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Omaha World-Herald Columnist Mike Kelly: A Storyteller for All Seasons

April 2, 2014 1 comment

I suppose it’s inevitable and only natural that I write about journalists from time to time.  After all, the world of journalism what I know best having plied the trade myself for many years.  The following New Horizons cover profile I wrote about the popular Omaha World-Herald columnist Mike Kelly is like a lot of stories I’ve done about journalists that you can find on this blog in that like those other pieces this one focuses on a veteran in the field whom I admire.  Kelly has become the face of that venerable daily and a leading advocate for Omaha and for good reason: he’s a prolific storyteller well plugged into the ryhthms of life in his adopted hometown of Omaha, Neb.

 

 

Cover Photo

New Horizons Newspaper

 

 

Omaha World-Herald Columnist Mike Kelly: A Storyteller for All Seasons

©by Leo Adam Biga

Originally appeared in the New Horizons
The face of a newspaper
When it comes to local print media, the Omaha World-Herald is the only game in town owing to its vast coverage and reach. For a long time now the venerable daily’s most public face has been lead Metro columnist Michael Kelly, also a much in-demand master of ceremonies and public speaker. The Cincinnati, Ohio native has made his life, career and home here. He often uses the popular column he’s penned since 1991 as a platform for celebrating Omaha.

He served as sports columnist-sports editor for a decade before his Metro gig. He was a news reporter for 10 years before that. He estimates he’s produced 6,000 columns and another 2,000-plus bylined pieces. The sheer volume and visibility of his work make Kelly the paper’s most branded writer commodity.

Managing editor Melissa Matczak measures his impact this way: “Mike Kelly has endured as a popular columnist because he knows what makes Omahans tick. He understands the people and our culture and he has deep sources within the community. People trust him and want to talk to him. He is invaluable to our news organization. His knowledge base, connections, sources and trust in the community take decades to build. There is no one in Omaha quite like Mike Kelly.”

Working at the same publication for the entirety of one’s professional life is increasingly rare in a field where job turnover’s common. Kelly”s survived upheavals, housecleanings and regime changes.

His allegiance to this place is such he lives here year-round while his wife Barb is in Cincinnati. Their commuting relationship finds him going there regularly, sometimes filing stories from Ohio, and her coming here. Phone and email help keep them connected.

As Kelly explains, “We’re both from Cincinnati. We raised our kids in Omaha. Barb always wanted us to relocate and I didn’t want to leave. Meanwhile, our oldest Laura and her husband moved to Cincinnati. They now have five kids. We just got to the point where I said, ‘We can do this two-city thing.’ I knew she wanted to go back. So we bought a house there near our daughter. Barb helps them. She sees her siblings (she’s the oldest of 11) all the time, and I go back there one week a month. Then Barb comes out here (she’s back in April). She’s still very active in Omaha. She has lots of friends.

“We’re at the age we can pull this off and it works very well.”

Kelly says his bosses tell him they can’t tell the difference when he’s here or away, “and that’s good, but it is harder writing from away. I just wish the whole family was here but they’re not. They’re dispersed.”

Too close to home
His scattered clan includes daughter Bridget, who lives in New York City with her husband. In 2002-2003 Kelly wrote a moving series about Bridget surviving a traumatic attack in Killeen, Texas, where she taught school. She’d moved there to be near her then-Army boyfriend stationed at Fort Hood.

The morning of June 21, 2002 Kelly was at his newsroom desk when he got the call that changed everything. A detective informed him that overnight Bridget had been abducted from her apartment and taken to a field, where a male suspect raped her and shot her three times. She somehow made it 200 yards to the home of Army combat veteran Frank James, who cared for her until paramedics arrived. The call to Kelly came after emergency surgery at the Fort Hood hospital.

“I kind of stuttered, ‘Is she going to live?’ ‘I think so,’ was the reply. I hung up the phone and turned to Anne Henderson, my editor, who was having a confab, and said, ‘Anne!’ She looked at me like, Why are you interrupting me?, and I told her. I was told later it was like everything stopped in the newsroom. Our executive editor Larry King spoke to our publisher John Gottschalk, who made a private jet available. I went into an office and called Barb in Cincinnati. She had the terrible duty of calling our three other kids and telling them.

“I ran home, grabbed a few things. Steve Jordon, my buddy (and Herald colleague), got on the plane with me without so much as grabbing a toothbrush.”

Ironically, only months before Kelly had written about WOWT Omaha anchor John Knicely’s daughter Krista being attacked while a student at Baylor University in Waco, Texas. But this was Kelly’s own flesh and blood. At the hospital he found Bridget conscious in the ICU.

“She couldn’t speak because of all these tubes. I just leaned down, both of us crying, and tried to comfort her. Then she motioned with her hand she wanted to write something and I pulled out my reporter’s notebook. She wrote, ‘I was thinking of you and Mom and the whole family when this was happening. I didn’t want to die.’ I’ve still got that notebook. That afternoon the police took me out to the field. I saw her blood. I met the James family at their house to thank them. That night her survival was the lead story on the 5 o’clock TV news down there. No name, but everyone from the school she taught at figured it out.”

Kelly received a message of support that evening from John Knicely.

“I appreciated that.”

The “tight-knit” Kellys came together as they always do in crisis.

“The waiting room was overflowing with people. Barb and our daughter Laura got there the next day. Eventually the whole family was there.”

Business reporter Jordon, who was there to support his friend, witnessed Kelly rise to the occasion amidst the anguish:

“Mike showed impressive calm during that time, and that’s what Bridget and the other family members needed. Mike was able to talk with the authorities, make decisions about what to do for Bridget, talk with her friends about the incident, keep family members informed and engaged and help Bridget start on the road to recovery during those first few days. He was a true father.”

Bridget’s assailant, who’d driven off in her car, was soon captured.

“The police down there were amazing,” Kelly says. “About four days after Bridget had given her long statement to the police and identified her attacker in a photo lineup, I was talking and she was writing. The whole story had not been told at that time. The paper down there, The Killeen Daily Herald, said a 24 year-old school teacher had been raped and shot, left for dead, survived. The World-Herald said Bridget Kelly, a local girl, was abducted and shot three times and was in critical condition. It didn’t say anything about rape.

“I explained to her the difference in the coverage and she wrote, ‘Did they say rape?’ and I said, ‘No, this is born out of compassion. Also, some people think there’s a stigma on the victim.’ And she wrote, ‘Why is it more shameful to be a rape victim then a gunshot victim?’ And I thought, Oh my gosh, she wants to say something. That would have been against our policy.”

His first column about the incident expressed gratitude that “our daughter was still alive” and singled out those who aided her. The lead read, “June 21, the longest day of the year for daylight, became our family’s longest, darkest day.” He laid out in stark, sparse prose the nightmare of her attack and the miracle of her survival.

But after what Bridget communicated in the hospital, he knew there was more that needed to be said.

“I told my editors Bridget wants to say what happened, that she’s not ashamed, she didn’t do anything wrong. I didn’t get the OK right away. Five weeks after it happened the suspect was charged with attempted murder, abduction, robbery and rape. I asked, ‘Are we going to report that?’ The decision was yes and so I wrote a column whose headline was, ‘A plea for more openness on rape.’ I wrote, ‘You don’t have to read between the lines and wonder if my daughter was raped…’

“When that column ran we heard from so many people. A lot of women survivors of rape were just glad someone was talking about it. The outpouring was unbelievable.”

Much more lay ahead for Bridget’s recovery and story. Kelly recounts, “She went to Cincinnati to recuperate. At the end of the summer her blood sugar shot through the roof and she was diagnosed with Juvenile Diabetes (Type I). She still has to deal with that. We believe it’s tied to the trauma. She was bound and determined to get back. She resumed teaching (at the same Texas school).”

National media picked up the story. The Dallas Morning News asked Kelly to write a piece that ran on the front of its Sunday paper.

“So then came a whole other wave of response.”

His handling of her story netted wide praise from peers. The American Society of Newspaper Editors recognized him with its Award for Commentary/Column Writing. Jordon summed up what many admired about Kelly’s treatment of the intensely personal subject matter:

“His writing about the attack was straightforward, honest and unvarnished, the right approach to a story that deserved to be told without embellishment and tricks. In the end, he was able to tell Bridget’s story fully, from a father’s perspective that resonated with the readers. He put himself in the story, but didn’t dominate the writing. It’s Bridget’s story, and he told it as her father would tell it.”

Bridget did many interviews. The Herald’s Todd Cooper went to Texas to file a story about her. “I appreciated that because then it wasn’t just the dad writing,” says Kelly. Bridget spoke at her alma mater, Duchesne, and at a Juvenile Diabetes Research Foundation banquet her father MCd and her Good Samaritan, Frank James, attended. A commendatory telegram from Colin Powell recognized James for his heroic service.

“That was very memorable.”

Tragically, James died a few years later. “The family asked me to speak at his funeral, which I was honored to do.”

Then a movie-movie twist occurred. ABC’s Prime Time flew Bridget to New York City to be interviewed by Charles Gibson. She met an associate producer with the show, Eric Strauss. A couple years later Bridget moved to the Big Apple to get her master’s in literacy. A mutual friend reconnected Bridget and Eric and the two developed a friendship that bloomed into a romance that culminated in marriage.

Kelly wrote a 2012 Herald piece updating Bridget’s journey, including her work as a teacher, her public speaking and her volunteering as a trained advocate for rape-domestic violence survivors.

“She’s on call one weekend a month to go to any (NYC) emergency room,” says her father. “I’m very proud of her for doing that.”

His piece referenced that at the behest of the Texas Association Against Sexual Assault she went to the field where she was attacked and made a video shown statewide for a public awareness campaign.

His story appeared ahead of a scheduled New York Times article about Bridget and Eric’s unusual meeting and storybook romance.

