Omaha Culinary Tours: New company hopes to make Omaha’s burgeoning food culture a tourist attraction
It wasn’t so long ago that when you thought about food and Omaha your palate memory went to steakhouses, Italian restaurants, a few other Old World ethnic eateries, and the usual assemblage of local diners, drive-ins, and dives. Fine dining options were, well, rather limited. With a few exceptions, it was a bland, one or two note food landscape dominated by Euro-American influences. Locally owned, chef-led restaurants were relatively few and far between. Food trends took a long time to get here. The use of locally produced fresh food products was rare. Innovation and experimentation was not much on the menu. There was a dearth of food from Africa, South America, Asia, India, et cetera. Many ethnic foods simply couldn’t be found here. But as the Omaha cultural scene has blossomed the last two decades, so has the local food culture and scene, so much so that you can now pretty much find anything here that you can find anywhere else in the States, with the possible exception of New York City or Los Angeles. The cuisine has dramatically increased in terms of, variety, nationality, daring, and quality. I don’t claim to know all the reasons for this phenomenon but a few may be: The Insitute for Culinary Arts at Metropolitan Community College is a feeder of highly trained chefs; Omaha’s seen an influx of new immigrants from many different parts of the world and their national dishes have been introduced here; more and more Omahans travel for busines and pleasure and they bring back a demand for the eclectic flavors, ingredients, and dishes they sample; social media and the Food Network have similarly opened the horizons of diners and proprietors alike to vast possibiltiies in food; more chef-owned eating spots have opened under the direction of cutting-edge artists who craft meals to appeal to the growing foodie population and their ever broader, more sophisticated tastes. These same trends apply to a growing number of gourmet and specialty food stores here. A local startup, Omaha Culinary Tours, is taking full advantage of these trends by making the burgeoning food culture a tourist attraction. Learn about this company in my Reader (www.thereader.com) story below. Look for a coming cover piece that attempts to take stock of how Omaha’s gone from a food deadend to a food mecca.
Omaha Culinary Tours: New company hopes to make Omaha’s burgeoning food culture a tourist attraction
©by Leo Adam Biga
Originally appeared in The Reader (www.thereader.com)
The recently launched Omaha Culinary Tours looks to capture foodies and urban explorers alike.
Owners Jim Trebbien, Jen Valandra and Suzanne Allen are banking this town’s rich culinary scene is destination worthy enough to support their business. For a fee OCT offers guided tours of locally owned restaurants and food stores and the historic districts they reside in.
Satisfied with test tours conducted in December, OCT is now taking reservations for walking tours that are also urban adventures. Its Midtown tour is the lone active trek right now but new ones are in the works for the Old Market, Dundee, Benson and downtown. A craft beer and pizza tour is likely to be a staple along with a ballpark fare tour come College World Series time.
A Valentine’s tour is also being planned.
Transportation-provided journeys will be offered, including steakhouse and comfort food tours.
Each walking tour covers about a mile while visiting six or seven venues in a span of 2 1/2 to 3 hours. At each stop guests sample food prepared fresh on-site just for the visit and meet the venue’s owner, chef or manager.
A well-informed guide leads the way, sharing back stories about the food places and the neighborhoods. OCT limits public tours to groups of 6 to 16. Private tours can accommodate more guests. Private tours can be designed to fit whatever theme clients desire.
The set Midtown tour features Chef2 (Trebbien is part owner), Brix, The Crescent Moon, The Grey Plum, Marrakech and Wohlner’s. In addition to tasting different cuisines it’s a sampling of three distinct districts – Blackstone, Gold Coast and Gifford Park.
On the December 28 Midtown tour superstar Grey Plume chef-owner Clayton Chapman personally greeted guests and intro’d the tastings menu served. He even stuck around to answer questions. It’s all part of what Allen calls an “interactive thing.” “
Valandra says, “Part of the experience is seeing the pride in the owners when they talk about their food and tell their stories. They’re sharing part of themselves.”
“It’s communion, it’s sharing food and conversation with other people and community. You learn about an area, you sample the food there, you meet some of the people there,” says Trebbien.
Allen says OCT’s getting strong buy-in from venue owners.
“They want to be a part of it, they see the value of it. They’re getting potential customers. They’re getting a chance to wow people that maybe wouldn’t have walked through the door before.”
“A “novice foodie” with “an appreciation for the culinary scene,” Allen holds a regular job doing sales and heads OCT’s marketing efforts. She got the idea for a food tour company on her travels across the U.S. She noted food tourism’s a popular activity for folks to explore the cultural landscape of cities they inhabit or visit.
“More of the masses are wanting food as as event. I’ve taken these tours around the country and I’ve loved the experience. I thought Omaha’s ready for this.”
Trebbien and Valandra felt the same way and began pursuing the same vision. He’s dean of culinary arts at Metropolitan Community College and an Omaha Hospitality Hall of Fame.inductee. She’s an MCC culinary arts graduate and works under Trebbien as culinary project coordinator. She previously ran the Medusa Project, a now defunct local presenting arts organization. The self-described “serial entrepreneur” has established several startups. The first time the pair heard of Allen is when she called for advice on her planned food tour startup. Rather than compete, the threesome decided to partner.
“It became obvious we needed each other,” says Valandra. “We work really well together and complement each other.”
“We have three different skill sets that intertwine,” says Trebbien.
“It was very clear we could get a lot more accomplished together than we could alone,” says Allen. “it’s taken off since we came together.”
Allen says they share a bullish passion for Omaha’s assets. They feel the depth of the emergent food scene and resurgent urban environment may be what finally puts Omaha on the map, It’s why they’ve moved fast since forming the company in August. Sporadic tastings and festivals may celebrate food here but they say there hasn’t been a dedicated food tour operation. Noting that successful food tourism businesses operate all over, even Des Moines and Kansas City, they feel the local market’s overdue to be tapped.
“Years ago in Omaha if you wanted to go out for fine dining you were pretty much confined to a steakhouse and now fine dining is the best cuisine from anywhere,” says Trebbien. “There’s a number of James Beard Award nominated chefs around town. The culinary scene has changed tremendously and it changes tremendously every year. Omaha’s being discovered for its amenities and food is part of that.”
Allen says OCT’s not just for visitors but for locals.
“Omahans have their favorites but taking a tour like this allows them to get out and experience six or seven new places in one afternoon or evening. They can find a new favorite or add a couple new places to their comfort zone.”
While not a progressive dinner, the food served on OCT tours should fill most guests, the owners say. Then there’s the added sustenance of discovering new places and learning some history along the way.
“It’s part of the culture,” says Allen.
For schedule and booking details, visit http://www.omahaculinarytours.com.
Upon discovering there’s a networking group for Nebraskans in Hollywood called the Nebraska Coast Connection it’s not surprising for someone to ask, There are Nebraskans in Hollywood? Yes, and a lot more than you might think. The fact is there have always been Nebraskans in that strange and alluring land of make-believe. A surprising number of natives of this Midwestern state have played and continue playing prominent roles there, both behind the camera and in front of the camera, all the way from the motion picture industry’s start through the advent of television and more recently the dawn of multi-media platforms. The story that follows is my profile of the Nebraska Coast Connection for an upcoming issue of The Reader (www.thereader.com).
Much of my story is based on interviews I did with the Nebraska Coast Connection’s founder and president, Todd Nelson, a Holdrege, Neb. native who’s been doing his thing in Hollwyood for 30 years. His group’s monthly Hollywood Salon has become its signature event. This part social mixer and part professional seminar allows folks to tout their projects and to hear featured speakers, such as Oscar-winner Alexander Payne. I also have insights and impressions about the organization from three of the biggest names from here in Hollywood: filmmaker Alexander Payne, whose new film Nebraska is sure to fare well at the Oscars; writer-producer-director Jon Bokenkamp, whose hit new NBC series The Blacklist has elevated him to the prime time A-list; and former network executive and script writer Lew Hunter, who’s retired from the craziness but knows where the bodies are buried. All speak glowingly about the nurturing nature of the group and how it offers a home away from home environment in what can be otherwise a cold, harsh culture for those working in the industry or aspiring to.
I can speak to the warm hospitality offered by the group based on two recent experiences I had with it. I was there for the Sept. 9 Hollywood Salon featuring Payne and for a Nov. 16 screening of Payne’s Nebraska at Paramount Studios. I was also the featured speaker for its Nov. 11 salon. Todd Nelson was my gracious host each time.
