Here is a story I did in 1996 in the flood of refugees coming to America from war-ravaged Bosnia and Serbia. I tell the story of two families from Saravejo whose lives were turned upside down when the city fell under siege. Rusmir and Hari stayed behind to fight, as their wives and children narrowly escaped, eventually to the West. The men were eventually reunited with their families and ended up starting new lives in America. In my hometown of Omaha no less. I came across this story when I learned about a music and dance performance that a local choreographer organized as a way of commemorating the experience of these Bosnian refugees. The cathartic performance served as a bridge between the war that changed everything and the peace they had to flee their homeland to find.
War and Peace, Bosnian Refugees Purge War’s Horror’s in Song and Dance that Make Plea for Peace
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
The forum for this unusual intersection of cultures was the finale of an October 25-26 Omaha Modern Dance Collective concert. The closing piece, “Day of Forgiveness,” featured a melting pot of dancers and musicians, but most poignantly, local Bosnian refugees performing as a five-piece band
The work incorporated vigorous Bosnian folk dances and songs symbolizing the relative harmony in Bosnia before the war and the healing so sorely needed there now. Ironically, a dance whose context was an ethnic war, joined Croats, Muslims and Serbs in a unifying celebration.
The refugees are among a growing, diverse Bosnian colony that has sprung up in Omaha since 1993. They say the Bosnia they knew was free of ethnic and religious strife until Serb nationalism began rearing its ugly head. Many are natives of Sarajevo, where they enjoyed an upscale, Western European lifestyle. Since escaping the carnage to start over in America, they’ve forged a tranquil Little Sarajevo in Omaha.
“Bosnia was like a small United States, where many different cultures, many different religions lived together,” says the band’s lead vocalist and guitarist, Rusmir Hadzisulejmanovic, 41, formerly a marketing manager with a Sarajevo publishing firm. Today, he works as a handy man and attends Metropolitan Community College. “We prepared a good life in our country. We had nice jobs. We made good money. But somebody from outside tried to destroy that. And we lost everything in one day.”
Fellow refugee and musician Muharem “Hari” Sakic, 39, a friend of Rusmir’s from before the war, was an import-export executive and now works odd jobs while attending Metro. Hari says, “In Sarajevo we never cared what religion you were. And none of us care about that now. It doesn’t matter. We only care what kind of person you are.”
Both men are Muslim. Rusmir’s wife is Serb; Hari’s, Croation-Catholic. They say mixed marriages such as theirs were typical.
The two men fought side-by-side defending their beloved Sarajevo, the besieged Bosnian capital devastated by Serb aggressors. Talking with Rusmir and Hari today, surrounded by loved ones in their safe, comfortable southwest Omaha apartments, it’s hard to imagine them as fierce soldiers engaged in a life and death struggle with forces who outnumbered and outgunned them. But then Rusmir passes around snapshots of he and Hari in camouflage fatigues, armed to the teeth, outside the burned-out shell of a train station. A later photo shows Rusmir, usually a burly 240 pounds, looking pale, drawn and shrunken from the near-starvation war diet.
War Hits Home
Although Serbia invaded Croatia by late 1990, beginning the pattern of pogroms and atrocities it repeated elsewhere in the former Yugoslav Republic, most Bosnians never suspected the conflict would affect them. But it did, beginning, shockingly and viciously at noon, April 4, 1992, when Serb artillery units dug in atop the hills overlooking Saravejo launched an unprovoked, indiscriminate attack on the city’s homes, streets and businesses.
Rusmir was eating lunch in a cafeteria when the first explosions rocked the city. He was trapped there until morning. “I saw many, many damaged houses and cars and dead people in the streets. It was the first time in my life I saw something like that,” he recalls. It was the start of a three-year siege that killed thousands of civilians and soldiers.
At the family’s apartment he found his wife Zorana, 39, and their children Ida and Igor, then ages 8 and 2, respectively, unharmed, but “very scared.” He immediately set about finding a safe way out for them. Escape was essential, since Ida suffers from a serious kidney disease requiring frequent medical treatment, and his family’s Muslim surname made them targets for invading Serbs. As for himself, he had no choice but to stay – and fight.
The roads and fields leading out of town were killing zones, manned by roaming Serb militia. Air service was disrupted. With the help of Jewish friends he finally got his family approved for a flight to Belgrade, Serbia several days later. On the day of departure Zorana and the kids boarded a bus for the tense ride to the Serbian-held airport. As it was too dangerous to be seen together, Rusmir followed behind in a car.
The scene at the airport was chaotic. Hundreds of people milled about the tarmac, frantic not to be left behind. When a mad dash for the plane began, Zorana, carrying Igor in one arm, felt Ida being pulled away by the surging crowd. She grabbed hold of her daughter and hung on until they were aboard.
From a distance Rusmir watched the plane lift off safely, carrying his family to an uncertain fate. It was the last flight out for many months. Three-and-a-half years passed before he saw his family again.
While in Belgrade, Zorana and the kids stayed at a hotel. Zorana made Ida promise (Igor was too young) never to say their Muslim name aloud, but only her Serb maiden name, Vojnovic. Zorana says she felt “shame” at denying her true identity and “guilty” for what some Serbs were doing to Muslims. “It was very hard.”
“You had to say some Serb name to save your life,” notes Hari, whose family took similar precautions. Like Rusmir and Zorana, Hari and his wife Marina were desperate to get their daughter Lana out, as she has a kidney condition similar to Ida’s. Marina and Sakic’s kids eventually fled to Croatia.
In Belgrade Zorana often confronted Serb enmity, such as when a hospital denied Ida treatment fate learning her real name. From Belgrade, they fled to norther Croatia, staying with relatives and friends.