“We were looking forward to the Times piece. Then I get a call from a Times editor who says, ‘We’re killing the story.’ ‘Oh, that’s too bad, why? ‘We want to run your story.’ They wanted it longer, so I had to actually interview Bridget and Eric. It was interesting because I asked questions I never would have asked.”

Her advocacy will bring her to Omaha as featured speaker for the April 11 Torchlight Ball to benefit the SANE/SART (Sexual Assault Nurse Examiner/Sexual Assault Response Team) unit at Methodist Hospital.

Omaha love affair
Some hearing about Kelly’s two-city lifestyle assume he resides in Cincinnati, only maintaining the facade of an Omaha presence through his column. Mailing it in so to speak. He sets the record straight.

“No, I live in Omaha, I pay a lot of taxes here. This is my home. But I do have a job where I can get away with going back to Cincinnati.”

As a locals columnist he must stay in touch with Omaha’s heartbeat.

“I love the neighborhoods. We raised our kids in Dundee, Happy Hollow. They went to St. Cecilia, Duchesne and Mount Michael.”

Kelly later moved to the Skinner Macaroni Building downtown. Now he’s in a 7th story condo in the restored Paxton Building.

“I feel like we’re right in the middle of everything here, close to the airport. I’m a block from my office. As my wife said when I bought here at the Paxton, ‘Well, now you’ll be happy, you’re going to spend 24 hours a day at the World-Herald.’ It’s not a 9 to 5 job, so it’s good and bad to be that close. You do have to get away.”

Kelly values many Omaha attributes.

“We’re not quite big enough to have major league professional sports but we’ve got everything else. It’s a great-sized city. Not to use the cliché but people come together, it’s friendly, it’s easy. I love my colleagues, I love my job.”

This big-fish-in-a-small-pond can find anonymity when he wants it, though his gregarious side doesn’t mind the limelight.

“I love my privacy and I love being out and around people.”

He’s a featured performer at Omaha Press Club Shows, where his gift for mimicry and ability to carry a tune have seen him impersonate Elvis and Johnny Cash, among others.

“Then, of course, there’s my new career, singing.” he says, jokingly, referring to recent vocal lessons he’s taken from Omaha crooner Susie Thorne. which he wrote about in a March column.

Kelly’s closely charted Omaha’s coming out party from placid, nondescript burg to confident creative class haven.

“I’ve seen the whole Omaha attitude change. The late ’80s for me was the low point. There was so much stuff going wrong, you wondered what the future was of this town, Then in the ’90s things started turning around.”

 

 

 

Mike Kelly

 

 

Downtown-riverfront redevelopment spurred a cultural-entrepreneurial explosion. Omaha suddenly went from a staid place where 20 and 30-somethings complained there was nothing to do to an attractive market for young professionals and tourists.

“The Chamber of Commerce had some studies done saying, Well, Omaha doesn’t have a bad image, it doesn’t really have an image. People didn’t know who we were. So I think the change is not so much that people have a great image of us but our image of ourselves. I hear this over and over from people. I think we had kind of a negative feel about it, like we weren’t worthy. Now we’re worthy.

Kelly says in national socioeconomic rankings “Omaha’s consistently in the top 10 for livability,” adding, “At the same time we’ve got urban problems any city has. A few years ago Kiplinger’s ranked Omaha as the number one overall place to live and I interviewed the reporter who came here and he said, ‘You’ve really got a lot going on, but if you could just solve the north Omaha problem you’d be a great city.’ That is my lament, having come here in 1970 and seen that the north Omaha problem has not improved. There’s a lot of people working on it. I’d love before I retire to see north Omaha rise up.”

Writer’s life
What’s the best part of what Kelly does?

“Just getting to tell people’s stories. being able to touch people, whether make ‘em laugh, make ‘em think, put a lump in their throat now and again. People do read the World-Herald. We do have one of the highest penetration rates – the percentage of people in your local market that read the paper – in the country. It’s like we have this commonality of interest. It doesn’t mean we agree, it doesn’t mean we’re all interested in the same things, but people are interested in what goes on in this community.”

Story after story, his column paints a rich human mosaic.

“i do believe everybody’s got an interesting story.”

He doesn’t believe a writer should draw undue attention to himself or to his style. “The better material you have the more important it is for you as the writer not to get in the way but to let it tell itself,” he says. “Your job is just to organize it for maximum impact.”

He’s outraged some journalists resort to fabricating things, saying, “The true stuff has great natural utter born drama. You don’t need to make stuff up, just keep listening, keep asking questions.”

If there’s a Kelly axiom he abides by it’s – get it right.

“I always feel I have a responsibility to the readers and to my editors and to the source to tell the person’s story accurately. There’s nothing more important than accuracy.”

He says he’s methodical, “plodding” even as he hones copy to the bone and compulsively fact checks. “I keep the reader in mind all the time.” Next to accuracy, clarity and brevity, structure is everything.

“I do have a philosophy about writing, and that is the importance of getting your key words and phrases at the ends of sentences. It’s just like telling a joke – where does the punchline go. And then you always want to have a thump. You don’t want it to just end, you want to have an ENDING.”

Like father, like son
When he joined the Herald in 1970 at age 21, fresh out of the University of Cincinnati, he couldn’t have imagined still being at the paper in 2014. Next to Jordon he’s the newsroom’s most senior staffer.

“I was happy to get a job here. I thought Omaha would be a nice place to go for two or three years. No regrets for having stayed. I feel very lucky I’ve latched on here.”

Kelly wasn’t the first journalist in his family. His late parents Frank and Dorothy Kelly put out a small weekly, the St, Bernard (Ohio) Journal, during the Great Depression. Though his father, who was also a stringer for various publications and news services, gave up the business to work for the IRS, it remained his life’s true passion.

“That was his love – journalism,” says Kelly, whose prized possessions include a framed front page of the St. Bernard Journal and the old portable Underwood typewriter his father employed. “I used to type my term papers on that,” Kelly says with pride.

“We always had newspapers around the house. Cincinnati had three daily papers in the ’50s when I was growing up and my dad subscribed to all of them. I was the only one of his eight kids that went into what was his love, so it was a nice connection. This is my heritage.”

The devoted son spent much of his first decade in Omaha covering the police and city hall beats, where former head cop Richard Andersen and mayor Ed Zorinsky were among the public servants he covered. Next he became a general assignment reporter. Then he unexpectedly got offered the position of sports editor.

 

 

 

Back in the day before computers

 

 

From news to sports to news again
“I’m a sports fan like a lot of people but I had no intention of going into this. The managing editor, Bob Pearman, liked a couple things I wrote, one of them a piece on Ron Stander (the ex-club fighter who fought heavyweight champion Joe Frazier at the Civic Auditorium). I wrote this long piece with flashbacks to the championship fight, which I was at, and it got Associated Press story of the year.

“Pearman wanted me to be writer and editor. I hemmed and hawed for days. One day he calls me into his office. ‘Mr. Kelly, have you decided yet?’ ‘Well, I was thinking I wanted to…’ ‘Mr. Kelly, shut the god______ door. Do you want to be my sports editor or don’t you?'”

Kelly timidly accepted.

“I’d just turned 33, so I call this the highlight day of my career. Oh my gosh, it was like jumping into the deep end and not knowing how to swim. I’m glad I did it, but the problem was trying to do two jobs. You’re a middle manager with no middle management training in charge of 25 people, plus all of a sudden you’re a columnist with your picture in the paper. I’m dealing with Tom Osborne and I had been a fan. I knew enough that now I had to have an arm’s length relationship.

“Newspapers were starting to cover recruiting. It’s an industry now. I’m there at 9 o’clock one night after putting in 12 hours. I get a call from an assistant Nebraska football coach. He cussed me out, every filthy word I’ve ever heard and about six others I hadn’t, because we were doing recruiting stories and letting Oklahoma know who they were going after. Well, Oklahoma knew who they were going after. He tried to intimidate me and I was a little shaken. I remember hanging up the phone and thinking, Oh my God, this is not fun and games is it?”

Besides being young, Kelly was an interloper coming from news into a sports role that older, more qualified colleagues had been in line to get.

“Acting sports editor Bob Tucker was a veteran and all of a sudden some guy from news side was put into the job he deserved to get. He was my assistant, I relied on him. It worked out. He was the kind of guy who could make the trains run on time. That’s what I needed.

“I think I injected some creativity. I was more controversial in my sports days than I am now. I used to get criticized regularly by Cornhusker fans. I wasn’t constantly critical but sometimes that’s what you’re supposed to be. I enjoyed the 10 years in sports for the most part but I could never get my arms around both those jobs.”

A highlight was covering the 1984 Los Angeles Olympics, where the U.S. gymnastics team, which included Nebraskans Jim Hartung and Scott Johnson, won the gold medal. He considers Creighton’s 1991 College World Series run “the most fun event of my time in sports.” His father covered the 1940 Major League World Series in Cincinnati.

But Kelly was already torn by the enormous time sacrifice covering sports events demands. He was missing, among other things, his daughter Laura’s volleyball matches.

“I asked if I could go back to news side.”

He got his wish when named a Metro columnist. But where sports provided a constant, steady stream of in-season subjects related to area teams, news side subjects were less defined.

“I remember thinking, How am I going to come up with 200 column ideas a year? What am I going to write about?”

He gives the same answer to the question readers most often ask him: Where do you get your story ideas?

“I read a lot, I get out and talk to people, but luckily the best source for me is people calling and telling me stuff. That’s usually a function of I’ve been around for a long time and they’ve seen what I write, so that’s a benefit. But when I left sports and started column writing in the news section I didn’t quite have that. It was harder in the beginning.”

Full circle
One of his most “memorable” columns dealt with the Vietnam War. The subject’s always been sensitive for him because his enrollment in college deferred him from serving and then when the draft lottery went into effect his birth date exempted him. He found these privileged exclusions “patently unfair.” Then he got the idea of following what happened to one of the unlucky ones with a birthdate near his own.