This blog is filled with stories and interviews I’ve done with film figures, famous and not so famous. Much of that work as well as related activity I’m now purusing will feed into an eventual book about Nebraskans in Hollywood, past and present. I am the author of the current book, Alexander Payne: His Journey in Film.
Todd Nelson generously provided a set of photos for my story taken by homself and some other NCC stalwarts.
photo credits:TIM WOODWARD, TRAVIS BECK, TODD NELSON, DAVID WILDER
Nebraska Coast Connection: Networking group ties Nebraskans in Hollywood
©by Leo Adam Biga
Soon to appear in The Reader (www.thereader.com)
Todd Nelson interviewing Payne at the Sept. 9 salon
Dreamers from Neb., as from everywhere else, have flocked to Hollywood since the motion picture industry’s start.
Softening the harsh realities of making it in Tinsel Town’s dog-eat-dog world, where who you know is often more vital than what you know, is the mission behind the Nebraska Coast Connection. This networking alliance of natives already established in Hollywood or aspiring to be is the brainchild of Todd Nelson, a Holdrege son who’s been in Hollywood since 1984. A former Disney executive, his company Braska Films produces international promos for CBS.
Early in his foray on the coast Nelson was aided by industry veterans and once settled himself he felt an obligation to give back.
His own Hollywood dream extends back to childhood. He made an animated film with his father, created neighborhood theatricals and headlined a magic act, ala home state heroes Johnny Carson and Dick Cavett, that netted a recurring spot on a local TV show and gigs around the state.
“I guess I didn’t know any better and nobody ever told me I couldn’t do it, so I just kept at it,” Nelson says.
As a University of Nebraska-Lincoln theater and broadcast journalism major he made the then-Sheldon Film Theatre (now the Mary Riepma Ross Media Arts Center) his film school.
“To see classic movies and to meet the filmmakers behind some of them was just a fantastic experience and a real eye opener for me.”
Frustrated by limited filmmaking ops at UNL, he talked his way into using Nebraska Educational Television production facilities to direct a one-act play for the small screen. He also worked as a KETV reporter-photojournalist in the ABC affiliate’s Lincoln bureau.
He was an extra in Terms of Endearment during the feature’s Lincoln shoot.
An internship brought Nelson out to the coast, where he worked behind-the-scenes on a soap and later served as personal assistant to TV-film director Paul Bogart (All in the Family). After five years as a senior project executive at Disney he left to produce and direct the documentary Surviving Friendly Fire.
Nelson formed NCC in 1992. A couple years later he befriended fellow Nebraskan Alexander Payne, then gearing up to make his first feature, Citizen Ruth. Payne was looking for an L.A. apartment and Nelson leased him a unit in the building he managed and lived in. The neighbors became friends and the Nebraskans in Hollywood community Nelson cultivated grew.
“He’s a terrific guy,” Payne says of Nelson “He is, as they say, good people.”
In 1995 Nelson inaugurated NCC’s signature Hollywood Salon series. He knew he was onto something when the first event drew hundreds. His strong UNL ties brought support from the school’s foundation.
The monthly Salon has met at some iconic locations, including the Hollywood Athletic Club and CBS sound stages. Its home these days is the historic Culver Hotel in Culver City, Calif., whose namesake, Nebraskan Harry Culver, attracted the fledgling movie industry to his city in the 1920s. Many Golden Era stars kept residences at the hotel, which purportedly was owned by a succession of Hollywood heavyweights. In this ultimate company town, the hotel is next to Sony Pictures Studios, giving the salon the feel of an insiders’ confab.
The group boasts a mailing list of more than 1,000 and nearly as many anecdotes from those who’ve found fellowship, employment, even love, through its ranks.
Payne likes that NCC affords a kind of Neb. fraternity in Hollywood.
“It’s wonderful and hilarious. It’s hilarious in the way that being from Neb. is hilarious. Maybe people from other states do the same, but I know the Neb. version of how they seek one another out in other cities. I know there’s a Neb. club of some sort in New York City. The state’s members of Congress host a Nebraskans breakfast in D.C.
“Nebraskans feel comfortable with one another outside of Neb. and I am no exception, I enjoy the group, we have a shared sensibility, a shared sense of humor, shared childhood references. And Todd is a forceful personality. He’s the most benevolent, charismatic cult leader one could imagine,” he says with a wink.
According to Nelson, “There is something really unique about Nebraskans. We belong together in this way that no other place does. I have watched other groups come and go trying to duplicate what we do and every group without fail has just fallen apart, and some of them are from the Midwest, so it’s not just the Midwest thing.”
Payne’s far past needing the NCC’s connections but he says, “I’m very happy to continue my participation as an occasional guest speaker.”
Bokenkamp does the same. The Kearney native parked cars when he first got out there. He did have a script but no idea how to get it to anyone that mattered. At Nelson’s urging Bokenkamp entered a screenwriting contest. He won. It got him an agent and eventually jobs writing features (Taking Lives) and even directing a pic (Bad Seed).
Nelson enjoys aiding folks get their starts in the business.
“There’s definitely a thrill watching new people realize their own potential,” he says. “Jamie Ball from Grand Island wanted to be an editor. I’ve given her a chance and she’s working in the big leagues now as a video editor, making a substantial living and finding she really enjoys living her dream. I love being a part of making that happen.
“But I also get the benefit of her good work and it’s enabled me to get home to see my son more often and to take a sick day once in a while. It’s a huge help to have her on my team.”
Against all odds small population Neb’s produced an inordinate number of success stories in film and television, including several legends. The star actors alone run the gamut from Harold Lloyd and Fred Astaire to Robert Taylor, Henry Fonda and Dorothy McGuire to Marlon Brando and Montgomery Clift to James Coburn, Sandy Dennis, Nick Nolte and Marg Helgenberger. At least one major studio mogul, Darryl Zanuck, originally hailed from here. As have leading composers. cinematographers, editors, writers and casting directors.
Payne heads the current crop, but he’s hardly alone. Most homegrown talents are not household names but they occupy vital posts in every facet of the biz. For each hopeful who makes it, such as producer-writer Timothy Schlattmann (Dexter) from Nebraska City, many others give up. Having a sanctuary of Nebraskans to turn to smooths the way.
Nelson credits former UNL theater professor Bill Morgan with sparking the concept for NCC.
“He was the one who really put the idea of a Neb. connection in my brain. I would always visit with him when back home for Christmas and he would pull out a stack of holiday cards from all his old students. I’d say to him that I don’t know so-and-so, they were before or after my time. He would write down their contact info and nudge me to get in touch with them. He just thought we all should know each other. And inevitably when I did follow up, they would always welcome me into their lives because we shared Dr. Morgan…even if it was from a different era. That was the seed of the NCC right there.”
Among those UNL grads Nelson looked up was the late Barney Oldfield, a Tecumseh native who was a newspaper reporter and press aide to Allied commander Gen. Dwight D. Eisenhower during World War II before becoming a Warner Bros. publicist and independent press agent to such stars as Errol Flynn, Ronald Reagan and Elizabeth Taylor. In his post-Hollywood years he worked in corporate public relations and became a major philanthropist.
“Barney was an amazing guy. He became a big supporter of the Coast Connection,” Nelson says. “We hosted his 90th birthday party at CBS on the big stage. He regaled us with stories of his old PR days and knowing everybody under the sun.”
Another of the old guard Nelson called on was Guide Rock native Lew Hunter, a former network TV executive and script writer whose 434 Screenwriting class at UCLA became the basis for a popular book he authored. Hunter, who today leads a screenwriting colony in Superior, Neb., offered a model for what became the salon.
“He used to do what he called a Writer’s Block when he still lived in Burbank,” Nelson says. “It was a kind of salon. He’s seen that our salon continues that, so he’s a big supporter.”
Hunter says, “Todd and I often thought and spoke about a similar monthly gathering of Nebraskans and he pulled it off. It has been a wonderful spin and he really is the father of it all.”
But what really compelled Nelson to form NCC was the stark reality that even though hundreds of Nebraskans worked in Hollywood, few knew each other and there was no formal apparatus to link them.
“I’d been working in Hollywood already 10 years and meeting a lot of Nebraskans and nobody seemed to know each other. We needed to have access to each other.”
Thus, the all-volunteer Nebraska Coast Connection was born.
“People teasingly called it the Nebraska Mafia, but it was kind of like that – we could take care of each other.”
