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From My Series Out to Win: The Roots of Greatness, A Brief History of Omaha’s Black, Urban, Inner-City Hoops Scene
The pursuit of my Holy Grail of interviews began with this story, an installment in a lengthy series I write in the mid-2000s for The Reader (www.thereader.com) on Omaha’s Black Sports Legends. We called the series, Out to Win: The Roots of Greatness, and in it I tried to lay out just what it was that made possible the Golden Age of athletic excellence that saw so many outstanding athletes come out of Omaha’s small African-American community. You’ll find virtually every installment from the series on this blog. Eventually I’ll have it all up here. Well, back to my frustrated pursuit of an interview for this story. His name is Mike McGee and the legend around him began when he played for Omaha North High in the mid-1970s. He put up really big numbers as a junior. But no one could have predicted the crazy numbers he achieved his senior season as a do-everything wing man, when he averaged about 38 points and 15 rebounds a game in the state’s largest class competition. He was simply unstoppable. Heavily recruited, he went to Michigan and not only that stories basketball program’s all-time leading scorer but the elite Big Ten’s career scoring leader as well. He played with the Magic and Kareem’s Lakers, won a title, and had a decent NBA career. By the time I wanted to talk with him for this story he had cut most ties with friends and family in Omaha and was coaching overseas. I managed to get his number and even exchanged messages with him but we never did hook up for an interview. He’s been in China of late. Oh, well, maybe someday. He’s just one of many top players from Omaha’s inner city I profile here. The talent ran rather dry in recent years but there’s a hoops revival underway led by top recruit Akoy Agau (I profile him on the blog). You’ll also find on this site full-blown profiles I did of two old-school hoops legends from Omaha – the late Bob Boozer and Ron Boone. Baseball Hall of Famer Bob Gibson was a helluva basketball player in his day as well and I have a few profiles of Gibby on the site.

From My Series Out to Win: The Roots of Greatness,, A Brief History of Omaha’s Black, Urban, Inner-City Hoops Scene
©by Leo Adam Biga
Originally appeared in The Reader (www.thereader.com)
In what is a rite of passage in the inner city, driveways, playgrounds and gyms serve as avenues and repositories for hoop dreams that get realized just often enough to energize each new generation’s hard court aspirations.
The hold basketball’s taken over urban America in recent decades is a function both of the sport’s simplicity and expressiveness. Only a ball and a bucket are needed, after all, for players to create signature moves on the floor and in the air that separate them, their game and their persona from the pack.
Not surprisingly, the hip-hop scene grew out of streetball culture, where trash talking equals rap, where a sweet crossover dribble or slam resembles dance and where stylin’ gets you props from the crowd or your crew. Every level of organized basketball today is influenced by the urban roots of its most gifted and creative participants — African-Americans. Blacks have given the game its flavor and flash.
Omaha is no different. Whether getting schooled on cement, asphalt, gravel, dirt or wood, black players emerging from the urban core have defined Omaha’s hoops legacy. Bob Gibson and Bob Boozer set the standard. John Nared, Bill King, Fred Hare, Joe Williams and Ron Boone followed in their footsteps. From the late ‘60s to the early ‘80s, a new crop of players made noise, including Dennis Forrest, John C. Johnson, Mike McGee, Lee Johnson, Daryl Stovall, Ron Kellogg, Kerry Trotter, Cedric Hunter, Michael Johnson, Maurtice Ivy and Jessica Haynes. Then, in the early to mid-90s, Andre Woolridge, Erick Strickland, Terrance Badgett, Curtis Marshall, Alvin Mitchell, Will Perkins and company made their mark. Now, it’s Creighton recruit Josh Dotzler’s turn. The floor leader for Bellevue West’s back-to-back Nebraska Class A state championship teams, Dotzler will, barring injury, do something most of his predecesors did — play Division I ball. Coming up, he heard comparisons to them. It’s always been that way. Older players carry reps. Young bloods pattern their game after them and a lucky few are labeled heir apparents.
A handful of local inner city players have made it all the way to the NBA. The most successful was Boozer, one of two natives, along with McGee, to win a ring. Only one hometowner– nine-year veteran Erick Strickland — is still active in the league (as a reserve with the Bucks). Although he didn’t grow up in the inner city, the former Bellevue West and University of Nebraska standout ventured there for pick-up games. Other Omaha inner city products have played overseas. Andre Woolridge, the ex-Benson great who left NU to star at Iowa, still does, in Israel. It’s one of many stops he’s made in a far-flung, star-crossed career.
Kellogg and Trotter did the overseas thing before him. Lee Johnson followed a big time career abroad by assuming the general manager’s job for a team in France.

Being a superstar in The Hood doesn’t always translate to organized ball. Stories abound of playground phenoms who, for one reason another, didn’t make it at the high school or college level. Some still got pro tryouts, like Taugi Glass, but their potential and dreams never quite meshed with reality.
In this sampling of the Omaha inner city hoops landscape over the last 50 years, you’ll meet some of the players who’ve helped elevate the game here and discover the roots of what made each a legend in his own time.
Until Dotzler, Andre Woolridge was among the last Omaha prepsters coveted by elite roundball programs. Closely tied to Omaha’s inner city athletic heritage and pedigree, Woolridge hooped it up at favorite North O haunts. Two of his youth coaches, Lonnie McIntosh and Ernie Boone, were good players in their day.
Perhaps the greatest shaper of Woolridge the athlete was his father, Frank Sanders, a former athlete himself who designed a busy regimen for his son. “He always had me into something,” Woolridge said. “In the summer, there was no sleeping till noon. It was get up and go take tennis lessons or go play ball.”
Woolridge dabbled in many sports, but basketball soon became his game. “I started young. In the second or third grade I wasn’t that good, and then all of a sudden it just started coming. I picked things up fast. Playing at the boys club you always had to play against older guys, bigger guys, stronger guys, and I just took off from there.” It was in the 7th or 8th grade, he said, the talk around the neighborhood began — ‘This kid is going to be good.’” He listened and dreamed.
Faced with more mature competition, he had to push himself if he wanted to hang. Some of those pushing him became his models.
“I looked up to a lot of streetball players. Guys like Taugi Glass, Melvin Chinn, Willie Brand and James ‘Snook’ Hadden. I took different things from street guys’ games and put them into mine. I wanted to jump like Taugi Glass. I wanted to handle the ball like Melvin Chinn. I wanted to have the offensive ability of Willie Brand…Streetball, you know, that’s where I come from.”

Then there were top-notch players from a generation before him whose games he tried emulating. Dennis Forrest, a former Central High and UNO great drafted by the Denver Nuggets, worked at the boys club and would go one-on-one with Woolridge. “He would torture me every day, for years, until I got bigger and more athletic. He could shoot the ball,” Woolridge said. After John C. Johnson led Central to consecutive state titles in ‘74 and ‘75, he stamped himself an all-time Creighton great. After failing to make the NBA he became a legend in area recreational leagues, where Woolridge watched and learned.
“There were great games at the boys club on Sundays. I wasn’t old enough or good enough to play yet, but I would watch Kerry Trotter, John C. Johnson, Lee Johnson, Mike McGee…all in the same gym…and knowing these guys were making money off the game was an inspiration for me to get out of the ghetto and out of the hood and do something.”
As he got older, he played against some of his idols. He even beat one, John C. Johnson, while only a 7th grader. Johnson knew “he had the gift.” He was special.
Of all the players to come out of the inner city, McGee, is the most magical for a certain era of fans. As a North High senior, he shattered the single season Class A scoring record with an average of 38.1 points a game in 1976. No one’s come close since. He went on to break scoring records at Michigan, where he totalled 2,439 points in 114 games, and played five years as a reserve on the prodigious Laker teams of the ‘80s starring Magic and Kareem, winning one championship. Before MJ, everybody in Omaha “wanted to be like Mike,” Woolridge said. “He was such a superstar. I wanted a piece of his game – that sweet jump shot.” Ron Kellogg, who enjoyed fame at Northwest High and Kansas, said. “Growing up, he’s who I used to go watch play all the time. He was a set shooter and I couldn’t believe how he could get his shot off, but he had such a quick release and he moved so well without the ball. He was just a thrill to watch. Incredible.” Kerry Trotter, who made a name for himself at Creighton Prep and Marquette, said, “Mike McGee was the guy. So, I know, for me he was kind of the standard. That’s who I wanted to be like in regards to being the next guy.” These days, McGee coaches internationally, most recently in South Korea.
Like McGee before him, Woolridge worked and worked on his skills. “I would go to the basketball court and be there all day long. I mean, literally, all day. Ten hours. Some of us would hop in a car and travel from court to court,” he said. “I was a student of the game.” By the time he got to Benson High, he was a player.
“I could just score. I could put it in the basket any way. I could shoot the 3. I was quick enough to get to the hole. I had great anticipation.” He started as a freshman, scoring 17 his first game, and the rest is history. He went on to break the career Class A scoring record in Nebraska (1911 points) and led his Bunnies to the state title, capping his brilliant prep run with a dominating 50-point performance in the 1992 finals. “It’s storybook. It’s sweet. We got the win. I got the record. The first championship for Benson in I don’t know how many years.”


The wooing of Woolridge by colleges began his freshman year and intensified after his sophmore year. The McDonalds and Converse All-American considered Iowa but settled on Nebraska. Things didn’t go as planned in Lincoln. Some say he was under-used. Others that he was mis-used. On a team of scorers, nobody wanted to distribute the ball. Whether it was the coach or the system, he wasn’t happy. He began looking at other options during the season, waiting until the end to leave NU for Iowa. “I don’t blame anybody,” he said. “I think it was something I had to go through to become the person I am now.”
He got hate mail. He used the criticism as motivation. “I knew I had a whole redshirt year to work on whatever they said I couldn’t do or whatever type of player they said I wouldn’t be, and I took that with me every day.” Going to Iowa, he said, was for the best. “It was good to get away on my own and to find myself. It was like another storybook.” As a Hawkeye, the consumate court general dished 575 assists and scored 1,525 points in 97 games.
Despite fine numbers and decent showings at pro camps, he went undrafted by the NBA. “It was a shocking blow. Devastating. It’s still a mystery to me and to a lot of people,” he said. He did get tryouts, initially with Golden State, and with 10 to 15 clubs since, but it’s always “you’re too short” or “we have too many players at your position.” So, he took the foreign route and has enjoyed a vagabound career playing for teams in France, Italy, Turkey, Greece and Israel. There was a stint in the National Basketball Development League. When he’s actually paid, the money’s good, but he’s been burned enough to now demand a big chunk of his salary upfront. He still harbors NBA hopes, but at 31 he’s resigned to his fate.
“I’ve had the best of the game and I’ve had the worst of the game,” he said.
Ron Kellogg got his start playing ball in an area of North O called “Vietnam” for all the gang violence and desolation there. He competed at the boys club and in the tough Kellom league. But he didn’t really begin honing his game until his family moved from the ghetto to northwest Omaha, where the white next door neighbors erected a hoop in the dirt backyard. Only the basket was set 12-feet high. Taking aim at that higher-than-regulation cup is how the left-handed Kellogg developed his trademark rainbow shot launched to deadly accurate effect from the corner and top of the key. If he wasn’t going one-on-one with friend Mike Cimino, Kellogg was hooping it alone. “That’s where I spent most of my time,” he said. “I mean, every day I was outside for hours back there shooting.”
He credits three mentors with his early development: his father Ron Kellogg, Sr.; longtime youth coach Tom Ivy — the father of Maurtice Ivy; and his late grandfather Leonard Hawkins. Early on, he was identified with a talented group of players emerging in the state that included Kerry Trotter, Dave Hoppen, James Moore and Vic Lazzaretti. “We were competing from the 6th grade on, so it started early for us,” Kellogg said. They were joined by outstaters Bill Jackman and Mike Martz to make up what arguably became the best senior class (1982) in Nebraska prep history. They anchored the first Valentinos select team to crash Las Vegas. All played Division I ball.
But if one stood out from the rest, Trotter said, it was Kellogg. “He was definitely the best athlete of the bunch.” Kellogg was a fine sprinter and had what his coach at Northwest, Dick Koch, described as “great leg strength and balance.”
Even though forbidden, high schools hotly recruited the players. “That’s when I knew I probably had a chance to do something,” Kellogg said.