Reggie Abernethy of Maiden N.C. was born one day removed from Kelly and that was all the difference it took for him to get drafted and ultimately killed in Quang Tri, South Vietnam while the luck of the draw allowed Kelly to stay home, launch his career and start a family.

“I made a couple calls and found out a little bit about Reggie. I went to his hometown and met with his family, friends, his old girlfriend. I went to his school.. It was really moving. It’s one of these moments where you think, What a privilege to get to ask people these personal questions. It was like he had only died a week or two before.

“Before I left his brother took me out to his gravesite. I had a letter from his friend who was with him when he was killed. I wrote the piece for Memorial Day and that got the biggest reaction of anything I’ve written up until the columns about my daughter a decade later. It was kind of a story that hadn’t been written. It was just a different angle. It was definitely (motivated by) survivor guilt.

“That damn war, it had so many tentacles, even today. It was just dumb luck I didn’t have to go.”

It’s one thing being haunted by the specter of vets who served in his place. It’s quite another coming so close to losing his daughter. It’s inevitable he wrote about her odyssey. He still gets emotional about it.

“You’d think at some point I’d be able to talk about this without getting choked up.”

Bridget Kelly went from being an interested observer of her father’s work to being the focus of it.

“Growing up, my dad helped me understand the power of storytelling. We can learn more about what it means to be human through reading about other people’s struggles and experiences. After my attack, there was an outpouring of supportive messages from family, friends, and my dad’s readership.

“It seemed a natural response my dad would share in his column some of what my family and I were going through.”

How did the experience of writing about it impact him?

“Something like that’s got to affect you. I think I was compassionate before. I don’t think it’s made me more compassionate but maybe it has.”

Bridget says, “I always knew my dad was a compassionate person He handles sensitive and difficult subject matter with compassion. Now I better understand what a special voice he has at the newspaper. He gets people talking about all kinds of topics.

“I gained a real respect for his connection to the readers of the World-Herald. He tells me he meets people in the Omaha community even today who still ask him how I’m doing. All kinds of people feel comfortable asking him about such a personal story because he made it okay in the way he wrote about it.”

He says seeing others not always get Bridget’s story right “caused me to redouble my efforts when I’m writing about someone to think of it as a little documentation of their life.”

His daughter got a deeper appreciation for what he does..

“He talked with me during his writing process, and I could tell he wanted to be sure my perspective was accurately reflected in what he wrote. I can see he takes that kind of care in telling other people’s stories, too. I think that’s one reason people trust him to give voice to their personal experiences.”

As for how much longer he’ll keep working, Kelly has no plans to retire.

“I love my job. I hope I can keep doing it reasonably well. I would miss it.”

His devoted readers would surely miss him, too.

Follow Kelly online at http://www.omaha.com/section/news60.

 

 

 

Paying it Forward…The best endorsement yet for my Alexander Payne book

February 4, 2014 Leave a comment

Alexander Payne: His Journey in Film
For those of you needing a boost of inspiration or proof that your works make any difference at all in the world, and believe me I despair about this myself, I offer you the following message I received from a young man named Bryan Reisberg.  He emailed me out of the blue the other day to tell me how much my book “Alexander Payne: His Journey in Film” meant to him.  His beautiful sentiment moved me deeply and with his permission I’m sharing the gift he gave me so that I can give it to you.  I’m touched that my work had a positive impact on someone who’s definitely going places in the world.  Let’s all pay it forward.
•     •     •

 

Hi Mr. Biga,

You don’t know me but I’m a young filmmaker in NYC and I purchased your book on Alexander Payne I think back in November of 2012. I was always a fan of Alexander Payne’s work, and was simply searching for anything I could find on him. I wanted to write and tell you that your book has helped me immeasurably as a filmmaker. I imagine now, being a bit older than I was while in film school (now 25), I have much more of an interest in the academia of filmmaking. Whereas in school, I was 18 and living in New York City. Come on, gimme a break.

Your articles and interviews became a critical (and previously absent) entry point to discover and dig deeper into learning more about directors, films, and film history. I came to not only respect and admire Payne as a filmmaker, but also as one of the best teachers I’ve ever had. And I can say that to date, starting with your book, what I’ve learned about the craft and history of cinema has been unparalleled and invaluable.

A few years after graduating film school (’09), I was fortunate enough to have my screenplay financed so that I could direct my first feature, BIG SIGNIFICANT THINGS, which I completed back in May of 2013.

And it was just announced that my film will have it’s World Premiere at the 2014 SXSW Film Festival. Mark Orton, who I’m sure you know did the score for NEBRASKA, is composing the score for my film.

http://schedule.sxsw.com/2014/events/event_FS14936

I wouldn’t be here without Alexander Payne and your book. Well, maybe I’d be here, but I wouldn’t be nearly as (hopefully) knowledgeable and skilled as a filmmaker.

So I just wanted to extend my gratitude, and thank you from the bottom of my heart.

Best,
Bryan Reisberg

Big Significant Things

F45672

At 26 years old, Craig (Harry Lloyd) seems to be doing pretty well for himself. He has job stability, a supportive family, and is about to start a wonderful new chapter with his girlfriend. With big life changes on the horizon, what better time to lie to your girlfriend so you can go on a road trip by yourself to the south?

2013 in review for leoadambiga.wordpress.com blog

December 31, 2013 Leave a comment

The WordPress.com stats helper monkeys prepared a 2013 annual report for this blog.

Here’s an excerpt:

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 88,000 times in 2013. If it were an exhibit at the Louvre Museum, it would take about 4 days for that many people to see it.

Thanks to everyone who stopped off to view the blog and special thanks to those who stayed and visited awhile and returned again.

As of this posting (Dec. 31, 2013), my blog has been viewed more than 316,000 times in its three-and-a-half year history.  Not bad for a site that repurposes my previously published work as a journalist and author.   I love sharing my work with others and I appreciate finding new audiences for what I write.

If you’re not already, please consider being a regular follower of my blog.

Until my next post, Happy New Year!

Click here to see the complete report.

Ex-Reporter Eileen Wirth Pens Book on Nebraska Women in Journalism and their Leap from Society Page to Front Page

March 22, 2013 3 comments

Women journalists cover anything and everything today.  They work in all facets of media.  But there was a time, and not so long ago at that, when they were restricted to a narrow range of reporting topics and jobs.  There were always exceptions to that rule.  Here and there, pioneering women journalists defied conventions and overturned stereotypes to file assignments and fill roles traditionally prescribed for men only.  A new book by Eileen Wirth profiles some of the revolutionary figures among Nebraska women journalists over the last century.  Wirth is a pioneer or revolutionary herself.  She became one of the first modern women in city news at the Omaha World-Herald in the late 1960s-early 1970s, then she broke the gender barrier in the public relations at Union Paciific, before becoming the first female chair of the Journalism Department at Creighton University, where she oversees what’s now called the Department of Journalism, Media and Computing.  Her book, From Society Page to Front Page, is published by the University of Nebraska Press.  It’s officially out in May.  My story about Wirth and the female journalists she writes about whose lives and careers advanced the cause of women both inside and outside the media field will appear in the April 2013 New Horizons.  This blog contains several stories by me about journalists in print, radio, and television.

 

 

Eileen Wirth

 

 

Ex-Reporter Eileen Wirth Pens Book on Nebraska Women in Journalism and their Leap from Society Page to Front Page

©by Leo Adam Biga

Soon to appear in the New Horizons

 

Eileen Wirth doesn’t seem to fit the part of a revolutionary but that’s exactly what she’s been during her three careers. Wherever she’s worked, whether as a reporter or public relations practitioner or academic, she’s broken gender barriers.

As the women’s liberation movement played out from the 1960s through the 1980s she fought the good fight for equal rights, only not in the street or in the courtroom but by challenging male chauvinism, sexism and discrimination in newsrooms, offices and boardrooms. Her feminist predecessors fought similar battles as suffragists from the late 19th century through the immediate post-World War II era.

She says the struggles women endured to open new opportunities in the workplace is a story she feels deeply about, especially the stories of women in her own profession of journalism.

In the course of researching her new book, From Society Page to Front Page, Nebraska Women in Journalism, Wirth developed a deep appreciation for and kinship with maverick women who preceded her in the field she loves. She documents dozens of women of high achievement, many of whom she never previously knew about, and the obstacles they faced to work as publishers, editors, reporters. PR professionals and media moguls.

Some ran small weeklies, some made their names as columnists with local newspapers, others as reporters with national wire services and major metropolitan dailies. One woman covered the White House. Three women covered the Starkweather murder spree in great detail. Beverly Deepe became the longest serving American correspondent of the Vietnam War.

Mildred Brown became one of America’s only black newspaper publishers. Cathy Hughes is still running a media empire. Other women are still doing their thing as well.

“In writing the stories of these women it became a journey of self discovery,” says Wirth. “I identified so strongly with these women and with their struggles and their achievements. Both of my sisters had national level careers and I’ve always been in Omaha, but I realized we need to redefine what we mean by female achievement. We have too often downplayed the local, the personal, the balancing act of career and family. I don’t think our society values that enough. One of the things I hope this book does is really give recognition to women who juggled both.”

 

 

 

 

She also hopes the book gets some deserving women elected to the Nebraka Journalism Hall of Fame, where there are cases of men inducted there whose wives are not, even though the wives were co-editors and publishers and full partners of small weeklies.

Wirth says doing the book proved both an awakening and an education for her.

“What was amazing to me is that we had so many absolutely remarkable Nebraska women in journalism. Even as someone who has spent her entire life in journalism and more recently teaching journalism history, if you had asked me to name them I probably couldn’t have named five or six, until you get to the ’50s when I knew some of these people. But even then I was finding people right and left.”

The finding took considerable effort. “It took a lot of digging to find most of them,” she says.  “This book is nothing but a huge reporting process. I went to people and said, ‘Who do you know about, what am I missing?’ I went to sources and people would tell me stuff and I would follow up on leads.”