Variety managing editor Kirsten Wilder, yet another Neb. native in Hollywood, has a warm feeling for the group and marvels at its founder’s persistence.
“The NCC is near and dear to my heart. The reason the NCC is so successful is because of Todd Nelson’s staggering devotion to keep the group alive and thriving.”
Nelson defers credit to the natural conviviality of Nebraskans.
“You get these people that come out here from Neb. and it doesn’t matter where they’re from in the state, it doesn’t matter that they don’t have a direct contact with someone else, the fact that you are from Neb. is an instant welcome. It’s not entirely universal. I met Nick Nolte at the Golden Globes one year and I told him about our group and I said we’d love to have him come and talk to us sometime and he said, ‘Why would I want to hangout with a bunch of Nebraskans? I got away from that place.’ That’s a rarity, once in a while you run into it, but most of the time we find that everybody just connects instantly.”
A tribute screening of silent screen great Harold Lloyd’s work brought inspired NCC members to don replicas of the icon’s signature horned-rim glasses
Nelson says that in what can be a cold, rootless town NCC provides “a safe haven” that comes with the shared identity and experience of being among other Nebraskans .
“We call it Home Sweet Home in Hollywood and it has that quality to it. You need a home base I think if you’re going to do this kind of hard work of always having to put yourself out there and come up against the sharks of the world. I don’t think growing up in Neb. especially prepares you for how hard it will be to actually make it while you ply your trade and build your career. Hollywood just isn’t very nurturing. You can really use a community out here to help you get your bearings and give you a leg up. Or at least some friendly faces to be yourself with as you make your way.”
Bokenkamp admires what Nelson and the group provide.
“His love for Neb. runs deep, and he’s found a way to channel that love into a really positive networking group with the Nebraska Coast Connection. NCC is a warm, energetic and creative environment. Todd just wants to see people succeed.
“Thing is, in a land as strange as Hollywood, it’s just nice to have a place to go now and then that feels like home. NCC is that for a lot of Nebraskans.”
Payne says he can appreciate how NCC makes negotiating Hollywood less lonely and frightening for newcomers.
“L.A. is such a scary place to approach when you’re young and want a career in film or television. Everyone is telling you you can’t make it, perhaps you’re even telling yourself that, but you’ve giving it a try anyway. Add to that the fact you’re from Neb. and have no connections. Well, it turns out there is an organization that welcomes you and has people in exactly the same boat there to commiserate with. It’s a wonderful, caring organization.”
Nelson says without the NCC it’s easy for some to give up their dream.
“I’ve seen many people go back home after a few years of waiting for their break and not getting very far. Pressure from parents and friends is part of it. People in Neb. don’t really get how long and hard these careers can be to get started. There’s no distinct ladder to climb, no road map, lots of horror stories and kids here can run out of money or run out of steam. That’s when a ‘safe’ job back home near the folks looks more and more attractive.
“I’ve had many parents tell me they wouldn’t let their kid try it in Hollywood without the safety net we give them.”
Nelson says NCC offers a way to make foot-in-the-door contacts that parlay a kind of pay-it-forward, Neb.-centric nepotism.
“I know the NCC works because I see it over and over. People are constantly making job contacts, finding support, getting roommates, attending each other’s performances, hiring actors and crew for their films. It is going on all the time at every Salon. Hopefully it will happen even more with the interactivity built into the new website. Our goal is to have a kind of virtual salon to help everyone stay in touch with each other in between salons.”
“Even after some folks reach some level of success they come back often and say it gives them a friendly home base.”
Real jobs result from NCC hook-ups.
“As a producer who has hired or recommended over a dozen people to work at CBS-TV over the years, including a young Jon Bokenkamp, I know this group to be a huge resource of great talent. I don’t ever need to go elsewhere to find the best people,” Nelson says.
Nelson’s quick to point out he’s not alone in his home state loyalty.
“Jeopardy executive producer Harry Friedman is from Omaha and he is famous for hiring Nebraskans on his shows. Many others out here from Neb. recommend Nebraskans first. Why wouldn’t they? It always makes sense to hire people you know, or know where they came from, and Nebraskans are almost universally loved for their work ethic, responsibility under pressure and humble ‘get it done’ spirit.”
Nelson says he’s pleased the NCC, which rated a fall L.A. Times feature article, has made it this far.
“I don’t think if you told me 21 years ago that we’d still be going this strong I would have believed it. In fact, it’s kind of moving into some new levels. For example, with the Nebraska screening at Paramount I was able to reach out to all these folks who’ve been salon guests and they were very excited about it.”
Besides Nelson and Payne, attendees at the screening included Bokenkamp, Chris Klein, actor Nicholas D’Agosto and actress turned-mystery author Harley Jane Kozak.
Celebrating success stories like these is part of the deal. But Nelson says the heart of the NCC “will always be a group focused first on the kid that’s been out here for a week, that drove out in his dad’s car full of stuff, is staying on somebody’s couch and has 500 bucks to his name. I mean, that’s really what we’re here to do and that’s going on every month at the salon – somebody showing up for the first time who’s in that circumstance. That’s the way it works.”
Cinematographer Greg Hadwick showed up like that out of Lincoln, recalls Nelson. “I think he drove all night to make it to the salon.” No sooner did Hadwick arrive then he learned Nelson and his then-very pregnant wife were due to move that weekend and he volunteered to help.
“He was just a trooper,” says Nelson. “He rented a truck and stayed late. He was such an incredibly hard worker. He didn’t ask for any money and he wouldn’t take any. The next salon I told the group what he did and somebody who was looking for an assistant hired Greg based on my recommendation, and that kid has gone on to work his butt off in Hollywood, He just showed up, open, ready to jump in. He’s now started his own production company and brought guys out here from his hometown in Neb., so he’s kind of doing his own giving back.”
Nelson says he can usually spot who has what it takes.
“I’ve seen a lot of those kids who try to make it for awhile who don’t stick. Then there’s the ones that right away I know, Oh, yeah, they’re going to do it. There is a certain confidence, I don’t think you can make it in this town without that confidence. But there’s so much more to it than that. In so many ways it’s about, Do they have something to give? There’s a lot of people that come out here and they think, Well, what can I get out of this? Almost without exception the ones who make it are the ones who want to give back.
“I’ll back these people a hundred percent and help them on their way because that’s what you do here, that’s what it’s about.”
The reciprocity continues. Nelson and Payne attended the dedication of Bokenkamp’s restored World Theatre in his hometown of Kearney. Nelson says, “It was a great celebration of Jon’s good work.” Nelson also organized a group to attend a screening of Bokenkanp’s documentary about the waning days of drive-in theaters, After Sunset. Bokenkamp returned the favor speaking at the October salon. The home state contingent turned out in force for the Paramount Nebraska screening. And so it goes with the Coast Connection.
“There’s never been a time when it’s felt like a one-way street,” says Nelson. “It always comes back.”
Follow the Coast Connection on Facebook or at http://hollywoodsalon.org/.
Beauty is in the eye of the beholder, they say. Few among us though can resist the beauty of antiques crafted by hand or well-manicured gardens kissed by Mother Nature and tended by green thumbs , which is why an event combining these two pleasures holds such appeal. My cover story for Metro Magazine that follows details the 2013 Antique and Garden Show at Lauritzen Gardens in Omaha. This bountiful feast for the eyes runs September 26-29.
Lauritzen Gardens Antique & Garden Show
Lauritzen Gardens Antique & Garden Show 2013
Antiques and Gardens Make a Matched Set as four-day show offers antique and garden displays, talks, tours and more
Appreciating beauty takes center stage during the 10th annual Lauritzen Gardens Antique & Garden Show running September 26-29 at the Omaha botanical centerLauritzen Gardens located at 100 Bancroft Street in Omaha’s Deer Park neighborhood. just off of I-80 at 13th Street.
The show not only features almost 30 antique exhibitors from across the country and abroad but also this year will feature dozens of whimsical, original watercolor and gouache paintings by California based artist Harrison Howard whom the show commissioned to set the theme for the 10th anniversary.Visitors will have a feast for the eyes between displays by 27 antique dealers from near and far, dozens of watercolor and gouache paintings by commissioned Calif.-based artist Harrison Howard and the venue’s 16 outdoor gardens.
Education and entertainment are on tap too. Uunder the Kimball’s Kornerevent tent, where a roster of noted speakers will present ideas onfor home decordécor, gardening, antiques and design.
There are also walking tours, tram rides and special events, including a reception and preview party, lunch and brunch lectures, shop the show tours, demonstrations and an appraisal clinic.