Life in Croatia had a semblance of normality until Croat-Muslim hostilities erupted. Then Zorana was denied work and Ida expelled from school and refused care. A human rights organization did fly Zorana and the kids to London, where her brother lived, but they were denied residency and returned to Croatia. Growing more desperate, she pleaded her family’s case at every embassy, to no avail.
With few resources and options left she heard about the International Organization for Migration (IOM), a humanitarian agency offering visas based on medical need. After her first entreaties were rejected she went to IOM’s offices “every morning for three months,” before finally getting the visa that eventually brought them to Omaha in October, 1993. Zorana was among the first group of Bosnian and Croatian refugees to arrive here.
Omaha – A New Home, A New Life
Why Omaha? Dr. Linda Ford, a local physician affiliated with IOM, was matched with the family as a medical caseworker and mentor. Zorana says Ford was her “main moral support” when she first arrived. “She showed me how to live on my own. She was a great help.”
Ford arranged for the family to live at the home of Dr. Dan Halm and at her urging Zorana, an attorney in Saravejo, earned a para-legal degree at UNO while working part-time jobs. Zorana now works full-time at Mutual of Omaha. Ford says the contacts Zorana made here as a result of her own refugee experience have aided other Bosnians in settling here, including Rusmir’s sister and brother-in-law. Since moving her family to the Woodcreek Apartments, Zorana has guided 12 other refugee families there.
Barbarism, Heroism and Sacrifice
Meanwhile, Rusmir, who as a young man served in the Yugoslav equivalent of the CIA, had joined Hari and others in mobilizing the local Bosnian Army, It was a civilian army comprised of Muslims, Croats and Serbs, They lacked even the most basic supplies. Uniforms were improvised from sleeping bags. Many soldiers fought in athletic shoes. Shelling and sniper fire continued day and night. The streets and outlying areas were a grim no-man’s land. The only respite was an occasional cease-fire or relief convoy.
As the siege progressed conditions worsened. Rusmir’s and Hari’s homes were destroyed. But life went on. “In war it’s not possible to keep a normal life, but we tried,” says Rusmir. For example, school-age kids who remained behind still attended classes, and Hari’s wife Marina gave birth to their son, Adi, on May 22, 1992.
“At that time the situation was terrible, especially for babies. No food, no water, no electricity , no nothing,” Hari recalls.
Somehow, they hung on. Marina and their two children got out as part of a Red Cross convoy that fall.
Hari and Rusmir fought in a special unit that took them behind enemy lines to wreak havoc, do reconnaissance, collect intelligence and capture prisoners. Miraculously, neither was wounded.
“I was many times in a very dangerous position,” says Rusmir. “I know how to use a gun and a knife. That helped me to survive. I’m lucky, you know? I survived.”
Two of his best friends did not – Dragan Postic and Zelicko Filipovic.
Rusmir witnessed acts of barbarism, heroism and sacrifice, An artillery shell landed amidst a group of school kids during recess, killing and maiming dozens. “That was very awful.” In the heat of battle, a comrade jumped on an enemy tank and dropped hand grenades inside the open turret, killing himself and the tank’s crew. Despite overwhelming odds and losses the city held. “We stopped them…we survived,” Rusmir says.
By the time a United States-brokered and NATO-enforced peace halted the war in 1995, Rusmir, who’d stayed gallantly (“Stubbornly,”says Zorana) on to protect his homeland and care for his ill father, felt very alone. Except for his father, there was nothing left – no home, no job, no family, no future. Hari was gone, too, escaping on 1994 on foot via a tunnel dug under the Saravejo airport, and then over the mountains into Croatia, where after a long search he was reunited with his family.
The Sakics emigrated here in January, 1995.
Music – Celebration and Mourning
Every refugee has a story. The Bosnians’ story is of suddenly being cast as warriors and wanderers in an ethnically-cleansed netherworld where borders and names suddenly meant the difference between freedom or imprisonment, between living or dying.
It all happened before – to their parents and grandparents in World War II. It’s a story burned in their memories and hearts and told in stirring words, music and dance.
Their music inspired choreographer Josie Metal-Corbin to create “Day of Forgiveness.” The professor of dance at the University of Nebraska at Omaha first heard the music when a former student and Bosnian emigre brought the band to her class. They played about 10 minutes and right away I knew I had to do something with this music,” Metal-Corbin recalls. “I was very taken by it, I’m part Italian and part Slovak, and this music really spoke to me. It’s very passionate.”
After months of working with the musicians and UNO’s resident dance troupe she directs, the Moving Company, Metal-Corbin grew close to the refugees and their families, particularly Rusmir, Zorana and their children, now ages 12 and 6. Zorana acted as the project’s interpreter and cultural guide.
During the Creighton concert, which marked the dance’s premiere, Rusmir and the other, all-male musicians exuberantly accompanied the rousing dance from a rear corner of the stage.
Rusmir, who grew up singing and playing the romantic tunes that accompanied the dance, says, “I feel the songs in my heart, in my soul, in my blood.” Song and dance are a big part of Bosnian celebrations, which can last from evening through dawn.
A Gypsy song – “Djurdjevdan” (“Day of the Flowers”) – was chosen by Metal-Corbin to give the dance its thematic design. The song, like the dance she adapted from it, tells of a holiday when people go to a river to cleanse themselves with water and flowers as an act of atonement and plea for forgiveness. According to Rusmir, the song and dance reflect Bosnians’ forgiving nature.