Elia Peattie, a popular Omaha World-Herald writer from the late 19th century into the and early 20th century, is a prime example of someone Wirth found..

“If I were going to pick one woman in the book I fell absolutely passionately in love with it was Elia Peattie. Hardly anybody has heard of her. I resonated to her. She wrote a column that in some ways is very similar to the Mike Kelly columns of today’s Omaha World-Herald. This was before they had social or women’s pages. She’s kind of the World-Herald’s entree into that.

“She came to Omaha in the 1880s. She had been a society girl on a Chicago paper. She got a woman’s column at the Herald. This is when women’s news was in its infancy and the reason why women’s news was created in the first place was for advertisers. Women could not vote and the headlines were mostly about politics and crime, and if you look at the lives of women in the 1880s this just wasn’t relevant to them. They were working incredibly long days, raising large families, taking in work. They had very hard lives.

“Advertisers pressured the papers to do something to attract women readers because women were the primary shoppers. This was in an age when advertising was exploding. And the Herald hired Elia Peattie to write a column about women and apparently they put almost no restrictions on her. It was up to her to define what would interest women. Well, what she thought would interest women was apparently anything that interested her, which was everything.”

 

 

Elia Peattie

 

 

Wirth admires Peattie’s range.

“A professor from the University of Nebraska-Kearney compiled her columns in a book and I was blown away because it was reading a social history of the city in the 1880s. I mean, she has everything from this wonderful description of a young Bohemian slaughtering cows down at the Cudahy plant to a nursing sister at St. Joseph Hospital to the people riding a streetcar to showgirls. She did a very sympathetic portrait of the African American community when racism was horrible.

“She did some hilarious satirical columns about Omaha society people and why did they have to go back East to buy finery when they could buy anything they wanted in Omaha.”

Peattie’s community service involvement also appeals to Wirth, who has a strong service bent herself.

“Peattie ran for the school board when that was the only office women could run for or vote for. She was also one of the founders of the Omaha Woman’s Club. It was a way of localizing the city’s upper class women to do social work stuff. Nationally the woman’s club movement got behind the needs of working women in factories.”

All these activities made Peattie a popular figure.

“She became a larger than life personality,” says Wirth.

Another reason to like Peattie, according to Wirth, is “the work she did to bring together the handful of women journalists in the state. She documented a great deal about fellow women journalists. A lot of my best material came from work she did and recorded for history. She gathered the names of women active in journalism in the 1880s and 1890s. That was invaluable.”

Peattie’s become something of a hero to Wirth.

“One of the other reasons I resonated to Elia Peattie is that while she was writing this column her husband got very ill and it was up to her to support the family. She was writing everything right and left to make money to keep the family going and as a former working mother raising two children I just totally identified with her.

“If she was alive today she’d be running half the city, she’d be writing a blog.”

She might be publishing her own newspaper or magazine, ala Arrianna Huffington.

Wirth also writes about the one certifiable superstar among Nebraska-bred women reporters – Bess Furman.

“If you were going to pick a single woman that was our state’s most distinguished contribution to journalism it would probably be Bess Furman Armstrong,” says Wirth. “She was remarkable and she spanned a lot of eras. She was once referred to as a flapper journalist for her work in Omaha in the ’20s. She was what we would now call a liberated young woman writing rather risque satirical stuff about Omaha. She covered bootleggers and weird crimes down in Little Italy. She wrote this saucy column about Omaha’s most eligible bachelors.”

 

 

Bess Furman Armstrong

 

 

Furman was a product of her post-Victorian emancipated times.

“The ’20s were a wonderful period for women,” notes Wirth. “They had gotten the vote, there were more economic and education opportunities. She loved Omaha and she probably would have stayed except she worked for the Omaha Bee and when it  was purchased by William Randolph Hearst she wanted out and when the opportunity came to leave she did.

“With women now having the vote the Bee needed somebody to write the women’s angle to politics. When Al Smith came to give a speech in Omaha in his 1928 campaign she got assigned to cover it and she wrote such a good story that she won a major journalism award for it and the head of the ;Associated Press who was in town with Al Smith offered her a job in Washington (DC) and she took it. Timing is everything.”

Furman made an immediate impression on Capitol Hill

Wirth says, “She was one of the first women to be allowed on the floor of the House of Representatives. She was assigned to cover First Lady Lou Hoover, who absolutely hated journalists. One time in order to write a story about what the Hoovers were doing for Christmas she dressed up like a Girl Scout” and infiltrated a troop visiting the White house. The ruse worked, too.

“When Hoover got beaten by FDR Eleanor Roosevelt started holding women’s only press conferences in order to force papers to give jobs to women,” says Wirth. “She and Eleanor Roosevelt hit it off wonderfully. Furman and her husband hit it off so well with the Roosevelts that they took home movies of the Roosevelts. When Bess became pregnant she decided she wanted her child to have a Neb. birth certificate, so she drove back here in the middle of the Dust Bowl to have her physician brother deliver what turned out to be twins. She brought with her a baby blanket Eleanor knitted her, and that got reported and went nationwide. Postmaster General (James) Farley sent her $10 worth of flowers and that was such a big order they had to send a special train.”

Furman later she did war information work during World War II and then joined the New York Times as one of its first female political reporters.

“She ended her career as the public information officer for the Department of Health Education and Welfare under Kennedy. Bess Furman may have gone to Washington but she was very deeply a Nebraska person and remained so for her whole life,” says Wirth.

Bringing to light women of distinction she feels connected to is satisfying to Wirth.

“Oh yeah, these are my people. We’re out of the same background, the same occupation. Yeah, I felt a very strong affinity with these women. I really found myself as I was writing about them feeling like I knew them and wishing I could actually have known them. I guess I felt especially this way with the women who wrote books, so you got a real feel for them, you weren’t just getting them second hand, you were getting their own take on the world.

“Their struggles were things I could totally identify with. You don’t have to be a journalist to feel this way about these women. Their humanity, their humor, the way they overcame obstacles with grace and courage and dignity, their persistence. To have careers like theirs was pretty daunting but they did it. I identified with the fact they juggled the personal and the professional and really probably never lost sight of either one.

“Culturally, anyone who has Neb. roots would identify with their style. Most of them let their work speak for them, which is what a journalist usually does.”

 

 

Mary McGrath

 

 

One that Wirth did get to know well is Mary McGrath, who preceded her at the Herald and labored 12 years in club news before becoming a highly respected health and medicine reporter. McGrath helped the green female reporters like Wirth negotiate the male-dominated newsroom.

“Mary McGrath was really the pioneer in city news at the Omaha World-Herald,” says Wirth. “She made a huge difference.”

Wirth recalls McGrath organizing potlucks for the paper’s women journalists and how these occasions became vital airing out and strategizing forums.

“It was a support system and an expression of solidarity. It was a safe place to bounce off ideas. If we would have said we were having a consciousness raising session the older women wouldn’t have gone, but to throw a potluck, how more Midwestern could you get? Mary knew the young women on staff were increasingly militant and she knew how smart and talented they were and she knew they were not writing about who was having who to coffee because they wanted to. She broke down the barrier between the two sections (city news and women’s news) by having those potlucks.

“The guys never had a clue what was going on.

Wirth says the Omaha Press Club served the same function for women in journalism across different media. “It was a great way to get to know other women journalists. You realized you were not alone.” Wirth adds, “A sociologist at Iowa State told me if you’re going to get social change made you have to have a cohort and in a sense you could look at the potlucks or the friendship ties that women journalists formed through the Press Club is how we had a cohort. There were enough of us who felt the same way to make a difference and it really made me feel for women of earlier eras who were one of a kind, out there on their own, whereas

I could go cry on Mary’s shoulder or vice versa .”

Each pioneering woman journalist in her own way contributed to the women’s rights cause and helped move their peers a little further along than before.

“There was a movement afoot. That was how this revolution was waged – one tiny step at a time.”

All those steps taken together made big changes, which is why Wirth was so offended when a feminist of high stature, former First Lady Hilary Clinton, was subjected to sexist coverage during her 2008 presidential campaign bid. The way Clinton was dismissed felt to Wirth like a slap in the face and a setback given how far women have come and what they’ve endured to get there.

“It was very disrespectful to women of our era,” says Wirth. It was like, Don’t they realize what we went through? Most of the Baby Boomers fought very quietly to infiltrate, to get a seat at the table, and nobody knew what it had taken to integrate the American workplace. That was my inspiration for writing the book.

“The women involved have kept silent about what they did because that’s how they were able to do it. We were a minority. The women were mostly just asking to practice the field they loved and were good at. They weren’t asking for special treatment.”

Much like the civil rights movement, the women’s movement gained its biggest victories through mass protests, the passage of new laws and court decisions, but there were many smaller, no less important victories won every day by ordinary women asserting their rights.

“When you look at coverage of the women’s movement it all focuses on things like lawsuits and militant demonstrations and you couldn’t do that in a city like Omaha if you intended to go on working in journalism. It wasn’t like you had a union that would protect you or a vast choice of employers, and for most of us that wasn’t our style anyway,” says Wirth.

Big, loud, public displays, she says, “weren’t the only way women made progress.”

Most of the change, she says, was the result of “the stealth revolution.” She adds that “KETV News Director Rose Ann Shannon said it very well when she told me, ‘I always felt I was dealing with reasonable people and we could work problems out.’ I too found that if you could have a reasonable conversation with somebody you could make progress. You were not going to change things overnight.”

She says there’s still work to be done, such as closing the pay gap between the sexes and shattering the glass ceiling that still limits women from advancing the way men do.

“But it’s sure better than what it was in 1970, and those changes were made nationwide by unsung young women quietly sticking their necks out on relatively small things over and over again.”

She says “it kind of boggles the mind” of her students to realize that as late as the 1970s women were still marginalized in journalism. “When you tell this to girls today they’re like, What? They can’t believe it, which I guess shows that we succeeded. They take it for granted.”