This year’s theme is “Celebrating a Decade of Treasures.”
The backdrop for it all is 100 acres of natural splendor and exquisitely designed gardens nestled in a rolling river-side landscape.
2013 event co-chair Kyle Robino says attending the event is like “a great vacation” getaway without leaving the city.
The garden’s Director of Ddevelopment for Annual Giving Kim Davis says the show is the garden’s largest annual fundraising event, netting more than $3.6 million since its inception. This year’s show is anticipated to net some $450,000. Proceeds benefit the garden’s annual campaign, which Davis says provides funding for seeds and seedlings, plants, water, mulch and equipment as well as for educational programming which helps to.
Davis says the garden’s educational programs “spread our mission and message to the community that beauty inspires us and that nature matters,” adding, “Our education department served more than 22,000 children and adults last year.”
The show is a labor of love for organizers. That’s especially true for Mary Seina, who co-founded the event with her late friend, Kimball Lauritzen, whose husband Bruce Lauritzen and his family are garden benefactors. Bruce Lauritzen’s late mother, Libby, volunteered there. Just as the garden got in the blood of her mother-in-law, it got in Kimball’s blood as well. The former Omaha Botanical Gardens was renamed Lauritzen Gardens in 2001 in recognition of the family’s support.
The inspiration for the show that has grown’s come to be the garden’s signature event came on a trip to New York City Seina made with her husband, Tony.
“We went to the Brooklyn Botanic Garden and they were having an antique and garden show and I fell in love with it,” she recalls. “I love gardens and I love antiques, they’re two of my passions. The two just seem to fit together. They’re both green kind of things, they have a timeless beauty. I thought, What a neat combination. So I came home and told my dear friend Kim Lauritzen that I wanted to do this and she said, ‘We’ll do it together.’ We were starting something brand new. It was very exciting.”
It helped, Seina says, that her friend “could convince anyone of anything” and she says Kimball soon convinced hubby Bruce and garden executive director Spencer Crews to back the show.
“Then we went about finding out how to do this thing,” she says. “We got a show manager and he told us about finding the dealers. We went to a bunch of different shows. Then we talked about holding lectures, We wanted the Keno brothers (of Antiques Road Show fame) for our first show because we thought they would bring in a ton of people, which they did. They brought in a huge crowd.”
Shortly before Kimball’s death in February of 2008, Kimball and Mary approached another dear friend, Cindy Bay. Kimball asked Cindy to do what she could to help the show continue to thrive and she has done just that. Serving as honorary co-chairman for the past six years, Bay has taken leadership of corporate and individual sponsorship at the show has turned her keen eye to marketing the show and increasing its reach throughout the community.Seina says the show “is a dream come true” for her because it fulfills the lofty ambitions she and Kimball had for it.
“From the beginning one of our goals was for our show to be of the highest quality and to be the most beautiful we could possibly afford. We wanted to have great parties, beautiful booths, wonderful food. We also wanted renowned speakers that would entertain, educate and wow us. And we wanted the show to be filled with beautiful art, furniture, porcelain, rugs and all the things that make our homes more interesting.”
It’s hard for Seina to pick a favorite activity but she says, “I love the lectures – we work hard finding the presenters. Our speakers are the finest you could get anywhere.” This year’s lineup features fashion designer, style curator and author Carolyne Roehm, home decor expert Eddie Ross, interior home designer Kathryn Ireland and hostess extraordinaire and author Danielle Rollins. All are trendsetters and tastemakers.
Jeanne Bell, who served as the show’s first event chair and continues volunteering with it today, says you don’t have to be a collector or designer to enjoy the presentations. “I am still not an antique collector but because of hearing these speakers I’m more educated about antiques. They teach me how to be more discerning about antiques and how to incorporate antiques into every day life in my own home.”
Seina says the show’s success over a decade’s time has given it a reputation that makes luring dealers easier than it was at the start. “We started out begging for dealers to come to Omaha and now we have waiting lists of people that want to come from all over the world.”
Robino says. “The antiques exhibitors from all over the country and the world that come here are fixtures. Many have been coming for years and they have been impressed by our hospitality.”
Event co-chair Jan Vrana says, “Having antiques from across the country and beyond come to Omaha is a special treat.”
Everyone associated with the show agrees that the gardens make a sublime setting for activities centered around beauty and art.
The event has’s grown over the years and as Jeanne Bell likes to say, with each new activity the show gains “added value.” New this year is an expanded and updated Friday night event, Cocktails and Collectibles program for folks looking to start collecting antiques.
Thursday, Sept. 26
4:30 to 6 p.m. Collector’s Circle Reception
Sponsored by Porsche of Omaha
An elegant champagne reception exclusively for sponsors at the Lily level and above.
6 to 9 p.m. Preview Party
Sponsored by Omaha Steaks
$125 per person. Reservations required.
Cocktails and hors d’oeuvres served amid the gardens and antiques.
Friday, Sept. 27
Show open 10 a.m. to 8 p.m.
10:30 to 11:15 a.m. Shop the Show with Carolyne Roehm
$30 per person includes show admission all three days. Reservations required.
An informal, intimate tour of the antiques on display led by Roehm, whose curator’s eye will identify how to incorporate pieces in one’s home.
11:30 a.m.to 1 p.m. Luncheon and Lecture with Carolyne Roehm
Sponsored by First National Wealth Management
$75 per person. $125 patron package. Reservations required.
Patron package includes a set of Harrison Howard notecards. Does not include priority seating. Roehm will sign copies of her books following her lecture.
Ms. Roehm’s appearance is sponsored by flowers magazine.
5:15 p.m. Shop the Show with Eddie Ross
$30 per person includes show admission all three days. Reservations required.
Ross will point out how to integrate antiques into your living space.
5:30 to 8 p.m. Cocktails and Collectibles with Eddie Ross
Sponsored by Nan C/Brunello Cucinelli
$30 per person. Reservations encouraged.
An exciting, high-energy evening for new collectors, emerging philanthropists, and art and design enthusiasts featuring cocktails and hors d’oeuvres and a private viewing of the show.
Ross will lead a designer’s tour for new collectors, emerging philanthropists and art-design enthusiasts.
Saturday, Sept. 28
Show open 10 a.m. to 5 p.m.
All Day Designer Day
Designers presenting their business card receive free admission.
10 to 10:45 a.m. Floral Arranging Demonstration by Danielle Rollins
Free with paid show admission.
The ultimate hostess will work her magic and share secrets for entertaining.
10 to 10:45 a.m. Shop the Show with Kathyrn Ireland
$30 per person includes show admission all three days. Reservations required.
Ireland gives her spin on making antiques work with your budget and home.
11 a.m. to 12:30 p.m. Brunch and Lecture with Kathryn Irelanmd
Sponsored by Suzanne and Rudy Kotula
$75 per person, $125 per patron package
Patron package includes a set of Harrison Howard notecards.Does not include priority seating. Ireland will sign copies of her books following her lecture.
2 p.m. Garden Walking Tour
Sunday, Sept. 29
Show open 11 a.m. to 5 p.m.
11 a.m. to 1:30 p.m. What’s It Worth? Appraisal Clinic conducted by Jackson’s International Auctioneers and Appraisers of Fine Art and Antiques
Sponsored by Flexjet
$15 per session with paid show admission. Reservations encouraged. Get one to three items appraised during a 5-minute verbal session. Large items can be examined by photograph.
11 a.m. to 2 p.m. Mimosa Sunday
Free with paid show admission.
Enjoy a complimentary champagne cocktail while shopping the show along with doughnuts and coffee from Dunkin’ Donuts (while supplies last).
2 p.m. Lecture by Danielle Rollins
Sponsored by Anne Thorne Weaver
$30 nonmembers, $15 members. Reservations encouraged. Rollins will sign copies of her book following the lecture.
2 p.m. Garden Walking Tour
For tickets, visit www.lauritzengardens.org or call 402-346-4002, ext. 21.
