From My Series Out to Win Series: The Roots of Greatness, The Boxers – Sweet Scientists from The Hood
Omaha has never been much of a boxing hotbed. Oh, there’s been the occasional fighter worth following from here who’s shown well in the amateur ranks at, say, the national golden gloves (though I’m not sure any native Nebraskan has made it to the Olympic Games in boxing) and in the pro ranks. Precious few have ever fought for a championship or even in the prelims of a title card. Unless you’re from Nebraska or live here or you have a strong rooting interest in or connection to Omaha boxers chances are you can’t name more than two or three ring worthies to ever come out of the state and do something memorialized in the boxing annals or the sport’s bible, Ring Magazine. The following story from my Out to Win: The Roots of Greatness series about Omaha’s Black Sports Legends does highlight a few of the better fighters Omaha’s produced though it’s by no means a comprehensive list. You’ll find the rest of my Out to Win installments by going to the Categories drop down menu or typing the title in the Search box.
From My Series Out to Win Series: The Roots of Greatness, The Boxers – Sweet Scientists from The Hood
©by Leo Adam Biga
Originally appeared in The Reader (www.thereader.com)
If any Omaha inner city boxing legend had most of the prized fighting attributes, it was Harley Cooper, a two-time national Golden Gloves champion and 1964 Olympic qualifier. A tough Savannah, Ga. native, Cooper grew up fighting in ‘the hood,‘ but learned to box in the military. After he won the second of his Gloves titles while based at Offutt Air Force Base, he then became the U.S. Olympic light heavyweight entry. In peak form and riding an unbeaten streak, he was primed to bust heads in Tokyo. But on the eve of leaving for Japan, he was medically disqualified.
After transferring to Omaha, his new training ground became Hawk’s Gym, where his sparring partners included future pro heavyweight Lou Bailey. He shot up the amateur ranks by sweeping his first Golden Gloves. But he was no rookie, having compiled hundreds of hours in the ring and dozens of military bouts, winning service titles wherever he was assigned, including Japan and Europe.
“Everybody wanted him to fight for them,” said Omaha boxing historian Tom Lovgren, a former prize fight matchmaker and longtime local observer. “The first time anybody saw him in the gym they knew this guy was going to be a national champion. He could punch. He could box. He could do it all. He was the most complete fighter I ever saw from around here. I never saw Harley Cooper lose a round in amateur fights in Omaha. He was that dominant.”
Cooper twice won the Gloves Trinity when he took the Omaha, Midwest and National tournaments in both ’63 and ’64. His first title run came, unexpectedly, as aheavyweight and culminated at the ’64 Chicago finals.
Cooper was a natural light-heavyweight, but after an overseas transfer to Nebraska he didn’t meet the weight requirements before the local Gloves tourney. Over the light-heavyweight limit, his handlers convinced him, against his better judgment, to compete as a heavyweight. He was an undersized 183 pounds. Even after he won the local-regional heavyweight titles, he wanted to move back to light-heavy, where he was more comfortable. “They wouldn’t let me move down,” he said of his trainers. “They kept saying, ‘Well, let’s see how far you can go.’” He went all the way. The underdog used superior quickness to offset his opponents’ size and power advantages to win just the second national Gloves title by a Nebraskan since the 1930s. In ’64, Cooper fought at his accustomed light-heavy spot and plowed through to the Nationals in Nashville. Cooper’s win in Nashville put him into the Olympic Trials box-off in New York, which he won.
Despite attractive offers, he never turned pro. First, there was his Air Force career. Second, he had a big family to feed, and a sure thing was better than a dream. Since retiring in ’73, his life has centered on kids at the North Omaha Boys Club, Glenwood State School and the Cornhusker Striders track program. But the pull of boxing never left, and so for 30 years he’s volunteered with the Great Plains Amateur Boxing Association. That body organizes and sanctions local-regional boxing cards like the Golden Gloves. He recently announced Omaha will host the 2006 national Gloves tournament.
“I love boxing. I’m lucky I have a wife that understands it’s such a big part of me.”
Occasional what-might-have-beens creep into his conversation. “There’s still some times when I kind of wish I had of (turned pro),” he said. “I was better than I realized I was at the time. I see these guys now and they just don’t look that good to me, man.”
An earlier Golden Gloves star who did go pro is Joey Parks, a lightweight contender in the late ’50s-early ’60s. A Kansas native, Parks moved to Omaha in 1950. Back home, he competed in football, basketball and baseball and always listened to the Friday night fights on the radio. His late brother, Jerry Parks, was a fine baseball player and longtime Omaha Parks and Recreation director.
Joey trained at the old City Mission Boxing Club at 22nd and Cass under legendary trainer Leonard Hawkins, who later became his father-in-law. Parks’ amateur career began slowly – he lost his first Gloves bout. He developed his skills during an Army hitch in South Korea and, when he returned, dominated. He won City and Midwest Gloves titles in ’55 and ’56, and advanced to the national finals the first year and to the semi-finals the next.
Parks went pro in ’57 and once held a No. 9 world ranking. His career highlights include three close, 10-round, non-title bouts with all-time lightweight champion Joe “Old Bones” Brown. Their first tussle, fought at the State Fair Coliseum in Albuquerque, NM, ended in a disputed draw that cost Parks a title shot. Parks opened a cut over Brown’s eye and dropped him for a one-count in the final round.
Parks lost the rematches by decisions. As great as Brown was, Parks said his toughest foe was future welterweight champ Curtis Cokes, who stopped him.
“He hit like a mule,” he said.
Parks took pride in being a busy, crowd-pleasing favorite. “I had the type of style where I pressed the fight. I kept going forward all the way. I always carried the fight to my opponent. I wouldn’t short change nobody. They got their money’s worth.” The Omahan relied on superb conditioning. “I stayed in tip-top shape. I did my road work every morning. I chopped wood. I sparred.”
He quit the ring in ’63 after a rope gave way in a fight down in Santa Fe, NM and he was sent sprawling, head first, into the ring apron. He was out cold for three minutes. Weeks of double vision later, he hung up his gloves. “A cat has nine lives, but I only have one.” Now 71, he stays fit walking and dancing. Long gone is the popularity that meant people stopped him on the street and treated him to meals, but he remembers his boxing career with pleasure. “It was sweet.”
One of the most devastating Omaha punchers is Lamont Kirkland. From 1975 to 1980 he won a record-tying six Midwest Golden Gloves titles by simply pummeling people into submission. After coming close, including a loss to future light-heavy champ Michael Spinks, Kirkland finally won a national championship – at 165-pounds – in 1980. He’s the last local fighter to win a national Gloves title. He enjoyed a good pro career that climaxed in a 1987 USBA super middleweight title fight against Lindell Holmes that Kirkland lost by TKO. “I never saw anybody give him a tough fight here,” local boxing expert Tom Lovgren said.
More Fighters and Some Coaches/Trainers
Midge Minor won multiple Omaha and Midwest Golden Gloves titles in the 1950s. Reggie Hughes and Willie “Boots” Washington were among other good boxers from that era’s inner city. Illinois-native Lou Bailey moved to Omaha and had a pro heavyweight career that saw him fight a future champ in George Foreman and many contenders. His son, Lou Bailey, Jr. won three light-heavy Midwest amateur titles.
Heavyweight Morris Jackson was the main rival of Ron “Bluffs Butcher” Stander, whom he met five times as an amateur and pro. “Yeah, we had some knockdown-dragouts,” said Jackson, who once beat the British Commonwealth champ.
After a run-in with the law (for armed robbery) that saw him do 29 months in jail, Jackson turned his life around and, in ’88, was ordained a minister in the Independent Assemblies of God Church. Now the chaplain at the Douglas County Correctional Center, he finds satisfaction in “being able to see men take responsibility for their lives and become better citizens, husbands, fathers. You can’t go through life without believing.” He received a full pardon from then-Gov. Ben Nelson in 1995.
Among Midwest champs, a trio of three-time titlists stands out: Sammy Cribbs was a ferocious puncherin the early ’80s; Kenny Friday was a sharp boxer in the early ’90s; and Bernard Davis was the class of 1998-2001. These and other champion boxers came out of Omaha’s CW Boxing Club. Carl Washington, the CW’s founder, director and namesake, coached with great success before assembling staffers like Midge Minor to continue training champions.
The late Leonard Hawkins was a trainer and coach for scores of amateur champions. His teams won numerous city titles. Based out of a series of gyms over the years, Hawkins also trained a talented stable of pros, most notably at the Fox Hole Gym, where he worked with Art Hernandez, Ron Stander and Lamont Kirkland, among others.
- Wes Bascomb dies; boxing champ hung up his gloves and went to college to teach in the St. Louis schools (stltoday.com)
- Beaufort legend Joe Frazier honored with Order of the Palmetto (islandpacket.com)
- America’s heavyweight hope (salon.com)
If you’ve spent any time poking around this blog or if you’re a sucker for boxing stories, then this piece and several others by me on the blog should satisfy your interests in reading about The Sweet Science. The following story profiles The Pit, one of several Omaha boxing gyms I’ve had occasion to spend time in as a journalist. Owner Paul Anderson is a no-nonsense guy who came up under the tutelage of another no-nonsense figure, the late Kenny Wingo, whose Downtown Boxing Club became the emblem for old-school boxing gyms in the metro. You’ll find on this blog profiles I did of Kenny and the Downtown.
©by Leo Adam Biga
Originally published in Nebraska Sports America
For a young man, Omaha native Paul Anderson takes an Old School attitude toward boxing. The ex-prizefighter’s love for The Sweet Science infuses The Pit Boxing Club, the back-to-basics gym he started a year ago in an old trophy shop at 2104 Military Avenue. The spacious venue caters to amateur fighters, although pros are welcome, too. Anderson, whose missing front teeth and bent nose represent battle scars earned in the ring, opened the gym as an oasis from the new age fitness scene and its trendy aerobics and martial arts. At The Pit, boxing rules.
“Because I love the sport, I want to be pure. I want to stay true to my roots,” said the 35-year-old Marine Corps veteran with tattoos etched on his massive arms. “People have been bugging me that I should have tai bao and boxercize classes, but I consider it line dancing. I like to think I’m a little bit more traditional than that.”
The owner of his own construction firm, Anderson knows well the territory he speaks of, too. Since his discharge from the Corps in 1985 he has rigorously trained in various forms of self-defense. After earning a black belt in karate, he learned the ropes in the square circle, eventually fighting dozens of amateur bouts as both a traditional boxer and kick boxer. He won the 1989 City Golden Gloves and the 1990 state ABF light-heavyweight titles under the tutelage of Kenny Wingo of the Downtown Boxing Club. Then he turned pro, logging a 5-0 record as a pugilist and a 15-1-1 mark as a kick boxer, before a detached retina in his right eye ended his competitive career. Since then he’s coached hundreds of individuals, of all ages and skill levels, at various gyms around town. Fed up with the franchise fitness culture, he sought his own training domain and House of Pain.
“To be honest, I just wanted a place to call my own where I could train the way I like to train and where I didn’t have to listen to anybody’s guff. I would have been happy with an old garage or something with just enough room to put in a ring and heavy bags,” he said. Instead, he got a great deal on a 4,500-square foot site. Every inch is utilized. Right inside the street-level door is a compact ring whose tight confines he prefers because it keeps fighters busy. The long main floor features a dozen or so bags of all shapes and sizes. The basement is outfitted with free weights. The upstairs includes a heavy bag station, an equipment/locker room and a large office from which Anderson and his wife Darla operate things.
Well aware of the unsavory reputation boxing suffers, Anderson is intent on running a user-friendly space free of intimidation. His clients range from beginners to veterans and strictly fitness buffs to hardcore competitors. “People hear the name Pit and they probably think we’re a bunch of thugs, but it’s not like that. I mean, I’ve got some tough guys down here, but I’ve got people from all walks of life. Training with us now are a lawyer, an auto mechanic, a probation officer and a Creighton women’s soccer player. There’s no big egos here. No one really tries to take each other’s head off. We just want to get in the work. We save the hostility for competition,” he said.
To ensure control, he takes a hands-on role with everyone. “When you come in, I’ll work with you,” said Anderson, The Pit’s only coach. “I’ll get you started on the basics – jumping rope, shadow boxing, working the heavy bags, doing speed bag work. After maybe a few weeks, you’ll do a little light sparring. I can look at the physical attributes of a person working out and decipher what techniques are going to work well and what won’t. But I don’t pressure anybody into fighting if they don’t want to. I don’t want people competing unless they’re into it. You’ve got to be into it. I’m not going to put someone in the ring if I think they’re going to get hurt or make a fool of themselves. It takes a certain person to get in there and trade gloves with somebody. It’s not for everybody and, to be honest, I don’t want everybody doing it because if everybody did it, there’d be no mystique about it.”
Kick boxer Undra Eggleston likes the no-bull atmosphere at The Pit. Recently relocated to Omaha from Indiana, the champion amateur now turned pro said, “I visited several gyms. I talked to Paul and I liked what I saw. I liked his commitment. He’s got everything I need and he works with the fighters real well.”
Ever the purist, Anderson draws the line at kick boxing. No grapplers, no belts, no gis allowed. He has fashioned the place after his old stomping grounds, the classic Downtown Boxing Club, whose venerable manager, Kenny Wingo, is a mentor. “Yeah, I love that place,” he said. “I’m trying to model my gym after Kenny’s. I want to keep it a nice, simple boxing club and train some good fighters. Nothing too fancy. No nonsense.” Anderson called Wingo to “ask his blessing” before opening The Pit. “He’s done a lot for me. He’s the one who got me fired up about it (boxing).” Wingo, who helped his protege stage a recent boxing show, sees a kindred spirit in Anderson. “I went into it with the same intensity as he’s going at it. He’s put a lot into that place. He’s a great kid. Boxing has a real friend there.”
Anderson has seen local interest in boxing grow lately after slumping in the ‘90s. “It’s coming back a little bit. We’ve had some pretty good turnouts at smokers and the most recent Gloves tourney.” He hopes one day to build a large enough stable of fighters to enter an entire team in area amateur events. To date, a handful of fighters have competed under The Pit banner, including a 12-year-old who won his first bout. Anderson is currently preparing some adult novices, including a couple heavyweights, for upcoming smokers. He enjoys helping these raw boxers “develop,” adding, “Boxing builds character. You find out a lot about yourself in the ring. I respect anyone who gets in there and does it.”
Outside the competitive arena, he enjoys seeing boxing gain acceptance as a top fitness regimen. “A lot of people are finding that boxing is a great workout.”