“What is very hard about the war is that we lost so many friends. We lost neighbors. We lost family members. And for what? Really for nothing. We tried to keep Bosnia in Bosnian borders. But I can forgive,” Rusmir says, “because my wife and kids are alive. My father is alive. It’s time for forgiveness, for one reason – the war must stop, always, I cannot live with hate. My people are not like that. You can kick me, you can beat me…I will always find a reason to forgive you. That is the Bosnian soul.”
Hari, though, cannot so easily let go of the memory of Marina and their two children barely escaping a direct artillery hit on their Sarajevo apartment. “Forgive, yes, but forget, no,” he says. “I must try never to forget.” Even now, the whine of a siren and the clap of thunder are nervous reminders of incoming artillery rounds. “That is the kind of sound you can never forget,” Hari says.
He still wakes up in a cold sweat at the thought of the three-finger sign used by Chetnik Serbs in carrying out their terror campaigns. “When they started to use that sign,” he says, “the poison came. It meant. ‘You are not with us.’ Then the killing started.”
As a haunting reminder of what the dance was about, an enlarged news photo in the background pictured the tearful reunion of a Bosnian refugee family. The image had special meaning for Rusmir and Hari, who had only recently reunited with their own families. For them, the dance was their own personal commemoration of loss, celebration of survival, offering of thanks and granting of forgiveness.
Adding further resonance, virtually the entire local Bosnian refugee colony attended out of a deep communal sense of pride in their rich culture, one they’re eager to share with the wider Omaha community they’ve felt so welcomed by.
Zorana was there. “I was real proud, but at the same time I was kind of sad,” she says. “It was the music of our country – but in a different country. I was real touched when I saw Americans feel the same we do. I wanted to cry.”
Zorana, whose journey with her children across the war-torn region took a year before she found safe passage to America, adds that forgiveness must never come at the price of wisdom. “I would not let anybody to that to us again. Yo can trick us one time, but just one time.”
Yes, these Bosnians, are remarkably free of bitterness, but they do feel betrayed by the European community’s delayed, timid intervention. Zorana says, “You cannot wait so long and be so passive. You cannot say, ‘Oh, this is not my war. I don’t want to be bothered – they’re not killing me.’ Because tomorrow they may come to your house and try to kill you.” Hari says, “All the time we waited for a miracle.”
Rusmir decries the Serbs’ targeting of civilians. Hari hopes “world justice catches the war criminals, so that they will never sleep good again.”
With the aid of Neb.Republican U.S. House of Representatives member John Christensen Rusmir finally got permission to immigrate and was reunited with his family last November. Once here there were many adjustments to make. Igor didn’t remember him. Ida was slow to warm to a father she hadn’t seen for so long. Rusmir spoke no English. The family barely got by. But in classic immigrant tradition they’ve adapted and now call Omaha – a city they’d never heard of before – their home.
“It is hard. But step by step, day by day, we make connections, we make new friends we make a good life, too. We feel like Bosnian pioneers in Omaha and Nebraska,” says Rusmir, who hopes to start a construction business with Hari.
The Bosnians like America and feel sure they’ll thrive here. Their children already have, with many earning top grades in school. Ida and Lana are both healthy and doing fine. The Bosnians are deeply grateful to America, which Hari calls “a dream country” for its warm reception.
Hari says, “In America I can once again live like a normal person. There’s no fear that somebody will knock on my door and ask, ‘Who are you?’ and say, ‘You’re guilty.’ We are safe here. Many Americans have helped to give us a chance. Thanks America. We are sure that we will be a success.”
Zorana downplays their heroic struggle, saying, “You need to go on if you think ou have some tomorrow. You need to believe in yourself. Then nothing is impossible.”
America is, after all, the land of opportunity.
“You give me a chance to be equal,” she says. “To work. To be a citizen. I wanted my children to be Bosnian, but now I want them to be American. Here, you can be proud of your last name. You don’t have to feel ashamed.”
- A Long Way from Home (leoadambiga.wordpress.com)
- Mladic could face two trials for alleged Bosnian war crimes (cnn.com)
- Serbia alert over Mladic protests (bbc.co.uk)
- Bosnia tensions live on despite Mladic capture (seattletimes.nwsource.com)
- Key dates and events in the Bosnia war (zokstersomething.wordpress.com)
- No closure (bbc.co.uk)
Finding Forefathers: Lincoln Motion Picture Company Film Festival Gives Nod to Past and Offers Glimpse of Future
I am always on the lookout for a good film story. This one came to me out of left field, and I am grateful did. My hometown of Omaha, Neb. is slow to pick up trends, which makes sense since it sits smack dab in the middle of the country. While indigenous indie filmmaking caught on just about everywhere else 15 or 20 years ago, it’s only in the last decade really that the city has had anything like a filmmaking scene, and it’s still a small, sporadic community of filmmakers compared with, say, Austin, Texas. What’s lagged even more behind is the development of an African-American film community here, although events in the last three years indicate that might finally be changing. For Love of Amy and Wigger are two features shot here in 2008 and 2010, respectively. John Beasley is planning a film on the life of Marlin Briscoe. Robert Franklin is a documentary filmmaker with a new project near completion about the 1919 lynching of Will Brown. Vikki White is a promising new filmmaker. And then the story that came my way recently announced a new film festival whose title is drawn from the nation’s first black filmmaking enterprise, the Lincoln Motion Picture Company, which got its start in Omaha, of all places, in the silent era. Brothers Noble and George Johnson were the founders and operators behind Lincoln, whose run was short but historic. Videographer Jim Nelson of Omaha was inspired by the example of the Johnsons and has launched a film festival showing the wares of aspiring filmmakers he mentors. My story for The Reader (www.thereader.com) previewed the fest ,which unreeled Nov. 19. He and I and the filmmakers showing their work hope it’s the start of something big.