Omaha theater has its stalwart, perennial, deeply rooted figures who do their thing here year in and year out. Theyre just always part of the scene and therefore you can always count on them for a certain number of shows, often at the same venues. Then there’s someone like Gordon Cantiello, who was once a constant presence himself on stages in town before taking a job to teach theater on the west coast. He’s an actor, director, producer. But he never really left Omaha. He’s come back intermittently since his move and with increasing frequency the last few years to put on cabaret revues such as the popular Beehive. He’s had great success with theatpiece in Omaha on four different occassions, including last year. Now this theater gypsy is back with a production of Always…Patsy Cline, another show he’s had success with. The limited engaement run begins Aug. 10. The diminutive, quiet-spoken Cantiello is known for getting the best out of his actors and staging rousing, audience-pleasing productions. He’s never had a real theater home here but he considers Omaha home and has even purchased a place here as his second residence. He’s thinking of opening his own theater venue here once he retires from teaching. Then this theater gypsy might finally settle down again.
Omaha Theater Gypsy Gordon Cantiello is Back with New Show
©by Leo Adam Biga
Originally appeared in The Reader (www.thereader.com)
Theater gypsy Gordon Cantiello is back in town again.
The stage veteran and former full-time Omaha resident teaches speech and theater at a private school in San Diego, Calif. When he lived here he put on dozens of plays from the early 1970s through the mid-’80s but made his biggest splash in 1992 when he produced and directed Beehive, an all-female rock ‘n’ roll musical revue that played 10 months at the Howard Street Tavern in the Old Market.
He revived the piece in 1996 and 2002 and again last year at The Waiting Room in Benson, when he gathered four original cast members in local divas Kathy Tyree, Tiffany White-Welchen, Ginny Sheehan Hermann and Sue Gillespie Booton.
“I’ve done a lot of different things in Omaha but without a doubt Beehive had the longest run,” he says.
Now he’s returned with another cabaret production he’s visited before, Always…Patsy Cline, which begins a limited engagement at The Waiting Room on August 10 through his own Performing Artists Repertory Theatre. Erika Hall , who essayed the title part in an Omaha Community Playhouse production, portrays the country singer and Cantiello favorite Gillespie Booton plays fan-turned-friend Louise Seger.
Cantiello’s been a player on the local theater scene since the East Coast native first came here in 1972 to head the theater department and teach part-time at Dominican High School. Prior to that he made the rounds in summer stock and Broadway auditions trying to make it as an actor. Though he got work going on all those cattle calls was difficult. He didn’t like the “insecurity” of never knowing where his next job was coming from.
Fortunately, he listened to his parents and theater coaches and pursued his education. He earned an undergraduate degree in speech and theater from Ricker College (Maine), teacher certifications in Neb, and Calif. and a master’s from Schiller International University in West Germany.
“I think I always knew I was a teacher and a director,” he says.
When his gig at Dominican High ended he supported himself waiting tables while acting at Omaha’s three dinner theaters – the Westroads, the Upstairs and the Firehouse. The old insecurity bug bit again and he wound up teaching speech and theater at Duchesne Academy from 1981 to 1986. With some prodding from Cantiello his brightest student, Tiffany White-Welchen, became a star performer at the Firehouse and later one of the stalwarts in his Beehive.
He left in ’86 for San Diego, where he’s lived and worked since, but he’s never stopped reengaging with Omaha theater. He bought a home here eight years ago and plans making this his main residence and staging ground once he retires.
“I knew I liked Omaha when I landed here. There’s just something about the city, the people that’s friendly. It is my home, I love it here, I feel comfortable here, I feel accepted here. I feel the warmth of the people.”
He’s also found devoted followers for his brand of theater.
“My niche is cabaret. People miss the dinner theater experience, where the theater’s sort of all around you and people can relax, have a cocktail, watch a show and have something to eat.”
If his name is not readily familiar it’s because Cantiello’s never been affiliated with a single venue or two, Instead, he’s freelanced from place to place. There may not be anyone who’s put on such a variety of shows in such diverse locations in the metro.
He’s did Side by Side by Sondheim and Celebration at M’s Pub, The World Goes ‘Round at the Jewish Community Center, Smokey Joe’s Cafe at Harrah’s Casino, Kathy Tyree and Friends at The Max, Oliver at the Omaha Music Hall, A Funny Thing Happened on the Way to the Forum at the Chanticleer Theater and the Lincoln Community Playhouse. He also did shows at funky spots no longer around, including Smokey Joe’s at The Ranch Bowl and Forever Plaid at Frankie Pane’s.
In addition to Beehive at the Howard Street, he did Always…Patsy Cline, Reunion, Studs and Kathy Tyree and Friends there. His most prolific spot was the French Underground below the French Cafe, where he staged Jacques Brel, Ain’t Misbehavin’, The Belle of Amherst, Some Enchanted Evening, Dames at Sea and Side by Side by Sondheim.
Over the years he’s worked with some of Omaha’s top female stage artists and he admires them all: Phyllis Doughman (“a remarkable actress”), Kathy Tyree (“a wonderful cabaret performer with an incredible voice and personality people love”), Tiffany White-Welchen (“a great talent”) and Sue Gillespie Booton (“I love her work ethic – she just jumps in”). There’s also been Nola and Carole Jeanpierre, Patty Driscoll and now Erika Hall.
“All those women are really talented.”
He’s counted many of them as friends. They appreciate what he’s done for them.
Tyree says Cantiello helped her “go to my next level as a professional entertainer,” adding “He has very high expectations of us as performers. I love him as a friend and a producer and a director.” She says she can always expect him to get intense when something’s wrong. “That’s the perfectionist in him. He wants it right.”
None of his Omaha ties would have likely happened if he hadn’t done summer stock at the Priscilla Beach Theater in Plymouth, Mass. An Omaha woman was the music director there but taught at Dominican back here during the school year. She let him know the school was looking for a theater director. After doing the New York thing again a real job sounded good and he applied and got hired at the school.
Another reason he’s not a household name despite his many credits is that he’s been mostly on the West Coast the last quarter century, only returning for those cabaret originals and revivals. He’s reinvented himself several times but in the last act of his life he’s content doing theater his way.
“It’s a tough road but if you’re passionate about it and do it there’s nothing that can stop you, and I’ve done it and I’m proud of that.”
That philosophy goes back to some career advice he got from theater legend Mary Martin, whom he was infatuated with from network television broadcasts of her iconic title role in the satge hit, Peter Pan.
“I wrote to her and she wrote back (with a signed 8 by 10 glossy of herself). She said, ‘Billy Rose (famous impresario) once told me to go back to Texas and run a dance school and be a housewife. Had I listened to him I would never have had the pleasure of entertaining you and countless others. So go with your passion, go with your heart, and nothing can stop you.’ It was very liberating and encouraging and to this day I have her picture hanging in my office, though I have to explain to my students who she was and all she did.”
From the start, he could never get enough theater. As a young man he helped start a children’s theater and at one point found himself doing four productions at once.
“I had all this energy. I loved it so much.”
Today’s Omaha theater community is different than the one he came to all those years ago. He likes the mix of viable companies and venues that’s evolved.
“It surprises me that in Omaha there’s so much and all the theaters seem to do well.
Theater breeds theater. The more you have that, the better the community. I think Omaha may be ready to take that step of having a professional equity theater. It very well will happen I think.”
He’s even eying his own venue to host the kind of productions he’s become best identified with. He’d like to offer classes, too.
For Always…Patsy Cline dates, times and tickets call 402-706-0778 or visit performingartistsrepertorytheatre.org.
- Pamela Jo Berry Brings Art Fest to North Omaha, Artist and Friends Engage Community in Diverse Work (leoadambiga.wordpress.com)
- “Always…Patsy Cline” show returns to Gardendale July 12 and 13 (al.com)
Pamela Jo Berry is a photographer who doesn’t like her picture taken. She’s very shy and she’s very particular about her image. Thus you won’t see a picture of her here. But what you will see is her heart. The mixed media artist displays her big, warm heart in everything she does, including the North Omaha Summer Arts festival she just dreamed up herself and has staged three consecutive years now out of her own pocket and with in-kind donations from friends, fellow artists, and supporters. The grassroots event is very much an expression of her passion for art in all its many forms, her deep spirituality, and her abiding love for her North Omaha community. As always, this year’s featival culminates in an Arts Crawl up and down a section of North 30th Street that not coincidentally is also her neighborhood. The crawl runs from 6 to 9 p.m. and Berry’s organized an eclectic roster of artists to show their work. Berry’s done something here that should be a lesson to us all. She saw a need for more public art in her community and instead of bemoaning its absence she went about creating a festival that brings art there.
©by Leo Adam Biga
Now appearing in The Reader (www.thereader.com)
Pamela Jo Berry saw a need for more art offerings in the section of northeast Omaha where she resides and decided to do something about it.