The Pit, its name emblazoned in bold lettering on a marquee above the front entrance, is making waves in local boxing circles. Notables Ron Stander and Bruce Strauss have dropped in. Anderson hopes The Pit is one day well-established enough to become a regular stopover for pros, past and present. “I want to have one of the best clubs in the Midwest. I’d like to get bigger. I would like to see pros coming through town train at The Pit. It would be a heckuva feather in my cap if after 20 years here I could look up at a bunch of pictures on the wall of me with Joe Frazier or Evander Holyfield or George Foreman.”
- Born Again Ex-Gang Banger and Pugilist, Now Minister, Servando Perales Makes Victory Boxing Club His Mission Church for Saving Youth from the Streets (leoadambiga.wordpress.com)
- Amateur women take to boxing – now an Olympic sport (seattletimes.nwsource.com)
- This Land: The Butcher and the Joe Frazier-Ron Stander Bout – Dan Barry / This Land (nytimes.com)
- Ladies, men’s boxing is a thing of beauty (telegraph.co.uk)
- South Bronx Gym Is Going Down for the Count (cityroom.blogs.nytimes.com)
As noted here before, storytellers are drawn to boxing for the rich drama and conflict inherent in the sport. So when I learned that Holt McCallany, star of the new FX series, Lights Out, spent a formative part of his youth in my hometown of Omaha and that his mother is singer Julie Wilson, a native Omahan, I naturally went after an interview with the actor, and setting it up proved unusually easy. In wake of the series’ cancellation, I know why. Producers and publicists were desperate to get the show all the good press they could but even though the show was almost universally praised by small and big media alike it never found enough of an audience to satisfy advertisers or the network. Because I enjoy charting the careers of Nebraskans who make their mark in the arts, particularly in cinema, I expect I will be writing more about McCallanay, who is a great interview, in the future. In addition to his television work, which between episodic dramas and made-for-TV movies is extensive, he has a fine tack record in features as well. I am also planning a piece on his mother, the noted cabaret artist Julie Wilson.
Canceled FX Boxing Show, ‘Lights Out,’ May Still Springboard Omahan Holt McCallany’s Career
©By Leo Adam Biga
As published in The Reader (www.thereader.com)
Storytellers drawn to boxing’s inherent drama invariably find redemption at its soul and conflict as its heart.
Ring tales are on a roll thanks to Mark Wahlberg’s Oscar-winning film The Fighter and FX’s series, “Lights Out,” (the series finale airs next Tuesday, April 5 at 9 p.m.). Although FX recently announced it has decided not to renew the show for a second season, the show received favorable reviews from critics while generating more than usual interest locally, as it stars former home boy Holt McCallany in the breakout role of the fictitious Patrick “Lights” Leary, an ex-heavyweight champ attempting a comeback.
McCallany grew up in Omaha, the eldest of two rambunctious sons of Omaha native and legendary New York musical theater actress and cabaret singer Julie Wilson, and the late Irish American actor/producer Michael McAloney.
Like his hard knocks character, McCallany was truant and quick to fight. He was expelled from Creighton Prep. He says most of the “unsavory crew” he ran with outside school “wound up in jail.” At 14, he ran away from home — flush with the winnings from a poker game — to try to make it as an actor in Los Angeles.
“I was a very rebellious and a very ambitious kid,” he says.
In the spirit of second chances linking real life to fiction, he got some tough love at a boarding school in Ireland and returned to graduate from Prep in 1981, a year behind Alexander Payne, whom he hopes to work with in the future. McCallany, who’s returning to Omaha for his class’s 30th reunion in July, appreciates the school not giving up on him.
“I got kicked out but they eventually took me back, and they didn’t have to do that. Near my graduation I said to one of the priests, ‘Why did you guys take me back?’ and he said, ‘Because we believe in your talent, Holt. We see a lot of boys come through here and we believe you can be one of the first millionaires out of your class and a good alumnus.’ When you’re a kid you take that stuff to heart and it kind of stays with you, and if you believe it, other people will believe it about you, too.”
Tragedy struck when his troubled kid brother died at 26 in search of another fix. It’s a path Holt might have taken if not for finding his passion in acting.
“I felt like I had a calling. My brother didn’t have that, and my brother’s dead now, and I can tell you a lot of the pain and suffering he went through is related to this subject. When you don’t know what it is you want to be and you’re lost and you’re floundering and you’re going from job to job and kicking around and nothing really works out, it’s a very dispiriting place to be. It can lead to substance abuse and a lot of negative things.”
In the show, Leary’s a devoted husband and father trying to rise above boxing’s dirty compromises, but he and his younger brother get sullied in the process.
McCallany, who infuses Lights with his own mix of macho and sensitivity, is the proverbial “overnight sensation.” He’s spent 25 years as a journeyman working actor in film (Three Kings) and TV (Law & Order), mostly as a supporting player, all the while honing his craft — preparing for when opportunity knocked.
Everyone from co-star Stacy Keach, as his trainer-father, to series executive producer Warren Leight to McCallany himself says this is a part he was born to play. Why? Start with his passion for The Sweet Science.
“Boxing was my first love, and way back when I was a teenage boy in Omaha. My brother won the Golden Gloves. We had an explosive sort of relationship, he and I. We would often get into fistfights and all of a sudden he was getting really good.”
As for himself, McCallany’s a gym rat. He’s logged countless hours sparring — “sometimes those turn into real wars” — and training with pros. He appeared in the boxing pics Fight Club and Tyson. He’s steeped in boxing lore. He brought in his friend, world-class trainer Teddy Atlas, as technical adviser on Lights Out.
The pains taken to get things right have won the show high praise. The only critics who matter to McCallany are pugilists. “The response from the boxing community has been really positive,” he says.
“There are a lot of similarities I find between boxing and acting,” he says. “In the theater the curtain goes up at 8 and the audience is in their seats and you’ve got to come out and give a performance, and it’s similar in boxing — there’s an appointed day and appointed time when you know people are going to be there ringside and it’s time for you to come out and perform.”
In both arenas, nerves must be harnessed.
“The anxiety is your friend,” he says. “That’s what’s going to ensure you’re going to do what you’re trained to do and, as Ernest Hemingway said, ‘remain graceful under pressure,’ which is really what it’s about.”
As much as he admires great boxing films he says “Lights Out” is not constrained by the limits of biography or a two-hour framework.
“We have all of this time to explore in rich detail a boxer’s life and his relationships and his psychology,” he says. “With this character the writers and I have the freedom to really create and really see where this journey is going to take us, and that’s very exciting. I can’t tell you exactly what’s going to happen in season two because I’m not sure, and I promise you they’re not sure either. That’s what’s different.”
While they’ll be no second season now, McCallany’s up for a part in the nextBatman installment and has a script in play with
- Holt McCallany and Warren Leight Interview LIGHTS OUT (collider.com)
- Five Reasons to Watch Lights Out (seattlepi.com)
- ‘Lights Out’: A Total Knockout Of A Boxing Drama (npr.org)
- FX’s ‘Lights Out’ has more than punches to throw at viewers (latimesblogs.latimes.com)
- So long, “Lights Out” — you coulda been a contender (salon.com)
- Life is a Cabaret, the Anne Marie Kenny Story: From Omaha to Paris to Prague and Back to Omaha, with Love (leoadambiga.wordpress.com)
- Home Girl Karrin Allyson Gets Her Jazz Thing On (leoadambiga.wordpress.com)
- Home Boy Nicholas D’Agosto Makes Good on the Start ‘Election’ Gave Him; Nails Small But Showy Part in New Indie Flick ‘Dirty Girl’ (leoadambiga.wordpress.com)
Fighters have always had a certain appeal, whether doing their fighting in the street or in the ring or, since the advent of mixed martial arts events, in the octagon. Houston Alexander of Omaha has pretty much done it all and he’s turned his talent for fisticuffs, combined with his good looks and charisma, into a bit of a run in the Ultimate Fighting Championship, although he ended up losing more than he won. He’s also a radio DJ, graffiti artist, self-styled hip-hop educator, and man-about-town, making him more than the sum of his parts. The following story I did on him for The Reader (www.thereader.com) hit just as he was on his way up, and even though his star has since dimmed, he’s a survivor who knows how to work his image. He and his family didn’t like some of the things in my story, but he also knows that comes with the territory.
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
Ultimate fighter Houston “The Assassin” Alexander of Omaha is being a good soldier for the photo shoot. Stripping down to his trunks, he poses in the middle of a south downtown street one late summer afternoon. He’s asked to look menacing, hardly a stretch for the chiseled, tattooed, head-shaved graffiti artist-street thug turned Ultimate Fighting Championship contender. He remarks about “those guys looking out those windows” at his half-naked ass, meaning inmates at the Douglas County Correctional Center peering out the razor-wired windows of the facility just down the block. He once peered out those same windows upon this very street.
“I was inside the cage in ‘97. I just got through beating up a cop and they took me down,” he says matter-of-factly. “The cop tried to grab me and I swung back and hit the guy. It was illegal what he was trying to do to me in the first place. He was trying to beat me up. I didn’t get charged for hitting a cop. I got charged for something else. I did like six months.”
It’s not his only run-in with the law. He alludes to “a whole bunch of domestic,” referring to disturbances with a woman that police responded to.
The fact he has a record only seems to add to his street cred as one tough M.F.. His fans don’t seem to mind his indiscretions. Passersby shout out props. “What’s up, Houston Alexander?” a guy calls out from his sedan. Another, on foot, invites him to a suburban sports bar where, the homey says, “they all love you out there.”
Now that Alexander is a certified UFC warrior, he’s handling all the hoopla that goes with it like a man. He seems unfazed by the endorsement deals, sponsorships, personal appearance requests, interviews, blog appraisals and fan frenzy demands coming his way these days.
Increasingly recognized wherever he goes, he eagerly acknowledges the attention with his trademark greeting, “What’s up, brother?” and firm handshake, giving love to grown men and boys whose star-struck expressions gleam with admiration for his fighting prowess. The African-American community particularly embraces him as a home boy made good. A strong, hard-working single father of six who came up an urban legend for his scribbing and street fighting. He’s one of their own and it’s them he’ll most be representing come next fight night.
Barely three months have passed since his furious UFC debut on May 26, when the light heavyweight put an octagon whupping on contender Keith Jardine at UFC 71 in Las Vegas. After getting knocked down in the first 10 seconds, Alexander quickly regrouped. His relentless pressing style backed Jardine against the fence, where he unleashed a flurry of knees, elbows, uppercuts and hooks to score a technical knockout. Now Alexander’s primed for his next step up the sport’s elite ladder.
He and his local coaching-training team led by Mick Doyle and Curlee Alexander, the same men who got him ready for his dismantling of ”The Dean of Mean“ Jardine, left for Great Britain on Monday to make final preparations for a September 8 clash with Italian Alessio Sakara on the UFC 75 card at London’s O2 Arena.
Doyle, a native of Ireland, is a former world champion martial arts fighter. His Mick Doyle Mixed Martial Arts Center at 108th and Blondo is the baddest gym around. He’s trained and worked the corner of several world champs. Curlee Alexander, a cousin of Houston’s, is a former NAIA All-America wrestler at UNO and the longtime head wrestling coach at North High School, where he’s produced numerous individual and team state champions.
Houston Alexander when to North, but other than brief forays in wrestling and football, he didn’t really compete in organized sports, unless you count weight lifting and body shaping. He was a two-time Mr. North. There was never enough money or time, he explains. By high school he was already a burgeoning entrepreneur with his art and music. Besides, he said, “I always had responsibilities at home.” But everyone knew he was gifted athletically.
The way Doyle puts it, Alexander’s “a freak” of nature for his rare combo of power and speed. The 205-pounder can bench press more than twice his body weight, yet he’s not muscle bound. He’s remarkably agile and flexible. Alexander came to him a “raw” specimen, but with abundant natural talent and instincts. Alexander knows he has a tendency to resort to street fighting, but Doyle recently reassured him by saying, “Everything we’re showing you sticks because it’s brand new. It’s not really replacing anything that anyone else taught you.” A blank slate.
“He wants to learn,” Doyle said. “He’s very confident, but he’s grounded. It’s a joy to coach someone like him.”
Curlee Alexander, a lifelong boxing devotee, has rarely seen the likes of his cousin, who’s made this old-school grappler a UFC convert. He, too, tells Houston not to change what’s worked, street fighting and all, but to harness it with technique. When Houston came to him eight months ago asking that he condition him, Curlee was dubious. Houston’s work ethic won him over. “He’s certainly determined.” His dismantling of Jardine convinced him he was in the corner of a special athlete.
“It was the most amazing night as far as being a coach I’ve ever had. All the things we had worked on were coming to fruition. He was doing it. He put all this stuff together at that moment. Incredible.”
For his part, The Assassin credits his coaches with getting him to the next level.
“Without Mick and Curlee, there’s no me. I had the raw skills, but they’re fine tuning what I have to turn me into this champ I need to be,” he said. “I love those guys. They’re the real deal. No joke. They know what they’re talking about. I do whatever they tell me to do. There’s no getting away with anything, brother, believe me. But I wouldn’t want to cheat myself anyway.”
With their help, he said, “I’m more technical and all the power and strength I have is programmed a whole different way. More controlled. But don’t get it twisted. If I need to turn it up and go hard in the paint, it can easily change.”
A win Saturday night should put the fighter in the Top 10 and that much closer to what some anticipate will be a world title challenge within a year. Doyle told Alexander as much after an August meeting to breakdown the tape of the Jardine fight. “I told you this would be a two-year process. We’re only three months into this deal and look how much better you’ve gotten. Just think in another year where you’re going to be. You’ll be able to get in the ring with Wanderlei Silva (the legendary Brazilian world champ, late of the PRIDE series, now a UFC star).”
“We understand the window of opportunity on this thing is short,” Doyle said. “We want to get it there.” Asked if Alexander’s age, 35, is part of the urgency, he said, “Maybe some of it. If he gets an injury he’s not going to heal like a 25-year-old. He’s got some years left, but let’s get him the money. He’s got six kids.”
The Sakara-Alexander tussle is key for both fighters. Doyle calls Sakara “a stepping stone” for his fighter, whom he said must “prove the Jardine thing wasn’t a fluke.” He describes it as “a make or break fight” for Sakara, who’s coming off two straight losses at 185 pounds. “He’s gotta win to stay in the UFC. Sakara’s in the way of bigger and better things, so he’s gotta go.”