Wirth grew up in a large, high-achieving Nebraska City farm family whose parents set high academic standards and expectations for their children. Wirth loved reading and showed a knack for writing early on. She intended on being a history major at the University of Nebraska-Lincoln until her father insisted she take a journalism course.

“What really made me into a journalist  besides Dad ordering me to take the class was working on the Daily Nebraskan and I still think of as ‘the rag.’ It was so much fun. I fell in love with journalism people. The women were strong, funny, delightful, intelligent people and the guys wouldn’t have had us be any order way. I had found myself.”

When Wirth went to work for the World-Herald in 1969 she became one of the paper’s few female news reporters and right up to leaving its employ in 1980 she and women colleagues there, along with women at t countless other workplaces, waged that “quiet revolution” to bring about change.

“When women said, No, I’m not going to get you coffee, that’s not part of my job description, they were part of this revolution,” she says.

So was Wirth when she brought to the attention of an editor the fact that some young males colleagues hired the same time she was had received new section assignments while she was still in the religion beat she began in three years before.

“I’m a contemporary of Steve Jordon and Mike Kelly and both of them had had a couple of assignment changes, and I thought I was as talented as they were and I certainly worked as hard as they did. I told my editor, ‘If you’re doing this for the guys then you should treat the two groups the same. There shouldn’t be a difference. You should give young women the same opportunities as young men.”

She got the assignment change she desired.

At a time when female journalists were confined to covering only certain subjects, such as religion or society news or women’s news, her work made the case that women were capable of covering anything.

“There was a lot of hesitancy about assigning women to cover cops, which was fine with me because I hated it, but I covered them every Saturday for years simply because I wanted to show that a woman could do it.

“There was a lot talk that women couldn’t cover politics because they couldn’t get stories in bars and nonsense like that. There was real hesitancy about sending women to certain places. The ironical thing is that my religion beat in the early ’70s was at a time when the churches were heavily involved in the civil rights movement, so under the guise of covering religion I was actually doing a tremendous amount of civil rights coverage.

“I never regretting spending those three years on religion but I felt like I wanted to grow, to expand, to try new things.”

She also had the opportunity to take on occasional stories that struck a blow for women’s rights by shining a light on gender inequities.

“Quite a few of the stories I did were aimed at showing this inequality.”

 

 

Connie Claussen

 

 

Take the time that former University of Nebraska at Omaha women’s coach and athletic director Connie Claussen called to say she was fed up with the unfair and unequal treatment she experienced at the beginning of her career there. Claussen, whom Wirth describes as “a force of nature, a great lady.” was an equal rights champion who served on the Mayor’s Commission on the Status of Women.

Claussen eventually built a much envied women’s athletic department at UNO featuring championship programs but that legacy almost ended before it started because of how frustrated she was with the short end of the stick offered her and her student-athletes. Before Title IX was passed women’s athletics were separate and unequal in every way.

Wirth recalls, “Connie called one Saturday and said, ‘I’ve had it, I’m not going to do it anymore, I’m not going to teach a full load of physical education classes and coach two or three sports for nothing extra.'” Wirth was sympathetic. “No male would ever coach a (college) sport for free. Women’s athletics were housed in a quonset hut with no showers. I thought, Well this is a sports story and I went over to the UNO beat reporter and he yelled at me, ‘Women sports are a joke, there’s no story here.’ He practically threw me out of the sports department. So I went over to the city desk and they said, Oh yeah, great story. I wrote it and they put it on page one of the Sunday paper. It stirred up enough indignation and attention that Connie ran with it and she got the support she needed to build an outstanding program.

“And I think that was one of the major things we did as women journalists – we were approachable, we were interested in the problems.”

Another story resulted when Doris Royal, a farm wife from Springfield, Neb., called Wirth and in her gravely voice asked, “Are you interested in stories on women?”

“She told me a lot of farm women were losing the family farm operation because of inheritance taxes. The IRS said farms belong to the husband. The only way a woman could escape paying inheritance taxes on a family farm or family small business if she became a widow was if she had worked in town, so she could show she made an economic contribution or if she had brought family inheritance into it.

“A lot of women on farms had worked side by side, they’d driven the tractor and milked the cows, they’d done all the farm work, plus kept the books, and of course that doesn’t account for all their work in the home. But the IRS in effect said, You have made no contribution. Well, that was driving women off the farm because they couldn’t afford it. Land prices had gone up. So Doris started a petition drive and she wanted me to cover a story on it, so I did, I looked into all this stuff. I grew up on a farm and I was horrified, I was shocked, I had no idea. I wrote the story and Doris leveraged my story in the World-Herald to get the Farm Journal, which is the nation’s largest farm magazine, to take up the crusade.

“Doris got petition signatures from every state, she testified before Congress. This woman’s amazing, and they got the law changed.”

Wirth did an entire series on inequitable credit practices that devalued and punished women. “If a woman got married and changed her name she immediately lost all of her credit history,” says Wirth. “Banks assumed the credit rating belonged to the husband even if the women worked full time and could document it.”

With stories like these to file, Wirth’s work was fulfilling enough but when she and her then-husband Ron Psota decided to start a family she knew the demands of her work and the inflexibility of her employer would make motherhood and reporting incompatible. Besides, she was ready for a change.

“It was still the era when women were fired if they got pregnant. My ex-husband and I had been approved to adopt a child and at the World Herald at that time there was no way you could be a reporter and a mother. You had to work 12 and 15 hour days at the drop of a hat if some story broke.”

Making it easier to leave, she says, was the fact that “after 11 years I was burned out on reporting. It was time.”

When hired as the first woman outside of secretaries or receptionists to work in the Union Pacific public relations department she broke down the doors of what had been an exclusive boys-only club. She didn’t appreciate it when one of the old gang complained that she was a token hire to conform with Equal Employment Opportunity and affirmative action policies.

“A crusty old guy who didn’t begin to have my educational credentials and who couldn’t write protested that they had had to hire a woman.”

The bosses set him straight, she says by stating, ‘We hired someone who could write.’ Period. End of story.

Then in 1991 she joined the teaching staff at Creighton University, where in addition to her professor’s role she later became that Jesuit institution’s first female chair of the Department of Journalism (now called the Department of Journalism, Media and Computing). Teaching college is something she always knew was in her future and making a difference in the lives of her students is what most satisfies her about academia.

She’s glad that her book gives students an appreciation for who came before them.

“I think it is very important for my students, especially my female students. You want to give them a sense of what went before so when they invariably face some challenges they will do so with grace and with confidence knowing that women like themselves have conquered similar challenges.”

Wirth’s book, published by the University of Nebraska Press, is available starting May 1.

 

Biga Talks Alexander Payne and Signs Copies of New Book at Omaha Press Club

January 14, 2013 Leave a comment

AP Front Cover w border

Biga Talks Alexander Payne and Signs Copies of New Book at Omaha Press Club

As a freelance journalist most readily identified with the alternative, even fringe publications I contribute to, it’s rare to get an establishment media platform of any kind.  That all changes this week when I gig as featured speaker for the Omaha Professional Development Series at the Omaha Press Club.

My topic, of course, will be the many years I’ve spent covering Alexander Payne.  He’s the subject of my new book: “Alexander Payne: His Journey in Film – A Reporter’s Perspective.”

I promise you’ll come away knowing far more about the Oscar-winner, his methodology, and his place both in world cinema and in the pantheon of Nebraska film greats than you did before.  You’ll also get behind-the-scenes observations and insights I’ve gleaned from visiting his sets and interviewing his collaborators, including what I glimpsed on the set of his new film, “Nebraska.”

Join me-

 

Thur. Jan. 17

5:30 to 7 pm

Omaha Press Club

1620 Dodge St., 22nd floor, old First National Bank Building

 

A no-host bar with hors d’oeuvres will open at 5:30 p.m.  My presentation begins at 6 p.m., followed by open discussion and a book signing at 6:30.  The cost is $10 for members and their guests, $15 for nonmembers and $5 for students.  RSVP to 402-345-8008.

Whether you’re a fan of my blog or a Facebook friend or a media colleague or you’re just interested in everything about Alexander Payne, I invite you to join me for an evening of socializing and cinema chat.  Hope to see you there.


Author Leo Adam Biga to Sign His Alexander Payne Book at Various Events as Shooting Continues on the Filmmaker’s New Picture, ‘Nebraska’

October 21, 2012 4 comments

Author Leo Adam Biga to Sign His Alexander Payne Book at Various Events as Shooting Continues on the Filmmaker’s New Picture, ‘Nebraska’
With the first week of filming on Alexander Payne’s Nebraska complete, Omaha-based writer Leo Adam Biga has a new round of signings set for his book on the Oscar-winning filmmaker.  Alexander Payne: His Journey in Film – A Reporter’s Perspective 1998-2012 is generating strong interest from the public and the media.  The book is a compilation of Biga’s decade-and-a-half reporting on Payne and his work.
This is the first comprehensive look anywhere at one of cinema’s most important figures.  Go behind-the-scenes with Biga to glimpse aspects of Payne’s creative process.
Biga’s occupied the enviable position of covering Nebraska’s most famous native son outside of Warren Buffett since nearly the start of Payne’s filmmaking career.  He’s reported from the set of Sideways. H e’s conducted exclusive interviews with the artist and his collaborators.  Biga’s stories about Payne have appeared in alternative news weeklies and other Omaha publications.  His new book represents the first time his Payne stories have been collected in one volume.  The book is being published with the assistance of Concierge Marketing Publishing Services in Omaha and Biga’s own Inside Stories.
This is a must-read for any casual fan or serious student of Payne because it provides for the first time the arc of his filmmaking journey.  That journey has largely played out in his home state, where he’s returned to make his new film, Nebraska.  Biga expects to be covering the shoot.
The author is doing a series of book events this fall to discuss the book and his many years covering Payne.  At each venue he will personally sign copies.  The book retails for $19.95.
The author’s fall signing schedule is:
Sunday, Oct. 28
3 pm
Indigo Bridge Books
701 “P” Street, Suite 102, The Creamery Building, Lincoln, Neb.
 