With the help of friends and venues the photographer and mixed media artist created North Omaha Summer Arts (NOSA) in 2011 to serve the area north of Ames Ave. along the 30th Street corridor, The free public festival is a homespun hodgepodge of writing and quilting classes, a gospel concert and an arts crawl. She says all of it’s “open to anyone interested in participating.”
“It actually came about as wanting to put a taste of art in the area,” she says.
This year’s festival has already seen: a Creative Writing Journey for Women workshop series taught by best-selling romance novelist Kim Whiteside (who publishes under Kim Louise) of Omaha; and a Free Motion Quilting course taught by former Union for Contemporary Art resident Shea Wilkinson.
A free home-cooked dinner was served before each class.
The June 22 gospel concert at Miller Park featured the Cadence Ensemble, Highly Favored and Eric and Doriette Jordan.
That leaves the August 9 Arts Crawl, from 6 to 9 p.m., featuring artists, art talks and homemade food and refreshments at the following sites:
Church of the Resurrection, 3004 Belvedere Blvd. Work and art talk by sculptress Pamela Conyers-Hinson
Blessed Sacrament Church, 6316 North 30th St.
Trinity Lutheran Church, 6340 North 30th St.
Jehovah Shammah Church International, 3020 Huntington Ave.
Parkside Baptist Church, 3008 Newport Ave.
Solomon Girls Center/Heartland Family Service, 6720 North 30th St.
Other artists featured in the Arts Crawl include: Whiteside, Wilkerson, Peggy Jones, Linda Garcia, Reginald LeFlore III and Gerard Pefung.
Berry’s also showing her own work.
It’s only natural for Berry to utilize churches because she’s a deeply spiritual woman who sees the festival, like her own artwork, as a faith-led mission.
“It’s just an extension of who I am as a follower of Christ.”
The normally shy Berry, whose extrovert daughter is local actress and playwright Beaufield Berry puts herself out there with NOSA because she feels called to it
“When you see something as a ministry you kind of go with it,” she says. “This gives me a chance to share. North Omaha Summer Arts is quite important to me.”
She sees NOSA as a much needed asset for an underserved community challenged by poverty, crime, scarce amenities and a perception problem.
“In the area of North Omaha where we live we could find no art,” she says. “We knew it was there, we just had to uncover it. We knew art would bring hope and peace and most of all community to our neighborhood. We’ve seen it grow, we’ve noticed the interest and the benefits…and we want it to continue to flourish.”
Nebraska Arts Council Heritage Arts Manager Deborah Bunting says NOSA is part of the new energy and sense of community being built in North O.
Berry, who works with Omaha Community Playhouse education director Denise Chapman in organizing the fest, says while the number of people who engage with NOSA is still small it positions North O as a place of beauty, creativity and potential.
“The impact of art in places deemed ‘artless’, the impact of music to create growth and connectedness, the impact of strangers coming together for a common goal of creativity, creating opportunity, is magical. We want the community of North Omaha, particularly the youth, to open themselves up to creativity, of what is possible and to be a part of.”
Berry, who regularly attends Trinity Lutheran, says her pastors, Revs. John and Liz Backus, “have been very supportive” as have pastors at other churches she’s enlisted.
John Backus admires Berry’s efforts.
“Her open spirit is a challenge to everyone to make things better. She successfully combines her passion for her art with her passion for the world around her. Her contribution has been of unimaginable value in bringing one more hope to the North Omaha area, cultural opportunities, and the chance to meet neighbors in an atmosphere of elevation and inspiration.”
Berry says her decision to create NOSA was much like her decision 20-plus years ago as a young single mother to make art her life.
“I just made a choice one day to go ahead and try it and do it.”
She succeeded too with commissions, exhibitions, Nebraska Arts Council residencies and a Mid-America Arts Alllance fellowship. Just as her art career got in full swing a series of challenges, including a chronic illness, interrupted her plans. It’s taken time for her to learn to budget her energy.
“What you do is end up trying to work your life around it and try to make it work around your life, but you’ve got to take your time with it, so you step back and you slowly come back into it. It’s almost like I’m starting over again with creating.”
She’s producing and exhibiting again. She currently has a show of mixed media work in the Mulitcultural Affairs office at Creighton University’s Harper Building.
“Art opportunities keep popping up. I guess this is my time to be an artist again. I’m making things from found objects. In my last show I had older images shown along with the new images I’ve made. All of it’s an expression of the spiritual side of my life.”
She says a turning point in her artistic life came with photographing the homeless, “It helped me to understand that in order to tell a true story the subject needs to be a partner and shown the same respect I would want.”
Where she used to be consumed trying to make things perfect, she says she’s now fine keeping imperfections in her work. Her mixed media piece “Change” includes a torn photograph she views as a metaphor for the permutations life holds.
“Going through changes you realize your flaws,” she says. “I’m not perfect, nobody is. So now when I make the artwork I am not so set on making it perfect. I make it from the heart. It’s very liberating.”
That same easy attitude infuses NOSA. Berry appreciates that after a long lull the 24th and Lake Street hub is alive with arts activities again thanks to Loves Jazz and Arts Center, Carver Bank, the Union for Contemporary Art and the Great Plains Black History Museum. NOSA fills a gap further north and offers programs the others don’t. She likes that NOSA has a quirky, do-its-own-thing vibe.
“You can do that when you’re not paying attention to what everyone else is saying. You’re free to do whatever you want to.”
In putting NOSA together Berry calls on fellow African American female creatives.
“There are artists I admire and am friends with. I’m not walking this myself believe me.”
The artists feel a kinship with Berry, whose big heart and bright spirit they respond to. Peggy Jones says of Berry, “She is committed, passionate and has great love for both the arts and her community. Pam is a tireless advocate for helping people tell their own stories and create art because she is a true believer in the way the arts can be used for expression as well as heal and connect disparate groups.”
Berry likes that she and her “sisters” produce a festival that not only gets people to experience different forms of art but that gives them a chance to create art and to get it seen. Students in the creative writing class pen pieces published in an anthology and students in the quilting class get their work shown in the Arts Crawl.
For Berry, it’s all about giving North O its due.
“I love my community.”
For details visit http://www.facebook.com/NorthOmahaSummerArts.
- Cherish the Day: North Omaha (yperspective.wordpress.com)
- Kelly: Homecoming event a parade down memory lane (omaha.com)
- North Omaha Summer Arts Presents: Freelance Writing Academy Seminars with Leo Adam Biga (leoadambiga.wordpress.com)
Street festivals are as emblematic of America as anything and my hometown of Omaha has it’s share of them. A newer one, the Vinton Street Creativity Festival, is an urban pastiche that’s part carnival, part fair, part block party that takes its name and cue from the funky diagonal street where an eclectic assemblage of venues comprise Vinton’s historical business district. This story appeared in advance of the recently held 2013 fest.
Omaha’s Vinton Street Creativity Festival Celebrates a Diagonal Cultural Scene
©by Leo Adam Biga
Originally appeared in El Perico
The resurgence of both the Vinton Street Commercial Historical District and the greater Deer Park Neighborhood it resides in is impetus for the second annual Vinton Street Creativity Festival.
The 11 a.m. to 6 p.m. May 18 event is a free celebration of youth and community organized by the Deer Park Neighborhood Association, Habitat for Humanity and the City of Omaha. Vinton Street merchants are helping sponsor it.
The festival, whose hub is 18th and Vinton, will include live music, a street art throwdown, extreme skateboarding, breakdance performances, children’s activities, arts and crafts displays, walking tours and a Victory Boxing Club demonstration. Food can be purchased from the district’s many eateries.
The Hector Anchondo Blues Band will headline the on-stage band lineup, which also includes Pancho & the Contraband and Midwest Dilemma. Mariachi Zapata and Ballet Folklorico Xiotal will perform traditional music and dance, respectively.
The Omaha Creative Institute will present Elmo Diaz in a blacksmithing demo, Tom Kerr drawing caricatures and a watercolor station for kids to paint.
Linda Garcia will teach the Mexican paper cutting craft, appeal picado banderas, in creating miniature decorative flags.
Among a few dozen commercial historical districts in the nation, the Vinton strip is singular for its diagonal layout. The narrow, meandering road, with low-slung, century-old buildings set close to the street, follows a ridge line that may have been a trail or country road before the area’s late 19th century development.
Noted photographer Larry Ferguson, who’s long maintained a studio and living space in the Daniel J. Jourdan Building at 1701 Vinton, says as a result of the street’s serpentine shape “you have a lot of different vistas as you move along and through those curves – it’s like a piece of sculpture that way.”