Cool, suave, laidback, playful. Quick to crack on someone. Alexander’s extreme physicality manifests in the way he grabs your hand or brushes against you or delivers none too gentle love taps or engages in horse play. When he needs to, he can turn off the imp and attend to business. He’s all, ‘Yes, coach…‘Yes, sir,’ with his trainers, putting in hour after hour of roadwork, skipping rope, weight lifting, calisthenics, stretching, grappling, sparring and shadow boxing under their watch.
For months he’s trained three times a day, up to six to eight hours per day, six days a week, devoting full-time to what not long ago was just “a hobby.” He’s disciplined and motivated enough to have transformed his physique and refined his fight style. After years of itinerant club fighting, all without a manager or trainer, only himself to count on, he began formal, supervised training less than a year ago. He worked with Doyle a few weeks before the Jardine clash, which also marked the first time he prepped for a specific foe and followed a nutritional supplement regimen. By all accounts he followed the strategy laid out for him to a tee.
“I have no problem working,” he said. “I’ve been working all my life.”
Doing what needs to be done is how he’s handled himself as an artist, DJ, father, blue collar worker and pro fighter. Whatever’s come down, he’s been man enough to take it, from completing large mural projects to getting custody of his kids to donating a kidney to daughter Elan to breaking a hand in a bout yet toughing the injury out to win. “Most people don’t know I’m fighting with one kidney,” he said. He’s paid the price when he’s screwed up, too, serving time behind bars.
The UFC is all happening fast for Alexander, which is fine for this dynamo. But the thing is, he’s come to this breakthrough at an age when most folks settle into a comfortable rut. No playing it safe or easy for him though. The truth is this opportunity’s been a long time in the making for Alexander, who enjoyed local celebrity status way before the UFC entered his life.
The veteran Omaha hip hop culture scion, variously known as Scrib, FAS/ONE and The Strong Arm, has always rolled with the assurance of a self-made man and standup brother. All the way back to the day when he protected the honor of his siblings and cousins with his heavy fists, first on the mean streets of East St. Louis, Ill., then in north O, where his mother moved he and his two younger siblings after she left their father. Alexander was all of 8 when he became the man of the family.
“I’m the oldest, so I was always expected to be the leader of the whole bunch. See, I’ve fought all my life, and that’s no exaggeration. It was always a situation where I couldn’t walk away, like somebody putting their hands on my girl cousins. I got into a lot of fights because of my brother,” he said. “I don’t interfere with no one’s business, but if you put your hands on my family, then it becomes my business. A lot of people got beat up because of that.”
Respect is more than an Aretha Franklin anthem for him.
“I don’t go around disrespecting people unless they disrespect me. There’s always a line you can’t cross.”
Growing up in a single-parent home, he started hustling early on to help support the family. What began as childhood diversions — fighting and music — became careers. When he wasn’t busting heads on the street, he was rhyming, break dancing, producing and graffiti tagging as a local hip hop “pioneer.” His Midwest Alliance and B-Boys have opened for national acts. He had his own small record label for a time, His scrib work adorns buildings, bridges and railroad box cars in the area. He mostly does murals on commission these days but still goes out on occasion with his crew to scrib structures that just beg to be tagged.
It wasn’t until 2001 he began getting paid to fight, earning $500-$600 a bout. He estimates having more than 200 fights since then, of which he’s only been credited with seven by the UFC, sometimes getting in the ring multiple times per night, on small mixed martial arts cards in Omaha, Lincoln, Sioux City, Des Moines. These take-on-all-comers type of events, held at bars (Bourbon Street), concert venues (Royal Grove), outdoor volleyball courts, casinos, matched him against traditional boxers as well as kickboxers, wrestlers and practitioners of jujitsu and muay thai.
“I fought everybody, man. I fought every type of fighter there is,” he said. “Fat, short, tall. I fought a guy 400 pounds in Des Moines. Picked him up from behind and slammed him on his neck and beat him senseless. I’m a street fighter, man. When you street fight you don’t care what size and what style. It don’t matter.”
There were times he’d MC a rap concert and fight on the same venue. “Dude, it was funny, man, because first people would see me on stage saying, ‘Hey, get your hands in the air,’ and then five hours later I’m kicking somebody’s ass in the ring.”
MMA promoter Chad Mason, who promoted many of Alexander’s pre-UFC matches, confirmed the fighter saw an inordinate amount of action in a short time.
“Sometimes he was doing two-three fights in a night. He’d do ‘em in Des Moines and then turn around two days later and go to Sioux City and fight a couple more times there. So there were times he probably had six fights in a week,” Mason said. “Of course everybody he fought wasn’t top of the line competition, but he was beating Division I college wrestlers, pro boxers, pro kick boxers, guys that had years of experience. They could come out of the woodwork to just try against Houston, and he’d beat ‘em. I mean, he’d knock ‘em out.”
By Alexander’s own reckoning his personal record was fighting and winning five times in one night in Sioux City.
“I was feeling it that night. It was just crazy, man.”
He began fathering kids 15 years ago and now has custody of his three boys and three girls, by three different mothers. Four of the kids are from his ex-wife of 10 years. He, his kids and his hottie of a new girl friend, Elana, share a three-room northwest Omaha apartment until he finds the right house to buy. He has the perfect crib in mind — a three-bedroom brick house with wood floors.
As a single daddy he has a new appreciation for raising kids. He makes it work amid his training and other commitments with some old-fashioned parenting.
“My kids have structure. It’s all military style. We have to do everything together. We all have breakfast together. We all sit down at the table together for dinner. It can’t work any other way,” he said.
Between school and extracurricular activities, he said, “I try to keep them as active as I can.” He helps coach his boys club football team, the Gladiators. One girl’s in ballet, another in basketball. “I’m always moving, so they’re always moving.”
He vows his children, ranging in age from 15 to 4, are his prime motivation for making this fight thing pay off.
“I want to win to secure a financial future for my kids’ college education. Again it always goes back to the kids.”
To makes ends meet he worked on highway construction crews for nearly 10 years. Until the UFC discovered him, he was perhaps best known locally for his radio career, first at Hot 94.1 and now at Power 106.9, where he does everything from sales to promotions to engineering to hosting his own independent music show on Sunday nights.
He’s also an educator of sorts by virtue of his long-running School Culture Shock Tour that finds him presenting the history of hip hop to students.
Whatever it takes to put food on the table, he does. “I’m a hustler, man. This is true. That’s why I have Corn Hustler on my forearms,” he said, brandishing his massive, graffiti-inked limbs. “That’s a street term. I stay busy. I have always kept busy.”
He strives to be “well-rounded” and therefore “I’m always in that mode to where I’m doing something to better myself.”
Always looking for fresh angles, a pro sports career is right up his alley with its marketing possibilities and mix of athletics and entertainment. Besides catching on like wildfire, the sport is a crowd-pleasing showcase for men wishing to turn their cut bodies, mixed martial arts skills, macho facades, charismatic personalities and catchy names into national, even international, brands. Having built to this moment for years, he leaves little doubt he’s ready to take advantage of it, confident he will neither lose himself if he succeeds nor crash should he fail.
“I give myself five or six years, maybe more than that if I keep training and don’t get hurt. (Randy) Couture is 43 and he fought a younger guy and whupped his ass. If it doesn’t work out with the UFC, who cares? I was never a UFC fan anyway.”
Would he ever return to those $500 paydays in Sioux City? “Yeah, in a hearbeat. Why not? I love fighting, man. That’s the whole thing — I love fighting.”
What is it ultimately about fighting that’s such a turn on?
“I think it’s the rush,” he said. “I know have the ability to beat the guy, but it’s still the rush of not knowing. You’re out there to prove to this guy that you know how to whip his ass. You think Jardine had remotely in his mind he was going to get done like that? I don’t think so. But I knew. Because I know deep down in my heart what type of abilities I have.”
As he says, the UFC was never really his goal until promoter and friend Chad Mason hooked him up with fight manager Monty Cox. What little Alexander’s seen of the competition out there doesn’t impress him. No high octane attacks like his.
“I never really watched the UFC. When I started watching it all I saw was this assembly line of guys. I really haven’t seen anyone come with it or bring it. Maybe the guys they bring in are not as passionate about it as I am. I really love fighting. When I get in the ring I love doing it, so I’m going to bring it to the guy 110 percent. If a guy’s trying to slack off on me and he wants to me wear me down, nu-uh, we’re going to pick up the pace a little bit and we’re going to go at it.
“If you want to try to wrestle and do all that, OK, that’s fine, but you’re going to get kneed and you’re going to get elbowed and you’re going to get disrupted.”
Mick Doyle’s Kickboxing and Fitness Center
Disruption could be his alter ego name inside the octagon. It’s a mantra for what he tries to do to opponents. “Always disrupt, man, always disrupt,” he said. “To where they can’t think, because if you can’t think, you can’t react. That’s been my concept through the years,”
He said a quick review of the Jardine fight will reveal “I had hands in his face all the time. I was so close to him to where he couldn’t use those long arms, and I kept applying the pressure. Like my coaches said, ‘Always apply the pressure,’ and that’s what I did with that guy. I kept him disrupted.”
Alexander puts much stock in his “explosiveness.” “Once a guy tries to attack me,” he said, “my counter moves are so swift and fast and powerful, that definitely we’ll take the guy out. They’re all in short bursts.”
Doyle doesn’t even want Alexander thinking about leaving his feet. He wants him to dispatch Sakara on Saturday night the same way he did Jardine — standing straight up, his trunk and feet forming a triangle base, throwing blunt force trauma blows with knees, elbows and fists. Back in July Doyle told his fighter, “Just like in the Jardine fight, you don’t need to go to the ground. We’re going to knock the guy out or make the referee stop it. That will get you a title quicker. He’s gotta go.”
“That’s our motto for 2007 — he’s gotta go. He’s in the way. The Italian guy has got to go. Chow, baby,” Alexander said of Sakara. “I really want to go in and knock this guy out or really do something bad to him. I want people to be scared when they look at the footage. I want to show them what I’ve got.”
In his soft Irish brogue Doyle explained to his fighter how keeping an element of mystery is a good thing.
“Dude, if you go out there and knock this guy out, people are still going to wonder, What else can Alexander do? You know what, let them try to find out. If we can finish this guy on our feet, let’s do it. You don’t need to show people any more of your game than what is necessary to get the job done — until you come up with an opponent who makes you show more,” he said. “Keep it simple.”
Doyle, a Dublin native who came to America in ‘86, has tried to prepare Alexander for any technical tricks opponents might try to spring on him. He’s had him go toe-to-toe with athletes skilled in boxing, wrestling, kicking, you name it, bringing in top sparring partners from places like Chicago and sending him to Minneapolis to work with world-class submission artists good enough to make him tap out.
The fighter will have seen everything that can be thrown at him by fight night.
“They’ll get that move on you one time, and that’ll be the last time,” Doyle told Alexander. “That way when you step in the ring, and a guy goes to make his moves, you’ll feel ‘em coming, you’ll see ‘em coming, you’ll know what to do.”
Doyle and his team have spent much time honing Alexander’s footwork and stance, making sure his weight is balanced. It’s all done to harness his natural power, which becomes “more dangerous” when leveraged from below. The uppercuts that devastated Jardine were practiced repeatedly. The force behind those vicious shots, Doyle reminded him, comes from “using your legs,” which is why he harps on Alexander to maintain the foundation of a solid base.
To improve his quickness, Alexander often spars with lighter, faster guys and wears heavy gloves, so that when fight time arrives his hands and feet move like lightning.
The gameplan with Sakara is to pepper him with double jabs, then push off or slide step in to follow up with an arsenal of kill shots. For all his bravado and bull-rush style, Alexander is all about “protecting myself,” which is why a point of emphasis for the Sakara fight has been to keep his hands up against this classical boxer.
“As long as you keep your hands up you’re not going to get hurt,” Doyle said after an August sparring session. “None of the guys out there are just like that much better than you. But if you give them a mistake, they are more experienced and more technical to capitalize on it than you are right now. In a year, it’s all going to be different. Just like this guy Sakara, we’re going to make him give us a mistake.”
Sakara’s habit of keeping his hands low is one Alexander expects to exploit.
One thing Alexander said he’ll never be is intimidated.
“It’s important to inject fear. Everyone gets scared of the way a guy looks. I truly believe that half these people get scared by looking at the guy in the ring. I think Jardine beat a lot of people by the way he looked,” he said. Not that it was ever a possibility in his own mind, but Alexander said Jardine lost whatever edge he might have had when he heard him give an interview and out came a voice that didn’t match the Mr. Mean persona. “There’s no way I’m going to get my butt kicked by a guy that sounds like Michael Jackson,” he said.
Jardine’s comments leading up to the fight led Alexander and his camp to believe the veteran UFC fighter took the newcomer lightly. Alexander warns future foes not to make the same mistake.
“If anybody approaches me the same way to where they’re not taking me serious, that’s what’s going to happen. Every time. I’m going to be passionate about it. I’m going to be right or die with it. That means I’ll die in the ring before I actually lose. That’s how I feel about winning. Winning is everything, I don’t care what nobody says. If I hadn’t of won…you wouldn’t be talking to me,” he told a reporter.
It’s not hard to imagine Alexander gets an edge, both by the ripped, powerful figure he projects, and the calm demeanor he exudes. His serenity is no act.
“I’m mentally prepared for this thing,” he said. “I’ve always been mentally strong…tough. Make no mistake about it, the mental game I have down. No one’s going to out-mental me. No one’s going to deter me left or right, forward or back, because I have it down. Guys ask me, ‘Are you going to be nervous going out in front of 50,000 people?’ No, because I’ve done it before. I’ve done it with concerts. I’ve hosted concerts with 10,000 people. I do the school thing every week with 700-800 kids. Kids are the worst critics ever. If you can’t get kids’ attention, you’re garbage, and every week I get those kids’ attention. My working in radio, having 30,000 people listening every time I crack that mike, that’s pressure. So for me being in front of a crowd is nothing.”
Like all supreme athletes, Alexander exudes a Zen-like tranquility. His senseis — Mick and Curlee and company — have brought out the samaurai in him. It’s why he’s such “a calm fighter” entering the octagon.
“What it comes down to, you just have to play it out all the way and see where the chips fall,” Alexander said. “Everything happens for a reason. It is what it is.”