Kellogg got the reins his first year with the varsity at Northwest, where he said coach Dick Koch told him, “‘The ball is yours. This is your team.’ I was surprised. I was like, Wow! Really?’ His prep debut — a 28-point effort versus Ryan — was a sign of things to come. The thing he’s best remembered for — his marksmanship — set him apart. “He’s the best shooter I’ve ever seen. He could pull up on a dime and take that 16 to 20-foot shot. That’s where he did a lot of his damage,” said Koch. He got his initial national exposure at national invitational camps and with the Valentinos team. After the recruiting pitches began, the Parade All-American visited cadillac programs, strutting his stuff in pick up games versus top returning players.
“This is where they see what type of player you are,” he said. “When I performed well, that gave me the confidence I could play with anybody.”
Kansas proved a good fit. He ended up playing for a Hall of Fame coach in Larry Brown. He helped lead KU back to glory. He hooped two seasons with Danny Manning. More importantly, he met his wife, Latrice, a Kansas native, and the mother of their three kids. Under Brown, Kellogg learned “not only the game, but the game of life.” After two years on the bench, his turning point as a Jayhawk came in the 1984 Big Eight tournament finals against Oklahoma. The little-used soph was inserted in the lineup with about a minute left and KU trailing. “I came in and I took a shot right away and missed. Coach Brown called a time out and I got the hardest slap on my leg. It stung. I can still feel it. That woke me up. He told me what was at stake: ‘You can take this chance or you can blow it, but you can win this game.’ And in that time out I got my focus on and I ended up hitting the winning shot. That jump-started my career and put us back on the map.”
In Lawrence, Kellogg was joined by South High product Cedric Hunter, who ran the KU offense to perfection. Danny Manning is remembered as the big wheel for KU, but Kellogg was a key spoke. He twice made first team All-Big 8 and the league all-defensive team. He drained a remarkable 56 percent of his field goal tries his junior and senior years and an impressve 82.8 percent of his free throws for his career. He finished with 1,508 points, 416 rebounds and 272 assists in 130 games, averaging 17.6 and 15.9 points per game as a junior and senior, respectively.
The highlight of his collegiate days came in the 1986 Final Four at Dallas’ Reunion Arena. He scored 22 points in KU’s semifinal loss to Duke. “Playing in the Final Four was a special moment that I’ll cherish the rest of my life. It’s a big event. It’s seen around the world. You better be prepared, too, because it can be a once in a lifetime opportunity. Besides Cedric and myself, I don’t know of any other Nebraskans who’ve played in the Final Four.”
Kellogg was taken by the Atlanta Hawks in the 2nd round of the NBA draft, only to be traded to the L.A. Lakers in a package deal for his childhood idol, Mike McGee. An injury in pre-season camp prevented him from performing near his best. He was the last man cut from the roster. “From there,” he said, “I went on a rollercoaster. I played in the CBA (with the Topeka Sizzlers and Omaha Racers) and then I went overseas and played in Belgium,” where he hooked up and kicked it with his old mate, Kerry Trotter. “After a stint in Finland, I decided to settle down.”
Kerry Trotter managed what few Americans do — he played 11 years with the same European club — Briane — located just outside Brussels, Belgium. “Absolutely, it’s very unique. I had opportunities to play other places, but I liked Brussels very much. I learned to speak French and to appreciate French wines. I have dual citizenship,” he said. Cultivating a cosmopolitan life on the continent is quite a feat given Trotter and his siblings were raised in the projects by their single mother. Her insistence that they get good grades as a prerequisite for playing ball paid off when Kerry and his twin brother Kirk got scholarships to Creighton Prep. The school’s Jesuit connections led to Trotter attending Marquette.
Like Kellogg, Trotter came up on the northside’s proving grounds. “Back in the day, the Bryant Center had a league. It was legendary. Ron and I played on a summer league team there and we went like 20-0 for two summers. Man, we were just crushing people. It was great,” he said. He said he and Kellogg were well aware of the greats who came before them and were honored to be mentioned in the same breath. “We were fortunate to keep the bar raised high.”
Coming out parties for rising stars usually begin in high school, but Trotter said a grade school select team enabled he and Kellogg to showcase their talents against other hot shots in Phoenix. “We saw we could compete with them,” Trotter said. By the time they played on the Valentinos team, they were turning coaches’ and players’ heads. “They were looking at us like, ‘Nebraska? Who are these kids?’
In high school, the pair were friends and rivals. “We took it personal,” Kellogg said. “Those two really went at it,” Koch recalled. “Boy, they competed against each other. Neither one liked to lose.” Their contests were events. “Our games had to be played at the Civic so damn many people wanted to see us hoop,” Trotter said.
A combination of power and finesse, Trotter worked for what he got. “I was either in the gym all the time or at the park. I just really wanted to be that good. I had a great basketball work ethic and IQ. Growing up in the projects playing streetball and then going to a program like Creighton Prep, where it was a system, I was able to blend that together and, man, I was just knocking ‘em out. I was a player who could fill up the stat sheet — rebound, score, assist, steal.” A rare four-year starter, he was above all else a gamer. “I wanted to win a state title at Creighton Prep, because that’s what they do. I wanted to be part of that history.” He got his wish in ‘81 when his clutch free throws sealed the deal versus Benson in the finals.
The McDonalds and Parade All-American followed his heart, to Marquette, where he was a solid all-around player, posting 1,221 points, 569 boards, 369 assists and 158 steals in 116 career games. Undrafted by the NBA, Trotter found a comfortable fit for his game and his life in Belgium. He brought family members overseas to enjoy the fruits of his labors. Having his mom there, he said, was “my pay back.”
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Bill Cosby, On His Own Terms: Backstage with the Comedy Legend and Old Friend Bob Boozer

UPDATE: It is with a heavy heart I report that hoops legend Bob Boozer, whose friendship with Bill Cosby is glimpsed in this story, passed away May 19. Photographer Marlon Wright and I were in Cosby’s dressing room when Boozer appeared with a pie in hand for the comedian. As my story explains, the two went way back, as did the tradition of Boozer bringing his friend the pie. This blog also contains a profile I did of Boozer some years ago as part of my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness. For younger readers who may not know the Boozer name, he was one of the best college players ever and a very good pro. He had the distinction of playing in the NCAA Tournament, being a gold medal Olympian, and winning an NBA title.
My Bill Cosby odyssey continued in unexpected ways the first weekend in May.
After interviewing him by phone for two-plus hours in advance of his Sunday, May 6 show, I secured a face to face interview with him in his dressing room. Photographer Marlon Wright accompanied me. Only moments before our meeting, however, it appeared there would be no face time with the legend. Word of our backstage interview somehow hadn’t reached Cosby and as we walked into his Orpheum Theater dressing room he was unsuccessfuly trying to confirm things with his PR handler. That’s when I assured him I was the same reporter who had talked to him by phone at length. When he gave me a look that said, “Do you know how many reporters I talk to?” I blurted out, “I’m the remedial man,” referring to our shared past of testing into remedial English in college, something that became a recurring joke between us during that marathan phone interview. ”Why didn’t you say so?” he said, and just like that we were in.
After 15 minutes or so I was prepared to thank him for his time when an assistant came back to announce that Cosby’s old Omaha friend, Bob Boozer, who was a college All-American. Olympic gold medalist and NBA titlist, was outside. Cosby’s face lit up. Marlon and I exchanged a quick look that said, ‘Let’s stick around,” and so we did. What played out next was an intimate look at how a King of Comedy holds court before going on. Boozer brought a sweet potato pie his wife Ella baked.
Cosby was obviously touched and kidded his friend with, “I appreciate you not getting into it.” These two former athletes traded good-natured jibes about each others’ ailments and at one point Cosby placed his hands on Boozer’s knees and intoned, like a faith healer, “Heal.”
Then the assistant popped in again with memorabilia fans had brought for Cosby to sign, which he did, and not long after that a contingent from Boys Town was ushered in to meet The Cos. Family teachers Tony and Simone Jones, along with their son and nine young men who live with them, plus some BT staffers, all filed in and Cosby greeted each individually. What played out right up until his curtain call was a scene in which Cosby peppered the adults and kids with probing questions, sometimes kidding with them, sometimes dead serious with them. It turned into a mini lecture or seminar of sorts and a very cool opportunity for these young people, who might as well have been The Cosby Kids from Fat Albert or from his family sit-coms.
By the time we all said goodbye our expected 15 minutes with Cosby had turned into 45 minutes and we’d gotten a neat glimpse into how relaxed and down to earth the entertainer is and just how well and warmly he interacts with people. I stayed for the show of course and it was more of the same, only a more animated Cosby was revealed.
©photo by Marlon Wright, mawphotography.net
Bill Cosby, On His Own Terms: Backstage with the Comedy Legend and Old Friend Bob Boozer
©by Leo Adam Biga
Soon to appear in the New Horizons
Holding court in his Orpheum Theater dressing room before his May 6 Omaha show, comedy legend Bill Cosby was thoroughly, authentically, well, Bill Cosby.
The living legend exuded the easy banter, sharp observations and occasional bluster that defines his comedic brand. He was variously lovable curmudgeon, cantankerous sage and mischievous child.
He appeared tired, having played Peoria just the night before, but his energy soared the more the room filled up.
With his concert start nearing and him blissfully unaware of the time, he played host to this reporter, photographer Marlon Writght, old chum Bob Boozer and the family teachers and youth residents of a Boys Town family home.
By turns Cosby was entertainer, lecturer, father-figure and cut-up as he shook hands, autographed items and told stories.
He’s made the world laugh for 50 years now as a standup comedian, though these days he performs sitting down. He said colleagues of his, including jazz musician Eubie Blake, have accused him of not having an act. Cosby simply tells stories, with occasional clips from his TV shows projected on an overhead screen.
“Eubie wasn’t angry when he said it, he was just jealous. He’s from the days of vaudeville where guys had set ups and then the punchline,” said Cosby. “I think he was looking for the set up and the punchline and all I was doing was the same thing when he’s at my house.”
By that Cosby means talking. He talks about everything and nothing at all. His genius is that he makes none of it seem designed, though his stories are based on written material he writes himself. What makes his riffs seem extemporaneous is his impromptu, conversational delivery, complete with pauses, asides and digressions, just like in real life. Then there are the hilarious faces, voices and sounds he makes to animate his stories. What sets him apart from just anyone talking, he said, “is the performance in the storytelling.”
His enduring appeal is his persona as friend or neighbor, and these days uncle or grandfather, regaling us with tales of familiar foibles. He invites us to laugh at ourselves through the prism of true-to-life missteps and adventures in growing up, courting, parenting and endless other touchstone experiences. Making light of the universal human condition makes his humor accessible to audiences of any age or background.
“That’s the whole idea of the writing – everybody identifying with it,” he said.
That’s been his approach ever since he began taking writing seriously as a student at Temple University in his native Philadelphia. He found his voice as a humanist observer while penning creative writing compositions for class.
“I was writing about the human experience. Who told me to do it? Nobody. I just wrote it. Was I trying to be funny? No. Was I reading any authors who inspired me? No.”
It’s not exactly true he didn’t have influences. His mother read Mark Twain to him and his younger brothers when he was young. Just as she could spin a yarn or two, he was himself a born storyteller amusing friends and teachers. He also admired such television comics as Sid Caesar and Jack Benny, among many others, he drew on to shape his comic alter ego.
He may never have done anything with his gifts if not for a series of events that turned his life around. The high school drop out earned his GED, went to college, then left early to embark on his career, but famously returned to not only finish his bachelor’s degree but to go on and earn a master’s and a Ed.D in education.

