Mo. and Baltimore, Md. She says almost apologetically that she’s never been in a fight outside the ring.
She’s been on her own since age 16, first in Nebraska City, where she lived with an older sister, later with friends, and then in Omaha. Her first boxing mentor was a crusty old coach in Sidney, Iowa. Then she was taken by the late Kenny Wingo at the famed Downtown Boxing Club here.
Whatever gym she landed in it was always the same — show us you belong.
“That’s what they always do with a new girl,” she said. “They want you to get in the ring and spar and see if you have any heart. See if you’ll last. If you get your butt kicked once, are you going to quit. So, I’ve gotten beat-up a couple times, and I kept coming. I just fell in love with the sport.”
Her ringworthy rite-of-passage was more difficult than most.
“I definitely didn’t grow up fighting people in the streets, which is different than a lot of boxers. I had to learn to be mean. I had to learn to be aggressive.”
Hitting girls in the face didn’t come naturally for Anderson, who was into ballet and modeling from a young age. She’s always been athletic, but before boxing the most physical things she’d done were dancing, running and swimming.
When that guy she later dumped got her to hang up her gloves for a whole year, she ran cross country and track at William Penn College (Iowa). But, she said, “something was missing in my life. I was like, ‘Man, this is boring,’ I came back to boxing.” Not exactly a classic path to the Sweet Science. That’s not all that defies expectations about her. Anderson’s a full-time college student majoring in real estate and economics at the University of Nebraska at Omaha. She’s intent on getting her master’s in business administration.
She’s also a sergeant in the U.S. Army Reserves. This Motor Transportation Operator in the 443rd Transportation Company in Omaha does her battle assembly drills and training on weekends. She does her amateur fighting thing both inside and outside the confines of the Army, which has made her a poster girl.
The goarmy.com web site profiles Anderson’s multi-faceted life as reservist, student, boxer and young woman-going-places. She looks fetching in a portrait shot with an American flag backdrop. She stands tall, all 5-foot-5 of her, wearing a red tank top, her arms folded across her chest, her long blond hair framing her determined face and her gloves fecklessly slung over one shoulder. It’s a strong, sexy, confident, patriotic image.
Other photos show her in her Army fatigues and dress blues. She said snippets from the promo can be seen in GoArmy television spots. She felt like a pampered star when last July the Army sent a large production crew to the house she shares. “It took two days, about 12 hours each day. They did my hair and makeup,” she said.
“It’s a cool story for people who are interested in the Army,” she said.
Portraying her as a warrior is not a stretch. Not when you see her throw some leather in the ring. She can bring it. She’s tough enough to own the nation’s No. 5 women’s amateur ranking at 132 pounds. That ranking’s significance is debatable given the few women in the sport. But watch her spar and it’s clear she packs some power and possesses more than rudimentary skills. She has serious intent.
When not competing in Army tournaments she trains at the Northside Boxing Club in northwest Omaha. It’s an apt setting, given that the gym operates from one of the low-slung concrete block structures, Building 203, that housed elements of a former U.S. Air Force radar base. These days the multi-acre fenced-in compound at 11000 North 72nd Street belongs to construction Local Labor Union 1140.
While in training she’s at the gym five times a week. She’s now preparing for the August 4-9 Ringside World Amateur Boxing Championships in K.C., a signature event for a young woman with high aspirations.
My dream is to be a national champion and to fight in the Olympics,” she said.
Turning pro is another goal. Laila Ali has shown that talent and looks in the ring can lead to fame and fortune. But Anderson wants that trophy or medal first.
A national title may soon be within her reach. The Olympics will have to wait as its international governing body has not sanctioned women’s boxing. She hopes girl fighters like herself get their chance at the 2012 summer games.
Female boxing’s a fringe thing. Women’s Golden Gloves is still in its infancy. The small number who compete makes it difficult finding matches. Anderson’s fought one girl five times. To get action she must often travel. One of her last Nebraska fights stole the show on a 2007 Melee at InPlay card.