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Even if you consider yourself a real student of boxing and its history in America, chances are the name Harley Cooper isn’t familiar to you. Yet, pound-for-pound, he was as tough as they come in the ring and he just may have been the best boxer you’ve never heard of. The highlight of his amateur career — he never went pro — was winning two National Golden Gloves light heavyweight titles. He was in middle of a long U.S. Air Force Career at the time. My New Horizons story about Cooper sort of makes the case for him as this unsung warrior whose achievements have been largely forgotten today, but who came oh-so-close to joining the sport’s ranks of immortals before a bad break prevented him from fighting on the world stage in the Olympic Games. Then, when he opted not to turn pro, but rather continue his military career, his amateur feats soon faded into obscurity. No one can ever take those Golden Gloves titles away from him though. Cooper didn’t fight anymore but he remained in boxing as a coach and amateur boxing organizer, and continues to be active in the sport today. He’s also a devoted family man with 13 grown children and many grandchildren.
Harley Cooper, The Best Boxer You’ve Never Heard Of
©by Leo Adam Biga
Originally published in the New Horizons
Then Air Force tech sergeant Harley Cooper never saw the punch Joe Frazier knocked him down with during a Washington, D.C. sparring session in preparation for the 1964 Olympic Games in Tokyo. A tough Savannah, Georgia native, Cooper grew up fighting in The Hood, but got schooled in the Sweet Science in the military. Upon winning the second of two national Golden Gloves titles while boxing out of Offutt Air Force Base, he then won the right to be the U.S. Olympic light heavyweight entry by capturing the Olympic Trials. In peak fighting trim and riding an unbeaten streak, he was primed to bust some heads in Tokyo.
For his Olympic training, Cooper often worked out with team heavyweights Frazier and alternate Buster Mathis, the actual Trials champ who lost his Tokyo shot after suffering a broken hand. Fate then took a sad turn in Cooper’s own bid for Olympic glory when, on the eve of leaving for Japan, he was medically disqualified. During an earlier assignment in Germany, Cooper, born with a deformed kidney, developed problems with his other kidney after drinking water from a mountain stream, causing doctors to remove the damaged organ. Left with a single kidney, he boxed with no ill effects right up until officials nixed his Olympic trip. “They had an Air Force officer there who told me I could go, but I couldn’t fight. They felt it was a danger to me, even though I’d been fighting for about three-four years with one kidney. I told them if they wouldn’t let me fight to let me go home. Now, I wish I would have went,” says Cooper, his soft eyes filled with regret even now at the thought of missing all the Olympic pomp and pageantry.
This seemingly arbitrary decision denying him a chance for Olympic gold, especially when so close to pursuing it, hurt him to his core.
“That was really, really tough,” says the soft-spoken Cooper, an inscrutable man with the pensive demeanor of a scholar. “Honestly, I believe if I would have gone, I would have won. Well, I gotta believe this, because in boxing, if you don’t think you can win, you’re lost.”
Only a couple years before, he’d transfered to Omaha. His new training ground became Hawk’s Gym, where his sparring partners included pro heavyweight Lou Bailey. He shot up the amateur ranks by sweeping thw Golden Gloves. It was his first Gloves action, but he was no rookie, having already compiled hundreds of hours in the ring and dozens of bouts in the military, winning service titles wherever duty called, including Japan and Europe. Once here, he out-classed the field. “In all honesty, I had the advantage because of my experience,” he says. “I had the strength. I had the discipline. I had the knowledge. I had the ability.”
He’d dabbled in the sport earlier, when he trained for one bout and lost, but only got serious following a scene straight out of the movies. He was based in Japan when, one night, he and a buddy went to a service boxing exhibition. There was a call, just like in carnivals of old, for a volunteer to have a go at one of the fighters. He took the bait. “Being young and dumb,” he says,. “I put my hand up and I went in, and me and this guy started boxing. At this time, I didn’t know how to box, but I could fight, OK? I knocked this guy down and the coach came and asked me to join the team. I joined…and that’s how I got into boxing.”
Boxing gave him something other sports he tried, didn’t. “I was always involved in some kind of sport, but once I started boxing than I stopped doing all the rest. For some reason, it just fit me. In boxing, you’re the only one…you either rise to the occasion, alone, or you don’t. With my background, it was more the challenge…of the give-and-take. And when you survive and win…there’s no other feeling like it.”
The youngest of eight children in a poor, working class family, he quickly learned how to use his fists. “As the baby of the family, I know I got tough from the older kids picking on me. When you’re the small one, you get all the lashings. And I was born and raised in a family where you didn’t back down, especially if you got in a fight,” he says. “If I got beat up and I went home crying, than my brothers would smack me a couple times and take me back. You dried your tears before you got home. So, I was pretty tough. But I wasn’t a bully.”
Playing the usual team sports as a youth, he says “I could hold my own” but was no superstar. He left home at 17 to join the Army and after a year’s hitch he signed up with the Air Force, where he found a home.
By the time he got to Omaha, Cooper was a mature 27-year-old veteran of both the ring and the military and the father of eight. The arrival of such a man and fighter on the local pugilistic scene soon turned heads and started tongues wagging.
“Everybody wanted him to fight for them,” says Omaha boxing historian Tom Lovgren, a former prize fight matchmaker and a longtime observer of the local fight scene. “The first time anybody saw him in the gym they knew this guy was going to be a national champion. He could punch. He could box. He could do it all. He was the most complete fighter I ever saw from around here. I never saw Harley Cooper lose a round in amateur fights in Omaha. He was that dominant.”
Boxing is replete with back room dealings and personal jealousies. So, once local coaches got a gander at Cooper, they vied like mad to get him to train with them and fight for their teams. That’s when, Lovgren says, the late Omaha World-Herald sports columnist, Wally Provost, stepped in and told Cooper, “You’re fighting for me,” to squelch any in-fighting and bad feelings. A few local figures worked with Cooper during his amateur career here, including the late Jack Fickler, but Cooper says, “I was seasoned enough that I trained myself. I knew what I had to do.”
He was able to do this, he says, thanks to his strict military training, which complemented boxing. “It’s not only the mental toughness I learned, but the confidence and the discipline. I would get up around 6 to go run. I’d run until I was exhausted. Then I’d come home and shower and go to work by 8. I’d get off work around 4:30 or 5, and by 6:30 I’d be in the gym, working out for a couple hours. I had a large family, so to supplement my income I refereed sports on weekends, but I still worked out every day. That’s commitment, man.” In the ring, this single-minded dedication paid off, too. “In boxing, you have to be very, very disciplined. You go into the fight with a plan, but once it’s on, things change and, so, you have to adapt to it, and if you don’t have the discipline to control what you’re doing, well, you’re not going to survive. I guarantee you, what separates the guys who are successful from the other guys is focus. I was so focused I didn’t feel the pain of the punches that hit me. Not until the next day.”
A hard-hitting, smooth-moving boxing machine, Cooper twice won the Golden Gloves Trinity by taking the Omaha, Midwest and National tournaments in both ‘63 and ‘64. His first title run came, unexpectedly, at heavyweight, culminating in the ‘64 finals in Chicago. Cooper was a natural light heavyweight but after an overseas transfer to Nebraska he didn’t have time to cut weight in advance of the local Gloves. Over the light-heavy limit, his handlers convinced him, against his better judgment, to compete in the heavyweight division, where he felt woefully undersized at 183 pounds. Even after winning the local-regional heavyweight titles, he still campaigned to go back to light-heavy, where he was more comfortable, but “they wouldn’t let me move down,” he says, referring to his trainers. “They kept saying, ‘Well, let’s see how far you can go.’” He went all the way.
The underdog used his superior quickness to offset his opponents’ greater size and power in winning only the second national gloves title by a Nebraska boxer since the 1930s. For Cooper, boxing is all about being smart enough to discern a winning strategy, often on the fly, and then having the requisite skill and heart to carry out the plan. Brains over brawn. “It’s like, when I fought at heavyweight. I didn’t win because I was the strongest guy and the biggest guy,” he says. “I knew if we got to pushing arms on arms, man, I wouldn’t stand a chance. It was the traps I set for those guys, and I took advantage of them.” Ah, traps — among the key tenets of Cooper’s cerebral boxing philosophy.
“See, I don’t see boxing as two guys swinging at each other,” he says. “I see boxing as people setting traps for other people, OK? Like, I would come out and do some things and, honest to goodness, I could predict what that person was going to do by his reaction to what I did. Like, I could make a guy jab at me by feinting at him, and he would expose himself and then the next time I could slip under his jab and get into him. You don’t think about it. That’s just something you see, and it goes somewhere back in your head, and the next time you do it, you know it’s going to be there. You’ve already set the trap, and then you take advantage of it.”
Traps are a two-way street, however. “Now, remember, the other guy is setting traps for you also,” he says. “So, you have to maintain, like a poker face, that coolness and not get excited, and just continue what you’re doing. It’s knowing traps are being set for you and out-thinking the other guy.”
In ‘64, Cooper fought at his accustomed light-heavy spot, plowing through to the nationals in Nashville, where he won. In the proceeding 40 years, only one other Nebraska fighter has won a national Gloves title. That same weekend in Nashville, then-Cassius Clay met Sonny Liston for the heavyweight title. Cooper and his fellow Gloves boxers were guests at the fight. While the introspective Cooper would never use the braggadocio style of the man later known as Muhammad Ali, he says he did learn from him that “you have to think you are good, before you are good.”
Cooper’s win in Nashville put him in line for the Olympic Trials box-off in New York, which he won. Whatever bitterness he felt over his Olympic bid later being snatched away has long faded into the realm of rich anecdotes. And he has plenty of stories from his two-months long Olympic training experience that put him in the same ring with some then and future legends whose respect he earned.
Like the time he sparred then-light heavyweight champ Bob Foster, a fellow Air Force vet. The way Cooper tells it, after sparring a couple rounds, Foster said, “Man, where’ve you been? I’m sure glad we never fought,” which he took to mean he would have given Foster fits. “This guy’s a big-time pro and world’s champion and he’s saying it would have been a helluva fight. That made me feel good.”
Or the times he and Smokin’ Joe Frazier traded leather, Frazier boring in, looking to corner Cooper on the ropes or sucker him into slugging it out, and the dancing, probing Cooper staying clear of trouble, looking for openings to counterpunch. Cooper says he held his own, except for that one time he got caught by an uppercut that dropped him, although he’s quick to point out, “I got right back up.” Today, he can talk about getting tagged by Olympic and world heavyweight champ Joe Frazier like the badge of honor it is. Years later, during an Omaha appearance with Ron Stander, Frazier told then-Husker linebacker Ira Cooper, one of Harley’s 13 children by two marriages, that his old man “was the best amateur fighter I ever saw who never turned professional.” High praise, indeed.
Why Cooper never turned pro despite attractive offers, including an overture from boxing legend Henry Armstrong, reveals much about the man. “Well, you gotta remember, I had a big investment in the service at that point,” he says, adding that with a large family to support he chose the sure thing rather than chancing it. “I’m satisfied with my life. If I had to do it over again, I don’t know I would change anything. One part of my life I would not change is having kids.”
After his first marriage ended in divorce, Cooper retired from the Air Force in ‘73 and came back to Omaha, where he raised a new family with his present wife, Edie. Their kids are grown now and he’s a grandpa many times over. He post-military work life has centered, not surprisingly, around kids — at the North Omaha Boys Club, Glenwood State School and the Cornhusker Striders track program.
But the pull of boxing never left and, so, for 30 years he’s volunteered with the Great Plains Amateur Boxing Association, the organizing-sanctioning body for local-regional boxing cards such as the Golden Gloves. He’s even helped train some kids.
“I love boxing. I’m lucky I have a wife that understands it’s such a big part of me.”
Occasional what-might-have-beens creep in. “There’s still some times when I kind of wish I had of…” Turned pro, he means. “I was better than I realized I was at the time. I see these guys now and they just don’t look that good to me, man.” Lace ‘em up, Harley‘s in the House of Pain and he’s lookin’ to whup somebody.
- Golden Gloves…& golden heart (nydailynews.com)
- Gildardo Garcia finds redemption in ring and in life (denverpost.com)
In the course of developing boxing stories over the years I met the subject of this story, Tom Lovgren, who at one time or another was involved in about every aspect of the fight game. He’s still a passionate fan of the sport today and is the unofficial historian and expert on boxing in Nebraska. Tom is one of those plain talking, call-it-like-is sorts, and I love him for it. He’s also a good storyteller, and his rich experiences in the prizefighting community provide him with plenty of material. Prior to profiling Tom, he was a source for me on several boxing pieces I did, including profiles on Ron Stander, a once Great White Hope who was billed as the “Bluffs Butcher.” Lovgren was in the Stander camp when Stander fought Joe Frazier for the world heavyweight title in Omaha in 1972, still the biggest boxing event in the city’s history. You’ll find my Stander pieces on this site. Tom also contributed to stories I did on Morris Jackson, Harley Cooper, the Hernandez Brothers, Kenny Wingo, the Downtown Boxing Club, and Dr. Jack Lewis. all of which can also be found on this blog. My story about Tom originally appeared in the New Horizons.
Tom Lovgren, A Good Man to Have in Your Corner
©by Leo Adam Biga
Originally published in the New Horizons
During one spring night in 1972, Omaha, Neb. became the center of the professional boxing world. A record Omaha fight night crowd of 9.863 jammed the Civic Auditorium to witness the May 25 heavyweight title bout between the challenger, local favorite Ron “The Bluffs Butcher” Stander, and the popular champion, “Smokin’” Joe Frazier. A gallery of veteran boxing reporters covered the event. Film cameras fed the action to a national syndicated TV audience. Canadian heavyweight champ George Chuvalo did the color commentary. Area dignitaries and sports celebrities mingled in the electric crowd. Top heavyweight contender George Foreman looked fearsome at ringside. Legendary referee Zack Clayton appeared spiffy in his bow tie. Nervous Dick Noland ran the Stander corner while his counterpart, the sage-like Yank Durham, led the Frazier contingent.
In terms of sheer impact, the fight remains arguably the biggest sporting event ever held in Omaha. The allure of the heavyweight championship was enough that, with the title on the line, the results made headlines around the globe. And while Stander-Frazier does not rank highly in the annals of title bouts, it proved a smashing success, pulling in live gate receipts of nearly $250,000 in an era when tickets went for a fraction of today’s prices. For former Omaha boxing promoter and matchmaker Tom Lovgren, one of the men responsible for making the fight happen, it was the apex of a 20-year career that saw him put on fight cards featuring everyone from world-class boxers to journeymen pugs. A blunt man with a biting wit, Lovgren recalls a well-wisher that night praising him for pulling off such a coup, whereupon he quipped, “It’ll all be down hill from here.”