He’s sreceived numerous honorary degrees and awards, including the Kennedy Center Honor, the Presidential Medal of Freedom and The Mark Twain Prize for American Humor. There have been dark days too. His only son Ennis was murdered in 1997. The comic’s alleged infidelity made headlines.
Through it all, he’s made education his cause, both as advocate and critic. His unsparing views on education and parenting have drawn strong criticism from some but he hasn’t let the push back silence him.
He said growing up in a Philadelphia public housing project he was a bright but indifferent student, devoting more time to sports and hanging out than studying. He recalls only two teachers showing real interest in him.
“I wasn’t truant, I just didn’t care about doing anything. I was just there, man. I was still in the 11th grade at age 19.”
He describes what happened next as “divine intervention.” The high school drop-out joined the U.S. Navy., Cosby hated it at first. “That was a very rude epiphany.” He stuck it out though, working as a medical aide aboard several ships, and obtained his high school equivalency. “I spent four years revamping myself.”
He marveled a GED could get him into college. Despite awful test scores Temple University accepted him on an athletic scholarship in 1960.
“I was the happiest 23-year-old in the world. They put me in remedial everything and I knew I deserved it and I knew I was ready to work for it. I knew what I wanted to be and do. I wanted to become a school teacher. I wanted to jump those 7th and 8th grade boys who had this same idea I had of just sitting there in class.
“Being in remedial English, with the goal set, that’s the thing that began to make who I am now.”
Fully engaged in schoolwork for the first time, he threw himself into creative writing assignments. He wrote about pulling his own tooth as a kid and the elusive perfect point in sharpening a pencil.
The day dreaming that once hampered his studies became his ticket to fame. He said the idea for one of his popular early bits, “The Toss of the Coin,” came during Dr. Barnett’s American History class at Temple.
“I began to drift as he was talking about the Revolutionary War.”
Cosby imagined war as a sporting contest with referees, complete with captains from each team – the ragtag settlers and the professional British army. A coin toss decided sides. In the bit the referee instructs the settlers, “You will wear fur hats and blend into the forest and hide behind rocks and trees.” To the Red Coats, the referee says, “You will wear red and march in a straight line and play drums.”
The day dreams that used to land him in trouble were getting him noticed in the rights way. He recalls the impact it made when the professor held up his papers as shining examples and read them aloud in class to appreciative laughter.
“That was the kickoff. That’s when my mind started to go into another area of, Yes you can do, and I began to think, Gee whiz, I could write for comedians. And all my life from age 23 on, I was born again…in terms of what education and the value is. To study, to do something and be proud of it – an assignment.”
He’s well aware his life could have been quite different.
“Had it not been for the positive influence of this professor, without him reading that out loud and my hearing the class laugh, who knows, I may be at this age a retired gym teacher, well loved by some of his students.”
While a Temple student he worked at a coffee house and he first performed his humorous stories there. Then he began filling in for the house comic at a Philly club and warming-up the audience of a local live radio show.

Those early gigs helped him arrive at his signature style.
“When I was looking for that style I saw it a Chinese restaurant. It was a party of eight white people and there was a fellow talking and everybody was just laughing. Women were folding napkins up to cover their faces. This was not a professional performer. Upon analyzing it I noted three things. First of all, he’s a friend of the other seven. Secondly, he’s talking about something they all know that happened. Thirdly, it happened to him and they are enjoying listening to his experience from his viewpoint
“And so I decided that’s who I want to be, that’s the style, because my storytelling is the same thing, whether I’m talking about pulling my own tooth or sharpening a pencil until it’s nothing but metal and rubber.”
Or the vicissitudes of being a father or son.
Not everyone recognized Cosby’s talents.
“I showed this comedian working in a nightclub a thing I wrote about Clark Kent changing clothes in a phone booth. In the bit a cop shows up and says, ‘What are you doings?’ and Kent says, ‘I”m changing clothes into Superman,’ and the cop says, Look, come out of there.’ ‘No, I’m Superman, can’t you see this red S on my chest?’ And the cop says, ‘You’re going to have a red S and a black eye.’ The comic read it and said, ‘This is not funny’ Within a couple years it was on my first album.”
Cosby ventured to New York City and followed the stand-up circuit. Then came his big break on The Tonight Show. Sold out gigs and Grammy-winning recordings followed.
Along with Dick Gregory, Nipsey Russell and Godfrey Cambridge, Cosby was among a select group of black comics who crossed over to give white audiences permission to laugh at themselves. None enjoyed the breakout success of Cosby. Without his opening the doors, Flip Wilson, Richard Pryor and Eddie Murphy would have found it more difficult to enjoy their mainstream acceptance.
“I would imagine it was something brand new for an awful lot of people – to see this black person talking and making a connection and laughing because, Yeah, that happened to me.”
The iconic comic’s raconteur style has translated to best selling albums and books, where he mines his favorite themes of family, fatherhood and children. His warm, witty approach has made him a television and film star.
In his dressing room he appeared fit and comfortable in the same simple, informal attire he wore on stage: gray sweatshirt with the words Thank You printed on it and gray sweatpants with a draw string. The only thing missing from his stage outfit was his flip-flops. He spoke to us in his socks.
Totally in his element, with light bulb-studded mirrors, a soft leather sofa and bottles of Perrier water within easy reach, he captivated the audience of two dozen inside the dressing room just as expertly as he did the 1,500 souls in the auditorium.
For a few minutes photographer Marlon Wright and I had The Cos all to ourselves.
Two weeks earlier I conducted a long phone interview with the comic in which he discussed the “born again” experience that led to his path as a writer-performer. We hit it off and I struck a real chord when I shared that, like him, I tested into remedial English as a college freshman.
“Hey, man, we’re remedial,” became our running private joke.
He agreed to a photo shoot. Only when Marlon and I arrived at the Orpheum his aide informed us the appointment wasn’t booked on “Mr. Cosby’s” schedule. Escorted to his dressing room, I found Cosby trying to reach his publicist to confirm things. I reminded him of our phone interview from a couple weeks back and he shot me an exasperated look that said, Do you know how many reporters I talk to?
Determined not to blow this opportunity, I blurted out, “I’m the remedial man.” “Oh, why didn’t you say so?” he said, smiling broadly and inviting me to sit down. Just then, the phone rang. It was the PR person he’d tried earlier. “Yes, yes, I got him here.” he told her. “He finally said the key word, remedial, so I let him in.”
In the weeks preceding his concert Cosby did a local media blitz to try and boost lagging ticket sales. Sitting across from him in his dressing room, less than an hour before his performance, he expressed disappointment at the low number of tickets sold but pragmatically attributed it to the show’s 2 p.m. Sunday slot.
Asked what it is that still drives him to continue performing at age 74 and he answered, “I am still in the business. I’m still thinking, I’m still writing, I’m still performing extraordinarily well, and in a master sense.” It echoed something he said by phone about going on stage with a plan but being crafty enough to go where his instincts take him.
“Once I pass that threshold from those curtains to come out and sit down I know what I would like to do but I keep it wide open. I don’t know which way it’s going to shift, and a part of it has to do with the audience and the other part has to do with me – where am I at that time and what’s the brain connecting with in terms of being excited about something.
“I did a show in Tyler, Texas and I started out with enthusiasm talking about something and then I didn’t like what I was doing and I shifted the material to nontrends to trends until finally they began to click in. In other words, some audiences are and are not, and you have to go out there and find that, find what keeps and what works. It’s 50 years now. I know exactly where to mine and what to do.”


He knows he’ll eventually hit the sweet spots. As an American Instiution he has the luxury too of having audiences in the palm of his hand.
“Now, we already have a relationship that’s wonderful because people already know I’m funny, so there’s no guessing there, but on a given day, they are or they aren’t. Are they trusting you? Do I feel that way? It’s very complex but because I’m a master at it I think you want me in that driver’s seat to turn you on.”
It takes confidence, even courage to go out on that stage.
“Yes sir, and you need that, no matter what, I don’t care if you’re a driving instructor or what. If your confidence goes bad in comedy…” he said, his voice trailing off at the thought. “Whether you’re writing or getting ready to perform or sitting with friends and talking you have to have that confidence.”
He can’t conceive of slowing down when he still has the physical energy and mental edge to perform in peak fashion. Besides, he pointed out he’s not alone pursuing the comic craft at his age. Don Rickles, Bob Newhart, Mort Sahl. Bill Dana, Dick Gregory, Dick Cavett and Joan Rivers are older yet and still performing at the top of their game.
He said he fully intends returning to Omaha and selling out next time.
“So there I am talking about coming back – see?”
Besides, comics never retire unless their mind goes or body fails. The way he looks, Cosby might be at this for decades more.
Asked if he has any favorite routines or rituals backstage, he said aside from resting and signing memorabilia, he generally does what’s made him famous – talk. He bends the ears and tickles the funny bones of theater staffers, promoters, personal assistants, friends, acquaintances, fans.
Then, as if on cue, his aide Daniel popped in to say Bob Boozer was outside. Cosby immediately lit up, saying, “Ahhhh, all right, bring Bobby in and tell him he cannot come in without my you know what.” Boozer, the hoops legend, lumbered in bearing a sweet potato pie his wife Ella baked.
“Here’s Ella’s contribution to 2012 Cosby,” Boozer said handing the prized dessert to Cosby, who accepted it with a covetous grin that would do Fat Albert proud.
“I appreciate that you didn’t get in it,” Cosby teased Boozer, who for decades has made a tradition of bringing the entertainer Ella’s home-made sweet potato pie whenever he performs here.
Boozer confided later, “He loves it. I never will forget one time at Ak-Sar-Ben he had the pie on-stage with him and somebody in the crowd asked if they could get a slice, and he he draped his arms over it and said, ‘Heavens no, this pie is going back on the plane with me…’”
The two men go way back, to when Boozer played for the Los Angeles Lakers and Cosby was shooting I Spy. A teammate of Boozer’s, Walt Hazzard, was a Philly native like Cosby and Hazzard introduced Cos to Boozer and they hit it off.
A coterie of black athletes and entertainers would gather at Cosby’s west coast pad for marathon rounds of the card game Bid Whist and free-flowing discussions.
“We usually would have a hilarious time,” Boozer recalled.
When the Lakers were on the road and Cosby was performing in the same town Boozer said he, Hazzard and Co. “would always show up at his performances and visit with him about old times and that kind of thing.”
Together again at the Orpheum the pair reminisced. They share much in common as black men of the same age who helped integrate different spheres of American culture. They were both athletes, though at vastly different levels. Cosby was a fair track and field competitor in high school, the U.S. Navy and at Temple University. Boozer was an all-state basketball player at Omaha Tech High, an All-American at Kansas State, a member of the 1960 gold medal-winning U.S, Olympic team and the 6th man for the 1971 NBA champion Milwaukee Bucks.
When Boozer entered the then-fledgling National Basketball Association in 1960 blacks were still a rarity in the league. When he retired in ’71 he became one of the first black corporate executives in his hometown of Omaha at Northwestern Bell.
Cosby’s such a staple today that it’s easy to forget he helped usher in a soft revolution. At the same time his good friend Sidney Poitier was opening doors for African-Americans on the big screen, Cosby did the same on the small screen. He became the first black leading man on network TV when he teamed with Robert Culp in the groundbreaking episodic series, I Spy (1965-1968).
Cosby broke more ground with his TV specials, talk-variety show appearances and his innovative educational children’s program, The Electric Company (1971-1973). He was the first black man to headline his own series, The Cosby Show (1969-1971). But it was his second sit-com, also called The Cosby Show (1984-1992), that became a national sensation for its popular, positive portrayals of black family life. The series made Cosby a fortune and a beloved national figure.
The two men have know each other through ups and downs. So when these two old war horses reunite there’s an unspoken rapport that transcends time.
Like any ex-athletes of a certain age they live with aches and pains. At one point Cosby placed his hands on Boozer’s knees and intoned, “Heal, heal.” Later, I asked Boozer if it did any good, and he said, “No, I wish it would though.”
Pie wasn’t the only thing Boozer brought that day. The Nebraska Board of Parole member volunteers with youth at Boys Town. A family home there he’s become particularly “attached to” is headed by family teachers Tony and Simone Jones, who at Boozer’s invitation arrived with the nine boys that live with them. Cosby went down the half-circle line of boys one by one to meet them – clasping hands, getting their names, asking questions, horsing around.