Saturday, Nov. 10
1 pm
The Bookworm 
(Countryside Village), 87th and Pacific, Omaha
 
Friday, Nov. 16
6:30 pm
St. John Greek Orthodox Church
602 Park Ave., Omaha
 
Tuesday, Nov. 20
6:15 pm
Florence Branch Library
2920 Bondesson St., Omaha
 
Preview the book at www.facebook.com/LeoAdamBiga.  Pre-orders are being taken at AlexanderPayneTheBook.com.  It will be available from Amazon.com and Barnes and Noble and on Kindle, iPad and other e-reader devices by November 13.
 
“I’ve long admired Leo Biga’s journalism and prose portraiture for its honesty, thoughtfulness, and accuracy. On a personal note, throughout many years of being interviewed, I find Mr. Biga’s articles about me to be the most complete and perceptive of any journalist’s anywhere. They ring true to me — even in critique — in a way that reveals the depth of his talent in observation, understanding, and expression.” Alexander Payne
 

I Know It When I See It, Journalist-Social Critic Robert Jensen Finds Patriarchy and White Supremacy in Porn


 

Robert Jensen is one of those writers who challenges preconceived ideas we all have about things we think we already have figured out.  Among the many subjects he trains his keen intellect on are race, politics, misogny, and white supremacy and things really get interesting when he analyzes America’s and the world’s penchant for porn through the prism of those constructs.  I interviewed him a couple years ago on these matters in advance of a talk he gave in Omaha, and the following story for The Reader (www.thereader.com) is the result.

 

Robert Jensen

 

I Know It When I See It, Journalist-Political Actvisit-Social Critic Robert Jensen Finds Patriarchy and White Supremacy in Porn

©by Leo Adam Biga

Originally appeared in The Reader (www.thereader.com)

Journalist-political activist-social critic Robert Jensen is the prickly conscience for a narcissistic Addict Nation that lusts after ever more. More resources. More power. More money. More toys. More sex. The tenured University of Texas at Austin associate professor organizes, agitates, reports, gives talks, writes. Oh, does he write.

He’s the prolific author of books-articles challenging the status quo of privileged white males, of which he’s one. He believes white patriarchal systems of power and predatory capitalism do injury to minorities through racist, sexist, often violent attitudes and actions. His critiques point out the injustice of a white male domination matrix that dehumanizes black men and objectifies-subordinates women.

We’re talking serious oppression here.

As an academic trained in critical thinking and radical feminism, his work rings with polemical fervor but refrains from wild rant or didactic manifesto. Agree or not, it’s hard not to admire his precise, well-reasoned arguments that persuasively connect the dots of an elite ruling class and its assumed supremacy.

He’s presenting the keynote address at a Sept. 22 Center for Human Diversity workshop in Omaha. His topic, “The Pornographic Mirror: Facing the Ugly Realities of Patriarchy and White Supremacy,” is one he often takes up in print and at the podium. His analysis, he said, is based on years studying the porn industry, whose misogynistic, racist products express “men’s contempt and hatred of women.”

Porn, he said, routinely depicts such stereotypes as “the hot-blooded Latina, the demure Asian geisha girl, the animalistic black woman and the hypersexualized black male.” Racially-charged code words — ebony, ivory, nubian, booty, jungle, ghetto, mama, chica, spicy, exotic — market these materials.

He said most interracial porn features black men having sex with white women, which he considers odd given that historically the majority culture’s posited black males as threats to the purity of white women. Why then would an “overwhelmingly white” audience want to view these portrayals?

Jensen suggests what’s at work is an “intensification” of “the core dynamic of male domination and female subordination.” Thus, he said, “by ‘forcing’ white women to have sex with black men, the ultimate sort of demonized man in this culture, it’s intensifying the misogyny and racism” behind it all. “That’s why I talk about these two things together, and why pornography is an important cultural phenomenon to study. It tells us something about the world we live in that is very important.”

The mainstreaming of porn as legitimate pop culture is a trend he finds disturbing. The industry, not counting the corollary sex trade, is estimated at $10 billion annually, comparable to other major entertainment industries such as television, film and sports. Jensen said his own students’ acceptance of porn as “just part of the cultural landscape” reflects a generational shift. Porn’s gone from taboo, scandalous, underground to casual lifestyle choice easily accessed via print, video, TV and the Web, where adult fare’s limitless and its content increasingly extreme.

Strip joints, adult book stores, chat lines, hook-up clubs, escort services, porn sites and X-rated channels abound. Sex tourism is a booming business in Third World Nations, where white men exploit women of color. Homemade porn is on the rise. Porn star Jenna Jameson owns cultural capital. Reality TV, cable programs, movies and advertising are, in his estimation, increasingly pornographic. Although careful not to link porn use to behavior, Jensen sees dangers. Sex addiction is a widely recognized disorder whose various forms have porn as a component.

Recreational choice or addictive fix, end point or gateway to overt, criminal acting- out, Jensen makes the case it’s all fodder for an already dysfunctional society.

“This is helping shape a culture which is increasingly cruel and degrading to women, which we should be concerned about,” he said. “If we’re honest with ourselves, even those who want to defend the pornography industry or who use pornography, I think we have to acknowledge the patterns we’re seeing are cause for concern. I can’t imagine how anyone could come to any other conclusion.”

He said it’s an open question how much more pornographers can push the limits before the culture says a collective, “Enough.” Any outcry’s not likely to come as a see-the-light epiphany, he said, but rather in the course of a long-term public education and public policy campaign. Anti-obscenity legal restraints, he said, are difficult now due to vague, weak state and federal laws, The exception is child porn, where strict laws are easily enforced, he said.

He opposes censorship, insisting, “I’m a strong advocate of the First Amendment and Free Speech,” adding current laws could be enforced with sufficient mandate.

“Much of the material were talking about clearly could be prosecuted yet it isn’t,” he said, “which I think reflects that level of cultural acceptance.”

He suggests enough male stakeholders consume, condone or profit from porn/illicit sex that this old boys network gives winking approval behind faux condemnation.

Jensen supports strict local ordinances and aggressive civil actions against adult porn similar to what feminists proposed in the ‘80s. He feels with modifications this approach, which failed legal challenges then, could prove a useful vehicle.

As Jensen notes, concurrent with this-anything-goes era of on-demand porn and sex-for-hire are the repressive strains of Puritanical America that discourage sex ed and open discussion of sex issues. He’d argue that silence on these subjects in a patriarchal, misogynistic society contributes to America’s high incidence of rape, sexual assault, prostitution, STDs, HIV/AIDS and teen pregnancy.

Overturning these trends, he said, begins with public critiques and forums. The Center for Diversity workshop at the Omaha Home for Boys is just such a forum. The 8 a.m. to 4:30 p.m. event features a wide-range of presenters on how to “Stay Alive” under the pervasive assault of sexism, racism, economic destabilization, domestic violence and pornography. The workshop’s recommended for health care professionals, therapists and social workers.

Check out Jensen’s work on the web site http://uts.cc.utexas.edu/-rjensen/index.html.

From the Archives: Warren Francke, A Passion for Journalism, Teaching and Life

June 11, 2012 2 comments

When I studied journalism at the University of Nebraska at Omaha there were three professors in my major area of concentration who stood out:  the late Bob Reilly for his warm personality and engaging storytelling; the late Todd Simon for his brilliant analytical mind; and Warren Francke for his passion in teaching us about the rich history of the Fourth Estate.  I was an odd bird of a student because my rampant insecurities kept me from really ever getting to know any of my fellow J students.  The only prof I got somewhat close to was Reilly, which was no great feat because he was welcoming to all.  Simon probably most stimulated my sensibilities, though his intellect intimidated me.  Francke is someone I wanted to know better and sought more affirmation from, but I don’t think I gave him much to work with.  After graduating college and pursuing my career I remained friendly with Reilly, who became a mentor of mine.  I doubt if I would have stuck it out as a freelancer those early years without his encouragement.  After college I never had any contact again with Simon, who just passed away in early 2012.  Francke is someone I likely would not have encountered again if not for the fact that he and I both became contributing writers to the same alternative news weekly, The Reader.  He’s a fine writer and human being and I am proud to call him a colleague.  Like his good departed friend and colleague Bob Reilly, he too has had encouraging words for him that I greatly appreciate.  When I did the following New Horizons profile on Francke about a dozen years ago he was just as I remembered him from UNO – a vital presence excited by his craft as teacher and journalist.  I can happily report that he is still that vital presence today.  I hope to have his energy and engagement 20 years from now.

 

 


Warren Francke, ©UNO Criss Library


 

 

From the Archives: Warren Francke, A Passion for Journalism, Teaching and Life

©by Leo Adam Biga

Originally published in the New Horizons

 

When University of Nebraska at Omaha communications professor Warren Francke gets a certain misty, far-off gaze in his eyes, chances are he’s lost in another Rocky Mountain reverie.  As a veteran Colorado summer dweller, he can’t help but daydream about hiking where the wild flowers bloom or waking to the warm golden glow of the morning sun glinting off snowy peaks or filling his lungs with the cool crisp ether of pure mountain air or sitting under a canopy of stars from atop a tall ridge at night.

Perhaps he even conjures his long-awaited rendezvous with a bear on some remote mountain trail.

He’s been hooked on Colorado’s high country life since the early 1970s, when summers first found him hauling his family out west, into the Estes Park region of the Rockies, where they grew enchanted by the languid pace and natural beauty of those rarefied heights and eventually extended their two-week vacations there into months-long visits.