The sardonic Lovgren sat for a recent interview in his ranch-style Omaha home near Rosenblatt Stadium and explained his seeming pessimism the night of his crowning feat. “What I meant by down hill was I’d been to the peak. What was the chance of developing another heavyweight in Omaha, Neb. who drew like Stander did and who could be ready to fight for a championship? It’s all got to work together. And that time it did. All the dreams came true. A lot of people talk about doing something like this, but a lot of stuff can go wrong. A guy can get cut in training camp. Tempers can flare up and the whole deal get called off. With this situation, everything worked. It came off.” Proving himself a prophet, Stander-Frazier was indeed the one and only title fight he promoted.
What made the event possible in the first place was the fact that in Stander, Lovgren delivered the right man at the right time to face Frazier, who was but a year removed from having scored his greatest victory — a 15-round decision over Muhammad Ali. Frazier had fought just once since that memorable and epic bout, having KO’d Terry Daniels in New Orleans. When word reached Omaha the Frazier camp sought another tune-up for the champ against a game if not too dangerous foe, plus a nice pay day to boot, Lovgren and company swung into action and offered to make the fight in the River City, where the then 23-1-1 Stander was a blue collar, hard-hitting hero.
At the time, Lovgren was a one-quarter partner in the recently formed Cornhusker Boxing Club, which staged most of Omaha’s top fight cards in the 1970s. Club president Dick Noland was Stander’s longtime manager. Noland and Lovgren were friends from the days when Lovgren was a correspondent for Ring Magazine. A Sheldon, Iowa native, Lovgren fell in love with boxing watching televised bouts as a kid. His short-lived amateur boxing career came to a halt at 16 when he got “dropped” three times in round one of a Golden Gloves bout. “It was at that point I decided, If you’re going to do anything in this game it’s going to have to be as something other than a boxer, because you obviously don’t have the talent it takes.”
Outside the ring, the University of Denver-educated Lovgren was a food services manager at many different stops, including Omaha’s Union Stockyards Company. Wherever he, his former school teacher wife, Jeaninne, and their four sons settled, Lovgren made it a point to acquaint himself with the area boxing scene — its gyms, fighters, managers, trainers — and to attend bouts. He often traveled 100 miles or more just to see a good fight.
He promoted his first fight card in Ohio, later detailing the highs and lows of that experience in an article he authored for Boxing Illustrated entitled, “So You Want to Be a Promoter?” His wife was skeptical about the promotion racket until he emptied his pockets after that first fight card and hundreds of dollars in gate receipts came tumbling out. Catching fights and filing stories around the Midwest helped him develop contacts among the boxing brotherhood. After contracting multiple sclerosis in 1970 Lovgren retired from the food services field, which gave him more time to feed his passion. Always the fighter, he’s not allowed MS to break his spirit, noting that managing the disease is a matter of “knowing what you can do and what you can’t do.”
When asked by Noland to join the Cornhusker Boxing Club, Lovgren jumped at the chance. Before teaming with Noland he had bailed-out the manager more than once by finding last-minute replacement opponents for Stander, whose reputation as a heavy hitter preceded him. “I was very good at coming up with fighters, and right now,” Lovgren said. “Good fighters, poor fighters, whatever it was, I would get those opponents. My strong suit was my ability to deliver a body. I knew a lot of people. I’d been a lot of places. I knew what talent was available.”
With Noland in charge of getting Stander fight-ready and Lovgren taking care of the business side of things, “The Bluffs Butcher” became their meal ticket. But getting Stander in shape was a daunting task given the fighter’s notoriously lax approach to training. “It was hard to get Ron enthusiastic about training,” Lovgren said. “There was no inner drive, no fire in the furnace, except for certain fights. I tried talking to him about it. I tried playing mind games with him. I did everything I could.” With his matchmaking acumen, Lovgren helped build Stander into a contender by putting him in “against the right guys at the right time to develop his skills.”
“He made some good fights for me,” recalls Stander, “Like the Ernie Shavers fight (a Stander KO victim). He got me in shape. We had a good time”
By the end of ‘71 Stander owned credentials for an inside track to a title shot. First, he was a Great White Hope. Second, as a short-armed slugger he played into Frazier’s smothering style. Third, he cut easily, reducing the chances the fight would go the distance and hazard a decision. Finally, he was a crowd-pleasing brawler with a knockout punch. A guy who, as Lovgren likes to phrase it, “put asses in seats,” guaranteeing a good gate. “Ron drew better than any fighter who ever fought in Omaha. There were guys with more talent, but Ron had the charisma that drew people like no one else. Some people came to see him win and some came to see him get beat. I didn’t care why they came, as long as they came.”
To ensure the chronically overweight Stander got fit, Lovgren moved him into his home for the fight. Training under Leonard Hawkins at the Fox Hole Gym in Omaha and under Johnny Dunn in Boston, Stander steeled himself. “Ron was a real fighter who asked no quarter and gave none. He backed away from no one and had no fear. He’d walk right into you. He was not going to be embarrassed,” Lovgren said.
In a confrontation that could have served as an inspiration for Rocky, Stander, the 10-1 underdog, showed admirable courage by standing toe-to-toe with the champ and exchanging haymakers. Despite taking a beating, he kept wading in until, bloodied and blinded by cuts, the fight was stopped after the 4th round. Still, there was a moment early on when the underdog appeared to rock the champ, even buckling his knees. “A lot of people say that Frazier slipped. He did, but he was hit with a shot by Stander and that’s why he staggered. Another time, Ronnie missed with an uppercut that was about that far away,” said Lovgren, holding his fingers about two inches apart. “If he landed that punch he may very well have been heavyweight champ of the world. That’s how close he was.”
Frazier retained his belt, only to lose it the very next fight to Foreman. Meanwhile, Stander got a one-way ticket back to Palookaville, where for another decade he toiled in obscurity as a club fighter whose main claim to fame was having got that one-in-a-million crack at immortality. Yet the fight that will forever link these two men almost didn’t come off when negotiations bogged down over money. “Frazier’s Philadelphia lawyers sent us a couple proposals and we turned them down because there wasn’t any money for us. Until the contracts were squared away to where we were going to make some money, that fight was not going to happen,” Lovgren said. “Then, television got involved and all of a sudden there was money enough for everybody.” With the bout confirmed, Omaha took center stage in the big time boxing arena. “Once the word was out that this title fight was on, everybody from the world of boxing was there. Everything you wanted was possible. Everybody wanted something. That’s how it is.”
Besides promoting Stander fights, he showcased the fighting Hernandez brothers (Art, Ferd, Dale) of Omaha. He considers long retired welterweight contender Art Hernandez the best fighter, pound-for-pound, the city has produced. He also organized cards featuring such top-ranked imported talent as Sean O’Grady, Lennox Blackmore and Jimmy Lester.
In his career, he saw it all — from guys taking dives to being handed bad decisions to getting “beat within a whisker of their life.” When it’s suggested boxing suffers a black eye due to mercenary, deceitful practices, he sharply replies, “Do I think there are crooks in boxing? Yes. Did I ever deal with any? Yeah, I probably did. I’ve heard a lot of bad stories, but every time I dealt with Mr. Boxing types, and I did a lot, they delivered the product and were straight down the line with me.” He feels a few unsavory elements sully the image of an otherwise above-board sport. “Anybody who ever fought for me got paid. If I said you were going to get $100, you got $100. I paid what I thought was the going rate for a 4-rounder or whatever it was, and that meant you got paid whether there was one person in the auditorium or whether the auditorium was full. If you’re going to play the game, you better be able to afford it.”
Stander said Lovgren has always owned his trust and respect. “Tom always took good care of me. You could count on him right to the end, every bit of the way. He’s just a stand-up guy. Straight as an arrow. His word is as solid as a rock, as good as gold. I love the guy.”
Because all manner of things can cause a fighter to drop out of a scheduled match, a savvy promoter like Lovgren must be able to improvise at a moment’s notice. “Once, I had a couple fighters pull out the night of the fight. These two guys that trained at a local gym had come to watch, and I went up to them and said, ‘Hey, you’re here, you can fight. You guys don’t have to kill each other — just go out and put on a good show, and I’ll pay ya.’ So, they fought an exhibition. Does that kind of thing happen? Yes. Often? Yes. Too often? Yes.”
Lovgren, who’s aimed his cutting remarks at referees, judges and athletic officials, makes no bones about the fact his frank style rubs some people the wrong way. “If you took a poll of all the boxing people in Omaha I wouldn’t make the Top 10 friendliest guys, but you’ve got to have people’s respect” and that means speaking your mind and stepping on some toes. Venerable Omaha amateur boxing coach Kenny Wingo, who’s worked alongside Lovgren organizing the Golden Gloves, admires his friend’s penchant for “telling it like it is,” adding: “He’s very opinionated and he’s a little rough around the edges. He takes no prisoners. He runs everything with an iron fist. But if he tells you something, you can take it to the bank. He’s honest. He’s got quite a history in the boxing world and he’s done a lot of good things for the sport along the way.”
If Lovgren leaves any legacy, it will be his role in bringing off Stander-Frazier, an event whose like may not be seen here again. Since retiring as a promoter in the early 1980s, this self-described “serious student” of The Sweet Science has continued his love affair with the sport by organizing his vast collection of boxing memorabilia (books, magazines clippings, tapes, wire service photos) and by writing a pair of boxing histories. The first, which he self-published, chronicles the life and times of Ron Stander, with whom he’s remained close friends. The second, which he just started, details the career of Art Hernandez, a man who fought five world champions and, in retirement, lost part of a leg following a fall at his home. The materials and histories are his attempt at preserving a record of local ring greats.
Like most passions, once boxing gets in your blood, it never leaves you. Even if many of the gyms, watering holes and ringside characters he knew are now gone, Lovgren still closely follows the sport. “You never get out of the game,” he said.
- For Better or Worse…..Old versus New (yougabsports.com)
- The killer instinct in boxing (trueslant.com)
- 40 Years Later, Ali-Frazier Still An MSG Classic (newyork.cbslocal.com)
- Happy Birthday To The Greatest: 10 Best Moments In Muhammad Ali’s Career (bleacherreport.com)
- Trainer Gil Clancy, 88, guided Emile Griffith to world title (thestar.com)
Another of my boxing stories is featured here, this time about a family of fighters, the Hernandez brothers. It’s a story of overcoming odds, winning great victories, enduring brutal losses, experiencing tragic events, and, where possible, keeping on despite all the blows. Rarely has a single family produced as many good boxers as this one did, but as the story goes into, there was a price to be paid. The article originally appeared in a paper that no loner exists, the Omaha Weekly. Boxing seems to give journalists license to take a more literary approach and I pulled out all the stops in this one.
NOTE: The Hernandez brother who was perhaps the most accomplished in the ring, Art Hernandez, passed away recently. He was a world-ranked contender for a time, holding his own with some tough hombres. He once fought an aging but still dangerous Sugar Ray Robinson to a disputed draw in Omaha. Most observers felt Art should have been given the decision.
The Fighting Hernandez Brothers
©by Leo Adam Biga
Originally published in the Omaha Weekly
Armed with fists of fury and cajoles of brass, the Fighting Hernandez brothers strode into town from the sun-baked Panhandle to whip nearly all comers in Omaha ring events from the late 1950s through the mid-1970s. Ferd, Art and Dale Hernandez each left their mark on the amateur and professional boxing scene, not only here, but regionally and nationally as well. The brothers’ lives inside the ropes were filled with more than the usual pugilistic triumph and failure. Three of them achieved Top 10 rankings — Dale as a lightweight and both Ferd and Art as middleweights. They fought all over the globe. They crossed gloves with several world champions, including some legends. They held titles. They got robbed of some decisions. An injury ended the career of one. A bad beating spelled the beginning of the end for another. A fourth brother, Chuck, never really had the heart for boxing and quit after a brief and uneventful career.
Life outside the ring has also held more than its share of highs and lows. There have been wives, girlfriends, kids, breakups. Separated by a year in age and quite a bit older than their male siblings, Ferd and Art were fast buddies and, by all accounts, bad influences on each other — indulging in vices that fighters-in-training are supposed to avoid. “We had too much fun together,” Art said from the south Omaha home he shares with his wife, Mary, and their children. “We were bad — that’s for sure. I guess we had no will power.” He said things got so bad even his big brother realized it was best if he moved on. “He knew that if we were together we wouldn’t be right, so he went west. The greatest thing he ever did for himself and for me was to get the hell out of town.” Ferd went to Las Vegas of all places.
After compiling a 35-10-3 record as a pro, Ferd incurred a detached retina that forced him to retire early at age 33. He stayed on in Vegas, becoming a main event referee, a straight man in the “Minsky’s Burlesque” show at the Aladdin and a casino bartender, before contracting liver disease that killed him at 57. Art finished with a 44-20-2 pro mark. In his post-boxing life he worked the security detail at Douglas County Hospital, often responding to calls in the psyche ward, before becoming chief of security. A freak accident in 1997 led to his left leg’s amputation. Dale, the hardest puncher of the bunch, slugged his way to a 37-6 pro record, but his disdain for training led him to quit before ever maxing-out his ability. A trucker by trade, Dale has spent the last several years in and out of prison for assault. Today, he is persona non grata with his surviving brothers.
Born in Minatare, Neb., Art and Ferd moved with their family to Sidney, where the Hernandez boys were weaned on The Sweet Science by their father, Perfecto “Pete,” a former glove man himself. The old man worked his sons hard. For Perfecto, now caring for his Alzheimer’s-stricken wife and the mother of his six children, Rebecca, in Cheyenne, Wyo., boxing was an art form whose object was skillfully avoiding being hit while laying leather on your opponent. “His thing about boxing was defense,” said Art, the only brother still living in-state and, according to some local ring observers, the best boxer, pound-for-pound, produced by Nebraska the past 40 years. “His philosophy was, ‘Hit, and don’t get hit.’ We just moved and moved and moved and threw a lot of jabs. He never yelled. He just told you exactly what you were doing wrong. ‘Throw more jabs, boy. Throw more upper cuts, boy.’ It was always, ‘boy.’”
From the time they were 5 and 6 years old, respectively, Art and Ferd were urged to scrap by the old man, who fashioned a makeshift ring at home and ran a gym Sidney boxing boosters built for him in town. “That’s where we learned everything that we knew. There were always fights,” is how Art describes those early years. “He had us sparring all the time. He was a great inspiration.” The two tykes became a kind of novelty opening act on local fight cards when their dad had them fight exhibition matches before regularly scheduled bouts. Art said that while definitely pushed into boxing, he genuinely liked the sport and only threatened quitting once under his father’s heavy hand, “but it never happened.”