Cosby with words of wisdom for Carvel Jones
Boozer and Cosby listening to Boys Town guests, ©photos by Marlon Wright, mawphotography.net
When told that Tony and Simone are in charge of them all Cosby saw a teachable moment and asked, “You live with them? Why? You were not drafted to look after these boys. OK, then tell me, why are you living there with them?”
“Because we feel it’s our responsibility to take care of the kids, not only our own youth but youth in society,” said Simone.
“But what made that a responsibility for you? They’re not your children,” probed Cosby.
Tony next gave it a try, saying, “Mr. Cosby I’ll answer just very simply: My mom passed when I was 12 years old, and I went to Boys Town to live…” Cosby erupted with, “Oh, really! Now you’re starting to tell me stories, you see what I’m talking about (to the boys), you guys understand me? Huh?” Several of the boys nodded yes. “The story is coming, huh? What did Boys Town do for him?” Cosby asked them. One boy said, “Helped him out, gave him a place to stay.” Another said, “Gave him a second chance.”
“Well, more than a second chance,” Cosby replied. “it took care of him,” a boy offered. “And made him take care of himself, because you can see he’s eating well,” Cosby teased the stout Jones. “And that’s why he’s living with you now – he’s trying to build you,” Cosby told the kids.

The conversation then turned to what Cosby called “the hard knock life” these kids come from. He noted that youth today confront different challenges than what he or Boozer faced growing up and that Boys Town provides healthy mediation.
“We lived with our biological parents. Now my father drank too much and said he didn’t want any responsibility, which left the whole job on my mother, so we lived in a housing project. Yet we didn’t have the pressures these guys have, the insanity that exists today, and by insanity I mean not normal. Yes, there is a normal. What is normal? Normal is, ‘Don’t do that’ – ‘OK.’ Abnormal is, ‘Don’t do that.’ ‘No, I’m going to do it because you said don’t do it.’
“When I was coming up we didn’t have Omaha, Neb. ranked high in teenage boys murdering each other. Am I making sense? We didn’t have the guns being placed in our neighborhoods. We had guys who made guns but you had better than a 70-30 chance that gun would blow up in his hands. But now we have real guns and good ones too. It’s in the home.”
Cosby said it comes down to caring and making good choices.
“The first black to score a point in the NBA, Earl Lloyd, wrote a book and he tells the story of being 14-15 years old and he comes home and his mother says, ‘Where’ve you been?’ He’s stammering, he knows he’s caught with something, avoiding telling her he’s been in a place she doesn’t want him. She says, ‘You were with those boys on that corner.’ and he says, ‘But Mama, I wasn’t doing anything.’ And his mother says, ‘If you’re not in the picture, you cant be framed,’ and if you don’t understand what I just said someone will explain it to you.
“But the idea is where are these boys coming from and what places they may have to get to. There’s a place called Girard College in my hometown. You need to look it up. Forty-three acres. I call it the 10th Wonder of the World.”
The college, where Cosby gave the commencement speech last year, has a largely African-American student enrollment and graduates a high percentage of its students, most of whom come from at-risk circumstances. He said it’s a shining example of what can be.
“What’s missing in this society for black people and people of color is to own something, a small business to build upon. Many of you because of your color you will get the feeling, Yeah I can study and I can be but once I step away from college and go outside of that there are too many people that look at my color and listen to my language and they wont really welcome me. And all of you here know exactly what that feels like.”
Then, turning to Tony and Simone and referring to the boys, he said, “We’ve got to do more with fellows like these for them to do shadowing, to find business people willing to allow the boys to not go get coffee or to tie their shoes but to shadow, and it can happen in hospitals, it can happen in factories, businesses, so that these young males begin to understand what they can do.”
Cosby clearly admires the difference that adults like Tony and Simone make, saying he can see “the joy of these boys knowing that you guys care.”
“It’s about showing them the possibilities,” said Simone.
And with that, the legend bid his guests goodbye. As the entourage filed out with smiles, handshakes and break-a-leg well wishes this reporter was reminded of what Cosby said about the possibilities he began to see for himself once his college English professor took notice.
“I knew I was on track with what I wanted to do.”
Things have come full circle now and Cosby embraces the each-one-to-teach-one position of inspiring young people to live their dreams, to realize their potential.
“Hey, hey, hey…”
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- Did Bill Cosby change how America views African American families? (tammymv.wordpress.com)
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Closing Installment from My Series Out to Win: The Roots of Greatness, An Exploration of Omaha’s Black Sports Legends
Here is the closing installment from my 2004-2005 series, Out to Win: The Roots of Greatness, An Exploration of Omaha’s Black Sports Legends. In this and in the recently posted opening installment I try laying out the scope of achievements that distinguishes this group of athletes, the way that sports provided advancement opportunities for these individuals that may otherwise have eluded them, and the close-knit cultural and community bonds that enveloped the neighborhoods they grew up in. It was a pleasure doing the series and getting to meet legends Bob Gibson, Bob Boozer, Gale Sayers, Ron Boone, Marlin Briscoe, Johnny Rodgers, et cetera. I learned a lot working on the project, mostly an appreciation for these athletes’ individual and collective achievements. You’ll find most every installment from the series on this blog, including profiles of the athletes and coaches I interviewed for the project. The remaining installments not posted yet soon will be.

Closing Installment from My Series Out to Win: The Roots of Greatness, An Appreciation of Omaha’s Black Sports Legends
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
Any consideration of Omaha’s inner city athletic renaissance from the 1950s through the 1970s must address how so many accomplished sports figures, including some genuine legends, sprang from such a small place over so short a span of time and why seemingly fewer premier athletes come out of the hood today. As with African-American urban centers elsewhere, Omaha’s inner city core saw black athletes come to the fore, like other minority groups did before them, in using sports as an outlet for self-expression and as a gateway to more opportunity.
As part of an ongoing OWR series exploring Omaha’s Black Sports Legends, this installment looks at the conditions and attitudes that once gave rise to a singular culture of athletic achievement here that is less prevalent in the current feel-good, anything-goes environment of plenty and World Wide Web connectivity.
The legends and fellow ex-jocks interviewed for this series mostly agree on the reasons why smaller numbers of youths these days possess the right stuff. It’s not so much a lack of athletic ability, observers say, but a matter of fewer kids willing to pay the price in an age when sports is not the only option for advancement. The contention is that, on average, kids are neither prepared nor inclined to make the commitment and sacrifice necessary to realize, much less pursue, their athletic potential when less demanding avenues to success abound.
“Kids today are changed — their attitudes about authority and everything else,” says Major League Baseball Hall of Fame pitcher Bob Gibson, an Omaha Tech High grad who grew up in the late’40s-early ‘50s under the stern but steady hand of coaches like his older brother, Josh. “They’re like, I’m not going to let somebody tell me what to do, where we had no problem with that in our day.”

Gibson says coaches like Josh, a bona fide legend on the north side, used to be viewed as an extension of the family, serving, “first of all,” as “a father figure,” or as Clarence Mercer, a top Tech swimmer, puts it, as “a big brother,” providing discipline and direction to that era’s at-risk kids, many from broken homes.
Josh Gibson, along with other strong blacks working as coaches, physical education instructors and youth recreation directors in that era, including Marty Thomas, John Butler, Alice Wilson and Bob Rose, are recalled as superb leaders and builders of young people. All had a hand in shaping Omaha’s sports legends of the hood, but perhaps none more so than Gibson, who, from the 1940s until the 1960s, coached touring baseball-basketball teams out of the North Omaha Y. “Josh was instrumental in training most of these guys. He was into children, and into developing children. He carried a lot of respect. If you cursed or if you didn’t do what he wanted you to do or you didn’t make yourself a better person, than you couldn’t play for him,” says John Nared, a late ‘50s-early ’60s Central High-NU hoops star who played under Gibson on the High Y Monarchs and High Y Travelers. “He didn’t want you running around doing what bad kids did. When you came to the YMCA, you were darn near a model child because Josh knew your mother and father and he kept his finger on the pulse. When you got in trouble at the Y, you got in trouble at home.”
Old-timers note a sea change in the way youths are handled today, especially the lack of discipline that parents and coaches seem unwilling or unable to instill in kids. “You see young girls walking around with their stuff hanging out and boys bagging it with their pants around their ankles. In our time, there were certain things you had to do and it was enforced from your family right on down,” says Milton Moore, a track man at Central in the late ‘50s.
The biggest difference between then and now, says former three-sport Tech star and longtime North Omaha Boys Club coach Lonnie McIntosh, is the disconnected, permissive way youths grow up. Where, in the past, he says, kids could count on a parent or aunt or neighbor always being home, youths today are often on their own, in a latchkey home, isolated in their own little worlds of self-indulgence.
“What’s missing is a sense of family. People living on the same street may not even know each other. Parents may not know who their kids are running with. In our day, we all knew each other. We were a family. We would walk to school together. Although we competed hard against one another, we all pulled for one another. Our parents knew where we were,” McIntosh says.
“There were no discipline problems with young people in those days,” Mercer adds somewhat apocryphally.
Former Central athlete Jim Morrison says there isn’t the cohesion of the past. “The near north side was a community then. The word community means people are of one mind and one accord and they commune together.” “There’s no such thing as a black community anymore,” adds John Nared. “The black community is spread out. Kids are everywhere. Economics plays a part in this. A lot of mothers don’t have husbands and can’t afford to buy their kids the athletic shoes to play hoops or to send their kids to basketball camps. Some of the kids are selling drugs. They don’t want a future. We wanted to make something out of our lives because we didn’t want to disappoint our parents.”


The close communion of days gone by, says Nared, played out in many ways. Young blacks were encouraged to stay on track by an extended, informal support system operating in the hood. “The near north side was a very small community then…so small that everybody knew each other.” In what was the epitome of the it-takes-a-village-to-raise-a-child concept, he says the hood was a community within a community where everybody looked out for everybody else and where, decades before the Million Man March, strong black men took a hand in steering young black males. He fondly recalls a gallery of mentors along North 24th Street.
“Oh, we had a bunch of role models. John Butler, who ran the YMCA. Josh Gibson. Bob Gibson. Bob Boozer. Curtis Evans, who ran the Tuxedo Pool Hall. Hardy “Beans” Meeks, who ran the shoe shine parlor. Mr. (Marcus “Mac”) McGee and Mr. (James) Bailey who ran the Tuxedo Barbershop. All of these guys had influence in my life. All of ‘em. And it wasn’t just about sports. It was about developing me. Mr. Meenks gave a lot of us guys jobs. In the morning, when I’d come around the corner to go to school, these gentlemen would holler out the door, ‘You better go up there and learn something today.’ or ‘When you get done with school, come see me.’
“Let me give you an example. Curtis Evans, who ran the pool hall, would tell me to come by after school. ‘So, I’d…come by, and he’d have a pair of shoes to go to the shoe shine parlor and some shirts to go to the laundry, and he’d give me two dollars. Mr. Bailey used to give me free haircuts…just to talk. ‘How ya doin’ in school? You got some money in your pocket?’ I didn’t realize what they were doing until I got older. They were keeping me out of trouble. Giving me some lunch money so I could go to school and make something of myself. It was about developing young men. They took the time.”
Beyond shopkeepers, wise counsel came from Charles Washington, a reporter-activist with a big heart, and Bobby Fromkin, a flashy lawyer with a taste for the high life. Each sports buff befriended many athletes. Washington opened his humble home, thin wallet and expansive mind to everyone from Ron Boone to Johnny Rodgers, who says he “learned a lot from him about helping the community.” In hanging with Fromkin, Rodgers says he picked-up his sense of “style” and “class.”

Super athletes like Nared got special attention from these wise men who, following the African-American tradition of — “each one, to teach one” — recognized that if these young pups got good grades their athletic talent could take them far — maybe to college. In this way, sports held the promise of rich rewards. “The reason why most blacks in that era played sports is that in school then the counselors talked about what jobs were available for you and they were saying, ‘You’ll be a janitor,’ or something like that. There weren’t too many job opportunities for blacks. And so you started thinking about playing sports as a way to get to college and get a better job,” Nared says.
Growing up at a time when blacks were denied equal rights and afforded few chances, Bob Gibson and his crew saw athletics as a means to an end. “Oh, yeah, because otherwise you didn’t really have a lot to look forward to after you got out of school,” he says. “The only black people you knew of that went anywhere were athletes like Joe Louis and Jackie Robinson or entertainers.” Bob had to look no further than his older brother, Josh, to see how doors were closed to minorities. The holder of a master’s degree in education as well as a sterling reputation as a coach, Josh could still not get on with the Omaha Public Schools as a high school teacher-coach due to prevailing hiring policies then.
“Back in the ‘50s and early ‘60s the racial climate was such we had nothing else to really look forward to except to excel as black athletes,” says Marlin Briscoe, the Omaha South High School grad who made small college All-America at then-Omaha University and went on to be the NFL’s first black quarterback. “We were told, ‘You can’t do anything with your life other than work in the packing house.’ We grew up seeing on TV black people getting hosed down and clubbed and bitten by dogs and not being able to go to school. So, sports became a way to better ourselves and hopefully bypass the packing house and go to college.”