Sparse local/regional competition makes any national or international boxing event that much more important to her ambitions of being a title holder. Actually, she already owns one. She won the 2007 Armed Services Championships’ 132-pound division at Lackland Air Force Base in Texas. But she acknowledges she didn’t have the stiffest draw and captured the title on the basis of only two wins, both against fellow servicewomen. No, the championship she really wants is a civilian one, in an open tourney like Ringside that features more top drawer talent.
Her coaches, led by former Omaha amateur boxer Tim Pilant, had high hopes for her in the National Women’s Golden Gloves tourney earlier this year but she got sick and didn’t make the trip. Two years before Anderson stopped one opponent at these same nationals before dropping a 5-0 decision in her second bout.
Pilant, who runs the Northside Boxing Club with a crew of grizzled ring veterans, “adopted” Anderson three years ago at a national tourney in Colorado Springs when she didn’t have anyone working her corner. Her original coaches and boxing father figures had both died and she was competing on her own. Pilant cornered her and invited her to train at Northside back home. She’s been there ever since.
He admires her “commitment” and “dedication.”
To date, Anderson’s been stymied at the highest levels by two women who’ve dominated her weight class — Naquana Smalls and Carrie Barry. Smalls has since retired, leaving Barry as the foe Anderson must go through to realize her dream.
Preparing for her first nationals in 2003 Anderson saw a picture of Smalls, already a legend, and was, well, intimidated. “I remember looking at her face in the brochure and going, ‘Man, I hope I don’t fight that girl right away.’ She did. In the mismatch Smalls stopped her. She fared better with Barry but still lost a unanimous decision.
One day Anderson wants to be the woman nobody wants to face.
“That’s exactly right. I’ve actually built myself up that way. All you have to do is work towards it and it can be you. You just have to tell yourself it’s going to be you,” she said.
She may not ever be a Million Dollar Baby but her looks and her smarts, combined with her heart, should help her go the distance.
- NZ’s top women’s boxer could get world title fight (3news.co.nz)
- Sara Kuhn: Ready for her pro debut on September 11 (timesunion.com)
- Coloradans stand up and fight (denverpost.com)
- Canceled FX Boxing Show, ‘Lights Out,’ May Still Springboard Omahan Holt McCallany’s Career (leoadambiga.wordpress.com)
- Laila Ali Welcomes Second Child (bleacherreport.com)
- The Pit Boxing Club is an Old-School Throwback to Boxing Gyms of Yesteryear (leoadambiga.wordpress.com)
As a working journalist who depends on assignments from several different Omaha area publications for my living, I once in a while find myself in the position of accepting assignments from two different clients to profile the same individual in their respective pages. That happened in the case of KFAB radio program director and on-air personality Gary Sadlemyer. Both the City Weekly and B2B Magazine asked me to profile him within a few weeks of each other, and so not for the first time and I suspect not for the last time I ended up writing two separate profiles for two different publications, the stories appearing only a couple months apart. It’s a challenge I enjoy. I am sharing those stories back-to-back here and I will let you be the judge of how I handled crafting two distinct articles from the same source material.
Future posts will feature a few more examples of my facing the same challenge and hopefully being up to it.
A Good Man’s Job in Radio is Never Done
©by Leo Adam Biga
Originally published in the City Weekly (www.omahacityweekly.com)
Omaha’s KFAB bills itself as Nebraska’s radio “superstation.” The designation refers to the long reach of its 50,000 watt signal, the tradition that comes with 84 years on the air and the market share dominance the commercial giant’s enjoyed since the 1950s. It’s a full service institution, minus complete music tracks.
KFAB was once so ingrained in ”the fabric” of listeners’ lives, program director Gary Sadlemyer said, radio dials remained set to 1110 AM for decades in people’s homes, offices, vehicles. The middle-of-the-road broadcasts were the first thing heard upon rising and the last thing heard before retiring. The music, news, ag reports, weather alerts, sports coverage, personalities and corny banter became familiar, comfortable touchstones. The call letters synonymous with Husker football in its glory years. All of which made KFAB a hard-to-break habit.
Radio does not exert the hold it once did on people’s time and loyalty in an era of cookie-cutter programming, remote ownership, the Internet, iPods, CDs and cable television. So has radio lost its relevance in this new media age?