As the brothers began dominating the junior boxing circuit, they quickly made names for themselves as tough little hombres. The Midwest Golden Gloves tournament, once a huge draw at the Civic Auditorium, became their personal showcase. They represented the southwest Nebraska district out of Scottsbluff. Art so outclassed the field he became the first fighter to win five Midwest Gloves titles and, after capturing his fifth, tourney officials told the then-19 year-old he was not welcome back. Ferd won two Midwest crowns and used the second as a springboard to do something his younger brother could not — win a national Golden Gloves championship (taking the 1960 welterweight division title in Chicago). Despite the brothers being virtually the same size, their father kept them in separate weight divisions for good reasons: one, to double the family’s chances at winning trophies and titles; and, two, to placate Mama Hernandez, who forbade her sons from ever fighting each other “for real.”
Fresh off his championship, Ferd, along with Art, competed for spots on the 1960 United States Olympic boxing team during tryouts in Pocatello, Idaho. At the tryouts Ferd lost in the finals and Art bowed out in the first round. While their bid for Olympic glory ended before it could begin, they scored a coup when Idaho State University boxing coach Dubby Holt, scouting prospects for his program, offered them scholarships. “He wanted a brother team and, so, we said, ‘Sure, why not?’ and we went there,” Art said. Things did not pan out for the pair in Pocatello, where they spent more time carousing than working, a pattern that played out over and over again whenever they teamed-up. Back home for Christmas break, Perfecto sized up his sons and determined while they were not cut out for school, they just might have the right stuff for prizefighting.
Art turned pro first, signing with Omaha promoter Lee Sloan, who acted as his manager and matchmaker. “When I turned pro, Sloan asked me, ‘Do you think you can be a world champion?’ And I said, ‘Yeah.’ He said, ‘Well, then, you’re mine.’ That was a motivating thing my whole life.” He trained under the tutelage of veteran handler Sammy Musco, a former prizefighter. Musco refined his punching style. “When he first started training me, my left hook used to come all the way around, where his style of fighting was to stay in tight and just throw it with leverage. Just a real short punch. It worked all the time. He was a good trainer — no doubt about it. He’d make you work and make you work.”
As Hernandez tells it, his first pro fight was nearly his last. Matched in a 4-rounder against Ray Terry of Chicago, he easily out pointed his foe the first three rounds but in the fourth he got careless and was dropped by a hard left to the jaw. He won the decision, but the pain was so brutal for so long he considered hanging up the gloves for good. “I thought, ‘Oh, shit, if this is the way it’s gonna be, I don’t want to do it anymore.’ I went back home for a whole year. I was weighing not to come back at all because that punch hurt me so bad. But there was nothing there for me in Sidney, and so I just decided to go back and do it to it.”
Ferd entered the prizefighting arena a few months after Art’s debut. Once Art overcame those nagging doubts to resume his career, he and Ferd notched a few more wins under their belts. Then, according to local boxing historian and former matchmaker Tom Lovgren, their shared manager, Sloan, decided one or the other had to go. It seems the two were raising such hell together that, in Sloan’s view, they were holding each other back and, so, he decided to separate these modern Corsican Brothers. He reportedly asked a promoter friend to overmatch the boys, vowing to keep the one showing the most poise in defeat. The fights were made and, as expected, each lost. The verdict: Art stayed on, while Ferd left for Las Vegas, just then evolving into a hot fight market.
By the mid-60s the brothers’ careers began taking off — each emerging as middleweight contenders. Before long, they were fielding offers to fight each other. “Yeah, we had offers,” Art said. “Well, he was rated No. 2 and I was No. 3. I asked my dad what he thought about it and he said, ‘Hey, you’re in the game for money. If the money’s right, take it.’ But, you know, our mom said, ‘No,’ and that was it.” In 1964, a young, inexperienced but promising Art got his first brush with immortality when matched with six-time world champ Sugar Ray Robinson, by then in his 40s but, as the saying goes, possessing every trick in the book. When the fight was initially made, Hernandez admits he felt intimidated by the Robinson legend. “When my handlers first mentioned the fight I thought, ‘I’m going to be killed,’ but then as I was training I got in terrific shape and I thought, ‘Well, shit, I’ve got nothin’ to lose — I’ll give it all I got.’ Which I did.” A steamy Civic Auditorium was the site of the 10-rounder, which went the distance and ended in controversy when a cagey Robinson, sensing he was behind, twice hit Hernandez below the belt. No fouls were called, much to the fans’ dismay. “I’m sure he hit me below the belt intentionally, but…that’s the fight game, you know?” Hernandez said.
Most ringside observers gave the decision to Hernandez, but the judges scored the fight a draw. “I won that fight. There’s no doubt about it,” Hernandez said. “I boxed him superbly, and then he tried making a butt of me. He slipped a punch one time and spun a little bit and slapped me on the ass. It made the crowd laugh.” He said while Robinson was ring savvy, his arsenal had little else left. “He didn’t have real hard, sharp punches. It was mostly slapping stuff. He never hurt me.”
Mere months after that tussle, Hernandez’s manager, Sloan, died of a massive heart attack. “That broke my heart,” he said. For the next few years he fought for Dick Noland, also the manager of heavyweight Ron Stander, who often sparred with Hernandez at the old Fox Hole Gym and once said of his much smaller and more agile partner, “He’s harder to hit than a handful of rice.”
Ferd was at the Robinson fight and after seeing how well his kid brother performed he grew confident he too could trade leather with the best. He proved his point a year later by winning a split-decision over Sugar Ray at the Hacienda Hotel, among the venues Ferd headlined at during the “Strip Fight of the Week” cards his promoter, Bill Miller, founded. Although both brothers became top contenders in the middleweight division, neither ever got a title shot. Art always felt Ferd hampered his chances by letting his Las Vegas camp change his style from the pure boxing stratagem their father instilled to more of a close-in style ill-suited to him. “That was his downfall. Instead of moving and boxing and slipping punches, he became a come-in fighter. He got hit too much. Then, he got that detached retina (in 1968). It’s too bad…he was a terrific boxer.” As for himself, Art chalks up his lost opportunities to ring politics, bad breaks and stupid choices. In a career of what-might-have-beens, he was often only one win away from landing a championship bout, but could never quite close the deal.
Perhaps his biggest frustration came in a 1969 duel with former champ Emile Griffith, then still in his prime. Fought in Sioux Falls, S.D., the well-boxed bout went the full 10 rounds and, in a reversal of popular opinion, Griffith was given a split decision. “The fight was a good fight,” Hernandez recalled. “I loved it. He was well-versed in boxing. I can remember bulling him into the ropes and throwing a lot of body punches, which is something I never did. I just saw where he was susceptible to it.” As against Robinson, Hernandez felt he clearly won, but again fell victim to scoring vagaries. “I don’t think it was close at all. Those yokels that judged the fight for Griffith were completely out of line.” What hurt most, he said, was the fact a victory might have set-up a title challenge. “I knew I was at my peak when I fought Griffith. If I had won that fight I probably could have fought for a world championship.” In the end, he said, “I guess I wasn’t impressive enough. There’s a lot of politics in boxing with the judging and the ratings and all that kind of crap.”
Hernandez had other chances to catapult himself into a title slot, but he always came up short, whether it was bad breaks or just plain bad habits. For example, a cut he suffered to his eye forced the stoppage of his first fight with world champ Nino Benvenuti in Rome and a leg injury he suffered in preparation for his second fight with Benvenuti in Toronto hampered his movement during the 10-round fight, which he lost by unanimous decision. The night before his match with former champ Denny Moyer in Oakland, Art reverted to his old ways by partying with Ferd. He paid for it in the ring the next night, losing a unanimous 12-round decision. He had more than his share of success, too, twice winning the North American Boxing Federation middleweight title and evening the score with Moyer in a 12-round decision in Des Moines. Ferd also faced the best, losing to Benvenuti and Luis Rodriguez, beating Robinson and boxing to a draw with Jose Gonzalez for the World Boxing Association American middleweight title in Puerto Rico in 1966.
Art’s toughest opponent? “That would have to be Jimmy Lester. He never stopped coming. I was in very good shape for that fight, but God, he would just pump and pump and pump. He was a tough guy. He beat me in a split decision.” Hernandez said while he never made much money fighting, and didn’t care much about the size of his purses anyway, boxing did let him see the world. His favorite stop? Marseilles, France. “The Mediterranean. Beautiful, man.” The worst stop? Vietnam, where he went as part of a USO tour during the war. “It was really disheartening to see all those kids in hospitals with their arms and legs shot off. It was terrible.”
While an injury forced Ferd to stop fighting, it took Art getting KO’d three consecutive fights to finally call it quits in 1973. “Bennie Brisco stopped me in three. Jean-Claude Bouttier stopped me in nine. And, in the last fight I had, Tony Licata stopped me in eight. After that, I thought, ‘Well, there’s no place else to go.’ So, I just gave it up.” He made an aborted comeback attempt when he started sparring with his up-and-coming brother Dale. “Once, he hit me somewhere on my head and I just tingled all over. I took the gloves off and said ‘That’s it. I’m done forever.’” He turned his attention to helping train Dale, the last great fighter in the Hernandez line. Where Ferd and Art were consummate boxers, Dale was a classic slugger. “He was a terrific puncher,” said Art, who often worked his corner. “Dale’s whole idea was he could knock anybody out and so he didn’t think he had to train too much. That was his problem.” The approach worked well enough for a time, with Dale securing a No. 9 world lightweight ranking, but the gambit caught up to him in a junior welterweight bout against Lennox Blackmoore. The sight of his brother beaten to a pulp at the hands of the counter punching Blackmoore was too much for Art to take. “I about had a heart attack in that corner because he got the shit beat out of him. I told Dale at the end of the fight, ‘I’m done working in your corner. I will not take it anymore.’ I never worked his corner again.”
After that thumping, Dale was never the same again, falling farther and farther off the training wagon. Away from boxing, Dale’s behavior spiraled violently out of control. He has done hard time for a series of aggravated assaults, the latest of which finds him serving a stretch in a Cheyenne, Wyo. jail. He is estranged from his once close-knit family. “I don’t know what his problem is. I have nothing to do with him anymore,” Art said. “I don’t even talk to him.” Just thinking of what his brother once was and could have been makes Art sick. “He could have been world champion. At 135 pounds he could whip anybody in the world. At 142 pounds he was too small. But he wouldn’t train to get down to 135. He wanted to play.”
With Dale out of the picture and Chuck living quietly in Des Moines, Art pined for the old days with Ferd, but they were separated by miles and lifestyles. Then, when Ferd became terminally ill in the mid-90s, Art and his wife Mary, a nurse, flew him out to Omaha. The change in the former world-class athlete was drastic. “I did not recognize him,” Art said. The couple cared for him the last three weeks of his life. He died in their home on July 17, 1996. Most of all, Art misses his brother’s “sense of humor. He was a funny guy.”
Two years later Art experienced the next biggest test of his life when, while clearing storm-strewn branches from the roof of his father-in-law’s house, he slipped and fell to the pavement below, his lower left leg shattering upon impact. He underwent eight surgeries to repair the damage. Then his recovery suffered a severe setback when infection set-in. Faced with months more of painful rehab and the possibility of infection redeveloping, he opted to have the leg amputated below the knee. “I knew that in order to get well, it had to be done,” he said, massaging the stub under the prosthetic he wears. He fought depression. “A lot of times I thought, ‘What am I doing here?’” He credits his wife for seeing him through it all. “If it weren’t for this woman, I’d be dead.” Friends helped, too. His old sparring chum, Ron Stander, hooked Hernandez up with another ex-athlete amputee — legendary pro wrestler “Mad Dog” Vachon, who lives in Omaha. “Ron called me and said, ‘I’m going to take you to Mad Dog’s because he’s got a leg like yours,’ and from there we become friends.” Hernandez made a quick recovery, resuming work four months later. He retired a couple years ago and, today, draws a county pension, enjoys watching televised fights and, like many old jocks, doubts this era’s competitors could have stacked-up with his generation of warriors.
In an era when boxing is largely dead in the state, Hernandez is the last link to one of Nebraska’s great sports dynasties. Leave it to Omaha boxing historian Tom Lovgren to put the family boxing legacy in perspective. About Art and Ferd, he said, “They could step up to fight anybody in the world. They showed no fear. They were animals.” About Dale, he reminds us, “At 135 pounds, he could beat anybody in the world.” Today, many pounds over his fighting trim, Art Hernandez battles diabetes and high blood pressure, but this still proud man is not one to wallow in Why me? pity. “Things happen,” he said, “and you just gotta go with the flow.”
- Golden Gloves…& golden heart (nydailynews.com)
- Gildardo Garcia finds redemption in ring and in life (denverpost.com)
- “The Latin Snake” Sergio Mora Could Bite Shane Mosley In Three Weeks (bleacherreport.com)
I couldn’t resist posting another boxing story. This one is about an interesting venue that is one part hardcore gym for amateurs and professionals and one part community resource center for at-risk youth. The CW fills a lot of missions and many of those missions coalesce around boxing. Like any gym worth its weight in sweat, the CW is full of characters straight out of a Ring Lardner story. It’s those personalities, combined with the harsh discipline and many rituals of the ring, that I try to capture in this story, a shorter version of which appeared in the Omaha Weekly. This won’t be the last boxing story I post either.
Brotherhood of the Ring, Omaha’s CW Boxing Club
©by Leo Adam Biga
A version of this story was originally published in the Omaha Weekly
It owns a rep as perhaps the toughest, most competitive boxing gym in town. Its junior and amateur fighters shine at local tournaments. It is the training ground for many of the area’s top prizefighters. It routinely matches young pugs with grizzled veterans in an effort to raise the level of beginners. Its members are primarily African-American, but include whites, Hispanics and Asians too.
It is a sanctuary for some and a springboard for others. It is a place filled with colorful ringside characters straight out of a Damon Runyon yarn. It is the C.W. Boxing Club at 1510 Cass Street, and its take-no-prisoners approach and chip-on-the-shoulder attitude makes it the envy and the outcast of the fractious Omaha boxing community.
Rivalries are strong on the Omaha boxing scene. Every gym has its own stable of fighters, its own turf and its own image to maintain and sometimes when conflicts erupt stupid things are said. When a fighter leaves one gym for another, he may be called disloyal or the other gym may be accused of stealing him away.