Besides, Nared, says, it wasn’t like there was much else for black youths to do. “Back when we were coming up we didn’t have computers, we didn’t have this, we didn’t have that. The only joy we could have was beating somebody’s ass in sports. One basketball would entertain 10 people. One football would entertain 22 people. It was very competitive, too. In the neighborhood, everybody had talent. We played every day, too. So, you honed in on your talents when you did it every day. That’s why we produced great athletes.”
With the advent of so many more activities and advantages, Gibson says contemporary blacks inhabit a far richer playing ground than he and his buddies ever had, leaving sports only one of many options. “In our time, if you wanted to get ahead and to get away from the ghetto or the projects, you were going to be an athlete, but I don’t know if that’s been the same since then. I think kids’ interests are other places now. There’s all kinds of other stuff to think about and there’s all kinds of other problems they have that we never had. They can do a lot of things that we couldn’t do back then or didn’t even think of doing.”
Milton Moore adds, “It used to be you couldn’t be everything you were, but you could be a baseball player or you could be a football player. Now, you can be anything you want to be. Kids have more opportunities, along with distractions.”
Ron Boone, an Omaha Tech grad who went to become the iron man of pro hoops by playing in all 1,041 games of his combined 13-year ABA-NBA career, finds irony in the fact that with the proliferation of strength training programs and basketball camps “the opportunities to become very good players are better now than they were for us back then,” yet there are fewer guys today who can “flat out play.” He says this seeming contradiction may be explained by less intense competition now than what he experienced back in the day, when everyone with an ounce of game wanted to show their stuff and use it as a steppingstone.
If not for the athletic scholarships they received, many black sports stars of the past would simply not have gone on to college because they were too poor to even try. In the case of Bob Gibson, his talent on the diamond and on the basketball court landed him at Creighton University, where Josh did his graduate work.
By the time Briscoe and company came along in the early ‘60s, they made role models of figures like Gibson and fellow Tech hoops star Bob Boozer, who parlayed their athletic talent into college educations and pro sports careers. “When Boozer went to Kansas State and Gibson to Creighton, that next generation — my generation — started thinking, If I can get good enough…I can get a scholarship to college so I can take care of my mom. That’s the way all of us thought, and it just so happened some of us had the ability to go to the next level.”
Young athletes of the inner city still use sports as an entry to college. The talent pool may or may not be what it was in urban Omaha’s heyday but, if not, than it’s likely because many kids have more than just sports to latch onto now, not because they can’t play. At inner city schools, blacks continue to make up a disproportionately high percentage of the starters in the two major team sports — football and basketball. The one major team sport that’s seen a huge drop-off in participation by blacks is baseball, a near extinct sport in urban America the past few decades due to the high cost of equipment, the lack of playing fields and the perception of the game as a slow, uncool, old-fashioned, tradition-bound bore.
Carl Wright, a football-track athlete at Tech in the ‘50s and a veteran youth coach with the Boys Club and North High, sees good and bad in the kids he still works with today. “There’s a big change in these kids now. I’ll tell a kid, ‘Take a lap,’ and he’ll go, ‘I don’t want to take no lap,’ and he’ll go home and not look back. I’ve seen kids with talent that can never get to practice on time, so I kick them off the team and it doesn’t mean anything to them. They’ve got so much talent, but they don’t exploit it. They don’t use it, and it doesn’t seem to bother them.”
On the other hand, he says, most kids still respond to discipline when it’s applied. “I know one thing, you can tell a kid, no, and he’ll respect you. You just tell him that word, when everybody else is telling him, yes, and they get to feeling, Well, he cares about me, and they start falling into place. There’s really some good kids out there, but they just need guidance. Tough love.”
Tough love. That was the old-school way. A strict training regimen, a heavy dose of fundamentals, a my-way-or-the-highway credo and a close-knit community looking out for kids’ best interests. It worked, too. It still works today, only kids now have more than sports to use as their avenue to success.



Related articles
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- Omaha Hoops Legend John C. Johnson: Fierce Determination Tested by Repeated Run-Ins with the Law (leoadambiga.wordpress.com)
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- One Peach of a Pitcher: Peaches James Leaves Enduring Legacy in the Circle as a Nebraska Softball Legend (leoadambiga.wordpress.com)
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Opening Installment from My Series Out to Win: The Roots of Greatness, An Exploration of Omaha’s Black Sports Legends
Here is the opening installment from my 2004-2005 series, Out to Win: The Roots of Greatness, An Exploration of Omaha’s Black Sports Legends. Look for the closing installment in a separate post. In these two pieces I try laying out the scope of achievements that distinguishes this group of athletes, the way that sports provided advancement opportunities for these individuals that may otherwise have eluded them, and the close-knit cultural and community bonds that enveloped the neighborhoods they grew up in. It was a pleasure doing the series and getting to meet legends Bob Gibson, Bob Boozer, Gale Sayers, Ron Boone, Marlin Briscoe, Johnny Rodgers, et cetera. I learned a lot working on the project, mostly an appreciation for these athletes’ individual and collective achievements. You’ll find most every installment from the series on this blog, including profiles of the athletes and coaches I interviewed for the project. The remaining installments not posted yet soon will be.

Opening Installment from My Series Out to Win: The Roots of Greatness, An Exploration of Omaha’s Black Sports Legends
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
Omaha’s African American community has produced a heritage rich in achievement across many fields, but none more dramatic than in sports, Despite a comparatively small populace, black Omaha rightly claims a legacy of athletic excellence in the form of legends who’ve achieved greatness at many levels, in a variety of sports, over many eras.
These athletes aren’t simply neighborhood or college legends – their legacies loom large. Each is a compelling story in the grand tale of Omaha’s inner city, both north and south. The list includes: Bob Gibson, a major league baseball Hall of Famer. Bob Boozer, a member of Olympic gold medal and NBA championship teams. NFL Hall of Famer Gale Sayers. Marlin Briscoe, the NFL’s first black quarterback. Heisman Trophy winner Johnny Rodgers. Pro hoops “iron man” Ron Boone. Champion wrestling coach Don Benning
“Some phenomenal athletic accomplishments have come out of here, and no one’s ever really tied it all together. It’s a huge story. Not only did these athletes come out of here and play, they lasted a long time and they made significant contributions to a diversity of college and professional sports,” said Briscoe, a Southside product. “I mean, per capita, there’s probably never been this many quality athletes to come out of one neighborhood.”
An astounding concentration of athletic prowess emerged in a few square miles roughly bounded north to south, from Ames Avenue to Lake Street, and east to west from about 16th to 36th. Across town, in south Omaha, a smaller but no less distinguished group came of age.
“You just had a wealth of talent then,” said Lonnie McIntosh, a teammate of Gibson and Boozer at Tech High.
Many inner city athletes resided in public housing projects. Before school desegregation dispersed students citywide, blacks attended one of four public high schools – North, Tech, Central or South. It was a small world.
During a Golden Era from the end of World War II to the mid-1970s, all manner of brilliant talents, including future all-time greats, butted heads and rubbed shoulders on the same playing fields and courts of their youth, pushing each other to new heights. It was a time when youths competed in several sports instead of specializing in one.
“In those days, everybody did everything,” said McIntosh, who participated in football, basketball and track.

Many were friends, schoolmates and neighbors, often living within a few doors or blocks of each other. It was an insular, intense, tight-knit athletic community that formed a year-round training camp, proving ground and mutual admiration society all rolled into one.
“In the inner city, we basically marveled at each other’s abilities. There were a lot of great ballplayers. All the inner city athletes were always playing ball, all day long and all night long,” said Boozer, the best player not in the college hoops hall of fame. “Man, that was a breeding ground. We encouraged each other and rooted for each other. Some of the older athletes worked with young guys like me and showed us different techniques. It was all about making us better ballplayers.”
NFL legend Gale Sayers said, “No doubt about it, we fed off one another. We saw other people doing well and we wanted to do just as well.”
The older legends inspired legends-to-be like Briscoe.
“We’d hear great stories about these guys and their athletic abilities and as young players we wanted to step up to that level,” he said “They were older and successful, and as little kids we looked up to those guys and wanted to emulate them and be a part of the tradition and the reputation that goes with it.”
The impact of the older athletes on the youngsters was considerable.
“When Boozer went to Kansas State and Gibson to Creighton, that next generation – my generation – started thinking, ‘If I can get good enough, I can get a scholarship to college so I can take care of my mom‚’” Briscoe said. “That’s the way all of us thought, and it just so happened some of us had the ability to go to the next level.”

With that next level came a new sense of possibility for younger athletes.
“It got to the point where we didn’t think anything was impossible,” Johnny Rodgers said. “It was all possible. It was almost supposed to happen. We were like, If they did it, we can do it, too. We were all in this thing together.”
In the ’50s and ’60s, two storied tackle football games in the hood, the annual Turkey and Cold Bowls, were contested at Burdette Field over the Thanksgiving and Christmas holidays. Drawing players of all ages, they were no-pads, take-no-prisoners rumbles where adolescent prodigies like Gale Sayers and Johnny Rodgers competed against grown men in an athletic milieu rich with past, present and future stars.
“They let us play ball with them because we were good enough to play,” Rodgers said. “None of us were known nationally then. It really was gratifying as the years went on to see how guys went on and did something.”
When Rodgers gained national prominence, he sensed kids “got the same experience seeing me as I got seeing those legends.”