Francke and his late wife of 31 years, Sue, adored life in those far upper reaches.  When she died of a heart attack in 1991 he, son Chris, and daughter Cara scattered her ashes in a place she loved.  Now, he shares the towering landscapes with his second wife, Carol, who suffered the loss of a longtime spouse.  After meeting and surviving what Francke calls “the human comedy that is dating after 30 years,” he and Carol married in 1994.              After years renting in the Estes Park area the Francke family finally have a cabin of their own — in the Tahosa Valley, a half-mile north of the town of Allenspark. Situated at 8,500 feet elevation, on a lot dotted with tall ponderosa pines and small aspens, the cabin looks out on Mt. Meeker to the west and the lush valley below.  The couple drive their jeep to secluded spots and make cross-country jaunts on foot to favorite hideaways.

When not sampling the great outdoors he reads books (preferring mystery novels), writes features for the Estes Park Trail-Gazette and pens articles for various professional journals and reference volumes.

Since joining the UNO faculty in 1966, he’s always remained a working journalist.  You may remember him best as a a reporter-columnist with the Omaha Sun Newspapers in the 1960s and 1970s and as that curmudgeon media critic Watching the Watchdogs on WOWT-TV in the 1980s.  These days you can find Francke-penned theater reviews in the Council Bluffs Nonpareil.   At UNO he teaches Literary Journalism and  History of Mass Communication courses as well as a graduate seminar.  He feels writing and teaching give him the best of both worlds.

“I love to write.  It helps my teaching and it helps fill some creative need I have.  For my entire 34 years of teaching I’ve had the good fortune to also do the kind of journalism I enjoy most.  I haven’t had to do the routine, mundane, grinding work of daily journalism.  I do stories I like to do and I teach classes I enjoy teaching,” he said from his modest Fairacres home, his two faithful old dogs (“the ancient ones”) lolling nearby on the floor.

“As I approach retirement it’s a source of great enjoyment to me to find that I enjoy writing as much or more than ever.  If I had had to give up writing to be a teacher I don’t know that I would have, but I didn’t have to.  There’s an enormous variety to teaching, especially if you mix it with journalism, and when you get good results it’s wonderful.”

A past Excellence in Teaching Award winner at UNO, he’s seen many former students achieve high success, including Omaha World-Herald executive editor Larry King and Merrill Lynch executive vice president for communications Paul Critchlow.  Among his most memorable years as an instructor came in 1975, when, as part of UNO’s Overseas Program, he taught seven months at Ramstein Air Force Base in West Germany.  His wife and children were there for the duration and together they toured the festive wine country and traveled to prime European getaways.  “We had a great time.  We bought a Volkswagon and ran all over Europe,” he said.

UNO Arts & Sciences building

 

 

Last fall Francke, 62, took a sabbatical from UNO to hole up in his cabin and begin writing the centennial history of Omaha’s Dundee Presbyterian Church, where he worships.  He will take a leave of absence next fall and head for his cabin to complete the project, one he’s excited about because it combines his thirst for history with his love for a good yarn.  It also means returning to his mountain retreat in time to hear the trumpeting echo of mating elk.

His research into old newspaper clippings, church bulletins and meeting notes is uncovering a rich tapestry of church history that coincides with Dundee’s growth and the founding of nearby Omaha University as well as early links with the Buffett and Fonda families.

“You’re talking about a church being formed at the turn-of-the-century in a little village called Dundee, fifteen years before it was annexed by Omaha. You read what you think might be dry records of meetings of church elders, trustees and ladies aid members, but as you learn to know these people you can’t help but have an enormous admiration for them,” he said.  “You become so immersed in the life of this church and of these people that when you turn a page and you find someone — who’s been a real pillar and force for good — has died, you feel a personal loss.

“You really come to share the experience of building a church with them.  These people become great heroes and heroines to you.  It’s very rewarding to bring the lives of these people back to life, so the people in the church now can know who came before them and what they did.  It provides a wonderful way to understand the story of a church and a neighborhood.”

Serving the greater good has been a sort of family inheritance.  His late father, Ted, hailed from a German Lutheran family that produced an unbroken line of ministers dating back to the 1600s.  His father studied for the ministry but was never ordained.  If his father hadn’t broken tradition, Francke himself might have been a preacher.  He thought about it.  As things turned out he’s followed a similar calling as a writer — giving voice to
people and their stories — and as a teacher — helping young people find their way.  “Sure, teaching is a form of ministry to me.  There’s a real common ground there,” he said.

His zeal for a finely-crafted story or well-turned phrase shines through whenever he reads aloud his students’ work.  Then, his eyes grow wide and voice gains inflection as if the Holy Spirit itself has moved him.  “My students turn in stories from life experiences that are so powerful.”

Estes Park

 

 

In that way things have of coming full circle, Francke led a church-centered life as a youth, then, in the contrary ‘60s, drifted away from organized religion — exploring Zen Buddhism — before eventually returning to the fold and even being ordained an elder.  Ancestral currents run deep.

Born and raised in Council Bluffs, Francke and his sister Rhoda grew up in a hilltop home above the Missouri River.      Their father was a study in contrasts.  The former top athlete was a physically-imposing man who worked as a manual laborer, even doing custodial work at the church the family attended, yet delighted in displaying his classical education by reciting Shakespeare.  A bound set of the Bard’s works (which the son inherited) was kept in the family’s home, along with antique ancestral bibles dating back to the 17th century.  During some hard times his parents sold the bibles to raise much-needed cash.

While Francke’s late mother Lydia, who hailed from hearty Iowa farm stock, never got past the 8th grade she was an avid reader who encouraged her children’s education.

“She was remarkably good at always taking us to the library and to Joslyn Art Museum,” Francke said.  “I had a library card as early as you could get one.  I read all the Paul Bunyan books.  I read every book by John R. Tunis, who wrote a wonderful series about sports.”

His introduction to journalism came by way of a neighboring family, the Zimmermans, whose father, Reid, and oldest son, Earl, worked as aWorld-Herald  editor and reporter, respectively.  Francke often joined his boyhood chum, Ken Zimmerman, on weekend visits with the boy’s father to the Herald offices in downtown Omaha.

“While Ken’s dad was reading galley proofs or doing something else in his office, we’d run around the World-Herald, sliding down the brass pole in the press room or visiting different parts of that plant. Having newspaper people as neighbors did have great significance in my life.  I got the idea a newspaper was an interesting place to work.”

He succumbed to the reporting bug at Abraham Lincoln High School, parlaying his interest in athletics (He collected autographs of sports idols, including Iowa’s own fireball pitching phenom Bob Feller.) as sports editor for the school paper, Echoes.  Even as a novice newsman he got a kick out of being thrust into the action and reporting about it.

“I loved it.  That experience epitomized the enjoyment of journalism, which is being in the middle of things people are interested in and then writing about them and participating in them. It’s the fact that you have the opportunity to experience a rich array of life and then get to make use of that experience by articulating it.”

With his reporting appetite whetted, he applied and was hired as a copy boy (copy messenger) at the World-Herald  in the spring of 1954.

“It was an easy step from being sports editor in high school to going to work for the World-Herald within a couple weeks after I graduated.  By that next fall I was doing something I had already done  — covering prep sports.  All it really boiled down to at age 17 or 18 is somebody paying you to go to the games you went to all the time anyway.”

 

 

Dundee Presbyterian Church, ©The Bouncing Czech

 

 

The paper’s many strong personalities made an impression on him.  Quiet but firm Don Lee, the venerable sports editor, was “always after you to ‘trim it down, trim it down.’” He recalls Fred Ware, “the fire-breathing managing editor,” was always “railing against somebody like Lou Gerdes, the distinguished city editor, shouting, ‘That damn Gerdes,’ and as a copy boy I’d just say, ‘Yes, Mr. Ware,’ and stand there.  I can remember one morning it was pretty quiet in the newsroom when suddenly there was a horrendous clap of thunder outside and without even looking up Ralph Smith, who worked on the rewrite desk, said, ‘Good morning, Mr. Ware.’”

Despite his boss’s intimidating presence, Francke said, “There isn’t any question who the main influence on my writing was — it was Fred Ware.  He talked about making a story sing.  He wrote a style-book for the World-Herald and along with Strunk’s Elements of Style  with the introduction by E.B. White and its emphasis on strong verbs and all that kind of thing, Ware’s emphasis on making a story sing had a profound influence on me.  I took it seriously.  Some of the best things I’ve written are influenced by a real strong sense of the flow and rhythm of language.  If I could make a story a work of poetry I did.  I think Ware started that in me.”

A gentler influence was the late, beloved sports writer Wally Provost.

“The writer at the World-Herald who was my hero was Wally Provost.  Wally did everything I think a writer should do.  He was a wonderful, graceful writer, but he also had a conscience and a sense of justice.  Wally was the first person at the paper, as far as I know, to write seriously about racial injustice.  His was a very effective, quiet voice on issues that mattered.”

In 1958 Francke left the paper to be a full-time staffer at his hometown daily, the Nonpareil.  As a roving, Tom Allan-like reporter he covered all aspects of Southwest Iowa life.  By the time he joined the staff of Omaha’s weekly Sun Newspapers  in 1964, he was dabbling in the freer, livelier New Journalism, whose open literary narrative approach was a bold departure from the rigid, classic journalistic form.  Provost, a devotee of the old-school, ribbed him about the new style’s descriptive excesses.

“I can remember running into Wally and him teasing me by saying, ‘Well, are you going to write about what kind of tie I’m wearing?’”

But for Francke, whose work grew out of his deep love for and intensive study of literature and drama (he has a master’s degree in English from UNO), the new wave of writing was no laughing matter.

“There’s no question I tried to change journalism.  When Tom Wolfe and the New Journalists came along I was already doing the things they were talking about and I was enjoying doing that.  I had the freedom at the Sun  to do it.  That’s why working there was such a terrific experience.  I couldn’t have done that at the World-Herald, which traditionally has not been a place where a writer could work with creative freedom.  The Sun was a place where I could experiment.  My students every week write things better than I have written, but I attempted at least to be out on the edge.”