Finding Forefathers: Lincoln Motion Picture Company Film Festival Gives Nod to Past and Offers Glimpse of Future
©by Leo Adam Biga
Published in The Reader (www.thereader.com)
The first annual Lincoln Motion Picture Company Film Festival, Nov. 19, is inspired by a historic Nebraska-based business that scholars call the nation’s first African-American film production company.
Brothers Noble and George Johnson founded the company in 1916 in Omaha and later opened a Los Angeles office. They produced five pictures. Their work actually predated that of the great black film pioneer Oscar Micheaux, who had contact with the Johnsons before launching his own film endeavors.
When Omaha television and video production veteran Jim Nelson learned of the Johnsons’ legacy, it hit him like a revelation. As an African-American videographer, he’s a rarity in the local industry. From the time the Lincoln company folded in 1921 until recently, black filmmaking largely lay dormant here. Discovering that black Omaha filmmakers made and owned their own images nearly a century ago moved Nelson.
“I thought, damn, I do come from someplace. It gives me a connection. You always hear about standing on the shoulders of giants, well, now I know whose they are,” says Nelson, who began his career at now defunct Omaha black owned and operated radio station KOWH.
The Texas native came to Omaha in the 1960s when his Air Force father transferred to Offutt Air Force Base. Except for leaving Nebraska a few times to try his fortunes elsewhere, the University of Nebraska at Omaha graduate has been based here, yet he somehow never heard about the Johnsons and their Lincoln efforts until a few years ago. He feels the story is not as widely celebrated in these parts as it should be.
“I say to people,’ Do you know the significance of this?'”
He says he’s sure many in Omaha’s African-American community don’t know this history, which he sees as part of a larger problem of not enough being done to promote achievements by black Nebraskans.
“The idea is there are people who grew up here who made contributions,” he says. “It’s about valuing not only what you have or had but using that value to help you grow,” he says. “People need to feel they are worth something.”
Nelson’s nonprofit Video Kool Skool and Sable Accent Media Experience are training grounds for minority youths and adults to learn the necessary skills to tell their stories in images. The programs, along with his for-profit Jim Nelson Media Services, are based at the Omaha Business & Technology Center, 2505 North 24th Street., where he has ample studio and production space.
With a bow to the Lincoln Company’s heritage, Nelson hit upon the idea of a showcase for aspiring black filmmakers. Making himself and his facilities available, he worked with newbies on five short films, all featuring aspects of the black experience. The collaborative projects include one Nelson directed, Rockin’ the Deuce Four, an appreciation of the jazz scene that once flourished in and around North 24th Street.
“This is about a community that has not had its story told on any regular basis,” he says. “Now there’s a platform (the festival). I want to catch these new voices when they’re small. They have to be encouraged, they have to be nurtured, they have to know there’s a place where, even on a part time basis, they can pursue it.
“What’s my role? Well this has always been a dream of mine because I never had a mentor. I didn’t get it, I wasn’t supposed to get it, I was supposed to help others get it. I find myself being more a catalyst I guess for those who really want to do it.”
In this “each one, teach one” capacity he worked with three adults — all students of his at Metro Community College, where he’s an adjunct broadcast media instructor. Their work comprises the festival.
Danye Echtinaw, an Army reservist who served a tour in Iraq, says her film If the Hair Ain’t Tight, Ain’t Nothin’ Right expresses “a very adamant attitude of reaffirmation” about black women” and their “crown of glory.” Eris Lamont Mackey, who made an anti-gang film that placed at the NAACP’s national ACT-SO competition, reflects on the importance of families sharing meals and conversations together in Left at the Table. Lisa Washington, who attended Grambling State University, examines African-American icons in The Beginning of a Positive Image.
Nelson doesn’t pretend there’s a budding Spike Lee or Kasi Lemmons in the queue…yet. He views the event and his mentoring as “a spark to ignite others.” He feels as more participate, it’s only a matter of time before a significant filmmaker emerges.
“The participation of minorities in the industry has always been a struggle. With today’s technology, the opportunity to make films is there,” he says. “There’s a wealth of stories, but we need storytellers. Just seeing yourself in that position is empowering. Once you learn to do it, it can’t be taken away. It’s just a matter of getting the tools to do it.”
The fest unreels from 6 to 8:30 p.m. at the Omaha Public Schools‘ TAC Building auditorium, 3015 Cuming Street. Admission is $10. Call 614-8202 for ticket locations.
- Long and Winding Saga of the Great Plains Black History Museum Takes a New Turn (leoadambiga.wordpress.com)
- Monty Ross Talks About Making History with Spike Lee, the Star Filmmaker He’s Collaborated with Since 1981 (leoadambiga.wordpress.com)
- Ben Gray – Man on Fire (leoadambiga.wordpress.com)
- Omaha Native Steve Marantz Looks Back at the City’s ’68 Racial Divide Through the Prism of Hoops in His New Book, ‘The Rhythm Boys of Omaha Central’ (leoadambiga.wordpress.com)
The following article appeared a few years ago in The Reader (www.thereader.com) announcing plans for the Kent Bellows Studio and Center for Visual Arts named in honor of the late great American realist visual artist. That artist’s work is the focus of a current exhibition at the Joslyn Art Museum in Omaha, where Bellows made his home, and the studio center where Bellows created many of his pieces is now open to the public. As my article mentions, Bellows was known for his generosity towards young people with a passion for art, and the studio center pays forward the encouragement he provided young people by offering a mentoring program for high school students with a penchant for making art or pursuing art studies. Students are paired off with professional working artists in mentoring relationships that give young people an intimate, real-life experience in the art world. Students and their mentors collaborate on some projects and students work independently on others, and now that the studio center is complete, this creative community expresses itself in the very digs where Bellows himself worked and mentored. See more of my stories related to Bellows and the studio center on this blog site.