“Not according to the numbers,” said Sadlemyer, host of KFAB’s popular Good Morning Show weekdays from 5:30 to 9. “The latest industry figures I’ve seen indicate something like 93 percent of Americans listen to radio.”
FM rock/pop has its devotees. Public radio claims a niche audience. Satellite or subscription radio may be the next wave. Satellite purveyors’ maneuvering to do local programming draws Sadlemyer’s ire because local news/talk is not in their original charter. For now though AM talk rules. KFAB is that format’s local cock-of-the-walk. While studies confirm folks don’t tune into radio as often as they once did, he said the medium’s ubiquitousness keeps it vital.
“What’s not to like? It’s free and it’s easily accessible. You don’t have to worry about remembering to program it,” the veteran broadcaster said. “It’s amusing to me that people proclaim the death of AM radio. AM radio is really the strongest of them all. Talk radio is the number one format because it’s always local, at least to one extent or another. You’ve got local shows with guys talking about local issues and local news and weather. No iPod’s going to give you that.”
Talk is the medium’s version of blogging. Gossip, bullshitting and rant turned genre.
Now in his 32nd year at KFAB and 35th overall in radio, Sadlemyer’s experience reflects how the biz has changed in that time. He’s not crazy about the direction radio’s gone, especially stations being in the hands of fewer, larger multi-national companies. “I’m on my seventh or eight owner now,” he said.
He weathered the without-a-parachute jump from middle-of-the-road to talk radio in 1989. In the wake of deregulation the industry was in turmoil — mergers, acquisitions, spin-offs, staff cuts, format changes.
“The year we made that switch,” he said, “we didn’t know what we were doing. We didn’t know how to do talk radio. I was our first talk show host. It was a natural progression for a news station like ours but we needed to do that on a more gradual basis…So KFAB went through this horrible down slide. I managed to survive it. Now we’re back up there, but it was a climb. It was a tough time.”
He can laugh about it now but he recalls the “show from hell” when he booked, without pre-screening, an expert to discuss radon gas. The guest turned out to be “the meekest, mild-mannered little nerd you ever heard. No personality whatsoever. No voice. Now if that happened today,” Sadlemyer said, “I would do maybe five minutes and move on. But I had him on the full hour. The sound of radios turning off was deafening.”
But talk radio was the future and KFAB forged ahead before figuring things out. That’s the kind of misstep that comes from unstable ownership.
For years KFAB was owned by May Broadcasting, a venerable Shenandoah, Iowa company. The Lincoln Journal-Star bought the station, selling it in ‘86 to Henry Broadcasting. Beginning in ‘96 KFAB went through a series of absentee owners — American Radio Systems, Triathlon, Capstar, Chancellor Broadcasting — before current owner Clear Channel Worldwide bought it in 2000. This “owner-of-the-month club,” Sadlemyer said, “was like, Who’s our owner now? That period in the history of the station is not my favorite.” While entrenched at KFAB, where he envisions himself to be another 10 years, he knows nothing’s guaranteed in today’s revolving-door, bottom-line environment that keeps budgets tight and staffs small.
“Hey, I don’t know if I get to work 10 more years. They might blow me out of there tomorrow,” he said. “What I mean by that is that when you’re talking about these huge mega corporations, nothing’s ever personal. If you’re a good professional you like it to be personal because than you’re safer. If it’s impersonal it’s easier for some bean counter in a suit to downsize you out of a job. That’s the difference.
“I don’t think radio was designed to be a Wall Street-driven enterprise. Radio’s meant to be an integral part of whatever community it’s in. The difference is you don’t have complete autonomy and access like you do with local ownership. At least there’s a connection. Big companies driven by investors, rates of return, boards of directors and Wall Street need to have efficiency. Sometimes they go too far and you end up with not enough people but that’s true in a lot of industries now. I mean, ideally, could we use more people in our building? Yes, we could.”
The days of full radio news crews are gone, although KFAB’s an exception locally.
Still, he said, an overall tighter ship has meant doing more with less.
“What I really have is three jobs — program director, operations manager, Morning Show host,” he said. “When I get off the air at 9 we have a meeting right after the show every day to prepare for the next day. And then my administrative role kicks in. On the programming side it’s OK, how do we sound? We could have done this better. Operations is about this train having to run on time. Technical things, schedules. It’s just so multi-faceted. I enjoy it all but there are times when it gets frustrating to just not be able to do justice to everything.”