In the case of the C.W., there is a perception that it caters only to blacks, which even a quick survey of its training roster soon dispels. Disparaging things are also said about the character of the fighters who train there, but in reality it is far from the wild-and-woolly den of thugs that some rival boxing coaches portray it as. Instead, the C.W., which gets its name from founder and director Carl Washington, features a no-nonsense, professional environment where serious fighters work intensely under the watchful eyes of experienced trainers Midge Minor, Larry Littlejohn and Chucky Brizendine.
The gym itself is only one part of what Washington, who coached the club’s talented first crop of fighters to national prominence in the late 1970s and early 1980s, calls the C.W. Youth Resource Center. The center offers near north side youth a venue for making music, working out, hanging out and performing community service projects. According to Washington, the gym’s fighters often get booed or jeered at local competitions because of racism and because the C.W.’s history of success breeds jealousy. He said his club has nearly boycotted area Golden Gloves events due to the ill treatment he believes his fighters receive.
Every gym has its own vibe, and the insistent tone of the C.W. is set-off by the throbbing bass rhythms and the grating harsh lyrics of rap music blaring from a boom box that plays incessantly in the background. Unlike the foul language of the music, however, there is little profanity heard in the gym, whose walls are plastered not only with the usual boxing posters but emblazoned with a detailed list of rules (which include no spitting on the well-scuffed hardwood floor and no horse playing) and printed mantras that express the philosophy of the place: Lead with Speed, Follow with Power; Only the Strong Survive; and If You Want to Box, Train — If You Want to Win, Train Harder. It is a place where if you can hold your own, you earn respect, but that respect is always tinged with the tension of proving you belong or, if really brazen, proving you’re the top dog.
The gym is a study in contrasts. Take the way that Minor, a four-time Midwest Golden Gloves champion who got his training start at the noted Olympic Gym in Los Angeles, deals with fighters. He is a taskmaster when one of his guys needs pushing and a buddy when one of them needs a pat on the back.
As 13-year-old junior fighter Rosendo Robles prepares to enter the ring one night for some sparring, Minor fastens the headgear and laces the gloves of this angelic, wide-eyed youth with the attentive tenderness of a father helping his son. “Am I going three rounds?” the boy eagerly asks Minor. “If you’ve got three rounds in you,” his smiling coach replies, rubbing the boy’s shoulders. “I’m going to try and get comfortable with my jab first, and then when I get comfortable, I’m going to work on throwing combinations,” the lad tells Minor, his big eyes looking for approval. “That’s right. Your jab sets everything up. It sets up combinations,” Minor tells him in a way that confers the approval Robles seeks. “But I don’t want to see you in there jumping around wasting energy like a little Easter bunny.” Robles grins at his coach’s funny remonstration.
Meanwhile, as this gentle interlude plays out, a rapper performing on a CD explicitly describes various sex acts. The contradiction does not seem to faze anyone, not even born-again Christian Servando Perales, a professional fighter who found religion during a stint in federal prison. To take the contrast even further Minor has the little boy, Robles, spar with the grown man, Perales, in an attempt “to elevate” the kid’s abilities.
Throwing his youngest fighters in with the wolves is one of many ways in which the C.W. veers from business-as-usual in its training methods. Washington, who began the gym’s tradition of working young fighters with their more experienced counterparts, said, “The reason boxers from Nebraska usually come home after the first round of a national tournament is they don’t have the experience of fighting the skilled fighters you find on the east and west coasts. Guys have to know how to slip punches. You have to work around guys at a certain level or you’ll always be coming home early.” Minor follows the Washington formula with the C.W. crew: “I work all my guys. That’s how they learn,” he said. “Every once in a while I have to elevate them to see where they’re at. I work my fighters a little different than they (other gyms) do. I don’t breed nothing but winners.”
In Robles, Minor sees a kid with “a lot of promise. He wants to learn, That’s what I like about him.” The youth is following in the footsteps of his father and grandfather, both of whom boxed in their native Mexico. “My grandpa wants me to carry on with the tradition,” Robles said.
He has dreams of his own, too. “As soon as I can, I want to go to the Olympic Games, and if I do good there I’m thinking of a professional career when I get older.” As for training with adults, he appreciates the tricks of the trade he picks up from such savvy fighters. “I feel comfortable training with them because I learn from them in the ring. I like to learn new techniques. Sparring with these older guys is getting me prepared for bigger guys. Like with Servando (Perales), he puts pressure on me and I work on getting him off me. When I get done sparring I ask, ‘What’d you see wrong in me?’ and they tell me.” He also likes the attention his coach gives him. “I really like Midge. He shows interest in me. He says I’m his little project. That he’s going to build me up.”
Minor’s final words to Robles that night are, “Don’t be intimidated. Every chance you get you try and knock his ass off.” It is all well-supervised, with the adult Perales acting as a kind of moving punching bag — keeping his gloves open at all times to ensure he does not in any way injure the youth, whose father watches the action from ringside, yelling pointers to his son in Spanish.
During the three-round sparring session, Minor, leaning against the corner ropes from atop the ring apron, alternately shouts instructions to Robles with a sharp, disapproving edge in his voice and offers encouragement with a soft, approving tone. “You’ve got to move in closer. That’s the only way you’re gonna reach him,” he tells Robles, who is dwarfed by his sparring partner. “There you go, cut the ring off. Remember what I told you — if you miss with one hand, you lead with the other. Double jab. Stick — don’t wait on him. There you go. Shorten your hook up…too wide. Good hook.”
Robles, a surprisingly skilled little punching dynamo, is spent after the first round, but Minor denies him water. “You tellin’ me you’re tired? Like I care. You don’t need water yet. Show me you need some water.” After a rousing showing in rounds two and three, Minor lets his protege drink all he wants. As a soaked Robles climbs out of the ring, the chiseled Brezendine catches his eye and says, “If you keep fightin’ like that, you’ll be a world champion some day.” The boy’s eyes light up. “Really, Chucky?” “Certainly, Sando.”
Dreams of glory and chances at redemption are all over the gym. Take the story of Servando Perales, for example. The Omaha native showed tremendous promise as a junior competitor. Fighting for Kenny Wingo out of the Downtown Boxing Club, he won a National Silver Gloves title at 10 and captured second-place in the same competition at 14 in addition to winning a slew of city, state and regional championships. Then, just when Perales was on the verge of really making a name for himself in the sport, the bright, handsome young man got sidetracked by drugs, alcohol and gang-related mischief.
For Perales, the reunion with his buddy behind bars was a life-saving one that went well beyond mere chance. “I was like a walking time bomb. I had no peace in my life. No joy, No nothin’. I was really a heartless heart. I wouldn’t open up to anyone other than somebody that I trusted and knew from my barrio. And I’m just so grateful for Francisco being there in my path. God put him there for that reason.” Today, Perales does volunteer work with Granados and his Overcomers in Christ ministry in south Omaha, where they counsel kids to stay away from the drug and gang culture they got caught up in. Perales, who works full-time as a maintenance supervisor at Sapp Brothers, is married with three sons. A fourth son is being raised by his ex and her husband.
In an unusual move, Perales, who had not fought in several years, turned pro only months after his 1997 release from prison. He was 26 and out of shape, but hungry to rededicate himself to a sport he viewed as an expression of his new found faith. “Boxing is the only way for me to say to kids, Hey, this is where I was then, and now look at me today, when I have Christ within me. I believe Christianity and boxing are a lot alike. As a Christian you’re always under attack by the Devil. He knows your weaknesses. It takes a lot of discipline to stay strong. Just like with boxing, you can’t get comfortable. You’ve got to continue training. Besides, boxing is just something I’ve loved all my life. I’ve come up short of some victories, but my real victory has been beating drugs and alcohol.”
When Perales decided to enter the pro ranks he shopped around for a gym to begin his comeback at and decided on the C.W.
“It’s the toughest gym in Omaha. Everybody said, ‘If you can make it at the C.W., you can make it anywhere because here, when you spar, you don’t just spar — you go to war. Basically, it’s a test to see what you’re capable of. I came down here and I got my butt kicked the first three times until I got my timing and my punch back. It took me awhile.”
Regarded as a mediocre pro, Perales is 11-5 and has no real prospects of making a mark, although he is widely admired for his heart. At age 30 he knows his fighting days are numbered, but his sheer determination keeps him going, sometimes to his own detriment. “In a fight I lost in Las Vegas I was a bloody mess, but I wouldn’t quit. I’ve got too much heart. I came out in the 6th and final round and I almost knocked the guy out I was that determined to win, even though my nose was broken, my eyes were closed and my face was bloody.” He has vowed to his wife he will quit rather than endure that type of punishment again.
Once Omaha’s “Great White Hope” — heavyweight Dickie Ryan may soon be facing a crossroads of his own. The battle-scarred 33-year-old, a solid contender a few years ago, is one of the most successful local pros since Ron Stander, but after 56 bouts (his record is 51-5) and countless thousands of rounds sparring his best fighting days are surely well behind him. Like so many men of the ring, he is unwilling to admit he may be past his prime and should, for his own good, hang-up the gloves.
“Everyone says, ‘When you gonna retire?’ I don’t know. I still feel like I’m in good shape. I still like fighting. I’m still trying to develop the best skills I can bring out in me. I don’t think I’ve done that yet, but I’m working on it,” he said. “I’ve been a pro since I was 19. I’m glad I’ve carried on this long because I turned pro the same time as a lot of other guys but I’m the only one still around after all these years, which is special. I wish it could last forever, but unfortunately nothing lasts forever.”
Ask him if he worries about the risk of permanent head injury, and he shrugs off the question with, “If I get brain damage or whatever, than that was my choice. I made it. Just like Dale Earnhardt made his choice and died doing what he loved doing. I have a friend that has Parkinson’s and the doctors think it was caused from boxing. I don’t know. Who knows? Boxing’s been around forever, though. Even if it was banned there’d still be underground boxing, and I’d probably be the first one there, you know, because that’s how I make part of my living.”
Ryan has a passion for what might be called the Brotherhood of the Ring that he and other fighters share and it is this bond forged from sweat and courage and discipline that helps explain why he toils on. “We get these big muscle guys coming in the gym. These tough guys who knock everybody out on the street. They say, ‘I wanna box.’ We say, ‘Okay,’ and they box a couple days and we never see them back. I don’t know what it is, but it takes a special person. I won’t say it takes a tough person, but it takes a certain type of person to sacrifice your body the way we do. It really is hard. In boxing you can’t have a big ego because right when you think you’re all that somebody’s gonna knock you on your ass. And that’s the truth. If you’ve got an ego going into boxing, you’ll be humbled afterwards.”
According to Ryan, there is a camaraderie in the gym, any gym, that transcends race or religion or age. “It’s one of the only places you can go where there’s no racism at all. It’s neat. Everybody gets along. I never try hurtin’ no one in the gym. I can work with anybody. I can work with a guy that’s 150 pounds and I can work with a guy who’s 250 pounds. I can work with kids just coming up. I’ll help ‘em out. And hopefully by working with me they’re going to get better and then eventually they’re going to be good sparring partners. I’m helping them out and they’re helping me out. It works both ways.”
In a long career that’s seen him be a marquee sparring partner (for the likes of Lennox Lewis and Tommy Morrison) if seldom a main event draw, Ryan has trained at gyms across the country. He could train anywhere in Omaha, but the C.W. is where he’s gone to work the past eight years.
“I’ve been to Gleason’s Gym in New York and a lot of other big gyms and this (the C.W.) is as good as any gym around. Me and my manager, Mouse Strauss, seen that Midge (Minor) and Larry (Littlejohn) here were really good coaches and Mouse felt it would be good for me to come here. There’s a chemistry between me and my trainer Midge. He’s just a straight-up guy. He’s not the type of trainer to go, ‘You’ve got to kick his butt’ or ‘You’ve got to do this or do that.’ He’s just got a way of telling me to stay focused. He’s not afraid to cuss me out, though. He’s shows no favoritism.”
After 14 years of grinding out early morning runs and long nights hitting the bags and absorbing poundings as a much sought-after sparring partner Ryan said he stays motivated by the chance for a shot at the title or a big payday — even as remote as that possibility is now.
“I think a lot of it is just knowing in the back of your mind that, Hey, I’ve got to keep going because they might call me for that big fight and I’ve got to be ready.’ Before a fight I don’t have any fear at all because I know I’m in shape and ready to go.”
The closest he came to realizing his dream was when he upset Brian Nielsen in dramatic fashion before a hostile crowd in Denmark in 1999. In what was supposed to have been a tune-up bout for the Dane before an expected match-up with Mike Tyson, Ryan rallied late and knocked out Nielsen in the 10th and final round. Ryan said he was given the match with only two weeks notice but, as usual, was in peak condition. However, the victory did not earn Ryan any title shot but instead a rematch with Nielsen, which he lost.
Ryan, who describes himself as “mellow” even on the eve of bouts, is almost embarrassed to say that, apart from his work in the ring, he is not much of a fight fan. “Not really. I don’t go to the fights around here because I don’t like to see friends of mine get hit. It seems kind of weird, but that’s just how I am. I wish I wasn’t like that, but I am. I’d never encourage anyone else to fight. That’s just my opinion. Boxing’s been great for me. I’ve made a few bucks. It’s a good side job.”
The reality for pros fighting out of Omaha, a burg way off-the-beaten track in the boxing world, is that they must work regular jobs to support their pugilistic dreams. When not engaging in the Sweet Science, for example. Ryan is a meter reader for the Omaha Public Power District.
Featherweight Mike Juarez, another C.W. regular, is a part-time parcel handler at United Parcel Service. “If you’re in Omaha you’ve got to work a job. There’s no sponsorship around here like there is in big fight towns,” said Juarez, 31, who has compiled a 25-9 record during a 12-year pro career that has seen him fight and lose to several contenders and former world champions. The compactly-built Juarez has been something of a boxing vagabond over the years, including stops in Indianapolis and Vegas. After experiencing some hard knocks on the road, he’s returned to his Omaha roots.
“It’s pretty rough out there, you know? It’s a mean game. I didn’t get the fights. I went broke. I really wasn’t ready for the type of (mercenary) atmosphere that I put myself in. There’s nothin’ like being home around guys that I know,” he said while skipping rope one evening at the C.W. He feels the high-caliber training he gets at the Omaha gym sets it apart. “Midge Minor is a professional coach. He knows his stuff. He’s been in boxing forever,” he said. Like Dickie Ryan, Juarez is pushing the upper limits of his boxing career. He said the decision to retire will “depend on how long I can stay winning. There’s no money in it for losers, you know.”