Kent Bellows Legacy Lives On
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
When renowned Omaha visual artist Kent Bellows died suddenly in 2005, his family didn’t know what to do with his studio, where remnants of his career and life were everywhere.
The studio was stuffed with his life: eclectic stashes of books and CDs, mosaics of cut-out images, wall scribbling, monster figures, art supplies and his signature parka hanging on a hook. After Bellows living and working there 16 years, the two-story studio, at 33rd and Leavenworth streets, became a multi-planed art piece in itself. It’s survived as tableaux of his stilled creativity, not unlike one of the wall sets he built for his hyper-realistic work.
Bellows’ family knew the circa-1915 brick building contained artifacts that should be preserved, not packed away or thrown out. The site, which used to be the Mermaid Lounge, was imbued with the legacy of someone who encouraged others, especially young visual artists and musicians. Family and friends deliberated how best to honor his memory.
Griess, her sister Debra Wesselmann and other Bellows family members formed The Kent Bellows Foundation in 2007 and envisioned the nonprofit as an arts education haven with a strong mentoring component. It will serve area youths, ages 14 to 18, grades 9 through 12, with artist-in-residence, studio thesis and gallery internship programs/classes. Board members include artist Keith Jacobshagen, designer Cedric Hartman, art educator Dan Siedell and composer Peter Buffett. Now, after two years of planning, the Leavenworth studio is due to become the Kent Bellows Studio and Center for Visual Arts. The Kent Bellows Foundation announced plans for the new arts organization on-site at a recent open house attended by friends of the late artist. If enough support is found, site renovations could begin this summer and the center could open by early 2009.
“We couldn’t make any rash decisions about it, it was just too important,” said his sister Robin Griess. “So fortunately we hesitated.”
$725,000 in renovations are needed to fix a leaky roof, replace mold-infested walls, make the structure handicap accessible, add a museum-grade HVAC system and construct multi-use gallery, studio, classroom and office spaces. The foundation is looking for public and private donors to help.
Working visual artists will act as mentors, offering students real life lessons on being a professional artist (did someone say this?) and helping them learn to create a studio space, network and market, build a portfolio and deal with galleries.
A close student-mentor ratio will ensure highly individualized instruction (who said this?). Bellows Education Coordinator Rebecca Herskovitz wants to create a comfortable, nurturing environment, she said, where students can be themselves and take ownership over these spaces.
“My goal is to create an art learning family,” Herskovitz said.
The Foundation has broad goals. Partnerships with local arts organizations will provide students more educational opportunities. Lesson plans and resources will be made available to art educators. A scholarship and stipend fund will assist students electing to study art in college.
“It’s a completely new take on arts education,” said Bellows Executive Director Anne Meysenburg.
Early on, the family determined art education as the focus. The specific mentoring mission evolved with input by Bluestem Interactive strategic planners. (We need some attribution in this paragraph, too. Who said these things?)
“When the mentorship idea came to us it made such sense because that’s who Kent was and to mesh that with his legacy and with this inspiring space was just the perfect idea,” Griess said. “We always kept in mind, ‘What would Kent want?'”
She said Bellows was “this wonderful big brother” to not only her and her sister but to many others.
“Whatever your thing was he would just celebrate it,” she said.
When he did break from his meticulous work, Griess said, the studio was a vibrant spot where he showed pieces, discussed ideas and jammed with musicians. Creativity was always in play. She hopes students can soon tap into the spirit bound there.
“To emulate that place of creativity and to inhabit it is absolutely contagious,” Herskovitz said. “You can just feel it’s a place where magic was happening. For kids to walk in there every day will be an enchanting thing.”
Randy Brown Architects’ design will alter and open up the studio, though portions will be preserved as Bellows left them; notably the south rear space where his easel still stands and his hand-sharpened pencils lay ready. The upper floor is home to undisturbed set pieces and backdrops. These expressions of Bellows will be conserved, pending funds, by the Ford Conservation Center in Omaha. (Who said this?)
“The ultimate goal,” Meysenburg said, “is to inspire and to ignite the creative spark in the artistic youth of this community.”
The job of documenting Bellows’ prolific original works continues. Researchers are working to create a comprehensive catalogue raisonne of Bellows’ work as Joslyn Art Museum prepares a fall 2009 Bellows retrospective.
Griess called the search a treasure hunt: some previously undiscovered works have turned up, and other notable pieces are still missing in action.
It’s all part of ensuring the Bellows legacy.
“We feel a heavy responsibility about doing this right,” Wesselmann said.
Mentoring programs start this September in yet-to-be-named art facilities, and the foundation has some potential site leads. The foundation is currently recruiting students and staff for its first 16-week semester.
- Debate rages over arts curriculum (theage.com.au)
- Getting Back to the Phantom Skill – NYTimes.com (opinionator.blogs.nytimes.com)
- Expressive Drawing Class for Youth offered at Lincoln Street Center for Arts and Education (thevalleyvoice.org)
Once in a while I have an idea for a story that entails my doing a set of short profiles of individuals sharing some common characteristic. In the case of this story, I profiled four senior men of science, all medical professionals and researchers of one kind or another in Omaha, Neb. I really enjoyed the challenge of trying to capture the essence of these men and their work in relatively few words. The story originally appeared in the New Horizons, and I suspect you will be as impressed as I was by some of their groundbreaking and lifesaving activities and findings.