Among the early legends that Rodgers idolized was Bob Gibson. Gibson gives Omaha a special sports cachét. He’s the real thing — a major league baseball Hall of Famer, World Series hero and Cy Young Award winner. The former St. Louis Cardinal pitcher was among the most dominant hurlers, intense competitors and big game performers who ever played. Jim Morrison, a teammate on the High Y Monarchs coached by Bob’s brother, Josh, recalled how strong Gibson was.
“He threw so hard, we called it a radio ball. You couldn’t see it coming. You just heard it.”
Morrison said Gibson exhibited his famous ferocity early on.
“On the sideline, Bob could be sweet as honey, but when he got on the mound you were in big trouble. I don’t care who you were, you were in big trouble,” he said.
Gibson was also a gifted basketball player, as Boozer, a teammate for a short time at Tech and with the Travelers, attested.
“He was a finer basketball player than baseball player. He could play. He could get up and hang,” Boozer said.
Gibson starred on the court for the hometown Creighton University Bluejays, then played with the Harlem Globetrotters for a year, but it was only after being denied a chance with the NBA that he made baseball his life. Gibson’s all-around athleticism and fierce game face was aided and abetted by his older brother, Josh, a formidable man and coach who groomed many of Omaha’s top athletes from the inner city.
Bob Gibson may be The Man, but Josh was a legend in his own time as a coach of touring youth teams (the Monarchs and Travelers) out of North Omaha’s YMCA.
“He was a terrific coach. If you were anything in athletics, you played for those teams under Josh Gibson,” Boozer said.
Others agreed.
“Josh was the one that guys like myself looked up to,” said Ron Boone. Jim Morrison said Josh had “the ability to elicit the best out of young potential stars. He started with the head down, not the body up. He taught you how to compete by teaching the fundamentals. It’s obvious it worked because his brother went on to be a great, great athlete.”
Josh Gibson is part of a long line of mentors, black and white, who strongly affected inner city athletes. Others included Logan Fontenelle rec center director Marty Thomas, the North O Y’s John Butler, Woodson Center director Alice Wilson, Bryant Center director John Nared and coaches Bob Rose of Howard Kennedy School, Neal Mosser of Tech, Frank Smagacz of Central, Cornie Collin of South, Carl Wright and Lonnie McIntosh of the North O Boys Club, Richard Nared and Co. with the Midwest Striders track program, Forest Roper with the Hawkettes hoops program, Petie Allen with the Omaha Softball Association, and Joe Edmonson of the Exploradories Wrestling Club. Each commanded respect, instilled discipline and taught basics.
Mosser, Tech’s fiery head hoops coach for much of the ‘50s and ‘60s, coached Boozer and Gibson along with such notables as Fred Hare, whom Boone calls “one of the finest high school basketball players you’d ever want to see,” Bill King and Joe Williams. A hard but fair man, Mosser defied bigoted fans and biased officials to play black athletes ahead of whites.
“Neal Mosser fought a tremendous battle for a lot of us minority kids,” McIntosh said. “He and Cornie Collin. At that time, you never had five black kids on the basketball court at the same time.”
But they did, including a famous 1954 Tech-South game when all 10 kids on the court were black.
“Their jobs were on the line, too,” McIntosh said of the two coaches.
Wherever they live, athletes will always hear about a real comer to the local scene. Like when Josh Gibson’s little brother, Bob, began making a name for himself in hoops.
The buzz was, “This kid can really jump, man,” Lonnie McIntosh recalled. “He had to duck his head to dunk.” But nobody could hang like Marion Hudson, an almost mythic-like figure from The Hood who excelled in soccer, baseball, football, basketball and track and field. Former Central High athlete Richard Nared said, “Marion was only 6’0, but he’d jump center, and go up and get it every time. The ref would say, ‘You’re jumping too quick,’ and Marion would respond, ‘No, you need to throw the ball higher.’”
Admirers and challengers go to look over or call out the young studs. Back in the day, the proving grounds for such showcases and showdowns included Kountze Park, Burdette Field, the North O YMCA, the Logan Fontenelle rec center, the Kellom Center and the Woodson Center. Later, the Bryant Center on North 24th became the place to play for anyone with game, Boone said.
“I mean, the who’s-who was there. We had teams from out west come down there to play. There was a lot of competition.”
Black Omaha flourished as a hot bed of talent in football, basketball, baseball and track and field. At a time when blacks had few options other than a high school degree and a minimum-wage job, and even fewer leisure opportunities, athletics provided an escape, an activity, a gateway. In this highly charged arena, youths proved themselves not by gang violence but through athletic competition. Blacks gravitated to sports as a way out and step up. Athletics were even as a mode of rebellion against a system that shackled them. Athletic success allowed minority athletes to say, oh, yes, I can.
“Back in the ‘50s and early ‘60s the racial climate was such we had nothing else to really look forward to except to excel as black athletes,” said Briscoe. “In that era, we didn’t get into sports with that pipe dream of being a professional athlete. Mainly, it was a rite of passage to respect and manhood. We were told, ‘You can’t do anything with your life other than work in the packing house.’ We grew up seeing on TV black people getting hosed down and clubbed and bitten by dogs and not being able to go to school. So sports became a way to better ourselves and hopefully bypass the packing house and go to college.”

Richard Nared, a former track standout at Central, said speed was the main barometer by which athletic ability was gauged.
“Mostly, all the guys had speed. You were chosen that way to play. The guys that were the best and fastest were picked first,” he said.
Toughness counted for something, too, but speed was always the separating factor.
“You had to be able to fight a little bit, too. But, yeah, you had to be fast. You were a second class citizen if you couldn’t run,” Bob Gibson said.
And second class wasn’t good in such a highly competitive community.
“The competition was so strong Bob Boozer did not make the starting five on the freshman basketball team I played on at Tech,” Jim Morrison said.
It was so strong that Gale Sayers was neither the fastest athlete at Central nor at home, owing to older brother Roger, an elite American sprinter who once beat The Human Bullet, Bob Hayes. Their brother, Ron, who played for the NFL’s San Diego Chargers, may also have been faster than Gale.
The competition was so strong that Ron Boone, who went on to a storied college and pro hoops career could not crack Tech’s starting lineup until a senior.
Bob Boozer, remembered today as a sweet-shooting, high-scoring, big-rebounding All-America power forward at Kansas State and a solid journeyman in the NBA, did not start out a polished player. But he holds the rare distinction of winning both Olympic gold as a member of the U.S. squad at the 1960 Rome Games, and an NBA championship ring as 6th man for the 1971 Milwaukee Bucks.
Boozer showed little promise early on. After a prodigious growth spurt of some six inches between his sophomore and junior years in high school, Boozer was an ungainly, timid giant.
“I couldn’t walk, chew gum and cross the street at the same time without tripping,” he said.
Hoping to take advantage of his new height, Boozer enlisted John Nared, a friend and star at arch-rival Central, and Lonnie McIntosh, a teammate at Tech, to help his coordination, conditioning, skills and toughness catch up to his height.
“Lonnie was always a physical fitness buff. He would work me out as far as strength and agility drills,” Boozer recalled. “And John was probably one of the finest athletes to ever come out of Omaha. He was a pure basketball player. John and I would go one-on-one. He was 6’3. Strong as a bull. I couldn’t take him in the paint. I had to do everything from a forward position. And, man, we used to have some battles.”
Boozer dominated Nebraska prep ball the next two years and, in college, led the KSU Wildcats to national glory. When Boozer prepared to enter the NBA with the Cincinnati Royals, he again called-on Nared’s help and credits their one-on-one tussles with teaching him how to play against smaller, quicker foes. The work paid off, too, as Boozer became a 20-point per game scorer and all-star with the Chicago Bulls.
Around the time Boozer made a name for himself in the NBA, Don Benning took over then-Omaha U.’s lowly wrestling program. He was the first black head coach at a predominantly white university. Within a few years, Benning , a North High and UNO grad who competed in football and wrestling, built the program into the perennial power it remains today. He guided his 1969-70 squad to a national NAIA team championship, perhaps the first major team title won by a Nebraska college. His indomitable will led a diverse mix of student-athletes to success while his strong character steered them, in the face of racism, to a higher ground.
After turning down big-time coaching offers, Benning retired from athletics in his early 30s to embark on a career in educational administration with Omaha Public Schools, where he displayed the same leadership and integrity he did as a coach.
The Central High pipeline of prime-time running backs got its start with Roger and Gale Sayers. Of all the Eagle backs that followed, including Joe Orduna, Keith “End Zone” Jones, Leodis Flowers, Calvin Jones, Ahman Green and David Horne, none quite dazzled the way Gale Sayers did. He brandished unparalleled cutting ability as an All-American running back and kick returner at Kansas University and, later, for the Chicago Bears. As a pro, he earned Rookie of the Year, All-Pro and Hall of Fame honors.
Often overlooked was Gale’s older but smaller brother, Roger, perhaps the fastest man ever to come out of the state. For then-Omaha U. he was an explosive halfback-receiver-kick returner, setting several records that still stand, and a scorching sprinter on the track, winning national collegiate and international events. When injuries spoiled his Olympic bid and his size ruled out the NFL, he left athletics for a career in city government and business.

Ron Boone
Ron Boone went from being a short, skinny role player at Tech to a chiseled 6’2 star guard at Idaho State University, where his play brought him to the attention of pro scouts. Picking the brash, upstart ABA over the staid, traditional NBA, Boone established himself as an all-around gamer. He earned the title “iron man” for never missing a single contest in his combined 13-year ABA-NBA career that included a title with the Utah Stars. His endurance was no accident, either, but rather the result of an unprecedented work ethic he still takes great pride in.
Marlin Briscoe was already a pioneer when he made small college All-America as a black quarterback at mostly white Omaha U., but took his trailblazing to a new level as the NFL’s first black QB. Pulled from cornerback duty to assume the signal calling for the Denver Broncos in the last half of his 1968 rookie season, he played big. But the real story is how this consummate athlete responded when, after exhibiting the highly mobile, strong-armed style now standard for today’s black QBs, he never got another chance behind center. Traded to Buffalo, he made himself into a receiver and promptly made All-Pro. After a trade to Miami, he became a key contributor at wideout to the Dolphins two Super Bowl winning teams, including the perfect 17-0 club in 1972. His life after football has been a similar roller-coaster ride, but he’s adapted and survived.
Finally, there is the king of bling-bling, Johnny Rodgers, the flamboyant Nebraska All-American, Heisman Trophy winner and College Football Hall of Fame inductee. Voted Husker Player of the Century and still regarded as one of the most exciting, inventive broken field runners, Rodgers is seemingly all about style, not substance. Yet, in his quiet, private moments, he speaks humbly about the mysteries and burdens of his gift and the disappointment that injuries denied him a chance to strut his best stuff in the NFL.
Other, less famous sports figures had no less great an impact, from old-time football stars like Charles Bryant and Preston Love Jr., to more recent gridiron stars like Junior Bryant and Calvin Jones, right through Ahman Green. In 2003, Green, the former Nebraska All-American and current Green Bay Packers All-Pro, rushed for more yards, 1,883, in a single season, than all but a handful of backs in NFL history, shattering Packers rushing records along the way.
Hoops stars range from John Nared, Bill King, Fred Hare and Joe Williams in the ‘50s and ‘60s to Dennis Forrest, John C. Johnson, Kerry Trotter, Mike McGee, Ron Kellogg, Cedric Hunter, Erick Strickland, Andre Woolridge, Maurtice Ivy and Jessica Haynes in the ‘70s, ‘80s, and ‘90s. After torrid prep careers, King, Nared, Hare and Williams had some college success. The others starred for Division I programs, except for Forrest, who starred at Division II UNO. Ex-NU star Strickland made the NBA, where he’s still active.
The prolific McGee, who set Class A scoring marks at North and topped the University of Michigan’s career scoring chart, played on one of Magic Johnson’s-led Lakers title teams in the ‘80s. Ivy made the WBA. Others, like Woolridge, played in Europe.

Multi-sport greats have included Marion Hudson, Roger Sayers and Mike Green from the ‘60s and Larry Station from the ‘70s, all of whom excelled in football. A Central grad, Hudson attended Dana College in Blair, Neb. where he bloomed into the most honored athlete in school history. He was a hoops star, a record-setting halfback and a premier sprinter, long-jumper and javelin thrower, once outscoring the entire Big Seven at the prestigious Drake Relays.
He was the Lincoln Journal Star’s 1956 State College Athlete of the Year.
Among the best prep track athletes ever are former Central sprinter Terry Williams, Boys Town distance runner Barney Cotton, Holy Name sprinter Mike Thompson, Creighton Prep sprinter/hurdler Randy Brooks and Central’s Ivy.
The elite wrestlers are led by the Olivers. Brothers Archie Ray, Roye and Marshall were state champs at Tech and collegiate All-Americans. Roye was an alternate on the ’84 U.S. Olympic wrestling team. The latest in this family mat dynasty is Archie Ray‚s son Chris, a Creighton Prep senior, who closed out a brilliant career with an unbeaten record and four state individual titles.
Joe Edmonson developed top wrestlers and leaders at his Exploradories Wrestling Club, now the Edmonson Youth Outreach Center. Tech’s Curlee Alexander became a four-time All-American and one-time national champ at UNO and the coach of seven state team championships, including one at Tech, where he coached the Oliver brothers, and the last six at North. And Prep’s Brauman Creighton became a two-time national champ for UNO.
A few black boxers from Omaha made their mark nationally. Lightweight prizefighter Joey Parks once fought a draw with champ Joe Brown. A transplanted Nebraskan via the Air Force, Harley Cooper was a two-time national Golden Gloves champion out of Omaha, first as a heavyweight in 1963 and then as a light heavyweight in 1964. He was slated for the 1964 U.S. Olympic Team as light heavyweight at the Tokyo Games and sparred with the likes of Joe Frazier, when, just before leaving for Japan, a congenital kidney condition got him scratched. Despite offers to turn pro, including an overture from boxing legend Henry Armstrong, Cooper opted to stay in the military. Lamont Kirkland was a hard-hitting terror during a light heavyweight amateur and pro middleweight career in the ’80s.
With the advent of Title IX, girls-women’s athletics took-off in the ‘70s, and top local athletes emerged. Omaha’s black female sports stars have included: Central High and Midland Lutheran College great Cheryl Brooks; Central High and NU basketball legend Maurtice Ivy, a Kodak All-America, WBA MVP and the founder-director of her own 3-on-3 Tournament of Champions; Ivy’s teammate at Central, Jessica Haynes, an impact player at San Diego State and a stint in the WNBA; Maurtice’s little sister, Mallery Ivy Higgs, the most decorated track athlete in Nebraska prep history with 14 gold medals; Northwest High record-setting sprinter Mikaela Perry; Bryan High and University of Arizona hoops star Rashea Bristol, who played pro ball; and NU softball pitching ace Peaches James, a top draftee for a new pro fastpitch league starting play this summer.
The stories of Omaha’s black sports legends contribute to a vital culture and history that demand preservation. This ongoing, 12-part series of profiles is a celebration of an inner city athletic lore that is second to none, and still growing.
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Making the Case for a Nebraska Black Sports Hall of Fame
When I wrote this piece several years ago the Nebraska Black Sports Hall of Fame was a concept, not a reality, but I am happy to report that much of its vision has been realized. The men behind the hall, Ernie Britt and Robert Faulkner, know better than most that the state has produced and been a proving ground for an impressive gallery of accomplished black athletes for the better part of a century but that little formal recognition existed commemorating their accomplishments. Britt and Faulkner thought the time long overdue to organize a hall that gives these high achievers a permanent place of honor, particularly when many African-American youths today do not know about these greats and could draw inspiration from them. The founders also wanted to make the hall a vehicle for honoring top black prep athletes of today and for showcasing their talents. The hall’s early inductees include figures whose names are familiar to anyone, anywhere with more than a passing knowledge of sports history: Bob Gibson, Bob Boozer, Gale Sayers, Ron Boone, Marlin Briscoe, Johnny Rodgers. They are all Omaha natives. But the hall is open to any black athlete, male or female, who made their mark in Nebraska, even if they just went to school here or played professionally here. Thus, this expanded pool of honorees encompasses figures like Bob Brown, Paul Silas, Charlie Green, Nate Archibald, Mike Rozier, Will Shields, and Tommy Frazier. There have been several induction classes by now and I must admit that each year there’s someone I didn’t know about before or had forgotten about, and that’s why the organization and its recogniton is so important – it educates the public about individuals deserving our attention. Britt and Faulkner, by the way, are inducted members of the hall themselves: the former as an athlete and the latter as a coach.