Festivalgoers will come upon a commercially thriving district whose 14 historically significant buildings have been largely untampered with and house a diverse mix of service-based businesses. Many small business owners there are Hispanic. Their enterprises include bakeries, restaurants, a meat market and clothing stores.
The area is far livelier then when Ferguson moved there in 1987. “It was a derelict part of town. It was really bad,” he recalls. “Nothing but vacant storefronts and six bars. Very little street and pedestrian traffic.” He says as the South 24th business district filled “it was a natural progression for the Latino community to move up into this area to rebuild. That led to a big influx of property changes and people changes. To the point now we have constant traffic on the street during the day. A lot of new businesses have come on board that are making Vinton happen. The new businesses are just hopping.”
One of the biggest changes is the influx of families with young children. Deer Park Neighborhood Association president Oscar Duran says, “There are hundreds of young kids in our neighborhood.” In his work as a Neighborhood Revitalization Specialist with Habitat for Humanity Duran’s enlisted youth as volunteers and as participants in urban art competitions and mural projects.
“I saw we had a local asset of urban artists within the neighborhood, That started us asking ourselves what other ways could we outreach to our youth in the South Omaha area. How can we bring together a mash of different counter cultures and communities that celebrate youth being active, involved and a part of something?
“So we invited some of the urban artists and break-dancers we’re familiar with as well as the nonprofits that do outreach-mentorship to cross pollinate with each other and celebrate what each of them is good at.”
Duran says the resulting youth and community-centered event is an attempt “to separate us from other neighborhood festivals because Deer Park itself is a very unique neighborhood. It’s a collection of smaller neighborhoods. It’s a melting pot. You go down Vinton Street and you have an internationally known photographer (Ferguson) who’s been there since the ’80s right next to a carniceria (meat market) who’s been there for ten and right across the street you have a pasterleria (bakery). Then there’s all the restaurants, the boutiques, the Capitol Bindery, Gallery 72.
“I think it’s really cool. It’s something that’s very organic to our area.”
New additions to the melting pot are The Apollon, a multi-genre arts event-dining space having its grand opening during the fest, and The Pearly Owl curio shop.
Apollon co-founder Ryan Tewell says the district is becoming known as a “friendly up-and-coming arts and dining destination without all the traffic and congestion and higher prices that come with it.”
Grants are assisting some owners with sprucing up the facades of their buildings. Duran says improvements to the surrounding area include the recent razing of condemned homes, the rehab of others and the construction of new residences.
“That revitalization brings new people, higher property values,” Ferguson says. “I’ve got 26 years here of watching this neighborhood transform, which has always been my dream. I’ve been trying to champion this street for a long time. It’s very exciting to see it happen.”
Ferguson and Duran view the festival as a showcase for what the area offers.
“There’s a really good core of people here,” Duran says. “A very strong sense of work ethic and community was already here and it’s not going to go away. There’s really an environment fostered here that people want to help each other.”
“Vinton’s becoming more unified,” says Ferguson. “It’s a real celebration of it. We’re totally jazzed and excited.”
- Tapestries to celebrate Omaha neighborhoods; Theater by any other name (leoadambiga.wordpress.com)
After Decades in New York City Omaha Native Jazz Pianist Paul Serrato Proves You Can Come Home Again
Jazz artist Paul Serrato is one of those cool cats who left his native Omaha to do his thing in the big city. He carved out a nice career in New York as a pianist, arranger and composer. He has serious chops and he’s well respected in the jazz world for his talents. Now, decades after leaving here, he’s come back to his hometown something of a jazz legend to aficianados, though he’s largely unknown to the general public. He’s one of those classic cases of being unappreciated in his own backyard. That’s partly due to the fact that jazz is off most people’s radar. Then there’s the reality that he was not in Omaha when he did make a name for himself in the Big Apple. But he’s come home to stay and he’s eager to share his work with Omaha audiences. My guess is he will get the recognition he deserves here before too long.
After Decades in New York City Omaha Native Jazz Pianist Paul Serrato Proves You Can Come Home Again
©by Leo Adam Biga
Soon to appear in El Perico
Jazz pianist-arranger-composer Paul Serrato left his native Omaha more than 50 years ago to pursue a theater and music career in New York City. He found considerable success there. He led headlilne and backup bands, he soloed and did sideman work at top clubs. He composed original music for hit underground, off-Broadway plays. He recorded and released several well-reviewed CDs on his own Graffiti Productions label.
He would return to visit family and friends. In 2011 he came back here to stay. He performs around town, including a regular gig at The Addicted Cup in the Old Market. He’s preparing a new CD highlighting some never released original music.
Why move here after so many years away?
“Well, it was a push-pull thing,” he says. His mother, who had remained in town, died and rather than give up “the family compound in South Omaha” he decided to move in. It beat the Big Apple’s high cost of living.
Omaha is where it all began for Serrato. He grew up the only child of a single mother. He never really knew his father, who left for Calif. It’s only in the last year Serrato discovered half-siblings on the west coast. “We’ve really bonded,” he says of his new found family.
Times were tough for Serrato and his mom. She traveled wherever she could find factory work.
“I went to school in Michigan, Texas, Tennessee,” says Serrato.
His love of the piano began as a young boy. An aunt in Omaha played a big upright he couldn’t resist. He started lessons at age 9 and quickly showed promise and passion.
“I really found an obsession.”
He won local music contests and was a featured soloist in school concerts. He played mostly classics until happening upon jazz.
“I used to hear it on the radio and I was very like blown away by the great jazz pianists. I’d thought I wanted to be a concert pianist until I started hearing recordings by Art Tatum and Oscar Peterson.”
By high school he was living in Omaha again. Soon after graduating Creighton Prep in the late 1950s he left for Boston University to study theater arts. Then New York beckoned.
“It was a magnet, it was a pull, it was an exciting lure,” he says. “What I did when I arrived was I saturated myself in the club scene.”
He was a regular at the landmark Birdland. He also took composition studies. His studies continued. His resulting music expresses the energy and edge of the bustling city. He calls his sound urban jazz – not by the rules.
“You’re a product of your culture, whatever it is,” he says.
He acknowledges a strong Latin influence in his work. Conga player Candido Camero was “a great inspiration,” he says.
“Candido made a record called Mambo Moves with one of my favorite pianists Erroll Garner. It has such great duets they play. I’ve always loved that record and I’ve tried to incorporate some of those ideas into my own music.”
Serrato’s worked with several conga players over the years. He recently found a new one – “He’s got the licks, man” – with whom he hopes to perform and record.
He identifies strongly with his Mexican heritage. He didn’t grow up speaking much Spanish but he fell in love with the language and became an English-as-Second Language teacher for Spanish-speakers.
“I’ve done a lot of traveling in Spanish-speaking countries. I spent lot of time in Spain, where I used to follow bullfights. That was a whole passion of mine. I used to be a really great aficionado. I got my master’s degree in urban education ESL and my last few years in New York I taught adult education in Washington Heights to mostly Dominicans. I taught bilingually.”
His early years in New York he supported himself working odd jobs, including tending bar. While managing a Greenwich Village bookstore he met artists from the underground scene – poets, playwrights, painters, singers.
“That’s a great thing about New York, where you just collide with people. In that New York downtown underground culture nobody was dictating you to write it this way or that way, so I was writing jazz for singers to perform in plays. I had the field to myself because nobody else was doing that. Everybody was doing like rock songs and the Velvet Underground, and I loved the Velvet Underground but that wasn’t what I was doing. I was a novelty.
“I jumped into it and had some wonderful collaborations with (Andy) Warhol superstars, playing for them, accompanying then, getting acts together. I did stuff with jazz basses, walking basses, trumpet solos, all this stuff, and they loved it.”
Serrato made tours of London in the 1970s. More recently he’s performed concerts in Japan. His work’s been featured in television documentaries, included An American Family, and in the HBO dramatic movie, Cinema Verite.
He says New York is “where I’ve done my most memorable creative work and I’m hoping I can transfer some of that to Omaha, and I’m having some gratifying success. I’m meeting some really good musicians.
He looks to add to a personal recording catalog that includes the albums AlterNations, Pianomania, Excursions, Origami and Nexus.
His next Addicted Cup gig is June 29 from 4 to 6 p.m.
Find more about the musician at http://www.paulserrato.com.