For all the ownership merry-go-rounds and format changes he said he still feels like that young guy fresh out of Brown Institute in Minneapolis, a technical school the Minnesota farm boy attended. Brown placed him at KRGI in Grand Island, Neb., where he learned the ropes announcing, reporting, producing.
“I’m still doing the same thing as far as I’m concerned I did from day one. I just love it. I don’t feel any differently from what I did when I was 24. I don’t think, God, I can’t wait to get out of here. I never think that way.”
By choice he still runs his own audio board when hosting the Morning Show. “I like it that way because I like to depend on myself for the pacing, and if there’s something I want to do and I’ve got in my head I can just move things around and make it happen. I’m responsible for the show and this gives me control,” he said. “Besides, it kind of like a dues-paying thing. It’s a lost art in a way. That’s just the way I learned to do it and I like it.”
It may be a carry-over from his old-school ways but the business of radio is vastly different than when he started.
Stations built strong identities-followings based on readily discernible differences. That’s changed with the move toward digital automation, canned, subscription service content and a generic one-size-fits-all approach.
“The Top 40 stations had personality jocks and they were all over the community,” Sadlemyer said. “Some stations still have some of that but it isn’t like it was back then. You don’t have the freedom now to go crazy and create things on the air. To create promotions. The budgets aren’t there. So local radio is not what it was.”
Back when KFAB commanded a 37 share Sadlemyer said the station’s “neighborly style” engendered trust, which in turn earned loyalty. On-air figures like wry Lyell Bremser, Cronkitesque-Walt Kavanaugh and high energy Kent Pavelka were household names. As Sadlemyer’s Morning Show cohort Jim Rose might say, they had “more name recognition in my home than me.” Even ag man Roger Flemmer, whom Otis Twelve described as “a real Les Nessman,” had a certain flair.
KFAB was a Rock of Gibraltar in radio terms. Solid, stable. A bedrock of family values and Midwestern work ethic.
The guys-next-door vibe is still there but now it’s married to that ironic, satiric edge so endemic in media today. KFAB’s conservative, Fox News-allied, Clear Channel-owned corporate character plays to Nebraska’s Red state sensibilities. Sadlemyer’s own right-wing Republican colors play as folksy rather than polemical.
It’s not all straight-laced, as the predominantly male, testosterone-driven broadcasts and off-air studio discussion have a boys locker room-schoolyard humor side. The slams, barbs, retorts, asides and repartee can be a bit silly.
“I revert to the 11-year-old in me,” Sadlemyer said. “I always take that with me.”
The fast-paced show is part conversation, part schtick. In response to Rose’s cranky complaints about the host’s music selections one morning, Sadlemyer said, “You’re a ticking time bomb.”
Serious issues mix with trivia, celeb gossip and syndicated comedy bits. It’s mostly light and glib. The ad-libs reminiscent of Jay Leno or David Letterman. Sadlemyer always seems to find the right phrase to encapsulate things, which is why his homespun charm makes him such an in-demand “pimp” for sponsors/advertisers.
KFAB flirts with sexism. Its web site features a “Babes” tab with photos of hotties. It’s enough to make the Mount Rushmore icons of Nebraska radio — Bremser, Kavanaugh, Ken Headrick — roll over in their graves. On-air, divas like Rosie O’Donnell and Hillary Clinton are the objects of digs. Items on sexcapades and sex studies provide ready fodder. Once the mikes go cold the innuendo grows thick. When someone pushes things too far, the avuncular Sadlemyer sounds his disapproval like a Presbyterian minister reining in his disobedient flock.
Producer Roger Olson’s suggestive off-air comments one morning prompted Sadlemyer to say, “I don’t think I want to hear about it.” “Gary, you’re a prude,” Olson teased. “No I’m not,” Sadlemyer replied. “That’s the deal now if you have any standards,” Sadlemyer said with a wink and a smile to a studio guest. “That’s why I’m a dinosaur — I’ll never make it in radio.”