Making the Case for a Nebraska Black Sports Hall of Fame
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
Robert Faulkner feels it’s a shameful thing African American visitors to Omaha, much less area residents, can barely point to a single venue where local black achievements hold a place of honor. As the native Omahan is quick to note, the black community here can claim many accomplished individuals as its own. These figures encompass the breadth of human endeavor. But perhaps none are more impressive than the athletic greats who excelled in and out of Omaha’s inner city.
“What do you have for some of the greatest athletes that have ever walked the playing fields or the courts? Where can you see them up on a pedestal? There is nothing,” Faulkner said. “You’re talking about some of the greatest athletes in the world right from here,” said his lifelong friend Ernie Britt III, who rattled off the names Bob Gibson, Bob Boozer, Gale Sayers, Ron Boone, Marlon Briscoe, Johnny Rodgers and Ahman Green as a sampling of Omaha’s black athletic progeny.
The distinguished list grows larger when you include area coaches (Don Benning at UNO) and talents who came to coach (Willis Reed at Creighton) or compete (Mike Rozier at Nebraska, Nate Archibald with the Kansas City/Omaha Kings, etc.).
All of this is why Faulkner and Britt recently formed the Nebraska Black Sports Hall of Fame (NBSHF). The grassroots non-profit is a hall of fame in name only thus far, but that doesn’t stop these former athletes from sharing their vision for the real thing — a brick-and-mortar hall where folks can learn a history otherwise absent.
“It’s about remembering and promoting legacy and culture,” Faulkner said. “Our kids need to realize there are people they can look up to. There are people we looked up to. And these heroes…can live on. In our community pur kids don’t have those kinds of heroes because they’re never promoted anymore. They’re forgotten about. None of their exploits outside athletics is publicized. If they didn’t reach the highest levels in sport, then even their athletic exploits fade.”
He and Britt maintain there’s a serious disconnect between today’s black youths and the local athletic legends that could serve as role models. They sense even young athletes don’t know the greats who preceded them.
“Right now you walk into any school or onto any playground and go up to the finest athlete and throw out those names to him or her, and they don’t know what you’re talking about,” Faulkner said. “They don’t know who Bob Boozer is, and that’s the best basketball player ever from here. An all-state and all-American, an Olympic gold medalist, a first-round draft choice, an NBA champion.” They don’t even know who Johnny Rodgers is, and he’s a Heisman Trophy winner.
“They don’t know because there’s no center or vehicle or forum where kids can be exposed to this history. That’s what we don’t have and trying to develop the Nebraska Black Sports Hall of Fame is one of the things we need to do so our kids can see the legacy of people who did all these things.”
Faulkner, an Omaha Public Schools specialist, said his 35-year career as an educator/coach of high risk youth has taught him “our kids right now need people they can look up to. We have to really show them there is something to work for and to word toward and to work beyond. So exposing them to things our people have achieved is something our culture needs. You’re supposed to know heritage, you’re supposed to know legacy, you’re supposed to have heroes. You’re supposed to honor the people who paved the way in order to keep your culture going.”
Aside from heroes they might be introduced to, he said visitors to a hall might well see a family member, friend or old schoolmate, coach or teacher feted there. Other than small displays at the Durham Western Heritage Museum and at the now closed Great Plains Black History Museum, he said, “there hasn’t been anything in terms of trying to get that exposure out there.” The Durham’s in the midst of a permanent gallery reorganization that is to include an Omaha Sports Hall of Fame.
Strapped for resources, the NBSHF’s still more concept than reality. During its first public event, a metro all-star high school basketball game at North High on June 10, Congressman and former Nebraska football coach Tom Osborne spoke at halftime and four area students received athlete of the year awards. Proceeds went to a fund the group hopes to tap for the hall’s future home.
“Getting a building is very, very important because if you don’t have a place of enshrinement you don’t have a hall of fame,” Faulkner said. “So we need a place to enshrine names” and display plaques and memorabilia. Until a permanent site is secured, he and Britt say the North Omaha Boys & Girls Club has agreed to provide temporary space. No date’s set for when the hall’s first displays will go up there.
The two men are future hall enshrinees themselves. As head football, basketball and track coach at Dominican, later, Father Flanagan High Schools, Faulkner consistently produced winning teams. Britt was an all-state football and basketball player and a gold medalist sprinter at Omaha Tech High.
Once a home for the hall’s found, Faulkner wants to honor men/women who’ve succeeded in and out of athletics, people like Boozer, Rodgers, Mike Green, Dick Davis, Larry Station, Paul Bryant, Maurtice Ivy. “I think it would be very good for the entire Omaha community to see these fantastic success stories,” he said. Realizing this “will be an uphill battle, he concedes, “but the fact is we’re going to keep trying because we know it’s important.” “We’re going to make it,” Britt said.
The pair plan to produce a booklet that lets potential donors see the vision for the hall on paper. A website is also planned. New fundraisers are in the works. Tax deductible gifts or memorabilia donations can be made by phone 250-0383 or by mail to Nebraska Black Sports Hall of Fame, P.O. Box 19417, Omaha, Neb., 68119.
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Bob Boozer, Basketball Immortal (from my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness)

Bob Boozer
UPDATE: It is with a heavy heart I report that the hoops legend subject of this story, Bob Boozer, passed away May 19. As fate had it, I had a recent encounter with Boozer that ended up informing a story I was working on about comedian Bill Cosby. Photographer Marlon Wright and I were in Cosby’s dressing room May 6 when Boozer appeared with a pie in hand for the comedian. As my story explains, the two went way back, as did the tradition of Boozer bringing his friend the pie. You can find that story on this blog and get a glimpse through it of the warm regard the two men had for each other. For younger readers who may not know the Boozer name, he was one of the best college players ever and a very good pro. He had the distinction of playing in the NCAA Tournament, being a gold medal Olympian, and winning an NBA title.
Unless you’re a real student of basketball history, chances are the name Bob Boozer doesn’t exactly resonate for you. But it should. The Omaha native is arguably the best basketball player to ever come out of Nebraska and when he decided to spurn the University of Nebraska for Kansas State, it was most definitely the Huskers’ loss and the Wildcats’ gain. At KSU Boozer became an All-American big man who put up the kind of sick numbers that should make him a household name today. But he starred in college more than 50 years ago, and while KSU was a national power neither the team nor Boozer ever captured the imagination of the country the way, say, Cincinnati and Oscar Robertson did in the same era. But hoop experts knew Boozer was a rare talent, and he proved it by making the U.S. Olympic team, the orignal Dream Team, that he helped capture gold in Rome. And in a solid, if not spectacular NBA career he made All-Pro and capped his time in the league as the 6th man for the Milwaukee Buck’s only title.
Boozer retired relatively young and unlike many athletes he prepared for life after sports by working off-seasons in the corporate world, where he landed back in his hometown after leaving the game. If you look at the body of his work in college, he should be a sure fire college basketball hall of fame inductee, but somehow he’s been kept out of that much deserved and long overdue honor. The fact that he helped the U.S. win Olympic gold and also earned an NBA title ring puts him in rare company and makes a pretty strong case for NBA Hall of Fame consideration. Some measure of validation happened this week when the 1960 Olympic team was enshrined in the Naismith Memorial Basketball Hall of Fame.

Boozer with the Seattle Sonics
Bob Boozer, Basketball Immortal (from my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness)
©by Leo Adam Biga
Originally published in the New Horizons and later reprinted in The Reader (www.thereader.com) as part of my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness
Omahan Bob Boozer chartered a bus to Manhattan for a February 5 engagement with immortality. By the way, that’s Manhattan, Kansas, where 50 of his closest friends and family members joined him to see his jersey retired at half-time of the Kansas State men’s basketball game.
In case you didn’t know, Boozer is a Wildcat hoops legend. In the late-1950s, he was a dominant big man there. In each of his three years, he was first team all-conference. He was twice a concensus first-team All-American. And that doesn’t even speak to his elite-level AAU play, his winning an Olympic gold medal on the original “Dream Team” and his solid NBA career capped by a championship.
Unless you’re a serious student of the game or of a certain age, the name Bob Boozer may only be familiar as one adorning a road in his hometown. But, in his time, he was the real deal. He had some serious game. He overwhelmed opponents as an all-everything pivot man at Omaha Technical High from 1952-55, earned national accolades as a high-scoring, fierce-rebounding forward at K-State from 1955-59, led an AAU squad to a title, played on the legendary 1960 U.S. Olympic basketball squad and was a member of the 1971 NBA champion Milwaukee Bucks. It’s a resume few can rival.
“There’s very few guys that really had it all every step of the way, like I did. All City. All State. All Conference. All-American. Olympic gold medal. NBA world championship. Those are levels everybody would like to aspire to but very few have the opportunity,” he said.
He is, arguably, the best player not in the college hoops hall of fame. He is, by the way, in the Olympic Hall of Fame. His collegiate credentials are unquestionable. Take this career line with the Wildcats: 22 points and 10 rebounds a game. And this came versus top-flight competition, including a giant named Wilt at arch-rival Kansas, when K-State contended for the national title every year. If anything, the Feb. 5 tribute is long overdue.
Of his alma mater feting him, he said, “It’s quite an honor to have your jersey retired. That means in the history of that school you have reached the pinnacle.”
The pinnacle is where Boozer dreamed of being. His Olympic experience fulfilled a dream from his days at the old North YMCA, mere blocks from his childhood home at 25th and Erskine. Then, he reached the pinnacle of his sport in the NBA. A starter most of his pro career, he was a productive journeyman who could be counted on for double figures in points and rebounds most nights. His career NBA averages are 14.8 points and 8.1 rebounds a game. The 6’8 Boozer played in the ‘68 NBA All-Star game, an honor he just missed other years. He led the Chicago Bulls in scoring over a three-year period. He was the Bucks’ valuable 6th man in their title run.
Still, he was more a role player than a leading man. His game, like his demeanor, was steady, not sensational. He was, in his own words, “a blue-collar worker.” He could shoot like few other men his size, utilizing deadly jumpers and hook shots.
“I was a good player. I would make you pay if you made a mistake. I could move out for the jump shot and the hook shot or make a quick move for a layup,” he said.
While he admires the athleticism of today’s players, he doesn’t think much of their basic skills.
“We could flat-out outshoot these kids today. We worked awfully hard at being able to shoot the jump shot. I used to always say that a 15- to 18-foot jump shot is just like a layup. That was my mind set — that if I got it clear, it was going down.”
He perfected his shot to such a degree that in practice he could find his favorite spots on the court and nail the ball through the hoop with his eyes closed.
“It’s just something that with thousands and thousands of repetitions gets to be automatic. And when I shot I always used to try to finger the ball for the seams and to swish it because if the ball left my hand with a backward rotation and went through the net, it would hit the floor and come right back to you. That way, when you’re shooting by yourself, you don’t have to run after the ball very much,” he said, chortling with his booming bass voice.
Unlike many players who hang around past their peak, once Boozer captured that coveted and elusive ring, he left the game.
“I had made up my mind that once I walked, I walked, and would never look back. Besides, your body tells you when it’s getting near the end. I started hating the training camps a little more. The last few years I knew it was coming to an end,” he said. “The championship season with the Bucks was the culmination of my career. It was great.”
Indeed, he left without seeking a coaching or front office position. The championship was made sweeter as he shared it with an old pal, Oscar Robertson. As players, they were rivals, teammates and friends. Both were college All-Americans for national championship contending teams. As a junior, Boozer and his KSU Wildcats eliminated “The Big O” and his Cincinnati Bearcats from the 1957-58 NCAA quarterfinals. The next year Robertson turned the tables on Boozer by knocking the No. 1-ranked ‘Cats out of the regionals.
The two were teammates on the 1960 US Olympic basketball team, considered by many the best amateur basketball talent ever assembled. Besides Boozer and Robertson, the team featured future NBA stars Jerry West, Jerry Lucas and Walt Bellamy. It destroyed all comers at the Rome games, winning by an average margin of 34-plus. Then Boozer and Robertson were reunited with the Cincinnati Royals. Cincy was the site of some fat times for Boozer, who was popular and productive there. It’s also where he met his wife, Ella. The couple has one grown child and one grandchild.
After a trade to the New York Knicks that he protested, Boozer bounced around the league. He played a few years with the expansion Chicago Bulls, where he enjoyed his biggest scoring seasons — averaging about 20 points a game. He led the Bulls to the playoffs in their inaugural season — the first and last time a first-year expansion team did that.