Men of Science
©by Leo Adam Biga
Originally published in the New Horizons
The Man Who Would Slow Aging
Denham Harman, professor emeritus and world-renowned researcher at the University of Nebraska Medical Center, humbly chalks up his work uncovering the mysteries of aging to a series of chance occurrences. Born in San Francisco and raised in Berkeley, Calif., he displayed an inquisitive mind early on, developing a passion for building model airplanes and setting his sights on studying aeronautical engineering. But then one day in the 1930s his father bumped into an oil executive at a Bay area tennis club where Harman’s brothers played and landed Denham a job as a lab assistant with Shell Development Co. “This was in the midst of the Depression — there were no jobs,” Harman said from the cubbyhole office he still works in every day at age 86. This chance encounter affording an opportunity he dare not refuse set him on a new course — “I got shifted, so to speak, and I was very lucky” — that within two decades found him posing a radical theory of aging now accepted by the scientific community.
While working for Shell he earned his undergraduate and doctoral degrees in chemistry from the University of California, Berkeley, which, just happened to be one of the top chemistry schools in the nation. After working on lubricating oils he was transferred to the reaction kinetics department where, he said, “just by chance our primary concern was free radical reactions, which in those days was a very unusual focus. There was not that much known.” His research helped Shell gain 35 patents, including one for the Shell No-Pest strip. Then, in 1945, his wife Helen unwittingly planted the seed for Harman’s breakthrough postulation when she showed him a magazine article –Tomorrow You May Be Younger — about aging research in Russia. It got him so hooked on the idea of aging as a biochemical process he made the rash decision, at 33, to halt his career as an industrial chemist to enter medical school. When Cal-Berkeley flatly turned him down, telling him, ironically, “You’re too old,” he went to Stanford. Why change careers in mid-stream? “I just thought here’s a field that’s real interesting and which I know nothing about,” he said. Besides, the question of aging still dogged him enough he sought a broader knowledge base with which to tackle the enigma.
During a 1950s stint at Donner Laboratory in Berkeley where, he said, “I didn’t have anything to do but think, I figured it was a great time to look at this problem. So, I asked myself the question man has asked for a long, long time and still asks: What causes aging? What causes that transition? Everyone goes through it. We’re all familiar with it. We more or less accept it. There’s a lot of theories that try to account for that but no one theory is accepted. I looked at the problem from the premise there’s a single basic cause. Mother Nature uses the same things over and over again and this is what you would expect. Also, it was obvious genetics and environment were involved. So, what could cause this to take place? I thought of everything I could think of, but it just didn’t jive. I began to think maybe I had wasted my time getting on about aging — that maybe I didn’t know enough.”
Then, in one of those moments when a burst of inspiration arrives only after much deliberation, it came to him. He recalls, “I was sitting at my desk reading at the Donner Lab when all of a sudden it flashed in my mind — free radicals. I don’t know where it came from, but there it was. I looked at that problem and everything fitted — the chemistry-biology fitted.” The trouble is, initially almost no one else agreed with what he dubbed “the free-radical theory of aging.” He was all alone, out on a limb and his many detractors “were trying to chop it off,” he said. By the time he joined the UNMC staff in 1958, he was engaged in animal tests to support his theory. What kept him at it in the face of doubtful colleagues was, he said, his view the aging process is “a very important problem — it’s the thing that kills us” — and his belief that the theory is correct. That’s the reason I’m still at this problem. It works. Otherwise, as a chemist, I wouldn’t waste my time if it didn’t.”
So, what are free radicals and how do they impact aging? Free radicals are molecules with an unpaired electron. These lone wolf electrons create havoc in cells, setting off damaging chain reactions that account, he said, for the effects we experience as aging. Free radical production is stimulated by oxygen, which provides the energy we need to survive, and by environmental sources, but over time free radical reactions increase to a threshold the body cannot tolerate and we die. Harman contends an increase in antioxidant — vitamin E, vitamin C, beta carotene — consumption decreases free radical reactions, thereby slowing the aging process. “You’re putting in a preservative, in effect, that counteracts the deleterious effects.” The benefits of antioxidants — from increased life expectancy and reduced incidence of disease — have been shown in studies of rodents and birds. His efforts to promote antioxidant use — he’s long followed a daily regimen himself — has succeeded. “Americans spend around $4 or $5 billion a year on supplements, most of which are antioxidants, and even though I can’t prove it,” he said, “I’m sure a lot of those people will live longer then they would otherwise.”
Harman, whose research was long supported by a patroness, the late Mrs. Leon Millard, has in recent years seen funding dry up, a frustrating turn of events he ascribes to changing research priorities. Of more concern, he said, is the scant work being done on life prolongation and disease prevention using his theory’s tenets. “A great deal can be done, but we’re not doing it, and that’s disturbing.” As for himself, he continues writing articles, making presentations and giving interviews that lay out his ideas. Retirement doesn’t enter his mind. “I think you’re much better doing something,” he said. While he suspects his own life span may have been shortened due to recent health problems, he said time remains his main asset. “It’s what I have most of, but these are things you can’t predict.”
An Uncommon Man’s Search for Cancer’s Hereditary Links
As just one example of the uncommon life he’s led, Henry Lynch grew up a school drop-out and street fighter in a rough section of 1930s New York but persevered to become a medical doctor and noted cancer researcher. “I didn’t pick fights but, boy, the neighborhood I lived in it was a very common occurrence to meet bullies, and you had to defend yourself,” said Lynch, chair of the Department of Preventive Medicine and president of the Hereditary Cancer Institute at Creighton University. Even though he never attended high school — a result of his wartime service and working to support his family — he cultivated his naturally brilliant mind by reading “voraciously,” saying, “I did it on my own. I spent every free moment I had looking up things in the library. I had no doubt in my intellectual abilities.” Or in his physical prowess, which he put to use as a stevedore, farm hand and prizefighter.