In keeping with the C.W.’s belief that young fighters need pushing to reach the next level, Juarez often spars with amateurs much younger than him and possessing far less experience. Two of his regular partners are 20-year-old RayShawn Abram and 19-year-old Kevin Nauden, a pair of brash, promising fighters who, along with a third young phenom, Bernard Davis, are looking to make their marks as pros in the very near future. “I’m fast, I’m strong and nobody my size is going to touch me. I don’t lack for confidence,” said Abram, a 112-pounder sporting two gold front teeth. “I’m looking to win a national championship this year.”
He was introduced to the sport after being caught fighting in school by an administrator, who brought him down to the C.W. to get his hostility channeled inside the ring. In Midge Minor he has found a confidante and mentor. “I sometimes get in with the wrong crowd and I sometimes talk to him about it and he keeps me out of trouble. He also helped me get through the time my grandma died. I can call him anytime.”
Nauden and Abram feel they benefit from going against older foes when sparring, but there is no any doubt who is boss inside the ropes. “They’ve got that grown man strength that we ain’t got yet,” Nauden said. “When I first came here and I hit some of the pros with a hard shot, they let me know this ain’t gonna be goin’ on for long. They ain’t gonna hurt you or nothin, but they’ll tap you and let you know they could.”
While Abram won his weight class (as did the C.W.’s Bernard Davis at 125 pounds) in the recent Midwest Golden Gloves tourney at Harvey’s Casino and is prepping for the national gloves in Reno. Nev., Nauden lost. As for their future plans, the young men are weighing pro offers and, if the money is right, may end their amateur careers later this year and sign contracts to enter the prizefighting arena. They intend to stay under the training arm of Minor and company.
Whether Nauden and Abram ever make any real money in the fight game, they epitomize what the coaches and trainers at the C.W. strive to do — get the most out of their fighters.
“It’s like a challenge to me to see how I can develop somebody,” Minor said. “I don’t try to change their style. I just try to better the style they’ve got.” He said he can be blunt with fighters, but they seem to respond to his straight shooting. “If I see a bum, I call ‘em a bum. I’m kind of mean to ‘em. but they work for me, though. They perform for me.” Larry Littlejohn is also known as a hard-driving sort. “We do demand quite a bit of you if you’re going to stay in this gym. This is not the place to be down here joking around. We don’t want those guys. We work hard. We want to win,” Littlejohn said.
C.W. amateur fighter Shabia Bahati said that when Littlejohn shows up “there’s no cutting corners on your workout,” adding, “He keeps us honest. He’ll put us to the test.”
Bahati, a Midwest Golden Gloves runner up at heavyweight, has trained at other gyms in town and he said the C.W. is not for the faint of heart or the frivolous. “It’s real competitive down here. You’ve got to be on your toes when you come and spar. There’s no play time. They take the boxing down here serious.” Jacqui (Red) Spikes is another amateur fighter who has found the C.W. more rigorous than other gyms. “I was at a different gym and the training was soft there. Here, it’s all business. There are no wimps down here. It’s got the best pros and amateurs in town. They get the most out of you.”
- Golden Gloves…& golden heart (nydailynews.com)
- Gildardo Garcia finds redemption in ring and in life (denverpost.com)
- Strode king of the ring (denverpost.com)
- Canceled FX Boxing Show, ‘Lights Out,’ May Still Springboard Omahan Holt McCallany’s Career (leoadambiga.wordpress.com)
I knew the name Morris Jackson growing up because my older brother Dan was a boxing fan and I think he saw one of the grudge bouts between Jackson, the slick boxer, and Ron Stander, the Great White Hope slugger. Jackson was undeniably the superior boxer but it was Stander not Jackson who got a title shot against Joe Frazier. As the years went by I lost track of Jackson, only to read one day in the local daily about how he had gotten in trouble with the law and done time behind bars. There, he had a born again experience of such magnitude that after serving his time he went on to become a minister. His chosen ministry is poetic justice, too, as he pastors to incarcerated men. I finally got to meet and profile Jackson a few years ago. The story for The Reader (www.thereader.com) about Jackson and his transformation follows. My stories about Morris’ then-nemesis, Ron Stander, can also be found in this blog site, along with other stories about Omaha boxers, boxing coaches and gyms. Like most writers, I am always down for a good boxing story. There are several yet in me that I wish to tell and I am sure that others will reveal themselves when I least expect it.
Morris Jackson today
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
In his best three-piece, GQ-style suit, Morris Jackson looks like just another slick do-gooder to prisoners seeing him for the first time at the Douglas County Correctional Facility, where he’s chaplain with Good News Jail and Prison Ministry. But the large man soon separates himself from the pack when he tells them he used to be a prizefighter. Rattling off the famous names he met inside the ring — Ron Stander, Ernie Shavers, Ron Lyle, Larry Holmes — usually gets their attention. If not, what he says next, does. “My number is 30398.” That’s right, this preacher man did time. The former convict now stands on the other side of the cell as a born-again Christian and International Assemblies of God-ordained minister.
His 1975 armed robbery conviction sent him to the Nebraska Men’s Reformatory for a term of three to nine years. He served 22 months, plus seven more on work release. But being locked away wasn’t enough to reform Morris. His rebirth only happened years later, after squandering his freedom in a fast life leading to perdition. Referring to that transformation, one of several makeovers in his life, is enough to make even hardcore recidivists listen to his message of redemption.
“Then they hang on every word you’ve got to say, because they see a change. They really can’t believe you were there once yourself. Having Christ in your life really makes a big difference. Actually, it’s almost a visible presence — in your eyes, in your demeanor, in your voice, in your conversation — that people can notice,” said Jackson, whose prison ministry work dates back to 1992.
He first returned to the correctional system doing mission work for northwest Omaha’s Glad Tidings Church, where he still worships today. Reliving his incarceration experience behind the secured walls made him anxious.
“The first time I went, it was with fear and trembling because the last place I wanted to be in was anybody’s jail, hearing the doors close behind me,” he said.
To his relief, though, he sensed he had found a calling as an evangelist to cons.
“It was just as if I was right where I was supposed to be. The words were there. The life. The testimony. The word of God. My studies. The first time I did a service in the county jail there were 66 men present and 44 of those professed faith in Jesus Christ when given the opportunity. I said, ‘Man, I like this. I could do this all the time.’ Like I tell people, ‘Be careful what you say, because God is listening.’ I’m exactly where God wants me to be and I’m doing exactly what he wants me to do.”
Jackson’s had many occasions to reinvent himself, stemming back to his Texas childhood. As a youth, he lived with his family in an upper middle class part of Dallas. Then, he found out the man he thought was his father was actually his step-father. His real father was killed when Jackson was a year-old. Soon after this revelation, his mother and step-father split up and his world unraveled again. His mother got custody of him and his sister, but she could only afford a place in the projects. Already distraught over the divorce and the discovery he’d been lied to, he expressed his rage on the streets, where fighting was a rite of passage and survival mechanism in an area ruled by gangs.
“In Dallas, in the projects, you either had to be a good fighter or a fast runner, and I never could run too fast. I went from being a person who would see a fight coming and move away from it, to initiating fights. If you’d so much as look at me wrong, I’d haul off and hit you. I was getting into three-four fights a week. It was crazy. I guess I was an angry young man. Yet, I considered myself a meek person. I describe a meek person as a steel fist in a velvet glove. I would do everything I could to get out of a fight, but when I got cornered and I had to fight, I never lost one. Sometimes, I lost my temper and did something stupid.”
During this time, he lived a kind of double life. He was a star high school football and basketball player and a regular churchgoer, but also a notorious gangsta. His mother had grown up in the church before drifting away. When she found religion again, she made Morris and his sister attend services. He chafed at the fire-and-brimstone admonitions hollered down from the pulpit.
“The church I was raised in, you never heard a lot about grace. It was a lot of dos and donts and laws. You don’t smoke…don’t chew…don’t drink…don’t mess with girls. Of course, when I came of age where I could make my own decisions, there was no way I could live that kind of life when everybody else was having fun and I wasn’t doing anything.”
When his rebellion got to be too much, his mother kicked him out of the house. He went to live with his sister, stealing food to help support themselves.
His mother relocated to Omaha, where she had family, and she sent for her unrepentant son, hoping he’d find himself here. For a time, he did. He even prayed to lose his hair’s-edge temper, and it did leave him. When a neighbor training for the Golden Gloves prodded the strapping Jackson to join him at the old Swedish Auditorium, the newcomer did and soon found a home in the sport. Recognizing his talent, veteran handlers Harley Cooper, Leonard Hawkins, Ronnie Sutton, Don Slaughter and Yano DiGiacomo variously worked with him at the Foxhole Gym.
In his first amateur bout, he laid out cold his hulking opponent in a Lincoln smoker. His very next fight pitted him against the man who proved to be his main nemesis — Ron “The Bluffs Butcher” Stander. From the late 1960s through the early 1970s, they met six times — four as amateurs and twice as pros — in highly competitive, well-attended bouts. “People came out to see us fight,” said Jackson. Their matches drew crowds of 6,000-7,000. Each took the measure of the other, although Stander, Omaha’s then-Great White Hope, usually came out on top. Stander took four of the contests, including one by KO, Morris won a decision and a sixth encounter ended in a controversial draw most felt should have been a Morris win.
“Every time I turned around, there was Morris. He was my biggest, toughest opponent,” Stander said.” “Yeah, we went at it quite a bit. We just happened to come along at the same time,” Jackson said.
The intense rivalry was tailor-made for fans as the fighters embodied the classic adage that styles make fights. Jackson was the boxer, Stander the puncher. Jackson relied on his feet. Stander, on his brawn. One was black, the other white. In the era of militant Muhammad Ali, Jackson was the closest thing Omaha had to a righteous Brother bringing down The Man. Stander, meanwhile, was a real-life Rocky who got his shot at the title in a 1972 bout with champ Joe Frazier.
Morris Jackson in his fighting days
“I don’t know if I patterned myself after Ali, but I was somewhat like him because I would stick, move, think, box. I was light on my feet. But I wasn’t the type of person who talked a lot. I didn’t have any gimmicks or shuffles. I just got in and took care of business,” Jackson said.
The two long retired fighters reside in Omaha, but rarely mix. While their rivalry was too close for them to ever be friends outside the ring during their fighting days, they’ve always maintained the mutual respect warriors have for each other.
Stander is well aware of the transformation Jackson has undergone and admires his old foe for it. “He turned himself around. Yeah, he went from bad to good in a big way. God blessed him. God grabbed Morris by the neck and said, ‘Come over to me.’ Yeah, he’s a beautiful man now, I’ll tell ya.”
Ron Stander in his fighting days
By most measures, Stander’s career surpassed Jackson’s, whose early promise ended in missed chances, bad matches, poor management, and too small takes. The familiar litany of a club fighter who never got his shot the way Stander did. Former Omaha matchmaker Tom Lovgren feels Jackson could have gone farther. Still, the fighter was once in line to join promoter Don King’s stable. He was a main eventer in Omaha’s last Golden Era of boxing. A two-time Midwest Golden Gloves champion, he compiled a 28-5-1 career pro record, including a KO of then-British Commonwealth champion Dan McALinden, a win Lovgren rates as the top by any Omaha boxer in the ‘70s. Jackson was also a sparring partner for ring legends Ron Lyle, Ernie Shavers, Joe Bugner and future champ Larry Holmes.
But then the good times ended. His run-in with the law came during a dry spell when the journeyman “couldn’t get any fights.” As he tells it, “I started running with some old friends who’d been in the joint and I was influenced by them to make some quick money in the hold up a Shaver’s food mart.” Once nabbed, he was almost grateful, he said, “because eventually somebody was going to get hurt.”
His crime spree was brief but telling and foreshadowed a later descent that threatened to land him back in jail or kill him.
While serving his stretch, Jackson studied Islam and became a Black Muslim. His dalliance with spirituality was short-lived, however. After getting out, he tried resurrecting his career but after three fights called it quits. Like many an ex-pug, he had few prospects beyond the ring and, so, he grabbed the first thing offered — bouncing at strip clubs.
“I got caught up in this lifestyle. I got to smoking marijuana and doing all the things that go with that lifestyle. My wife was working days and I was bouncing nights. We hardly ever saw each other. I was just kind of in limbo and that led to the brawls and the drinking and the drugs,” he said.
Morris Jackson preaching the word
He never imagined being saved. “No. If someone would have told me, I would have said, ‘Yeah, right, you’re crazy man. Give me some of what you’re smoking.’” It was his mother who finally pulled him from the brink and back into the fold of the church. In March 1983 she staged a one-woman intervention with her wayward son. “My mother came over to my house to talk to me about what my life was like and how Christ was calling me. She shared the gospel with me in such a way as I’d never heard it before. She spoke of God’s grace. How He loves you. How He has a purpose and a plan for your life. And how it’s up to you to accept and follow the path God has for you.” What came next can only be called salvation.
“I had this sense and I heard this voice that said. ‘The line is drawn in the sand and if you don’t make the decision now, you’ll never get another chance.’ I know just as sure as I’m sitting here today that if I wouldn’t have accepted Jesus Christ in my life, I’d be gone. I’d be dead. My mother prayed. We prayed. And the next day I went to church with her.”
Church bible classes led to college religious studies and, ultimately, his ordination. His first ministry was on the streets of north Omaha. Then came the prison gig. In the mid-’90s, then-Nebraska Governor Ben Nelson granted him a full pardon.
Now, he can’t imagine going back to that old life, although he keeps memories of it nearby as a reminder of where he came from. “There’s a peace in my life. Serenity. Stability. Certainty. It makes a difference when you come from darkness to light,” he said. “I know what my life used to be like. The turmoil, the uncertainty. Spinning my wheels. Living for the weekends. No purpose.”
Living his faith, which he loudly proclaims from the inscription above his home’s front door to the message on his answering machine, is his way of telling the good news. As he tells prisoners: “You’ve got to believe in something.” He’s seen enough cons turn their lives around to know his story is not an aberration.
The proud old fighter sees his ministry as his new battleground, only instead of knocking heads, he’s about saving souls and staying straight. “Most of my teaching is biblical principles applied to our lives. I’m still a warrior. Only now when I put on my armor and go to war every day, I don’t feel turmoil. My wars are fought in my prayer closet. I pray before I do anything,” he said.
But once a fighter, always a fighter. He repeated something Ron Stander said: “If they told us to lace ‘em up again, we’d go at it.” The Preacher versus the Butcher. Now wouldn’t that be a card?
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