He has little to worry about. Anyone who can command roasters the caliber of Sens. Chuck Hagel and Ben Nelson and Husker athletic director and coaching legend Tom Osborne, as Sadlemyer did for his February Omaha Press Club Face on the Ballroom Floor induction, is far from extinct.
His run in radio still has legs. His place in Nebraska broadcast lore is secure. That doesn’t mean he can’t be moved. Only last fall his cool facade was tested by the breaking Von Maur tragedy, when his dry humor gave way to sober deliberation.
“You just have to do the best you can in that circumstance and try to transmit information, which we had very little of in the first hours,” he said.
Besides the Von Maur shootings, he said the hardest thing he’s dealt with on-air was the “internal tug of war” he felt over reports that ex-Husker football player Brook Berringer was killed in a small plane crash. Sadlemyer had gotten to know Berringer working on Husker football broadcasts. On the day of the crash in 1996 the first information coming in was “pure speculation,” said Sadlemyer. He erred on the side of caution, waiting for confirmation, before putting Berringer’s name out there where family could hear it before authorities notified them.
Nebraska Radio Legend Gary Sadlemyer
©by Leo Adam Biga
Originally published in B2B Magazine
1110 KFAB’s Gary Sadlemyer is a calm, considered voice of reason amid the shock jock stunts and blow hard rants that can pass as radio announcing these days. The consummate professional, host of the popular Good Morning Show weekdays from 5:30 to 9 when not attending to his program director and operations director duties, is the last holdover from a golden era at the AM giant.
KFAB ruled the airwaves among Omaha broadcasters in the 1960s, ‘70s and ‘80s. It was THE station of choice for vast numbers of listeners and THE place to work for news hounds or middle-of-the-road DJs.
When the then-24-year-old Sadlemyer started at KFAB in 1977 he joined seasoned veterans and certifiable legends in Walt Kavanaugh, Lyell Bremser and Ken Headrick. He counted himself lucky to be in their company.
Growing up on a farm near Eagle Bend, Minn., where he went to school and his father ran a trucking company, Sadlemyer didn’t hear KFAB, whose 50,000 watt signal carries long distances but not quite that far north. Even listening to some backwoods station was enough to spark his imagination.
“I’ll never forget, I was around 10 years old, running an errand in the car with my mother and the radio was tuned into our little local station,” he said. “I remember listening to the announcer and thinking, I’ll bet that’s fun. Listening to that guy I imagined what it looked like in the booth. At some point I realized I don’t listen to radio the way other people do. They didn’t pay attention to it like I did.”
Par for the course for kids he went from being enamored with radio to dreaming of being a landscape architect, then a teacher-coach, then a lawyer. After a stint at Concordia College (Moorhead, Minn.) he reset his ambitions on radio and attended the Brown Institute in Minneapolis, where he received rudimentary training. What sold him on the technical school was a guaranteed placement working at a real live station. He wanted a job in radio so bad he told Brown officials, “I don’t care — I’ll go anywhere. Just give me a box of records and a microphone.”
To his surprise he was hired by KRGI in Grand Island, Neb., a big station in a good-sized town — not the typical way a green radio hand starts out.
“I was so lucky. The program director at KRGI was on vacation and the general manager, who knew virtually nothing about radio, called Brown. He’d fired someone or had someone quit, and he needed a guy right now. So I ended up being the guy. The program director got back from vacation and he was like, What have you done to me? But I survived that somehow.”
He learned the biz from the ground up, announcing, spinning records, covering news, running the board. “I got to learn all that stuff. It was fun,” he said.
Good fortune played a part in his leaving KRGI for this region’s radio mecca — KFAB. Not that he wasn’t happy in Grand Island — he was. If he were going to leave it would have to be for a special opportunity.
“I didn’t want to come to Omaha unless it was KFAB,” he said. “I knew there was one station in that market worth working for at the time, and in my opinion it was KFAB. I thought, That thing is the Rock of Gibraltar. Husker sports, a tremendous reputation, a tremendous name. This is the kind of place that can really provide some stability.”
Holding out for KFAB was one thing. Getting on there was another. Luckily he was befriended by “a real character” in Grand Island, Charlie Winkler, who just happened to be friends with Lyell Bremser, the genial voice of Big Red sports and the general manager at KFAB. Sadlemyer said Winkler “was kind of like a father figure” and when asked “if he’d put in a good word for me — he did.”