Still a hulk of a man at 75, Lynch enlisted in the Navy as an under-age, but over-sized 16 year-old seaman in 1944. Serving as a gunner on freighters and transports, his tour of duty took him from the North Atlantic to the Mediterranean to the South Pacific. He boxed during his two-year hitch and once back stateside he resumed fighting as an amateur before turning pro. “I loved to fight,” he said, adding he boxed under assumed names in a 20-bout pro heavyweight career in order to retain amateur status in a hoped-for bid to play college football.
At first, it was as much his desire to play football at the University of Oklahoma under legendary coach Bud Wilkinson as it was his need to feed his hungry mind that led this then street-wise New York tough to enroll in college there in the late 1940s. By the time his failed tryout with the powerhouse Sooners ended his gridiron dreams, he was “consumed with studying.” He continued his studies at the University of Colorado and at Denver University and the University of Texas in Galveston. Trained in genetics, Lynch was serving an internal medicine residency at UNMC in 1961 when the course of his professional career changed. “I was called to see a family with multiple cases of colon cancer, but with no polyps. That was something I thought was quite unique. I studied that family. I went into great detail…not just studying the immediate relatives but extending it as far as I could to grandparents, aunts, uncles, cousins,” he said. “And I collected pathology extensively and wrote up all the clinical histories so I could put together and really understand how this could be a syndrome, and ultimately it emerged as one.” For his pioneering work, the syndrome was named after him. That first case history led him to track more families with colorectal and other cancers and it “influenced my whole decision to become a medical oncologist,” he said. It was also the start of a massive hereditary cancer data base he manages at Creighton, whose staff he joined in 1967.
Like any new idea, Lynch’s assertion some cancers have a hereditary basis was dismissed those early years. “People thought I was crazy. They kind of laughed or said I must be dealing with a chance situation or with an environmental factor,” he recalls, adding he often paid for fact-gathering trips out of his own pocket in lieu of grant support. His faith in his findings did not waver, he said, because “with a background in genetics I saw what we call a segregated model in the way cancers were moving through families and I knew it had to be hereditary. Finally, it wasn’t until the late 1960s that people began taking me seriously.” Today, Lynch is an acknowledged leader in his field, the author of 12 books and hundreds medical journal articles and a keynote speaker at medical conferences around the world. Despite his lofty status, he still goes out in the field recording case histories. He said getting good data “is not just a matter of the history, it’s winning confidence from the family members and gaining rapport. You’ve got to really care and they can tell right away whether you care or not. And I care. I really do. I care about them not just as research subjects but as human beings and they appreciate that.”
He and his colleagues not only track but identify pathological genes that cause disease and they apply preventive methodologies, including prophylactic surgeries, that remove or reduce the risk of cancer in patients. Genetic engineering, he said, will one day allow physicians to manipulate mutant genes. “If we can figure out the chemistry we might be able to design drugs that are the antithesis to what that gene is making, so we can block it and we can cure cancer and other diseases. That’s on the horizon. No question about it.” Where does Lynch draw the line in genetic intervention? “I don’t think we can foresee specific boundaries to this at this moment,” he said. “But if used prudently with the cardinal feature being the interest of our patients and following the orthodoxy of do-no-harm, then I think it’s fair to progress and to use all the tools God gave us to help humanity.”
Still actively engaged in work at an age when most of his peers are retired, Lynch can’t imagine quitting his passion. “Well, I will never retire. I just love my work. Besides, I don’t have any hobbies. I don’t know what I would do. My whole life is in this direction and I see a whole lot of problems there and some of them we can solve,” said Lynch, who has a wife, Jane, and three grown children. “It’s a joy knowing maybe I can help people.”
The King of Calcium
When Creighton University endocrinology expert Robert Heaney discusses the benefits of good nutrition in fighting the onset or progression of disease, he has a knack for making what could be a dry recitation of facts into an engaging discussion. For example, listen to his explanation of why our calorie-rich modern diets are actually nutritionally poor in comparison with our forbearers: Hunter-gatherers, he said, enjoyed an amazingly varied diet by foraging off the land and its bounty of nutritionally-rich nuts, roots, leaves and berries, whereas since the agricultural revolution our diets have been dominated by cultivated seed plant-derived foods — cereals, breads, legumes, wheat, rice, corn, millet — that provide high energy but low nutrition. “One of the issues modern nutrition is confronting,” he said, “is the role it may play in the chronic diseases that affect human kind today — cancer, degenerative cardiovascular disease and dementia. Does nutrition play a role there? Nobody knows. But there’s some evidence it does.”
Muddying the works, said Heaney, an Omaha native and Creighton grad who, with wife Barbara, has seven grown children, is the often spurious nutrition claims promoted by quacks and charlatans. “A lot of this stuff is just made up by people who don’t know anything about what they’re talking about,” he said. “I’m not going to sit here like a crank and say, It’s all nutrition — if you just ate right you wouldn’t have any problems. That’s not true. But I am convinced there is a role nutrition does play. The field I’ve worked in, osteoporosis, is an example.” He said the high incidence of osteoporosis today is likely due to diets low in calcium and vitamin D, two essentials for keeping bones healthy and strong into old age. “If your calcium intake is low,” said Heaney, the author of the book Calcium and Common Sense, “you are constantly withdrawing calcium from your bone bank in order to meet the needs your body has today. The problem is that as that goes on day-after-day, year-after-year, 24-7, that revs up bone remodeling and leads to structural weaknesses. So…much of the damage associated with osteoporosis is due to this high level of remodeling, which makes the bone more fragile.” While some progress is being made in assessing who is at risk for osteoporosis, he said identification is complicated by the fact “we’re immersed in a society in which everybody has low calcium intake but not everybody gets osteoporosis because some are more sensitive to low calcium and others are more resistant.” He said factors that impact the equation are starting to be “worked out. For example, African-Americans have a bony apparatus that tends to protect them against low calcium intake whereas whites will tear down their skeleton much more readily.”