- Potash Twins Making Waves in Jazz: Teen Brothers Count Jazz Greats as Mentors (leoadambiga.wordpress.com)
- Tapestries to celebrate Omaha neighborhoods; Theater by any other name (leoadambiga.wordpress.com)
- Laura Love: Omaha’s High Yaller Gal Comes Home (leoadambiga.wordpress.com)
- You: Velvet Underground, Andy Warhol group settle suit over banana image (latimes.com)
- Jazz Pianist And Pedagogue Mulgrew Miller Dies (wnyc.org)
- Jazz Fest 2013: Interview With Aaron Neville (Review) (popmatters.com)
Appearances can be deceiving. Take the subjects of this story, for example. On first blush who would be less likely to be positioned to lead a revival of Omaha’s once kickin’ but long dormant live jazz scene than a couple of Jewish kids from suburbia? What’s more, you probably don’t think of privilged white boys as being promising proteges of contemporary black jazz greats. But in each instance the Potash Twins, 19-year-old identical twin brothers from Omaha, are overturning assumptions, Their making waves in the world of jazz not just in their hometown but in places like New York City and New Orleans. They count among their mentors Wynton Marsalis, Jon Faddis and Jonathan Batiste. It’s anybody’s gues what they’ll end up doing in jazz but they’re riding a wave that at least for now shows no sign of slowing. I have a feeling I’ll be writing about them for a long time.
Potash Twins Making Waves in Jazz: Teen Brothers Count Jazz Greats as Mentors
©by Leo Adam Biga
Now appearing in The Reader (www.thereader.com)
Identical twin brothers from Jewish suburbia, Ezra and Adeev Potash, are Omaha’s unlikely gift to the jazz world. Their soul and funk-infused horn playing has everyone from Big Sam Williams to Wynton Marsalis singing their praises.
Ezra plays trombone, tuba and sousaphone. Adeev plays trumpet. The Westside High School grads recorded their 2012 debut album, “Twintuition,” in Omaha as a New York City calling card. The 19-year-olds are elite music students there.
They’ve parlayed a gift for schmooze and chutzpah into private lessons and close personal relationships with jazz greats, notably trumpet master Marsalis.
“When we go to concerts we bring our instruments with us and for us that’s like a baseball fan bringing your glove to a game hoping to catch a foul ball. But for us the foul ball is the lesson, and we’ve caught a couple foul balls,” says Adeev.
They also have a knack for nabbing national attention. In March they performed at South by Southwest in Austin, Texas, where they led an impromptu New Orleans-style Second Line down Sixth Street that National Public Radio featured. A film crew following them for a proposed Reality TV series was there and at the May Berkshire Hathaway shareholders meeting the brothers performed at.
Currently back in Omaha on summer break they’re performing June 8 with their band The Potash Twins at LoessFest on the same bill as Don Vattie, a New Orleans legend Marsalis introduced them to. The free fest is at River’s Edge Park on the Bluffs end of the pedestrian bridge. The brothers’ group consists of players from the Westside jazz band they anchored along with other hometown friends. Following their 4 p.m. appearance Preservation Hall Jazz Band takes the stage at 7:30.
Ezra, who describes himself and Adeev as “musicians, entertainers and personalities,” says they realize how surreal a ride they’re on. It’s why they’re already writing their memoir.
“It’s been a fast transition and a huge transition for us,” he says. “You wouldn’t believe some of these things that happen to us. I have to write them down. Every time something happens we look at each other and say, ‘I can’t believe this is happening.’
Like meeting jazz heavyweight Jonathan Batiste on the streets of New York and being invited to a Harlem church gig he was playing. They went to dinner with him and that led to playing with him at the famed Dizzy’s Club, where Marsalis and Bobby McFerrin were their rooting section. All that in their first week in the city.
Ezra and Adeev have since performed several times with Batiste.
“We can’t believe the way our lives have turned out. We were never that serious about being musicians until we met Wynton in 2008. The next thing we know we’re playing with all these people and invited to all these things, living in New York City,” says Ezra.
Their superstar mentor, Marsalis, opens doors for the twins to hang out and jam with major artists. Indeed, the brothers may have never emerged as promising jazz newcomers if not for Marsalis, who took them under his wing in a series of backstage encounters that changed the way they thought about music.
That first meeting in the green room of the Lied Performing Arts Center in Lincoln, Neb. turned into an extended private lesson.
“We talked for a really long time about what it means to be a musician. Wynton’s very about being humble and just representing the music like you’d represent yourself. It’s something he always talks about,” says Ezra. “When Wynton told us ‘you guys should be learning this’ we had to learn it, especially if we wanted to continue a relationship with him. It was like, If we want to be musicians this is what we need to do. He handed us like a free pass almost.”
The twins acknowledge their nonchalant attitude about music turned around once Marsalis entered their lives.
Ezra says, “That lesson really got us serious about being musicians. Everything changed from that point on.”
“We started practicing a lot more,” says Adeev.
After a Marsalis concert in Minneapolis the brothers attended Marsalis offered to help with their college admissions applications. They’re not entirely sure why he’s taken such an interest other than the fact “he knew we were eager,” says Ezra. “He gets it that we understand basically what he wants us to do.
“We’re apt students,” adds Adeev. “When we saw him the third or fourth time he said he had a huge connection to us because we were old souls. But I don’t know if that would describe us.”
They do acknowledge their deep appreciation for jazz is unusual for people their age. Their brazen approach to big names, usually sneaking or fast-talking their way backstage, “kind of takes artists by surprise,” says Adeev
“They can see we’re really interested,” says Ezra. “They don’t mind, especially because we’re eager to learn from them, and we’re respectful and we really appreciate their time. They see we’re more students than fans.”
“We think this is something jazz musicians have – a willingness to welcome eager younger musicians. It’s a jazz family,” says Adeev.
The twins attribute their rapid progress to hard work and good instruction more than prodigious talent.
“I wouldn’t say we have natural ability. I just think we’ve had really good music education,” says Adeev.
Ezra says, “I think we’re the poster children of Omaha or Westside music education. We learned how to play and we just continued.”
Then came the lessons from jazz greats. Today, Adeev studies under Dizzy Gillespie protege Jon Faddis and Ezrra with veteran sideman Dave Taylor. “We take what they give us and we kind of run with it,” says Adeev.
They know they have much to learn.
The brothers are not only tight with Marsalis but with his Jazz at Lincoln Center Orchestra, whom they first met in Omaha in 2009 “after worshiping their musicianship for a year,” says Adeev.
“We knew all of them by name. We had studied this band. It’s like people collect baseball cards, well we memorize everything about certain jazz musicians,” says Ezra. “We got such a connection with them the first time and we got like really good one-on-one advice from top New York musicians.
“They are like our adopted parents in New York City. It’s pretty special because Jazz at Lincoln Center is a huge organization. These guys are pretty famous. We feel so honored with that “
The twins are determined to get horn players respect across genres. They aspire being the horn section of a famous band.
They also want to revive Omaha’s live jazz scene. They recently played at Loves Jazz and Arts Center, where they learned about its namesake, local music legend Preston Love Sr. and North Omaha’s jazz hub legacy.
“We want to give back to Omaha specifically. We want to bring in these big artists we know. We really want to develop a New York City-Neb. jazz connection,” says Ezra, who confirmed that he and Adeev are LJAC’s new artistic directors.
He’s aware how strange it is he and Adeev are “the jazz representatives of Neb. in New York.” He’a aware too how ironic it would be if North O’s jazz scene is resurrected through the efforts of two white Jewish boys from the ‘burbs. But they’ve found a shared interest with Loves Jazz to recapture a music heritage.
“They have the passion for it, we have the passion too. We want to bring that back,” says Ezra, who imagines a packed jazz club and hot jam sessions there. “We really do have a love for the music and we’re trying to bring it to places where it’s not as accessible. A lot of people say jazz is dead. It’s definitely not at its peak but I think it’s something people can relate to if they put the effort in.”
Meanwhile, the bros have written original tunes for their second album, which they’ll record in New York this fall.
Follow the Potash Twins at http://www.facebook.com/PotashTwins.
- Marsalis on Jazz (venitism.blogspot.com)
- Jazz Harlem Lincoln Center (thestarryeye.typepad.com)
- Chick Corea and Jazz at Lincoln Center Orchestra: 16 May 2013 – New York (Review) (popmatters.com)
- Crosby, Stills and Nash get jazzy with Marsalis (miamiherald.com)