Even today he tries not settling for humdrum work.  “I’m very unsatisfied when I write what I consider a routine review.”

Omaha Community Playhouse

 

 

He credits a friend, noted Omaha author and former UNO colleague Robert Reilly, for pushing him.  “There’s no question working alongside Bob Reilly was important to me.”  Another key figure for him was the late Ralph Wardle, former UNO English chairman.  “A great writer and teacher.”

Francke’s 1968 Sun profile on his celebrated Omaha U. classmate, Peter Fonda, displays how he pushed the envelope then. Fonda, who’d been banished to his famous father’s hometown by older sister Jane to get his head straight, had become a youth movie icon via his starring role in the Roger Corman exploitation biker flick, The Wild Angels (Easy Rider was yet to come).  Francke’s piece reflects on the unrebel-like Fonda he knew.  A
sweet awkward guy haunted by a messy childhood and distant father.  Smitten by first love (with Carol Robinson).  Desperate to find acceptance.

Francke cleverly frames Fonda’s college life in dramatic, playwright terms, an apt approach for describing someone whose life was an open book and who hailed from one of America’s preeminent acting families:  “Act I, Scene I — Freshman girl hears the son of Henry Fonda is a classmate.  She asks a circle of respected elders, fraternity men all…‘What’s Peter Fonda really like? ‘A real phony.’

“Scene II — A girl named Judy dates Peter and writes an English 112 composition about a boy who will always walk alone.

“Scene III — Peter and Carol walk together down Administration Building halls.  They’re going to class…they’re not holding hands.

“Act II, Scene I — Christmas 1958.  Peter takes Carol to New York.  Lauren Bacall throws a cocktail party.  Carol meets Jane and Henry.

“Scene II — Sorority leaders call Carol aside.  They’ve heard bad reports about her and Peter.

“Scene III — It’s spring…on the campus.  Peter’s there…Sad, grieving.  What’s wrong?  Carol did him wrong.  ‘Oh, well,’ he sighed.  ‘I guess it can’t be April forever.’”

Peter Fonda as the butler in The Happiest Millionaire at UNO

 

 

Francke knew Fonda as a fellow contributor to the student paper, The Gateway, and to the literary publication Francke edited, The Grain of Sand.  They also shared a mutual interest in the burgeoning Cool Scene, with its rebellious Beat writers and anti-Establishment musical icons.  The pair weren’t above playing their affected rebel image to the hilt — like the time they convinced a KMTV news crew they were radical campus beatniks.

“We didn’t really cut it as bona fide beatniks.  We were both full-time students. I held a night reporting job at the Nonpareil.  But we’d both read Jack Kerouac.  We could talk the talk.  We ended up on the 10 p.m. news.”

Once Fonda left Omaha for eventual success on Broadway and in Hollywood, Francke lost touch with him.  He’s always had it in the back of his mind to “drive up to his ranch in Montana someday” to kick over old times.

Speaking of old times, Francke misses the vital alternative forum for ideas the Sun  offered under publisher Stan Lipsey, managing editor Paul Williams and owner Warren Buffett.  With the paper’s folding in 1983, he said Omaha lost “a second voice” it has yet to replace.

“Our constitution is based on the idea of letting truth and falsehood fight it out in the free marketplace of ideas.  The marketplace is not so free when you just have one major voice.  The Sun  took on the important, controversial issues that were being ignored and did a first-class, quality job that won them many national awards, including the Pulitzer Prize for investigative reporting on Boys Town’s finances.  None of the alternative publications that followed have had quite the strength of the Sun.”

The paper stopped publishing when, as Francke puts it, “it could no longer compete with certain advertising and business practices of the World-Herald,” which led to a lawsuit settled out of court.

Francke’s fervent but well-reasoned opinions on media and culture are the culmination of his many years as a journalism professional, student, teacher and observer.  He holds a Ph.D. in mass communication from the University of Minnesota. His scholarly work on various facets of the media have earned him a national reputation.  He recently contributed a biographical overview on James Gordon Bennett, a key early journalist, to Oxford University Press for a mammoth reference work it is publishing.

Watchdogs was Francke’s last major public forum for wading in on media topics.  He credits then WOWT news director Steve Murphy with allowing him free reign.  “There was no one else in the country doing media coverage and media criticism on television like I was, where I was not only free to criticize the station I was reporting on but to praise people on the other stations.  I criticized the World-Herald more than any other entity, but I often said how much better it covered something than television.”

He fears his Herald bashing caused a backlash in terms of lost opportunities for him and his students:  “Their top management deeply resented my criticism.  It created a lot of tension. There’s a certain price to pay for…taking on the biggest power in town.”  While Watchdogs ended its run in 1990, it was not due to any chilling effect.  Instead, he simply felt he’d said enough after more than 300 commentaries.

The ever feisty Francke has hardly kept silent.  He bemoans what he perceives to be the World-Herald editorial page’s move from “a moderate conservative position” to “The Right,” and categorizes its treatment of the President as “malice.”  He is still asked to comment on current media events, as when KFAB sought his appraisal of Barbara Walters’ Monica interview, which he said regrettably only “satisfied our low curiosity.”  He looked with dismay at “the sanctifying” of Joe DiMaggio upon his passing, noting the hype still paled next to how Princess Di’s legend grew “beyond all reasonable bounds.”

But where he used to crave always being “in the mix” of news events — putting his wry spin on things, he no longer minds “being away from the battle for months at a time” in that “other world” that is his mountain sanctuary.  Yes, it’s a sure sign his Colorado conversion is complete.

“We lead such a simple life out there.  When we go back in the summer for the first church service and the choir begins to sing, ‘There’s Something By the Mountain,’ I have a very hard time not getting teary-eyed because these things come to combine in a tapestry of meaning about the experiences you’ve had there and the way in the mountains you feel closer to the grandeur of creation.”

Despite the strong pull Colorado exerts, he has no intention of taking up year-round residence there. “No.  I like life in Omaha.  I don’t like missing the opening of the theater season in the fall.  I would miss not being here for UNO and Nebraska football.  I would miss my friends.”

Registration Now Open for Your Journey in Freelance Writing Seminars with Leo Adam Biga: Oct. 30, Nov. 13 & Dec. 11

September 18, 2011 Leave a comment

Registration Now Open for

Your Journey in Freelance Writing Seminars

with Leo Adam Biga

Oct. 30, Nov. 13 & Dec. 11

Follow your passion and write stories about people, their passions, and their magnificent obsessions

When:

Sunday, October 30

Sunday, November 13

Sunday, December 11

6-8 pm

Each seminar is unique, though some core material is covered during every workshop

 

Where: 

Brandeis building downtown, 210 South 16th Street in the warm, luxurious setting of the Community Room

Use 16th Street Concierge entrance between Douglas and Farnam (Concierge will direct you to the elevator to access the 2nd flr Community Room)

NOTE: Ample street parking available or for $5 use the Brandeis parking garage (Douglas between 16th and 17th (car pool and share the cost)

 

Host Christine Lind will provide free beverages and goodies during the seminar

Join us for this informative, relaxed evening

 

The seminar is by-registration only:

If you register for one seminar, the cost is: $40

If you register for two seminars together, the cost is: $70

If you register for three seminars together, the cost is $100

NOTE: The registration fee is payable by check only (make it out to Leo Adam Biga)

Mail your check to:  Leo A. Biga, 10629 Cuming St., Omaha, NE 68114

Your check must be received before the seminar for you to attend and be sure to indicate which seminar(s) you’re registering/paying for

NEW:

Register at leoadmbiga.eventbrite.com/

 

If you know of or are affiliated with a school, church, library or other nonprofit that would like to host a future seminar, please note that special group rates are available. It’s a perfect fit for any group that enjoys reading, writing, books. Call 402-445-4666 or email leo32158@cox.net for details.

 

What is A Journey in Freelance Writing?

An informal two-hour seminar that discusses:

• How to prepare yourself to be a writer

• What’s involved in finding your writer’s voice

• Where do story ideas come from?

• How to pitch and market your work

• What are editors looking for?

• How to develop and maintain a client base

• Yes, you can supplement your income and even make a living as a freelancer

As an award-winning journalist I will offer my decades-long experience as a guide for establishing a writing career or taking your career to the next level. The conversational, interactive seminar offers plenty of Q & A time.

Ideal for aspiring or emerging writers of:  articles • press releases • newsletters • blogs • web content • scripts • books

Book the seminar for your club, organization, school, library or church. Schedule it for your next writing/literary group meeting, festival or conference.  

Group rates available.

 

Thanks for your interest and I hope to see you there,

Leo Adam Biga

 

Related articles

A Journey in Freelance Writing


For Omaha metro residents, the promotion below is a heads-up regarding a presentation I am making about freelance writing.  It’s free and hopefully not boring.  The presentation is open to anyone.  It’s part of the ongoing North Omaha Summer Arts Festival.  The fest’s website address is at the bottom of this post.  Check it out.

 

 

North Omaha Summer Arts 2011 presents:

A Journey in Freelance Writing

Veteran journalist and author Leo Adam Biga uses his own 27-year career to talk about what life as a freelance writer can look like.

 

Wednesday,  August 10, 6-8pm

Call 402.455.7015 Mon thru Fri, 9am – 4pm for registration

This class is free of charge

 

Topics to be covered include:

•real life experience

•learning your craft

•on the job education/training

•finding a niche

•writing about your interests

•just doing it

•daring to risk different fields & styles of writing

•building a client base

•managing multiple projects

•is there any money in this?

As a contributing writer to newspapers and magazines, he’s had thousands of articles published on a vast array of subjects, many of them arts, culture, sports, and history related. Other clients include for-profit corporations, nonprofit institutions, individuals, and families.

 

At Church Of the Resurrection

3004 Belvedere Boulevard

Omaha, Neb.

http://www.northomahasummerarts.com

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