Research by Heaney and others clearly makes the case for calcium and vitamin D in reducing bone fracture rates in older patients. He said where he used to be asked by science writers if calcium is vital or not, “I don’t get those questions anymore. There’s a high awareness of the importance of calcium and I suspect that’s due to the media. What the general public doesn’t know is how much calcium they need and what amounts are contained in the foods they eat.”
According to Heaney, calcium is also a marker for a nutrition-poor diet. “We did a study at Creighton of 300 or 400 volunteers that found those who had low calcium intakes — meaning less than 70 percent of the recommended daily intake — tended to get less than 70 percent of the recommended intake of four other key nutrients. So, a low calcium intake tends to translate to having a poor overall diet low in lots of other nutrients.” He said the preferred way to get patients to increase calcium is through diet. “The best way to get the nutrients we need is from eating other organisms. We don’t know enough to put it all into pills. So, we stress food. If I can get you to eat calcium-rich foods then I know I’ll have a much better chance of your getting all the nutrients you need because dairy foods are such good sources of so many of these nutrients. We recommend fortified foods as a second or third line of defense and only recommend supplements as a last resort.” He is quick to note calcium is not the only nutrient crucial in osteoporosis and nutrition is not the only factor impacting the disease.
Even at 75 Heaney is still at the top of his game, evidence of which came with his being honored as the 2003 recipient of the E.V. McCollum Award from the American Society for Clinical Nutrition for his creative work as a clinical investigator in generating and testing new concepts in nutrition. For him, research is a never-ending exploration, journey and challenge. “It’s all those things. It’s always a question of why and how. Those are the interesting questions,” he said, adding he’s had a curiosity for how things work since he was a kid taking clocks apart. He said he “doesn’t waste a lot of time pondering” retirement, adding he’s too busy anyway between his research, writing and speaking commitments. Besides, the grant funds he secures for CU’s osteoporosis research center are what keep it open. “The day I stop, the work stops. That’s why I’m happy to keep doing it.”
High Flying, Straight Shooting Doc
University of Nebraska Medical Center otolaryngology physician-professor and retired Air Force veteran Anthony Yonkers has applied his healing arts in a wide variety of settings. He’s served as flight surgeon aboard jets, provided medical advice to Stratcom leaders running nuclear scenarios in its underground command post, taught medical students and resident physicians in training, conducted research into new head-neck procedures and performed countless operations that improved patients’ lives. The Muskegon, Mich. native and University of Michigan grad came to Omaha in 1968 as an active duty Air Force major assigned to Erhling Bergquist Hospital at Offutt Air Force Base. As an ex-serviceman, Yonkers is widely respected in his role as an attending clinician at Omaha’s V.A. Medical Center.
While never an Air Force pilot, he learned to fly in the Offutt AeroClub and even got to take the stick of T-38 trainers on flights he accompanied. These days, he pilots his own single-engine Mooney to medical conferences, family get-togethers and relief efforts undertaken by the Order of St. Lazarus, a humanitarian organization he is active in that provides medical care to leper colonies around the world. He and his wife Mary have four grown children.
When Yonkers neared the end of his Air Force active duty in the late ‘60s, he was set to go back to Michigan when a position opened in the new Department of Otolaryngology at UNMC, where he’d volunteered. “I was only going to stay a year or two to see how this brand new department worked out…and lo and behold I’m still here 35 years later,” said Yonkers, who continued as a reservist, rising to the rank of brigadier general, until 1998. “It’s been kind of exciting to see the department develop as we’ve added more staff and areas of concentration,” including a center treating patients with head and neck cancers, a prosthetic division building radiation shielding devices to help save tissue and molding false ears and noses and a sleep institute addressing patients’ chronic sleep disorders.
Yonkers and his UNMC colleagues participate in studies looking at everything from sinus infections to breathing disturbances to cleft lip and palette repairs to the treatment of papillomas of the voice box. He said new insights into treating medical conditions often arise from clinical experiences that prompt questions that in turn spur quests for answers through “studies of what best proven methods or accepted techniques work best in a given set of circumstances.”
For Yonkers, one of the most pleasing aspects of his work comes in his role as a teacher. “It’s fun in that you’re seeing young people develop. You’re taking a medical student with maybe one year of general surgery training and in four years you’re turning him or her into a specialist that can go anywhere in the country and hold their own. That makes you feel good.” He said practicing medicine gives him great satisfaction. “It’s a fascinating area. It’s an opportunity to work with people and to do something to alleviate their discomfort and to make their lives better. It’s very satisfying.” At 65, his passion for his work remains undiminished. “That’s the reason I’m still here and not retired,” he said. While he knows there may come a time when it’s prudent to lay down his scalpel, he believes older docs like himself offer what cannot be taught or replaced. “Through the years you build a feel or sixth sense for things and it takes awhile to accumulate those assets and nuances. That kind of knowledge is hard to measure and is lost in a forced retirement.”
- It’s Not Just Your Gene Pool (lewrockwell.com)
- Study: Anti-Aging Supplements Best Taken in Middle Age (livescience.com)
- Why Prostate Cancer May Not Run in Families (newsweek.com:80)
- Mayo researchers develop new laboratory cell lines to study treatment for ATC (eurekalert.org)
- Experts find gene variants for stomach cancer (reuters.com)
- Alternative Treatment for Osteoporosis (brighthub.com)
- Calcium and the Law of Unintended Consequences (theness.com)