A card from his time withe Cincinnati Royals
He had one happy season with the Los Angeles Lakers, spelling the great Elgin Baylor, before he joined Robertson in Milwaukee. With the incomparable Kareem Abdul-Jabbar at center, smooth Bob Dandridge at forward, playmaker Robertson at guard and the steady Boozer coming off the bench (he averaged 9 points and 5 boards), the Bucks, in only their second year, blew away opponents en route to a 66-16 regular season mark. They captured the franchise’s first and only championship by sweeping the Baltimore Bullets in four games.
By then, Boozer was 34 and a veteran of 11 NBA seasons with five different teams. He left the league and his then-lofty $100,000 salary to build a successful career off the court with the former Northwestern Bell-US West, now called Qwest.
Now retired from the communications giant, the 67-year-old Boozer enjoys a comfortable life with Ella in their spacious, richly adorned Pacific Heights home in Omaha, a showplace he refers to as “the fruits of my labor.” He moves stiffly from the wear and tear his body endured on the hardcourt those many years. His inflamed knee joints ache. But he recently found some relief after getting a painful hip replaced.
With his sports legacy secured and his private life well-ordered, his life appears to have been one cozy ride. Viewed more closely, his journey included some trying times, not least of which was to be denied the chance to buy a home in some of Omaha’s posher neighborhoods during the late 1960s. The racism he encountered made him angry for a long time, but in the end he made peace with his hometown.
Boozer grew up poor in north Omaha, the only son of transplanted Southerners. His father worked the production line and cleanup crew at Armour’s Packinghouse. His mother toiled as a maid at the old Hill Hotel downtown. Neither got past the 9th grade and these “God-fearing, very strict” folks made sure Bob and his older sister understood school was a priority.
“They knew racial prejudice and they said education was the way out. Their philosophy was, you kids will never have to work as hard as we did if you go get your education. We had to get good grades,” Boozer said. “My junior year in high school my mother and dad set my sister and I down and said, ‘We‚ve got enough money to send your sister to Omaha U. (UNO). You’re on your own, Bob.’ Well, it just so happened I started growing and I started hitting the basket and I figured I was probably going to get a basketball scholarship, and that came to fruition.”
No prodigy, Boozer made himself into a player. That meant long hours at the YMCA, on playgrounds and in school gyms. His development was aided by the stiff competition he found and the fine coaching he received. He came along at a time when north Omaha was a hotbed of physical talent, iron will and burning desire.
“That was a breeding ground,” he said. “All the inner city athletes were always playing ball. All day long. All night long. If you were anything in athletics, you played for the Y Travelers, a basketball team, or the Y Monarchs, a baseball team, under Josh Gibson (Hall of Fame pitcher Bob Gibson’s older brother), who was a fine coach.”

Boozer, #20, in front row, in NBA champion Milwaukee Bucks team photo
Boozer said he spent so much time at the Y that its executive director, John Butler, “used to let me have the keys to the place. Butler provided the arena where I could work out and become an accomplished player and Josh Gibson provided the opportunity to play with older players.”
He said his dedication was such that while his buddies were out dating, “I was shooting hoops. It was a deep desire to excel. I always wanted to be a basketball player and I always wanted to be one of the best. I realized too at an early age athletics could provide me with an education.”
Athletics then, like now, were not merely a contest but a means of self-expression and self-advancement. Boozer was part of an elite lineage of black athletes who came out of north Omaha to make their mark. Growing up amid this athletic renaissance, he emulated the older athletes he saw in action, eventually placing himself under the tutelage of athletes like Bob Gibson — or “Gibby” as Boozer calls his lifelong friend, who is a year his senior. They were teammates one year each with the Y Travelers and at Tech.
“Some of the older athletes worked with me and showed me different techniques. In the inner city we basically marveled at each other’s abilities. There were a lot of great ballplayers. We rooted for each other. We encouraged each other. We were there for each other. It was like an inner city fraternity,” Boozer said. “I used to sit in the stands at Burdette Field and watch ‘Gibby’ pitch. As good a baseball player as he was, he was a finer basketball player. He could play. He could get up and hang.”
By the time Boozer played for Tech coach Neal Mosser, he was a 6’2” forward with plenty of promise but not yet an impact player. No one could foresee what happened next.
“Between my sophomore and junior years I grew six inches. With that extra six inches I couldn’t walk, chew gum and cross the street at the same time without tripping,” Boozer said. “That’s when I enlisted my friends, Lonnie McIntosh and John Nared, to help me. Lonnie, a teammate of mine at Tech, was a physical fitness buff, and John, who later played at Central, was probably one of the finest athletes to ever come out of Omaha.
“We’d go down to the Y every week. Lonnie would put me through agility drills on some days and then John and I would go one-on-one other days. John was only 6’3” but strong as a bull. I couldn’t take him in the post. I had to do everything from a guard-forward position. And, man, we used to have some battles.”
By his junior season Boozer was an imposing force — a big man with little-man skills. He could not only post-up down low to score, rebound and block shots, he could also shoot from outside, drive the lane and run the floor. With Boozer in the middle and a talented supporting cast around him, Tech was a powerhouse comprised mainly of black starters when that was rare. Then came the state tournament in Lincoln, and the bitterness of racism was brought home to Boozer and his mates.
“We had the state championship taken away from us in 1955. We played Scottsbluff. We figured we were the better team. I was playing center and I literally had guys hanging on me. The referees wouldn’t call a foul. I’d say, ‘Ref, why don‚t you call a foul?‚ and all I heard was, ‘Shut up and play ball,’ he said. “On one play, Lonnie McIntosh stole the ball and was dribbling down the sideline when one of their guys stuck his foot out and tripped him. There was Lonnie sprawled out on the floor and the referee called traveling and gave the ball to Scottsbluff. I will never forget that.
“We were outraged, but what could we do? If we had really got on the refs we’d have got a technical foul. So we had to suck it up and just play the best we could and hope we could beat ‘em by knocking in the most shots.”
Tech lost the game on the scoreboard but Boozer said players from that Scottsbluff team have since come up to him and admitted the injustice done that day. “It’s a little late,” he tells them. According to Boozer, Tech bore the brunt of discrimination in what should have been color-blind competition.
“Tech High always used to get the shaft, particularly in the state tournament.” He said Mosser, whom he regards as one of Nebraska’s finest coaches, helped him deal with “the sting of racism” by instilling a certain steeliness.
“Neal was a real disciplinarian. And he used to always tell us that life was not going to be easy. That you‚ve got to forge ahead.”
That credo was tested when Boozer became a hot recruit his senior year but was rejected by his top choice, the University of Iowa.
“Neal showed me a letter that Iowa coach Bucky O’Connor wrote telling him he had his quota of black players. “Neal said, ‘Bob, these are things you’re going to have to face and you’ve just got to persevere in spite of it.’ It hardens you. It makes you tougher.’”
Kansas was in the running until Wilt Chamberlain signed to play there. Boozer settled on Kansas State, where he made a name for himself and the Wildcats. Under coach Tex Winter, Boozer was the go-to-guy in the triangle post, an offense made famous years later by Michael Jordan and the Chicago Bulls.
“A lot of plays flashed across the middle. We had a double screen where I’d start underneath and come back. The off forward and guard would come down and pinch and I’d brush my guy off into them and pop out for my jump shot.”
During his three-year varsity career, the Cats went 62-15 and won two Big Eight titles. Boozer was unstoppable. His 25.6 scoring average as a senior remains a single-season record. He ranks among KSU’s all-time leaders in points and boards.
In a famous 1958 duel for league, intrastate and national bragging rights, he led a 75-73 double overtime win over Wilt Chamberlain and KU in Manhattan. He outscored Wilt 32 to 25.
“Nobody could go one-on-one with Wilt. He was just too powerful. From his waist up he was almost like a weight lifter. You always had to be aware of where he was because he’d knock the ball in the 13th row. I had one move where I’d face him and fake him and he’d take a step back and I would do a crossover hook shot. He’d be up there with it and always miss it by about like that,” Boozer said, holding his index finger and thumb an inch apart. “I’d say, ‘In your face, big fella.’ And he’d say, ‘I’ll get you next time.’ Wilt and I always enjoyed each other.”
After his banner senior year the NBA came calling, with the Cincinnati Royals making Boozer the No. 1 overall draft pick, but Boozer had other ideas.
“I delayed going pro one year to keep my amateur standing and get a shot at the Olympic Trials.”
To stay sharp he played a year with the Peoria Cats of the now-defunct National Industrial Basketball League, an AAU-sanctioned developmental league not unlike today’s CBA or NBDL. Boozer worked at the Caterpillar Tractor Co. by day and played ball at night. He led his team to the NIBL title, which qualified the team and its players to showcase their talents at the Olympic Trials in Denver. Boozer and a teammate made the grade. The Rome Olympics are still among his personal highlights.
“I was a history buff and just the idea of being on the Appian Way, where the Caesars trod, and all the beauty of Rome — it was magnificent. And winning the gold medal for my country was very, very meaningful.”
Even after entering the NBA, Boozer honed his game in the off-season back home with John Nared in one-on-one duels at the Y. “If he could guard me, as small and quick as I was, he could guard anybody in the NBA,” Nared said.

“We used to go out and get dinner, go back to our rooms, light up some cigars, pop open some beers and talk basketball until the wee hours of the morning.”
Boozer prepared for post-hoops life years before he retired by participating in a summer management training program with the phone company. By the time he quit playing ball, he had a job and career waiting.
“You see, I never forgot how my mom and dad stressed getting an education and looking after your family.”
In 1997, he retired after 27 years as a community affairs executive and federal lobbyist with the communications company. Restless in retirement, he accepted an appointment that year from then-Gov. Ben Nelson to the Nebraska Parole Board. Gov. Mike Johanns reappointed him to a new six-year term running through 2006. Boozer enjoys his work.
“It’s almost like being a counselor. I’ll pull an offender aside, especially a young male from the inner city, and have a common sense conversation with him, and most times he’ll listen. I think my athletic name helps me because most young males identify with an athlete.”
Boozer’s not just any ex-athlete. He’s an immortal.
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