In his best Bremser imitation, Sadlemyer recalled what the inimitable radio icon told him when the novice called to inquire about a job. “Well, I’ll tell you, we don’t really have anything at the moment, but send a tape and we’ll keep it on file.”
Sadlemyer didn’t think much more about it. A year or two passed. “And out of the blue one day in November of ‘76,” he recalled, “station manager Ken Headrick called and said, We have an opening — we’d like you to come and talk about it.” He was offered the job the same day he interviewed. After talking it over with his first wife he did what anyone in his position would do — he took the job and ran with it.
On top of the usual hassles that come with settling in a new place the young couple dealt with extra challenges.
“It was rough right away because we didn’t know a soul. I was working seven to midnight and Saturday and Sunday,” he said. “Not making much money. And then we found out we were going to have a baby. It was just a tough stretch but we got through that.”
It wasn’t long before office politics turned ugly. A group of disgruntled employees agitated to make KFAB a union shop. Bremser wasn’t having it. Sadlemyer wisely chose management’s side. At the end of the fray the agitators were let go and Sadlemyer moved to the more plum weekday morning shift. Life was good. He absorbed everything he could from the old radio pros around him.
“I’d go in and bug them to tell me stuff,” he said. “How does this work? Take me through this process. They were wonderful about it. They all became friends.”
They all showed him the ropes but the one who really took him under his wing, he said, was Headrick, the boss. “He spoke to me like a dad. A very no-nonsense guy. He wasn’t warm and fuzzy but he was a mentor to me.” Headrick was there for him when he “went through a very painful divorce” in 1986. Three years later KFAB made the awkward leap into what was ballyhooed as the next big thing on the AM band — talk radio. It’s proven to be just that. Sadlemyer hosted KFAB’s first live talk show. The transition took time for a station whose announcers were previously “not encouraged to be funny or to talk a lot,” he said.
What won listeners over in the end, he said, was “KFAB’s neighborly style.” It’s a vibe Sadlemyer’s perfected with his folksy, homespun manner and dry wit. His personal life got better, too, as he remarried and his kids thrived.
The ‘90s saw many of his trusted colleagues at the station retire and KFAB go through what he disdainfully calls “the owner of the month club” — changing hands several times. “It was like, Who’s our owner now? That period in the history of the station is not my favorite,” he said.
His own duties changed to include more administrative responsibilities. The biz changed to a more controlled, corporate model. Less personality. Less soul. He’s not crazy about what’s happened in radio but he’s never lost his passion for it.
“I just love it. The work is fun. I don’t feel any differently from what I did when I was 24.”
He said his favorite part of the job “is not promotions and it’s not the business-sales end of it, but it’s the relationships with the listener and with the advertiser. With all due modesty I think I’m a pretty good commercial spokesman for people because I don’t do any spots where I don’t know ‘em and I don’t believe ‘em. And I love telling their story, absolutely love it. And getting to know ‘em and hearing about the latest offer they have. I just love that part.
“And getting out on remotes and at public events and meeting listeners, yeah, I enjoy that, too, because everybody’s different, everybody’s got a story.”
By choice he still runs his own audio board when hosting the Morning Show.
“I like it that way because I like to depend on myself for the pacing, and if there’s
something I want to do and I’ve got it in my head I can just move things around and make it happen. I’m responsible for the show and this gives me control,” he said. “Besides, it kind of like a dues-paying thing. It’s a lost art in a way. That’s just the way I learned to do it and I like it.”
At age 55 he figures he has 10 more years as a radio personality. A sure sign of how entrenched he is in the public’s mind and in media circles is his recent induction in the Omaha Press Club’s Face on the Ballroom Floor. Thirty-one years after signing on with KFAB and its roster of legends he’s now a legend himself.
- Larry King Radio Return? (huffingtonpost.com)
- Letters: Local talk radio needs dial tuned to the right (knoxnews.com)
- Complaints and anger dominate talk radio (mysanantonio.com)
- Critics still hoping for ouster of Omaha mayor (sfgate.com)